1 Highwayman's Ridge Windlesham, Surrey

Total Page:16

File Type:pdf, Size:1020Kb

1 Highwayman's Ridge Windlesham, Surrey 1 Highwayman’s Ridge Windlesham, Surrey 1 Highwayman’s Ridge There are excellent spa facilities at Pennyhill Park, Coworth Park, Wentworth and Foxhills, Windlesham, Surrey GU20 6JY and many local riding schools and stables for those with equestrian interests. An immaculate four bedroom The general area is served by an excellent detached house built to range of schools, both in the state and private the ‘Dorset’ design by sector, including Wellington College, Eton College, St Mary’s Ascot, St George’s Ascot, Charles Church Charters School, Woodcote House, Hall Grove, Sunningdale School and Coworth Flexlands. The M3 Junction (Junction 3 – 2.2 miles) The C of E Infant Schools in Windlesham and for travel to London or the South coast. Valley End are very highly regarded. M25 ( Junction 11 – 8.8 miles) at Chertsey The property provides a direct link to the national motorway Situated on the front of the sought after Snows network Sunningdale Train Station 2.1 miles Ride development 1 Highwayman’s Ridge (London Waterloo 54 minutes) is a four bedroom detached house built to Woking Train Station 8.8 miles the ‘Dorset’ design and set on a generous (London Waterloo 25 minutes) size corner plot. The property is presented in excellent decorative order with the benefits Central London - Knightsbridge – 27.1 miles of a triple aspect living room, study, family room opening onto spacious double glazed Heathrow Airport 11.4miles conservatory dining room, super refitted kitchen/ Entrance hall | Living room | Study breakfast room & utility room, master bedroom Dining room /Conservatory with en-suite shower room, 3 double bedrooms, Kitchen/breakfast room | Utility room family bathroom. Cloakroom | Master bedroom with en-suite 3 Further bedrooms | Family bathroom Outside Landscaped garden | Double detached garage The rear garden offers a high degree of privacy Parking | EPC rating D with mature planting and a large dining patio as well as direct access to the double detached Location garage. Windlesham is a popular and picturesque village, with a Post Office, and several village General shops, as well as numerous pubs. Conveniently Tenure: Freehold located and with excellent rail and road links, Services: Mains water, electricity, Windlesham offers the perfect balance of gas and drainage. country living with easy access to London and Local Authority: Surrey Heath Borough the South Coast. Council +44 (0)1276 707100 Council tax: Band G (£2,779.47) The historic towns of Guildford and Windsor are about 11 miles away, both with thriving High Streets offering a wide range of shops, restaurants and theatres. The area boasts some of the best known golf courses in the world in Wentworth and Sunningdale, and polo is available at Ascot Park, Guards Polo Club and the Royal Berkshire Polo Club. Floorplans Main house internal area 1,587 sq ft (147.4 sq m) Garage internal area 308 sq ft (28.6 sq m) For identification purposes only. Directions From our office in Windlesham turn right and at the t-junction left onto Updown Hill. After passing The Field of Remembrance take the 2nd turning right into Hatton Hill. At the t-junction turn left and then 1st right into Highwayman’s Ridge. The property can be found after a short distance on the left hand side. Windlesham 14 Updown Hill, Windlesham, Surrey GU20 6AG 01276 489500 [email protected] struttandparker.com IMPORTANT NOTICE Strutt & Parker LLP gives notice that: 1. These particulars do not constitute an offer or contract or part thereof. 2. All descriptions, photographs and plans are for guidance only and should not be relied upon as statements or representations of fact. All measurements are approximate and not necessarily to scale. Any prospective purchaser must satisfy themselves of the correctness of the information within the particulars by inspection 55 offices across England and Scotland, or otherwise. 3. Strutt & Parker LLP does not have any authority to give any representations or warranties whatsoever in relation to this property (including but not limited to planning/building regulations), nor can it enter into any contract on behalf of the Vendor. 4. Strutt & Parker LLP does not accept responsibility for any expenses incurred by prospective purchasers in inspecting properties which have been sold, let or withdrawn. 5. If there is anything of including 10 offices in Central London particular importance to you, please contact this office and Strutt & Parker will try to have the information checked for you. Photographs taken October 2015. Particulars prepared October 2015..
Recommended publications
  • Dangerously Free: Outlaws and Nation-Making in Literature of the Indian Territory
    DANGEROUSLY FREE: OUTLAWS AND NATION-MAKING IN LITERATURE OF THE INDIAN TERRITORY by Jenna Hunnef A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Jenna Hunnef 2016 Dangerously Free: Outlaws and Nation-Making in Literature of the Indian Territory Jenna Hunnef Doctor of Philosophy Department of English University of Toronto 2016 Abstract In this dissertation, I examine how literary representations of outlaws and outlawry have contributed to the shaping of national identity in the United States. I analyze a series of texts set in the former Indian Territory (now part of the state of Oklahoma) for traces of what I call “outlaw rhetorics,” that is, the political expression in literature of marginalized realities and competing visions of nationhood. Outlaw rhetorics elicit new ways to think the nation differently—to imagine the nation otherwise; as such, I demonstrate that outlaw narratives are as capable of challenging the nation’s claims to territorial or imaginative title as they are of asserting them. Borrowing from Abenaki scholar Lisa Brooks’s definition of “nation” as “the multifaceted, lived experience of families who gather in particular places,” this dissertation draws an analogous relationship between outlaws and domestic spaces wherein they are both considered simultaneously exempt from and constitutive of civic life. In the same way that the outlaw’s alternately celebrated and marginal status endows him or her with the power to support and eschew the stories a nation tells about itself, so the liminality and centrality of domestic life have proven effective as a means of consolidating and dissenting from the status quo of the nation-state.
    [Show full text]
  • Highwayman Plan for Parents
    Monday LO: I can deduce information about a character from a visual text. Have a look at the character in the picture. What can you actually see? What can you tell about him from the way he looks? Annotate your picture with descriptive language. Can you include any similes or metaphors? There are two examples on the picture already to get you started. Have a look at this website link to get to know more about Highwaymen. Are there any similarities to Robin Hood? http://www.localhistories.org/highwaymen.html Tuesday and Wednesday LO: I can identify key events in a narrative poem. Read the Highwayman by Alfred Noyes and watch the animation from the link below. Get to know the story. On your copy of the poem, look up any words you don’t know the meaning of in the interactive glossary and annotate it. https://www.youtube.com/watch?v=eLbfPsdlymg On the storyboard template, can you break the poem up into its different parts – writing notes and drawing pictures to go with each section. Here are the first three parts to get you started. Retell the story of the poem to a member of your family using your storyboard to support you. Thursday LO: I can recognise figurative language in a narrative poem. Read through the figurative language PowerPoint to learn more about metaphors and recap on similes and alliteration. Using the poem, complete the table of metaphors, similes and alliteration with examples. Then, have a go at magpieing words from the poem into the second page of the table.
    [Show full text]
  • The Bandit in History and Culture in Latin America
    1 Introduction: The idea of a ‘Golden Age’ of Latin American banditry, 1850-1950 This book examines the cultural history of banditry in Latin America from 1850 to 1950. It takes these dates because this is the period during which the so-called social bandit, a prototype first suggested By Eric Hobsbawm (1969), proliferated on the continent, certainly in myth if not in actual recorded history. This was an era of dramatic political and social change in Latin America, when nineteenth-century wars of independence severed these colonies from their Spanish and Portuguese rulers and when the Mexican Revolution (1910- 1920), at the start of the twentieth century, overturned the status quo once again. During this period bandits proved to be ideal cultural vehicles through which to channel nationalism and the desire for social justice, whilst, paradoxically they were also cast, according to the political currents of the time, by politicians, writers, artists and filmmakers as dangerous enemies of these fragile new nation states who struck at the fabric of society and threatened to plunge these new countries back to a pre-independence state of anarchy and barbarism. However, whether friend or foe to the nation, bandits and their accompanying folklore ensured that they were at the heart of popular culture in the period 1850-1950, making this very much a Golden Age of Latin American banditry. Latin America here is understood not geographically but more broadly to refer to those areas where Iberian colonial cultures took root and where the contemporary postcolonial situation sees a majority of Spanish-speakers still living, that is the Hispanic USA.1 The book focuses on a range of bandit life stories from the region, from a historical perspective, as well as a wide range of cultural representations of which the most significant are literary works in which the bandit plays a central role, with Los de abajo, The Underdogs (1915) the classic Mexican Revolution novel by Mariano Azuela forming the nucleus of the study.
    [Show full text]
  • Robin Hood the Brute: Representations of The
    Law, Crime and History (2016) 2 ROBIN HOOD THE BRUTE: REPRESENTATIONS OF THE OUTLAW IN EIGHTEENTH CENTURY CRIMINAL BIOGRAPHY Stephen Basdeo1 Abstract Eighteenth century criminal biography is a topic that has been explored at length by both crime historians such as Andrea McKenzie and Richard Ward, as well as literary scholars such as Lincoln B. Faller and Hal Gladfelder. Much of these researchers’ work, however, has focused upon the representation of seventeenth and eighteenth century criminals within these narratives. In contrast, this article explores how England’s most famous medieval criminal, Robin Hood, is represented. By giving a commentary upon eighteenth century Robin Hood narratives, this article shows how, at a time of public anxiety surrounding crime, people were less willing to believe in the myth of a good outlaw. Keywords: eighteenth century, criminal biography, Robin Hood, outlaws, Alexander Smith, Charles Johnson, medievalism Introduction Until the 1980s Robin Hood scholarship tended to focus upon the five extant medieval texts such as Robin Hood and the Monk, Robin Hood and the Potter, Robin Hood and Guy of Gisborne, and A Gest of Robyn Hode (c.1450), as well as attempts to identify a historical outlaw.2 It was only with the work of Stephen Knight that scholarship moved away from trying to identify a real outlaw as things took a ‘literary turn’. With Knight’s work also the post- medieval Robin Hood tradition became a significant area of scholarly enquiry. His recent texts have mapped the various influences at work upon successive interpretations of the legend and how it slowly became gentrified and ‘safe’ as successive authors gradually ‘robbed’ Robin of any subversive traits.3 Whilst Knight’s research on Robin Hood is comprehensive, one genre of literature that he has not as yet examined in detail is eighteenth century criminal biography.
    [Show full text]
  • The Legacy of the Highwaymen
    THE LEGACY OF THE HIGHWAYMEN by Elissa Rudolph A Thesis Submitted to the Faculty of the Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida May 2005 i Copyright by Elissa Rudolph 2005 ii TFTELEGACY OF TFIE HIGHWAYMEN by ElissaRudoloh This thesiswas prepared under the directionof the candidate'sthesis advisor, Dr. John Childrey,Department of English.and has been approved by the membersof her supervisorycommittee. [t was submittedto the facultyof the DorothyF. Schmidt Collegeof Arts andLetters and was accepted in partialfulfillment of the requirementsfor the desreeof Masterof Arts. SUPERVISORY I Studies ident ,JJu'l'r lll ACKNOWLEDGEMENTS To my committee, Dr. John Childrey, Dr. Arlene Fradkin, Professor Angela DiCosola, and Gary Monroe, my heartfelt gratitude for their kind guidance throughout this project. And to all my mentors from years ago, my thanks also. You know who you are. iv ABSTRACT Author: Elissa Rudolph Title: The Legacy of the Highwaymen Institution: Florida Atlantic University Dissertation Advisor: Dr. John Childrey Degree: Master of Arts Year: 2005 In the 1950s, a group of African-American artists based around Ft. Pierce, Florida, began selling their landscapes of palm hammocks, colorful sunsets, and Evergladian fauna to tourists traveling south to the Sunshine State. Mass-produced in the artists’ backyards, these subtropic landscapes found their way into Florida’s motels, hotels, banks, and office buildings as well as private homes. The regional art form fell out of favor until the mid-1990s when an art aficionado coined the name “Highwaymen.” Since then a resurgence of interest has brought new fame to the surviving members of the group.
    [Show full text]
  • Pirates, Highwaymen, and the Origins of the Criminal in Seventeenth-Century English Thought
    Pirates, Highwaymen, and the Origins of the Criminal in Seventeenth-Century English Thought Megan Wachspress* INTRODUCTION This Note outlines a genealogy of the early modem English criminal. I posit an intellectual historical account of the relationship between international law concepts and the figure of the criminal in both canonical liberal social contract thought and the development of criminal enforcement in England. Tracing the figure of the brigand or latro' from international legal texts of the sixteenth century into seventeenth-century English political and literary tracts, I reach the following conclusion: "The criminal," as the figure would come to be understood in nineteenth- century thought, actually pre-dates a body of criminal law as such. Rather than a generalization following from the categorization of a series of offenses as "criminal," "the criminal," in its paradigmatic form of the highwayman, reflects the internalization of international law concepts in the nascent English state. Moreover, political theoretical accounts of criminal punishment in the seventeenth century relied on an "essentialized" understanding of the criminal personified in the international legal figure of the pirate. Besides being of historical interest, * Yale Law School, J.D. expected 2015, University of Berkeley, California, Ph.D. candidate in Jurisprudence and Social Policy. The author would like to thank David Grewal, who served as faculty supervisor for an earlier version of this paper, as well as Wendy Brown, Kinch Hoekstra, and David Lieberman, who continue to support the larger project of which this paper is part. An earlier version of this paper was presented at the 2013 Annual Meeting of the Association for the Study of Law, Culture, and the Humanities, where Keramet Reiter served as a thoughtful discussant.
    [Show full text]
  • Theme Analysis of “The Highwayman” – EXCELLENT
    Note that student work varies significantly from one assignment to the next, even within the same mark range. The intent behind providing samples such as this one is to guide students in recognizing key criteria of assignments and in assessing their own work. Theme Analysis of “The Highwayman” – EXCELLENT ************************************************************************ Strengths: • You use excellent diction. Literary vocabulary taught in the course, such as “literal”, “figurative”, and “metaphorically”, is used properly and in context (communication). Tips for improvement: • This paragraph contains ample detail, but it would be helpful to provide a short explanation of “tragic” in the expansion. In this poem, is tragedy simply an awful incident or is it also related to how a story of misfortune is told? (application) ************************************************************************ Alfred Noyes’ ballad, “The Highwayman”, is an illustration of the following theme: love can inspire even when its consequences are tragic. This theme is conveyed through Bess’s self-sacrifice and the continuation of the legend of the two lovers. When Bess waits for the highwayman while being tied up to attention, “the blood of her veins, in the moonlight, throb[s] to her love’s refrain” (186). The image of blood throbbing through Bess’s veins shows the tension of the scene in a literal sense, but it is also significant in a figurative way. Bess’s pulsations have the same evenly measured rhythm as her lover’s “refrain”, metaphorically expressing the connection between her and the highwayman. Bess is clearly inspired as her heartbeat is synchronized with her lover’s words, making her feel like she is with him even though she is left to act on her own in a difficult situation.
    [Show full text]
  • Text-Dependent Questions (Answer on a Separate Sheet of Paper.) 1. in Line 1 It Says, “The Wind a Torrent of Darkness Among the Gusty Trees”
    “The Highwayman” Name: ___________________________________________ Text-dependent Questions (Answer on a separate sheet of paper.) 1. In line 1 it says, “The wind a torrent of darkness among the gusty trees”. What does this reveal about the setting? Find other evidence from the text that supports how the author portrays the setting of this story. 2. Based on context clues, what does the word cobbles mean in line 13? 3. What can you infer when the highwayman tells Bess on line 27, “Yet, if they press me sharply, and harry me through the day, then look for me by moonlight”? 4. What does the highwayman promise Bess? 5. It is implied in the poem that Tim told the redcoats of the highwayman’s love for Bess. What is Tim’s motive, or reason for betraying Bess? 6. Comparing the descriptions given of Tim and the highwayman, what can you infer about each of their characters? 7. Describe why Noyes uses the metaphor “ribbon of moonlight” to describe the road? Find at least two more metaphors. 8. Lines 77-79 says “Her musket shattered in the moonlight, Shattered her breast in the moonlight and warned him—with her death.” Who is Bess warning and why? 9. Line 85 says “back he spurred like a madman, shouting a curse to the sky.” What caused the highwayman to be so angry? 10. What literary device is used in the last two stanzas of the poem and how does it affect the plot? 11. Explain in detail the plot of the story. 12. How is the soldiers’ behavior ironic? 13.
    [Show full text]
  • English Legal Histories
    English Legal Histories Ian Ward HART PUBLISHING Bloomsbury Publishing Plc Kemp House , Chawley Park, Cumnor Hill, Oxford , OX2 9PH , UK 1385 Broadway, New York, NY 10018, USA HART PUBLISHING, the Hart/Stag logo, BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2019 Copyright © Ian Ward , 2019 Ian Ward has asserted his right under the Copyright, Designs and Patents Act 1988 to be identifi ed as Author of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. While every care has been taken to ensure the accuracy of this work, no responsibility for loss or damage occasioned to any person acting or refraining from action as a result of any statement in it can be accepted by the authors, editors or publishers. All UK Government legislation and other public sector information used in the work is Crown Copyright © . All House of Lords and House of Commons information used in the work is Parliamentary Copyright © . This information is reused under the terms of the Open Government Licence v3.0 ( http://www.nationalarchives.gov.uk/doc/ open-government-licence/version/3 ) except where otherwise stated. All Eur-lex material used in the work is © European Union, http://eur-lex.europa.eu/ , 1998–2019. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Names: Ward, Ian, author.
    [Show full text]
  • A Short History of Highwaymen
    Lesson 1: A Short History of Highwaymen Introduction Highwaymen thrived in England in the seventeenth and eighteenth century, becoming legendary and romantic figures. Highwaymen were "as common as crows" from around 1650 to 1800. In an age where travel was already hazardous due to the lack of decent roads, no one rode alone without fear of being robbed, and people often joined company or hired escorts. Travellers often wrote their wills before they travelled. Lies, Exaggeration and Truth The legend of the highwayman is that of a gentleman. High or low born, the legendary highwayman dressed well (with a ‘kerchief’ over his face), was well-mannered, and used threats rather than violence. "Stand and Deliver" and "Your money or your life," were his greetings. Although there were some well-born and well-mannered highwaymen, they were far outnumbered by those who practiced their trade with brutality. Violence was very common. When Tom Wilmot, a notorious highwayman, had difficulty removing a woman's ring, he cut off her finger, Highwaymen's Haunts The four main roads to London were infamous for their criminal activity. On the Great Western Road, Hounslow Heath was notorious for its highwaymen. Robbers on the Great North Road included Dick Turpin. The Dover Road had two infamous spots, Gad's Hill and Shooter's Hill. And John Cotinton, aka "Mulled Sack," stole 4,000 pounds from an army wagon on the Oxford Road. Wimbledon Common, Blackheath, Barnes Common, Bagshort Heath; all were frequented by robbers. Salisbury Plain was also noted for its highwaymen. The Most Famous Highwayman: Dick Turpin Born in Essex in 1705, Turpin was taught to read and write and became an apprentice to a butcher.
    [Show full text]
  • Donald-Crummey-African-Banditry
    EnterText 4.2 DONALD CRUMMEY African Banditry Revisited Eric Hobsbawm’s Bandits is a powerful and beguiling work of historical imagination attentive to the rural poor, their capacity for political action and their potential as participants in larger processes of social change.1 It combines an enthusiasm and affection for popular heroes of the countryside with an extraordinary range of examples across space and through time. Central to Hobsbawm’s argument is that, from time to time, bandits rise from the level of criminality and vendetta to become vital articulators of the cause of the rural poor and actors on their behalf. In short, they become social bandits, the prototype for which, in the anglophone world, is Robin Hood, who stole from the rich and gave to the poor. Criticism seems pedestrian by contrast with Hobsbawm’s sweep and verve. However, as Hobsbawm points out, in the introduction to the first two editions of the book, Africa is conspicuously absent from his gallery of heroes, a shortcoming which he addresses by reference, in the first paperback edition, to the antics of Ghanaian cocoa smugglers in the 1960s, and, in the second edition, to the careers of the Mesazghi brothers, Eritrean bandits who found themselves swept up into anti-British politics of the 1940s.2 There was no great rush of Africanist scholarship to respond to Hobsbawm’s invitation and challenge. Ed Keller was pretty quick off the mark with a 1973 article Donald Crummey: African Banditry Revisited 11 EnterText 4.2 in the Kenya Historical Review,3 and Allen
    [Show full text]
  • Backcountry Robbers, River Pirates, and Brawling Boatmen: Transnational Banditry in Antebellum U.S
    University of South Carolina Scholar Commons Theses and Dissertations 2018 Backcountry Robbers, River Pirates, and Brawling Boatmen: Transnational Banditry in Antebellum U.S. Frontier Literature Samuel M. Lackey University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Lackey, S. M.(2018). Backcountry Robbers, River Pirates, and Brawling Boatmen: Transnational Banditry in Antebellum U.S. Frontier Literature. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/4656 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Backcountry Robbers, River Pirates, and Brawling Boatmen: Transnational Banditry in Antebellum U.S. Frontier Literature by Samuel M. Lackey Bachelor of Arts University of South Carolina, 2006 Bachelor of Arts University of South Carolina, 2006 Master of Arts College of Charleston, 2009 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2018 Accepted by: Gretchen Woertendyke, Major Professor David Greven, Committee Member David Shields, Committee Member Keri Holt, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Samuel M. Lackey, 2018 All Rights Reserved. ii Acknowledgements First, I would like to thank my parents for all of their belief and support. They have always pushed me forward when I have been stuck in place. To my dissertation committee – Dr.
    [Show full text]