David Hockney: Sacred As the Most Expensive Artist in the World

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www.smartymagazine.com David Hockney: Sacred as the most expensive artist in the world by smArty #NEW YORK It was during a last autumn sale in New York that Christie's auctioned David Hockney's painting "Portrait of an Artist (Pool with two figures)" for $90.3 million (including fees). An absolute record for a living artist's painting. This magnificent work, world-renowned, is already a cult piece of Hockney's work, which it symbolizes without summarizing it. Its composition, extremely structured, with a central vanishing line, the use of straight lines and right angles, the bold choice of colours (opposition between green trees and the red jacket), the theme, the artist watching her lover underwater come towards him, a love story that unravels, falls into the water.... This is what contributes to making this painting a major work that will remain. No doubt about it As for the price, some experts see it as an interest, even a fashion, for artists still in this world. For example, a Jackson Pollock painting, estimated at $18 million, did not find a buyer. So be it. But a painting by René Magritte, "Le principe du plaisir" was acquired for 26.8 million. It's hard to see a clear trend there. Hockney's painting was purchased last May by a California investment fund for $28.4 million. The speculative shift is therefore phenomenal The reason for this record is probably not due to a fashion. David Hockney can already be considered a "classical" contemporary artist, during his lifetime and for a long time, like Francis Bacon. Jeff Koons, Murakami, will they stay? Possibly, as a curiosity, a kind of new pop art of derivative products. We will no longer be here to say it. Perhaps yesterday we simply witnessed the triumph of the classic over the gadget (and there are some very beautiful gadgets), the consecration by the market of a huge artist whose every retrospective is an event, a great moment of emotion for the public Art history likes anecdotes, she will remember that David Hocney sold his painting in 1972 to... 20.000 dollars. This morning, he must be flattered and amused, mischievous as always. Sure he's already enjoying a cigarette: "Essential for mental health". Christie's NYC Sale November 15, 2018 16 Nov 2018 #David Hockney #Record copyright: All rights reserved copyright: All rights reserved copyright: All rights reserved copyright: All rights reserved copyright: All rights reserved copyright: All rights reserved www.smartymagazine.com Contacts smArty Intern'l Ltd Ibex House Baker Street Weybridge KT13 8AH [email protected] www.smartymagazine.com.

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David Hockney's Portrait of Sir David Webster to Be Offered in the Post
PRESS RELEASE | LONDON DAVID HOCKNEY’S PORTRAIT OF SIR DAVID WEBSTER TO BE OFFERED IN THE POST-WAR AND CONTEMPORARY ART EVENING AUCTION THE PAINTING IS BEING SOLD TO RAISE VITAL FUNDS FOR LONDON’S ROYAL OPERA HOUSE CHRISTIE’S 20th CENTURY: PARIS TO LONDON SERIES 22 OCTOBER 2020 David Hockney, Portrait of Sir David Webster (1971, estimate: £11-18 million) London – Christie’s will present David Hockney’s Portrait of Sir David Webster, an exquisite tribute to Sir David Webster, the former General Administrator of the Royal Opera House and a defining influence, in the Post-War and Contemporary Art Evening Auction on 22 October 2020. Painted in 1971, it depicts Webster in the artist’s studio, seated upon a Mies van der Rohe ‘MR’ chair before a glass table. The painting is being offered by the Royal Opera House with an estimate of £11-18 million. Proceeds from the sale will contribute towards vital funding required by the world-renowned arts venue to alleviate the financial impact of coronavirus, the most serious crisis the organisation has had to face. This will allow the Royal Opera House not just to survive but to thrive in its future programming. Rendered on a grand scale, the work unites Hockney’s flair for human observation with his lifelong passion for opera. From 1975 until 1992, David Hockney would design sets for venues including Glyndebourne, the Metropolitan Opera in New York and the Royal Opera House itself. Inviting stylistic comparison with Hockney’s landmark double portraits produced between 1968 and 1975, Portrait of Sir David Webster demonstrates the meticulous exploration of space, perspective, lighting and compositional drama that would eventually come to inform his theatrical endeavours.
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R.B. Kitaj: Obsessions
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A Bigger Splash’
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R.B. Kitaj Papers, 1950-2007 (Bulk 1965-2006)
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf0wf No online items Finding Aid for the R.B. Kitaj papers, 1950-2007 (bulk 1965-2006) Processed by Tim Holland, 2006; Norma Williamson, 2011; machine-readable finding aid created by Caroline Cubé. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2011 The Regents of the University of California. All rights reserved. Finding Aid for the R.B. Kitaj 1741 1 papers, 1950-2007 (bulk 1965-2006) Descriptive Summary Title: R.B. Kitaj papers Date (inclusive): 1950-2007 (bulk 1965-2006) Collection number: 1741 Creator: Kitaj, R.B. Extent: 160 boxes (80 linear ft.)85 oversized boxes Abstract: R.B. Kitaj was an influential and controversial American artist who lived in London for much of his life. He is the creator of many major works including; The Ohio Gang (1964), The Autumn of Central Paris (after Walter Benjamin) 1972-3; If Not, Not (1975-76) and Cecil Court, London W.C.2. (The Refugees) (1983-4). Throughout his artistic career, Kitaj drew inspiration from history, literature and his personal life. His circle of friends included philosophers, writers, poets, filmmakers, and other artists, many of whom he painted. Kitaj also received a number of honorary doctorates and awards including the Golden Lion for Painting at the XLVI Venice Biennale (1995). He was inducted into the American Academy of Arts and Letters (1982) and the Royal Academy of Arts (1985).
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Press Release
SCHIRMER/MOSEL VERLAG CUVILLIÉSSTRASSE 14 A • D-81679 MÜNCHEN TELEFON 089/21 26 70- 0 • TELEFAX 089/33 86 95 e - mail: press@schirmer- mosel.com Munich, September 2017 PRESS RELEASE Hidden treasures: Discovered only recently, the autobiography of American painter R. B. Kitaj is published for the first time ever R. B. Kitaj: Confessions of an Old Jewish Painter Preface by David Hockney th R. B. Kitaj R. B. Kitaj (1932-2007) is one of the most intriguing 20 -century artists. Confessions of an Born into a Russo-Jewish family near Cleveland, Ohio, 17-year-old Kitaj Old Jewish Painter Preface by David Hockney spent 5 years at sea aboard a Norwegian freighter. He went on to study art Edited and with an epilogue by in New York and Vienna. A Royal College of Art stipend made him move Eckhart J. Gillen to London where he became a celebrated artist. Curating The Human Clay, 400 pages, 212 ill. in colour a 1976 show of figurative comtemporary British artists, he coined the term ISBN 978-3-8296-0813-8 “School of London” for the artistic circle around Francis Bacon, Frank Auerbach, € 39.80 £ 44.00 US $ 45.00 Available immediately! Lucian Freud, and Leon Kossoff. In 1991 he was elected a member of the Royal Academy, one of only three American painters to be thus honored in the history of the institution. A major 1994 retrospective at London’s Tate Gallery failed to produce Kitaj’s international breakthrough but was unanimously panned by British “I was born on a Norwegian cargo ship critics instead.
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Who Is Your Favourite Artist and What Is Your Favourite Piece of Art Work?
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David Hockney Drawing from Life 27 February – 28 June 2020
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Year 10 Photography Project Introduction to David Hockney and Joiners
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The Irony of the Artist's Assistants
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Everyone Who's Visited Apple's Homepage Recently Will Have Seen
HEROES Penn, Hockney & Picasso LOOM.COM B TEVE S S 2011. AC O/D ss (C) STEVE BLOOM / (C) STEVE ION PICA ss KA: You’ve told me that your heroes are Irving Penn, David Hockney and Pablo Picasso. How has Everyone who’s visited Apple’s homepage recently will ©SUCCE Irving Penn inspired you? have seen STEVE BLOOM’s image of Zebras in flight, Polaroids in the 1980s, capturing a lot of different Above: Male figure violently embraces nude reclining different. Even with a sculpture he showed what female figure; plate 31 of the Vollard Suite (VS 31). 23 SB: One of the things that struck advertising the Retina display on the new Macbook Pro. viewpoints and assembling them in a collage. April 1933. Drypoint. Pablo Picasso (1881 – 1973). On you can do with the simplest things; you can me with Irving Penn was his It showed the faceted way in which we see display at The British Museum until 2 September 2012, make a sculpture of a bull using a pair of handle as part of Picasso Prints: The Vollard Suite. cigarette hands. He made these He tells Kathrine Anker which artists have inspired his things. It’s almost like photography had always bars. He showed me how you can be incredibly magnificent platinum prints of been looking through a window and David inventive in the way you approach the process of cigarette hands and he showed way of seeing Hockney jumped through the window into the there’s a time and space for Cartier-Bresson’s image making, and how you can be free to me that you can find beauty in the most outside world and suddenly everything was decisive moment school of thought, but there are experiment.
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David Hockney
875 North Michigan Ave, Chicago, IL 60611 Tel. 312/642/8877 Fax 312/642/8488 1018 Madison Avenue, New York, NY 10075 Tel. 212/472/8787 Fax 212/472/2552 DAVID HOCKNEY Born in Bradford, England, 1937. Lives and works in Los Angeles, California. EDUCATION 1953-57 Attended Bradford College of Art 1959-62 Attended Royal College of Art 1964 Teaching Position at University of Iowa 1965 Teaching Position at University of Colorado 1966-67 Teaching Position at University of California, Los Angeles & Berkeley SELECTED SOLO EXHIBITIONS 2016 David Hockney: I Draw, I Do, The MAC, Belfast, Ireland (forthcoming) The Yosemite Suite, L.A. Louver, Venice, California The Yosemite Suite, Annely Juda Fine Art, London David Hockney: 77 Portraits, 2 Still Lifes, Royal Academy of Arts, London, United Kingdom David Hockney: The Yosemite Suite, Pace, 537 West 24th Street, New York, New York. David Hockney: Six Tales from the Brothers Grimm, Gallagher & Turner, Newcastle, United Kingdom David Hockney: From the Beginning, River and Rowing Museum, Henley on Thames, United Kingdom 2015 – 2016 Hockney’s Double Portraits, Tate Britain, London, United Kingdom The Arrival of Spring, Fondation Vincent van Gogh Arles, Arles, France 2015 David Hockney, Works on Paper, Paul Kasmin Gallery, New York, New York David Hockney: Early Drawings, Offer Waterman, London, United Kingdom The Arrival of Spring in Woldgate, Galerie Lelong, Paris, France David Hockney: Painting and Photography, Annely Juda Fine Art, London, United Kingdom; traveled to L.A. Louver, Venice, California [cat.]
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000000560.Sbu.Pdf (493.3Kb)
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... R. B. Kitaj’s Paintings In Terms of Walter Benjamin’s Allegory Theory A Thesis Presented by Bo-Kyung Choi to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History and Criticism Stony Brook University May 2009 Stony Brook University The Graduate School Bo-Kyung Choi We, the thesis committee for the above candidate for the Master of Arts degree, hereby recommend acceptance of this thesis. Donald Kuspit – Thesis Advisor Distinguished Professor of Art History department Andrew Uroskie – Chairperson of Defense Assistant Professor of Art History department This thesis is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Thesis R. B. Kitaj’s Paintings In Terms of Walter Benjamin’s Allegory Theory by Bo-Kyung Choi Master of Arts in Art History and Criticism Stony Brook University 2009 This thesis investigates R.B. Kitaj’s later paintings since the 1980s, focusing on his enthusiasm for fragments. While exploring diverse media from print to painting throughout his work, his main interest was the use of fragments, which in turn revealed his broader interests in the notion of historicity as fragments detached from its original context. Such notion based on Walter Benjamin’s theory of allegory allowed him to embrace a much more comprehensive theme of Jewishness as the subject of his painting.
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