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A Public Data Set for Energy Disaggregation Research
REDD: A Public Data Set for Energy Disaggregation Research J. Zico Kolter Matthew J. Johnson Computer Science and Artificial Intelligence Laboratory for Information and Decision Systems Laboratory Massachusetts Institute of Technology Massachusetts Institute of Technology Cambridge, MA Cambridge, MA [email protected] [email protected] ABSTRACT 7000 Lighting 6000 Electronics Energy and sustainability issues raise a large number of Refrigerator problems that can be tackled using approaches from data 5000 Bathroom GFI 4000 Dishwaser mining and machine learning, but traction of such problems Microwave has been slow due to the lack of publicly available data. In Watts 3000 Kitchen Outlets Washer Dryer this paper we present the Reference Energy Disaggregation 2000 Data Set (REDD), a freely available data set containing de- 1000 tailed power usage information from several homes, which is 0 00:00 06:00 12:00 18:00 00:00 aimed at furthering research on energy disaggregation (the Time of Day task of determining the component appliance contributions from an aggregated electricity signal). We discuss past ap- Figure 1: An example of energy consumption over proaches to disaggregation and how they have influenced our the course of a day for one of the houses in REDD. design choices in collecting data, we describe the hardware and software setups for the data collection, and we present initial benchmark disaggregation results using a well-known biology or machine vision. We argue that this situation is at Factorial Hidden Markov Model (FHMM) technique. least partly due to the scarcity of publicly available data for such domains. For example, although there are vast amounts 1. -
Revealed: Billboard's 2019 Top Music Lawyers Led by BTS Counsel
ELECTRONICALLY REPRINTED FROM AUGUST 26, 2019 Revealed: Billboard’s 2019 Top Music Lawyers Led by BTS Counsel Debbie White of Loeb & Loeb “Sometimes I ask people, ‘What day is it? What time is it?’ LAWYER OF THE YEAR because I don’t even know where I am,” she says. DEBBIE WHITE White is the U.S. legal adviser for both BTS, the K-pop septet Partner/vice chair, music whose success has been both a commercial and cultural industry; Loeb & Loeb New York University milestone, and the boy band’s label and management School of Law company, Big Hit Entertainment. In recognition of an extraordinary year fostering the success of BTS and Big Hit as well as a clientele that includes Chinese technology and entertainment giant Tencent; Citi; Bank of America; Uber; Ty Stiklorius’ management company, Friends at Work; British legends Duran Duran and The Who; and artists Melanie Martinez, James TW, Emily Ann Roberts, Tomorrow x Together and Spektor, among others -- White has been named Billboard’s Lawyer of the Year for 2019. BTS’ most recent album, Map of the Soul: Persona, topped the Billboard 200 in April, the group’s third release to do so. In the United States alone, the band’s catalog has accumulated 5.4 billion on-demand streams and 3.1 million song downloads, according to Nielsen Music. BTS spent most of the summer on its Love Yourself: Speak Yourself Tour, which launched in May and has grossed $99.3 million with a series of U.S. stadium doubleheaders, according to Billboard Boxscore. The tour required White to keep her bags packed. -
Block B Album Download Block B Members Profile
block b album download Block B Members Profile. Block B (블락비) currently consists of: Zico, Taeil, B-Bomb, Jaehyo, U-Kwon, Kyung, and P.O . Leader Zico left the company on November 23, 2018, however according to Seven Seasons , the future of the band as a 7-members band is still under discussion. The band debuted on April 13, 2011, under Stardom Entertainment. In 2013, they left their agency and signed with Seven Seasons, a subsidiary label to KQ Entertainment. Block B Fandom Name: BBC (Block B Club) Block B Official Fan Color: Black and Yellow Stripes. Block B Official Accounts: Twitter: @blockb_official Facebook: BlockBOfficial Instagram: @blockb_official_ Fan cafe: BB-Club. Block B Members Profile: Zico Stage Name: Zico (지코) Birth Name: Woo Ji Ho (우지호) Position: Leader, Main Rapper, Vocalist, Face of the Group Birthday: September 14, 1992 Zodiac Sign: Virgo Birthplace: Seoul, South Korea Height: 181 cm (5’11”) Weight: 65 kg (143 lbs) Blood Type: O Twitter: @ZICO92 Instagram: @woozico0914. Zico Facts: – He was born in Mapo, Seoul, South Korea. – He has an older brother, Woo Taewoon, who was a former member of idol group Speed. – He was a Vocal Performance major at Seoul Music High School. – Zico studied at the Dong-Ah Institute of Media and Arts University (between 2013 -2015). – Specialties: Freestyle rap, composing, weaving melody lines. – He auditioned for S.M. Entertainment as a teenager. – He joined Stardom Entertainment in 2009. – Zico lived abroad in Japan for three years. – On November 7, 2014, Zico released his official solo debut single entitled “Tough Cookie” featuring the rapper Don Mills – He, along with Kyung have produced all of Block B’s albums. -
Hip-Hop and Cultural Interactions: South Korean and Western Interpretations
HIP-HOP AND CULTURAL INTERACTIONS: SOUTH KOREAN AND WESTERN INTERPRETATIONS. by Danni Aileen Lopez-Rogina, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Sociology May 2017 Committee Members: Nathan Pino, Chair Rachel Romero Rafael Travis COPYRIGHT by Danni Aileen Lopez-Rogina 2017 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Danni Aileen Lopez-Rogina, refuse permission to copy in excess of the “Fair Use” exemption without my written permission. DEDICATION To Frankie and Holly for making me feel close to normal. ACKNOWLEDGEMENTS I want to acknowledge my mom, dad, and sister first and foremost. Without their love and support over the years, I would not have made it this far. They are forever my cheerleaders, no matter how sassy I may be. Professor Nathan Pino was my chosen mentor who took me under his wing when I chose him like a stray cat. His humor and dedication to supporting me helped me keep my head up even when I felt like I was drowning. Professor Rachel Romero was the one to inspire me to not only study sociology, but also to explore popular culture as a key component of society. -
Roots and Routes 188
Fendler / Roots and Routes 188 ROOTS AND ROUTES Hip-Hop from South Korea Ute Fendler University of Bayreuth [email protected] Abstract With the growing success of hip-hop in South Korea, the discussions about the authenticity of this genre increase and create cleavages between the mainstream and the underground rappers. The paper intends to analyze three examples of the contemporary music scene that are representative of different positions. Taking Simon Frith’s work on popular music as a means to construct identity, the paper suggests questioning the concept of authenticity (“roots”) and proposes instead conceiving hip-hop in South Korea as a movement at the crossroads (“routes”) of various influences and practices. Keywords Authenticity, Identity, Music videos, Performance, R&B, Rap About the Author Ute Fendler is chair of romance cultural and comparative cultural studies at the University of Bayreuth (Germany). Her research interests include intermedial and intercultural phenomenon, popular culture, migration, iconographies, music video, and performance. Kritika Kultura 29 (2017): –213 © Ateneo de Manila University <http://journals.ateneo.edu/ojs/kk/> Fendler / Roots and Routes 189 In the ongoing process of reaching out to global markets, pop music in South Korea undergoes fast changes, mainly under the influence of US-American and Western European markets, as literature on K-pop highlights (Choi and Maliangkay). John Lie dealt with the question of K-pop as music positioned between different influences: K-pop is symptomatic of the cultural transformation of South Korea: at once the almost complete repudiation of traditional cultures—both Confucian and folk—and the repeated rhetorical stress on the continuities between the past and the present: the nearly empty signifier that is South Korean cultural-national identity. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
Case 1:11-Cv-05580-JPO D Ument 15 Filed 10/31/11 Page 1 of 36
Case 1:11-cv-05580-JPO D ument 15 Filed 10/31/11 Page 1 of 36 %.;OPY UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK } STACEY B. FISHBEIN, KATRINA GARCIA, } Case No. 11-Civ-S CATALINA SALDARRIAGA and RUSSELL } MARCHEWKA, on Behalf of Themselves and All ) Others Similarly Situated, ) AMENDED CLASS ACTION } COMPLAINT Plaintiffs, ) vs. ) JURY TRIAL DEMANDED ALL MARKET INC. d/b/a VITA COCO, } } Defendant. } } AMENDED CLASS ACTION COMPLAINT Plaintiffs Stacey B. Fishbein , Katrina Garcia, Catalina Saldarriaga , and Russell Marchewka ("Plaintiffs "), by and through their undersigned counsel, upon personal knowledge as to themselves and upon information and belief as to all other matters, allege as follows: I. Plaintiffs bring this action against defendant All Market Inc . d/b/a Vita Coco ("All Market" or "Defendant") on behalf of themselves and all other similarly situated individuals and entities who purchased, for personal use, "Vita Coco Coconut Water" products (collectively, "Vita Coco Products") during the period between August 10, 2007 and the date of the final disposition of this action (as defined below, the "Classes"). BACKGROUND 2. Defendant manufactures, markets and sells Vita Coco Products throughout the United States and North America. Case 1:11-cv-05580-JPO Document 15 Filed 10/31/11 Page 2 of 36 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK STACEY B. FISHBEIN, KATRINA GARCIA, } Case No. 11-Civ-5580 CATALINA SALDARRIAGA and RUSSELL } MARCHEWKA, on Behalf of Themselves and All ) Others Similarly Situated, } AMENDED CLASS ACTION } COMPLAINT Plaintiffs, ) vs. ) JURY TRIAL DEMANDED ALL MARKET INC. d/b/a VITA COCO, } } Defendant. -
Table 4: Full List of First Forenames Given, Scotland, 2016 (Final) in Alphabetical Order
Table 4: Full list of first forenames given, Scotland, 2016 (final) in alphabetical order NB: * indicates that, sadly, a baby who was given that first forename has since died Number of Number of Boys' names NB Girls' names NB babies babies A 1 A'lelia 1 A-Jay 1 Aadhya 2 Aadam 3 Aadrika 1 Aadarsh 1 Aadya 2 Aaden 2 Aafeen 1 Aadi 1 Aafreen 1 Aadit 1 Aaila 1 Aadrian 1 Aaima 2 Aadyanth 1 Aairah 1 Aaeryn 1 Aaisha 1 Aahad 1 Aaishah 1 Aahil 2 Aaiza 1 Aahyan 1 Aaleen 1 Aamir 1 Aaleyah 2 Aaran 2 Aalia 3 Aarav 5 Aaliah 1 Aaren 1 Aaliya 1 Aari 1 Aaliyah 34 Aarick 1 Aameera 1 Aariv 1 Aamina 1 Aariz 1 Aamira 1 Aarley-Ray 1 Aamirah 1 Aarlo 1 Aamna 1 Aaron 240 Aanya 2 Aaron-John 1 Aara 1 Aarran 1 Aaradhya 1 Aarron 1 Aaria 2 Aarvin 1 Aariah 3 Aaryan 1 Aariyah 1 Aaryav 2 Aarvi 1 Aaryn 2 Aarya 5 Aaryn-John 1 Aaryella 1 Aashutosh 1 Aashi 1 Aayan 8 Aashvi 1 Aayden 1 Aasiyah 2 Abaan 1 Aathira 1 Abaas 1 Aatiqa 1 Abdallah 2 Aayah 2 Abdelmadjid 1 Aayat 1 Abdijabar 1 Aayeshah 1 Abdul 6 Aayla 2 Abdul-Aziz 1 Aaylah 1 Abdul-Rafay 1 Abaigh 1 Abdul-Raheem 1 Abbey 15 Abdul-Rahman 2 Abbi 5 Abdul-Samee 1 Abbi-Leigh 1 Abdul-Wahhab 1 Abbie 83 * Abdulahad 1 Abbie-Leigh 2 Abdulaziz 1 Abbie-Rose 2 Abdulhaadi 2 Abbiegail 1 Abdullah 9 Abbigail 1 Abdullahi 1 Abby 28 Abdulmohsen 1 Abeeha 2 Abdulrahman 3 Abeera 2 Abdulsalam 1 Abena 1 Abdur-Rahman 2 Abi 14 Abdurahman 3 Abigail 96 Abdurraheem 1 Abigail-Lee 1 Abdurrahman 1 Abigaile 1 Abdussalam 1 Abiha 2 Abe 1 Abiola 2 © Crown Copyright 2017 Table 4 (continued) NB: * indicates that, sadly, a baby who was given that first forename has -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) SEP CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 26 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2020 $NOT HS 18 THE BLESSED MADONNA DES 13 -D- AUSTIN FRENCH CA 25; CST 31 JACQUEES RBS 15 LENIER TSS 21 THE 1975 MO 16; RKA 27 BLUE OCTOBER RKA 26 D-SOL DA 17 FROM ASHES TO NEW RKA 40 BONEY JAMES CJ 6, 14 ARI LENNOX ARB 20 24KGOLDN HS 13; AK 1, 21; DA 39; DES 14; BLXST HS 22 DABABY B200 11, 96; RBA 8; RLP 9; DA 18; FUERZA REGIDA RMA 14 GAVIN JAMES A40 33 CARIN LEON LT -
Wellesley Ksa Presents
WELLESLEY KSA PRESENTS Wellesley College Korean Students Association presents SEOUL NIGHT LIVE Live from Wellesley, it’s Seoul Night Live! We’re very excited you’re joining us tonight for our biggest event of the year--the Annual KSA Culture Show! Follow our show hosts, Lily and Jen, as they take you through the exciting performances we have prepared for you tonight. Stay seated, and we hope you enjoy the show! Korean Student Association Executive Board Co Presidents Hajin Park & Rachel Seo Vice President Jackie Ha Treasurer Jane Lee Co Culture Chairs Jennifer Chung & Chloe Moon Secretary Denise Yoon Publicity Chair Jee Lee Multimedia Chair Sharon Cho Senator Soobean Jo Social Chair Julia Cho Community Service Chair Michelle Namkoong International Representative Chaerin Park Korean Program Liaison Sojin Ki First Year Representative Sandra Chung & Sue Lee Emcees Lily Kim & Jennifer Vogan Eboard Video Editor Rachel Utomo & Cathy Ye Technical Staff Denysha Jackson Videographer Jalena Keane-Lee Photographer Christine Yang PART 1 Eboard Introduction (Video) First-Year Dance Choreographed by Sue Lee ‘20, Annie Kang ‘20, Grace Chin ‘20 Esther Luo ‘20, Gemma Min ‘20, Chandler Pettigrew ‘20, Heidi Cho ‘20, Annie Kang ‘20 / Neri Min ‘20, Sue Lee ‘20, Stella Kim ‘20, Yebin Park ‘20, Yuna Gan ‘20, Casey Smith ‘20, Sandra Chung ‘20 / Grace Chin ‘20, Chloe Yichen Wang ‘20, Winnie Chen ‘20, Caitlyn Chung ‘20 The first-year dance has become a tradition of Wellesley KSA’s Culture Show. Every year our first-year members put together an act that showcases some of Korea’s most recent and popular hits. -
ZICO CAPITAL PTE. LTD. (Company Registration Number: 201613589E) (Incorporated in the Republic of Singapore)
CIRCULAR DATED 14 NOVEMBER 2019 THIS CIRCULAR IS IMPORTANT AND REQUIRES YOUR IMMEDIATE ATTENTION. PLEASE READ IT CAREFULLY. This Circular is issued by AsiaMedic Limited (the “Company”). If you are in any doubt about its contents or the action you should take, you should consult your legal, financial, tax or other professional adviser(s) immediately. The Company intends to list the securities which are the subject of the rights issue in this Circular and the acceptance of applications will be conditional upon the issue of securities and the receipt of the Singapore Exchange Securities Trading Limited’s (the “SGX-ST”) listing and quotation notice. Companies listed on Catalist may carry higher investment risk when compared with larger or more established companies listed on the Main Board of the SGX-ST. In particular, companies may list on Catalist without a track record of profitability and there is no assurance that there will be a liquid market in the shares or units of shares traded on Catalist. You should be aware of the risk of investing in such companies and should make the decision to invest only after careful consideration and, if appropriate, consultation with your professional adviser(s). If you have sold or transferred all your ordinary shares in the capital of the Company held through The Central Depository (Pte) Limited (“CDP”), you need not forward this Circular with the Notice of Extraordinary General Meeting and the accompanying Proxy Form to the purchaser or transferee as arrangements will be made by CDP for a separate Circular with the Notice of Extraordinary General Meeting and the accompanying Proxy Form to be sent to the purchaser or transferee. -
BRAND VS BAND Global Marketing Analysis on Two K-Pop Groups, NCT and BTS
THESIS - BACHELOR'S DEGREE PROGRAMME SOCIAL SCIENCES, BUSINESS AND ADMINISTRATION BRAND VS BAND Global Marketing Analysis on Two K-pop Groups, NCT and BTS A u t h o r / s : Petra Jääskeläinen SAVONIA UNIVERSITY OF APPLIED SCIENCES THESIS Abstract Field of Study Social Sciences, Business and Administration Degree Programme Degree Programme in Business Administration, International Business Author(s) Petra Jääskeläinen Title of Thesis Brand VS Brand: Global Marketing Analysis on Two K-pop Groups, NCT and BTS Date 09.12.2019 Pages/Appendices 40 Supervisor Virpi Oksanen Client Organization /Partners - Abstract K-pop as a music industry has gained a lot of attention in 2019 in the U.S. and globally. K-pop has experi- enced two decades of expansion from South-Korea to global markets, becoming one of the leading music industries in the world. The purpose of this thesis was to study the marketing activities of two case compa- nies, SM Entertainment and BigHit Entertainment, and two of their boy music groups, NCT and BTS respec- tively. The focus of this thesis was to showcase the groups’ promotional activities in the U.S. and to study the usage of marketing mix. The thesis is compiled of an empirical study of the K-pop industry and its international activities in the U.S., organized into 3 sections explaining different time periods and the market changes internationally. The mar- keting strategies of the case companies were explained to describe the key concepts the businesses focus on, and the 4Ps of the marketing mix were analyzed in the two groups of BTS and NCT.