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Photo Collage Name: Photo Collage DAVID HOCKNEY David Hockney (1937-?) is a British born artist who lives in Los Angeles. He always wanted to be an artist, so he created posters at school and made drawings for the school magazine. When he was a little bit older, he attended art school in London. After a visit to New York in 1961, he decided that the freedom he found in American society suited him and inspired his artwork. Since then he has become successful creating many different kinds of artworks, including oil paintings, acrylic paintings, etchings, prints, theatre design, and photo collages. He became successful so rapidly that he was able to support himself by selling his artwork when he was still in his early 20’s! David Hockney began his career as a painter, and it is earliest paintings that have earned him the label of Pop Artists. Many people consider Hockney a Pop Artist because his first paintings were light hearted and showed common scenes, much like the work of other Pop artists. In the two paintings pictured here we see examples of a Californian lifestyle. The painting on the left is titled A Bigger Splash , and the painting on the left is called A Lawn Being Sprinkled . Hockney painted both artworks in 1967. Hockney frequently documented his work with photography. Handout created by S. Wagner-Marx From 1973-1975 he lived in Paris and worked with two of Picasso’s printers. During this time he made etchings in memory of Picasso, who he greatly admired. It is very possible that Picasso’s cubist paintings inspired the photo collages that Hockney began creating in the 1980’s. His first collages were mosaics created by laying out Polaroids in a grid. The artwork on the left is called Kasmin , and was made in 1982. Hockney preferred photo collages to single photographic images because it forces the viewer to see all of the parts. Hockney believed that the photo collages were like visual perception. Visual perception is when a person looks at all of the details or aspects of an object in order to see it as a whole. In addition to the grid collages, Hockney created collages by overlapping photographs. The collage above is called Place Furstenberg, Paris , and was made in 1985. The artwork on the right is called Mother and was also made in 1985. The artwork at the top of the first page is also by Hockney and is called Pearblossom Highway , created in 1986. ARNOLD NEWMAN Arnold Newman is a portrait photographer who has taken photos of many famous people, including David Hockney! Usually Newman takes single image photographs, but on a couple of occasions he has used photo collage to emphasize the uniqueness of the person he is photographing. In Newman’s collages he has torn the photographs before combining them. We will look at some of Newman’s artwork online at http://pdn- pix.com/legends/newman/. Handout created by S. Wagner-Marx PROJECT For this project you will be creating your own photo collage, and you may imitate the style of Hockney or Newman. Here are the guidelines and hints for a successful photo collage: Take your photos of the same person, place or thing. Vary the distance you are from your subject by taking a step forward or backward. Take pictures of different sections of your subject by stepping to either side or turning your camera to a different angle. Create your composition carefully before gluing it down! Think about the edges of your composition and how much each photo will overlap. Carefully glue down your photo collage and give it a title! Use a permanent marker to sign your artwork. Handout created by S. Wagner-Marx .
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  • David Hockney's Portrait of Sir David Webster to Be Offered in the Post
    PRESS RELEASE | LONDON DAVID HOCKNEY’S PORTRAIT OF SIR DAVID WEBSTER TO BE OFFERED IN THE POST-WAR AND CONTEMPORARY ART EVENING AUCTION THE PAINTING IS BEING SOLD TO RAISE VITAL FUNDS FOR LONDON’S ROYAL OPERA HOUSE CHRISTIE’S 20th CENTURY: PARIS TO LONDON SERIES 22 OCTOBER 2020 David Hockney, Portrait of Sir David Webster (1971, estimate: £11-18 million) London – Christie’s will present David Hockney’s Portrait of Sir David Webster, an exquisite tribute to Sir David Webster, the former General Administrator of the Royal Opera House and a defining influence, in the Post-War and Contemporary Art Evening Auction on 22 October 2020. Painted in 1971, it depicts Webster in the artist’s studio, seated upon a Mies van der Rohe ‘MR’ chair before a glass table. The painting is being offered by the Royal Opera House with an estimate of £11-18 million. Proceeds from the sale will contribute towards vital funding required by the world-renowned arts venue to alleviate the financial impact of coronavirus, the most serious crisis the organisation has had to face. This will allow the Royal Opera House not just to survive but to thrive in its future programming. Rendered on a grand scale, the work unites Hockney’s flair for human observation with his lifelong passion for opera. From 1975 until 1992, David Hockney would design sets for venues including Glyndebourne, the Metropolitan Opera in New York and the Royal Opera House itself. Inviting stylistic comparison with Hockney’s landmark double portraits produced between 1968 and 1975, Portrait of Sir David Webster demonstrates the meticulous exploration of space, perspective, lighting and compositional drama that would eventually come to inform his theatrical endeavours.
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  • Year 10 Photography Project Introduction to David Hockney and Joiners
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  • Everyone Who's Visited Apple's Homepage Recently Will Have Seen
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  • David Hockney
    875 North Michigan Ave, Chicago, IL 60611 Tel. 312/642/8877 Fax 312/642/8488 1018 Madison Avenue, New York, NY 10075 Tel. 212/472/8787 Fax 212/472/2552 DAVID HOCKNEY Born in Bradford, England, 1937. Lives and works in Los Angeles, California. EDUCATION 1953-57 Attended Bradford College of Art 1959-62 Attended Royal College of Art 1964 Teaching Position at University of Iowa 1965 Teaching Position at University of Colorado 1966-67 Teaching Position at University of California, Los Angeles & Berkeley SELECTED SOLO EXHIBITIONS 2016 David Hockney: I Draw, I Do, The MAC, Belfast, Ireland (forthcoming) The Yosemite Suite, L.A. Louver, Venice, California The Yosemite Suite, Annely Juda Fine Art, London David Hockney: 77 Portraits, 2 Still Lifes, Royal Academy of Arts, London, United Kingdom David Hockney: The Yosemite Suite, Pace, 537 West 24th Street, New York, New York. David Hockney: Six Tales from the Brothers Grimm, Gallagher & Turner, Newcastle, United Kingdom David Hockney: From the Beginning, River and Rowing Museum, Henley on Thames, United Kingdom 2015 – 2016 Hockney’s Double Portraits, Tate Britain, London, United Kingdom The Arrival of Spring, Fondation Vincent van Gogh Arles, Arles, France 2015 David Hockney, Works on Paper, Paul Kasmin Gallery, New York, New York David Hockney: Early Drawings, Offer Waterman, London, United Kingdom The Arrival of Spring in Woldgate, Galerie Lelong, Paris, France David Hockney: Painting and Photography, Annely Juda Fine Art, London, United Kingdom; traveled to L.A. Louver, Venice, California [cat.]
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    SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... R. B. Kitaj’s Paintings In Terms of Walter Benjamin’s Allegory Theory A Thesis Presented by Bo-Kyung Choi to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History and Criticism Stony Brook University May 2009 Stony Brook University The Graduate School Bo-Kyung Choi We, the thesis committee for the above candidate for the Master of Arts degree, hereby recommend acceptance of this thesis. Donald Kuspit – Thesis Advisor Distinguished Professor of Art History department Andrew Uroskie – Chairperson of Defense Assistant Professor of Art History department This thesis is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Thesis R. B. Kitaj’s Paintings In Terms of Walter Benjamin’s Allegory Theory by Bo-Kyung Choi Master of Arts in Art History and Criticism Stony Brook University 2009 This thesis investigates R.B. Kitaj’s later paintings since the 1980s, focusing on his enthusiasm for fragments. While exploring diverse media from print to painting throughout his work, his main interest was the use of fragments, which in turn revealed his broader interests in the notion of historicity as fragments detached from its original context. Such notion based on Walter Benjamin’s theory of allegory allowed him to embrace a much more comprehensive theme of Jewishness as the subject of his painting.
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