Wesley Barry Ç”Μå½± Ä¸²È¡Œ (Å¤§Å…¨)

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Wesley Barry ç”µå½± ä¸²è¡Œ (å¤§å…¨) Bob Hampton of Placer https://zh.listvote.com/lists/film/movies/bob-hampton-of-placer-61450822/actors Johanna Enlists https://zh.listvote.com/lists/film/movies/johanna-enlists-3808913/actors The Country Kid https://zh.listvote.com/lists/film/movies/the-country-kid-16954278/actors Hot Curves https://zh.listvote.com/lists/film/movies/hot-curves-18150785/actors Rich Relations https://zh.listvote.com/lists/film/movies/rich-relations-7323424/actors The White Circle https://zh.listvote.com/lists/film/movies/the-white-circle-3220947/actors Sunny Skies https://zh.listvote.com/lists/film/movies/sunny-skies-17296461/actors Her Kingdom of Dreams https://zh.listvote.com/lists/film/movies/her-kingdom-of-dreams-3133361/actors The County Fair https://zh.listvote.com/lists/film/movies/the-county-fair-7727816/actors Amarilly of Clothes-Line https://zh.listvote.com/lists/film/movies/amarilly-of-clothes-line-alley-335683/actors Alley The Lotus Eater https://zh.listvote.com/lists/film/movies/the-lotus-eater-15916806/actors Wife, Doctor and Nurse https://zh.listvote.com/lists/film/movies/wife%2C-doctor-and-nurse-16028583/actors Dinty https://zh.listvote.com/lists/film/movies/dinty-5278744/actors School Days https://zh.listvote.com/lists/film/movies/school-days-48672826/actors The Thoroughbred https://zh.listvote.com/lists/film/movies/the-thoroughbred-22137032/actors Border Romance https://zh.listvote.com/lists/film/movies/border-romance-17622261/actors Rags to Riches https://zh.listvote.com/lists/film/movies/rags-to-riches-48673882/actors The Printer's Devil https://zh.listvote.com/lists/film/movies/the-printer%27s-devil-16254297/actors Lady Be Careful https://zh.listvote.com/lists/film/movies/lady-be-careful-20649240/actors The Plough and the Stars https://zh.listvote.com/lists/film/movies/the-plough-and-the-stars-2076128/actors https://zh.listvote.com/lists/film/movies/3772676/actors https://zh.listvote.com/lists/film/movies/%E6%91%A9%E5%A4%A9%E9%AB%98%E6%A5%BC- æ‘©å¤©é«˜æ¥¼ 2592510/actors https://zh.listvote.com/lists/film/movies/%E9%95%B7%E8%85%BF%E5%8F%94%E5%8F%94- é•·è…¿å” å” 2379797/actors.

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Heroes of the Street
Heroes of the Street US : 1922 : dir. William Beaudine : Warner Bros Silent : ? min prod: : scr: Edmund Goulding & Mildred Considine : dir.ph.: Wesley Barry; Joe Butterworth …………….………………………………………………………… Marie Prevost; Jack Mulhall; Wilfred Lucas; Aggie Herring; Phil Ford Ref: Pages Sources Stills Words Ω 8 M Copy on VHS Last Viewed 5237 2.5 1 2 758 - - - - - No unseen “Stick yer dukes up! ” – Wesley Barry takes on a boy at least half his size.. Source: Warner Bros Story The Warner Bros Story comment: policeman father’s murder. He was supported in his efforts by Marie Prevost as a wise- “ "HEROES OF THE STREET" was an cracking no-nonsense chorus girl. Also among early example of the sort of gangster drama the capable cast were Jack Mulhall, Wilfred that found its richest expression less than a Lucas, Aggie Herring, Joe Butterworth and decade later. It was directed by William Phil Ford.” Beaudine from Edmund Goulding and Mildred Considine’s screenplay taken from the play by Lee Parker. Wesley Barry played a young lad who sets out to solve the riddle of his Director Beaudine sizes up Wesley Barry on the set Source: The Warner Bros Story Excerpt from The Moving Picture Boy entry out of a part than Wesley does out of Sticker, on Wesley Barry: neither the screen nor the stage has any record of the event." “Mickey Rooney’s predecessor as Boy of the People was also red-haired, but skinnier and During 1920 Wesley got his first incon- more elfish, the son of a grocer. He was trovertible lead in the title role of "PENROD", discovered by Marshall Neilan, who was to a feature-length kid film based on the 1914 direct some of his best films.
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The Irish in American Cinema 1910 – 1930: Recurring Narratives and Characters
The Irish in American Cinema 1910 – 1930: Recurring Narratives and Characters THOMAS JAMES SCOTT, University of Ulster ABSTRACT This paper will consider cinematic depictions of the Irish between 1910 and 1930. American cinema during these years, like those that preceded them, contained a range of stereotypical Irish characters. However, as cinema began to move away from short sketches and produce longer films, more complex plots and refined Irish characters began to appear. The onscreen Irish became vehicles for recurring themes, the majority of which had uplifting narratives. This paper will discuss common character types, such as the Irish cop and domestic servant, and subjects such as the migration narrative, the social reform narrative and the inter-ethnic comedy. It will also briefly consider how Irish depictions in the 1910s and 1920s compared to earlier representations. While the emphasis will be on films viewed at archives, including the University of California, Los Angeles Film and Television Archive, or acquired through private and commercial sellers, the paper will also reflect on some films that are currently considered lost. KEYWORDS Irish, cinema, representation, stereotypes, migrants. Introduction Feature Productions’ early ‘talkie’ Irish Fantasy (Orville O. Dull, 1929) should be considered important for two reasons. One, it is one of the earliest Irish-themed musicals to survive in its entirety. Two, it was produced by William Cameron Menzies, who would go on to win an Academy Award for his production design on MGM’s Gone With the Wind (Victor Fleming, 1939). The film centres on an old Irish man explaining the meaning of the three leaves of the shamrock to his uninformed grandson, who remarks ‘sure they’re only weeds.’ The first leaf signifies what the Irish are, ‘happy-go-lucky with warm blood in our hearts.’ The second symbolises the big hearts of the Irish who were forced to migrate to America.
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Lost Silent Feature Films
List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 11/16/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916) Ableminded Lady,
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Associated First National Franchise (1921-1922)
NOVEMBER 15, 1921 THE VOLUME 1. No. 21 ASSOCIATED FIRST NATIONAL FRANCHISE Champion police A You’ll See Him dog, a prize winner in H. 0. Davis’ that will fill your 44 THE SILENT CALL” theatre. See page 8. An Extraordinary Picture $10 REWARD FOR ANY LIE OR MISSTATEMENT FOUND IN FRANCHISE Franchise Has a Guaranteed Circulation in Excess of 10,000 Theatres This Sounds Like a Fairy Tale But It’s The Gospel Truth! A certain amateur film enthusiast, who as yet prefers to remain unknown, decided to take a flier in the picture bus- iness on his own account. He is an ardent movie fan, he thought he knew how pictures should be made and was willing to back his judgment at no matter what cost. By an arrangement with us he engaged Marshall Neilan to direct the picture between his regular First National releases. As money didn't matter, he engaged John Barrymore to play the leading role. Neilan had a free hand on the pro- duction. He assembled a fine cast, including Wesley Barry, Anna Q. Nilsson, Coleen Moore, J. Barney Sherry and other well known film players. The vehicle selected was Albert Payson Terhune's story, "THE LOTUS EATER," the tale of a young man of twenty-five who saw a woman for the first time when he stepped off the palatial yacht upon which his millionaire father's will had held him prisoner. In our opinion the picture is one of the most dramatic, most beautiful, and altogether most perfect productions yet made. Associated First National Pictures, Inc.
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Marion Fairfax
Marion Fairfax Also Known As: Marion Marshall, Marion Tully Marshall, Marion Josephine Neiswanger, Mrs. Tully Marshall Lived: October 24, 1875 - October 2, 1970 Worked as: company director, director, editor, editorial director, playwright, producer, screenwriter, theatre actress Worked In: United States by Tom Slater Between 1904 and 1915, Marion Fairfax wrote several successful Broadway plays before turning to screenwriting. Over the next eleven years, she achieved even greater success in her new field. In 1921, she formed her own production company that produced The Lying Truth (1922), which Fairfax wrote and directed. The most enduring film with which she was associated was The Lost World (1925), a science fiction picture about an isolated land of dinosaurs that featured tremendous special effects. A handwritten note attached to a First National Pictures legal department memo dated December 6, 1923, states: “Fairfax is always a winner—Don’t ever let her get away. Tom [unidentified] knows she is both restless and damn independent.” Three years later, however, Fairfax received her final credit for The Blonde Saint (1926) and then disappeared from filmmaking. She was married to actor Tully Marshall, who died in 1943, for forty-three years. Like many women filmmakers of the silent era, Fairfax began her career as a stage actress. By 1901, she was appearing on Broadway. Shortly thereafter, her own plays began appearing. In 1915, Fairfax turned to screenwriting at the suggestion of William deMille, brother of Cecil B. DeMille. Over the next few years, she wrote several films directed by deMille. Another frequent artistic collaborator was director-producer Marshall Nielan, with whom Fairfax shared a long friendship dating back to her earliest years on Broadway.
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List of 7200 Lost US Silent Feature Films 1912-29
List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 12/29/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – approximately 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916)
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Wesley Barry
Wesley Barry Titles: 34 Sources: 2 Stills: 10 Born: 10th August 1907, Los Angeles, California. Died: No oil painting, our Wes. A studio promotional shot Source: The Moving Picture Boy Wesley reveals the tender aesthete within – a tongue-in-cheek studio shot Source: The Moving Picture Boy The Moving Picture Boy entry: His popularity can be gauged by the fact that in “Mickey Rooney’s predecessor as Boy of the 1920 an impostor tried to cash in on it: a boy People was also red-haired, but skinnier and called Sidney Ward Scott was touted around by more elfish, the son of a grocer. He was his father on a "Wesley Barry personal discovered by Marshall Neilan, who was to appearance" tour. To complaints that he was direct some of his best films. Neilan later insufficiently freckled, the Scotts replied that described him as "a natural born artist", and these were only painted on for the camera. supervised his education with extreme Other natural accidents couldn't be so easily thoroughness. He introduced six-year-old foreseen ( "Pseudo Wesley Barry Runs Into Real Wesley Barry into the "Ham and Bud" series, Wesley Barry’s Grandma and Runs Away" - with the comic duo of Lloyd V. Hamilton and headline in "Moving Picture World" ), and Bud Duncan. when the Scotts tried the bluff again in Detroit, Marshall Neilan got wind of it and called the Barry was an instant hit, and over the next few police. years became well known to filmgoers. He appeared in six of Mary Pickford's movies, During 1920 Wesley got his first incon- beginning with "THE FOUNDLING" and trovertible lead in the title role of "PENROD", ending with "DADDY LONG LEGS" (where a feature-length kid film based on the 1914 he was memorable as a small orphan with a Booth Tarkington best-seller.
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Benjamin Carre Residence
Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2018-802-HCM ENV-2018-803-CE HEARING DATE: March 1, 2018 Location: 2754 North Woodshire Drive TIME: 10:00 AM Council District: 4 – Ryu PLACE : City Hall, Room 1010 Community Plan Area: Hollywood 200 N. Spring Street Area Planning Commission: Central Los Angeles, CA 90012 Neighborhood Council: Hollywood United Legal Description: Tract TR 6450, Block 5, Lot 7 PROJECT: Historic-Cultural Monument Application for the BENJAMIN CARRE RESIDENCE REQUEST: Declare the property a Historic-Cultural Monument OWNER/APPLICANT: Frederica Sainte-Rose 2754 North Woodshire Drive Los Angeles, CA 90068 PREPARER: Mitzi March Mogul 1725 Wellington Road Los Angeles, CA 90019 RECOMMENDATION That the Cultural Heritage Commission: 1. Take the property under consideration as a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.10 because the application and accompanying photo documentation suggest the submittal warrants further investigation. 2. Adopt the report findings. VINCENT P. BERTONI, AICP Director of PlanningN1907 [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. Giessinger, Preservation Architect Office of Historic Resources Office of Historic Resources [SIGNED ORIGINAL IN FILE] Melissa Jones, Planning Assistant Office of Historic Resources Attachment: Historic-Cultural Monument Application CHC-2018-802-HCM 2754 North Woodshire Drive Page 2 of 3 SUMMARY The Benjamin Carre Residence is a two-story single-family residence located on North Woodshire Drive, near the intersection of North Woodshire Drive and Belden Drive in the Hollywoodland neighborhood of Los Angeles.
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Current As of 08.12.2020 7,200 Lost U.S. Silent Feature Films (1912-29) National Film Preservation Board (October 2019) • This
1 Current as of 08.12.2020 2 7,200 Lost U.S. Silent Feature Films (1912-29) 3 National Film Preservation Board (October 2019) 4 5 This compilation is a definite work-in-progress. Updated versions of this list will 6 be posted periodically at this location. 7 Feature film means 4 reels or more in length 8 Each title contains a hypertext link to its entry in our silent film database. There 9 you can find additional information on each title, including studio. 10 In cases where only a fragment from one reel, trailer, outtakes or stills survive, 11 that film is included in this list as a lost film. 12 “Incomplete” films are not included here. These comprise cases where a full reel 13 or more survives but not the whole set of reels. 14 Our searchable database consists of approximately 11,000 titles, the 7200+ in 15 this list of “lost” titles as well as the 3800 or so titles surviving as incomplete or 16 complete. The full database may be searched at: 17 http://memory.loc.gov/diglib/ihas/html/silentfilms/silentfilms-home.html 18 Please direct any questions or report any errors/suggested changes to Steve 19 Leggett at [email protected] 20 21 Some recent “finds” now removed from this list: Devil’s Claim (1920), 22 Foreman of the Bar-Z Ranch (1915), Secrets of the Night (1924), Sinews of 23 Steel (1927), Broadway Billy (1926), Broadway Gold (1923), Dancer and the 24 King (1914), Dark Angel (1925), Double-Fisted (1925), Earth Woman (1926), 25 Man-Made Women/Woman (1928), Eye of Envy (1917), Between Dangers 26 (1927), Pursued (1925), On-the-Square Girl (1917), Two Lovers (1928), 27 Win(k)some Widow (1914), Clear the Decks (1917), Grim Game (1917), The 28 Noose (1928), In Slumberland (1917), First Degree (1923), White Pants Willie 29 (1927), Power Divine (1923), Smoking Trails (1924), Cyclone Jones (1924), 30 Lightning Romance (1924), Ridin’ Gent (1926), One Chance in a Million 31 (1927), Mojave Kid (1927) 32 33 34 $1,000 Reward (1923), Charles R.
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Guide to the Sam Devincent Collection of Illustrated American Sheet Music, Series 6: Moving Pictures and Movie Stars
Guide to the Sam DeVincent Collection of Illustrated American Sheet Music, Series 6: Moving Pictures and Movie Stars NMAH.AC.0300.S06 NMAH Staff Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Arrangement..................................................................................................................... 4 Container Listing ............................................................................................................. 5 Subseries 6.1: Academy Award Songs.................................................................... 5 Subseries 6.2: Child Stars....................................................................................... 8 Subseries 6.3: Dance Folios, 1929-1942............................................................... 14 Subseries 6.4: Disney Productions and Other Cartoon Movies............................. 14 Subseries 6.5: Female Stars.................................................................................. 18 Subseries 6.6: Male Stars.....................................................................................
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