Healing from Hate: Battle for the Soul of a Nation
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Episode 26 – “BIG BATTLE LADY” Release Date
Episode 26 – “BIG BATTLE LADY” Release Date: July 9, 2018 Running Time: 1 hour, 2 minutes SALLY: I can’t believe we didn’t open this episode with “Are you ready to climax?” [laughs] EMILY: I’ll just edit that in the beginning SALLY: [laughs louder] [THEME SONG – “Tubthumping” by Chumbawamba plays, chorus] EMILY: I was about to say, “Let’s make this short,” but let’s be honest SALLY: We can’t! EMILY: We won’t make this short. And also because it’s the climax, and I know it’s only three chapters, and they’re short chapters SALLY: But some shit goes down EMILY: Yeah, shit gets cosmic and weird SALLY: I was thinking about that, too. We can talk about that. It moves from the fantasy level into a divine and mythical level EMILY: Yeah, which is kind of the point of – honestly I read this and I was like, “I feel like I can’t understand the significance of this unless I am fully cognizant of what happens at the end of the series” SALLY: Yeah, which is something EMILY: Yeah, because I was like, “There has to be some significance in what is going on here, and I just needed to review,” so I basically just read the Wikipedia chapter by chapter summary of the last few chapters of A Memory of Light. And basically that entire book is, like, theological and cosmic on a whole other level, and I don’t know if that’s good or bad. I guess we’ll talk about it when we get there in… seven years? SALLY: Yeah, if we are doing one book every six months, it will be seven years EMILY: It will probably be more than that because Book 1 is one of the shortest SALLY: Oh yeah! When we get to Book 6, which I just finished, which is literally almost a thousand pages EMILY: You think at some point we’ll run out of things to talk about. -
Multilink DA
DIPLOMARBEIT Titel der Diplomarbeit Orte der Empörung Über die Montage in Michael Hanekes Kinofilm-Trilogie Verfasserin Jasmin Klepeisz angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, im Februar 2012 Studienkennzahl lt. Studienblatt: A 315 Studienrichtung lt. Studienblatt: Kunstgeschichte Betreuer: Univ.-Prof. Dr. Friedrich Teja Bach TRAILER 1. VORSPANN ................................................................................................................................. 2 1.1. CREDITS ................................................................................................................................... 2 1.2. TOTALE .................................................................................................................................... 3 1.3. OFF ............................................................................................................................................ 9 2. AUSSEN / SCHNITTGESCHICHTE ....................................................................................... 14 2.1. AUSSEN / HOLLYWOOD / SCHNITT-DOGMAS .......................................................... 16 2.1.1. ZOOM / AUSSEN / RUSSLAND .................................................................................... 23 2.2. AUSSEN / CLOSE-UP / VERFÜHRENDER SCHNITT ................................................... 27 3. INNEN / TRILOGIE .................................................................................................................. 35 3.1. INNEN / SCHNITT -
185(~ If You Have Issues Viewing Or Accessing This File Contact Us at NCJRS.Gov
If you have issues viewing or accessing this file contact us at NCJRS.gov. .. 185(~ ........ ] ............................... 7 cOmpihtion of writings was produced by the National Campaign to Stop Violence. For T~ore information on the Campaigns programs and activities, please contact the Campaign at: National Campaign to Stop Violence 1120 G Street, NW,, Suite 990 Washington, D.C 20005 (202) 393-7583 (800) Z56-O23S ;. ,. ," ;, '~i 7 ,.-,' , t, ~t}+,,;~, .... j.,~.,.~.,. J~ ']0]; ,.'b.t..'"'~' Please do not reprint any part of this book without first obtaining permission from the National Campaign to Stop Violence. Table of Contents I. Do the Wn~e Th/ngChallenge 1 ",3 II. Participating Organizations 3 III. National Campaign to Stop Violence Board of Directors 5 IV. Do the WrRe ~ Challenge Program National Finalists 7 Atlanta 9 Taronda Gibbons 11 Leo L. Tolin 17 Chicago 21 Roberto Coney 23 Rominna Villasegor 27 Denver 31 Emily B royies 33 PhiUip Dorsey 37 Hartford 41 James Shurko 43 Jackie Strong 47 Houston 51 Devell Blanton 53 Bianca Flores 59 Las Vegas 67 Takara Green 69 Paul Scott 73 Los Angeles 77 Jasmina Aragon 79 Raul Perez 85 iii Miami 89 Vanessa Butler 91 John Kelley 101 Mississippi 105 Sioban Scott 107 Shad White 111 Newark 115 Darren Alvarez 117 Iesha W'~liams 123 New Orleans 129 Nakeisha Brown 131 Avery Thomas 137 New York 143 Daniel Houck 145 Juanita Ramos 149 Philadelphia 155 Nancy Loi 157 Sean Medcalf 161 Washington, D.C 167 Angela Brown 169 Elijah Huggins 175 V. National Guard ChalleNGe Program Finalists 185 Alaska ChalleNGe -
Documenting American Racism in Print Periodicals at the Wisconsin Historical Society, and Theorizing (Radical) Collections Today
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2018 Beyond the Left: Documenting American Racism in Print Periodicals at the Wisconsin Historical Society, and Theorizing (Radical) Collections Today Alycia Sellie Graduate Center, CUNY How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/511 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Beyond the Left: Documenting American Racism in Print Periodicals at the Wisconsin Historical Society, and Theorizing (Radical) Collections Today Dear Well-Meaning White People Who Want Nothing to do with Alt-Right: We, people of color, cannot carry this burden. You must engage. 1 -Jose Antonio Vargas White supremacy in the United States is a central organizing principle of social life rather than merely an isolated social movement.2 -Jessie Daniels …this paper is a call to action: it is a plea for practicing archivists to work actively and diligently against white supremacist bias by documenting white supremacist violence against Black Americans.3 -Tonia Sutherland Sometime near 2005, while working at the Wisconsin Historical Society, I reached out to an editor to inquire about a recent publication. I emailed because I had discovered a print newsletter that they had been publishing for some time, which the Society did not yet hold. I hadn’t expected a response based on the organization’s web page—their site looked outdated and I couldn’t tell whether it was currently being maintained. -
Walking Wounded
Walking Wounded: Cinematic Representations of Masculine, Post-Modern Anxiety in the Urban Space Penelope Eate B. Soc. Sc. (Hons) Thesis submitted for the degree of Doctor of Philosophy Department of Gender, Work and Social Inquiry, School of Social Sciences University of Adelaide February, 2012 TABLE OF CONTENTS Abstract ..................................................................................................................................... v Declaration ............................................................................................................................... vi Acknowledgements .................................................................................................................. vii INTRODUCTION __________________________________________ 1 CHAPTER ONE Going Nowhere: Urban Strolling as Masculine Anxiety In and Out of the Nineteenth Century __________________________________________ 18 Introduction .............................................................................................................................. 18 The Physiology of the Urban Sketcher.................................................................................... 19 Flânerie as Crisis ...................................................................................................................... 20 Detecting Dissent in Edgar Allan Poe‟s „The Man of The Crowd‟ (1845) ......................... 22 The Politics of Location: Gender and Public Space ............................................................. -
A Reading List for Adults, Teens, and Youth
A READING LIST FOR ADULTS, TEENS, AND YOUTH. ADULTS Between the World and Me by Ta-Nehisi Coates, Penguin Random House Publisher In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Stamped From the Beginning by Ibram X. Kendi, Bold Type Books Some Americans insist that we're living in a post-racial society. But racist thought is not just alive and well in America--it is more sophisticated and more insidious than ever. And as award-winning historian Ibram X. Kendi argues, racist ideas have a long and lingering history, one in which nearly every great American thinker is complicit. How to Be an Antiracist by Ibram X. Kendi, One World Publisher Antiracism is a transformative concept that reorients and reenergizes the conversation about racism—and, even more fundamentally, points us toward liberating new ways of thinking about ourselves and each other. At its core, racism is a powerful system that creates false hierarchies of human value; its warped logic extends beyond race, from the way we regard people of different ethnicities or skin colors to the way we treat people of different sexes, gender identities, and body types. -
“I Am the One Who Knocks!”: What It Means to Be a Man in Breaking Bad. by Stephanie Wille Submitted to the Graduate Degree P
“I am the one who knocks!”: What It Means to Be a Man in Breaking Bad. By Stephanie Wille Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John C. Tibbetts ________________________________ Dr. Ron Wilson ________________________________ Dr. Germaine Halegoua Date Defended: August 18, 2014 ii The Dissertation Committee for Stephanie Wille certifies that this is the approved version of the following dissertation: “I am the one who knocks!”: What It Means to Be a Man in Breaking Bad. ________________________________ Chairperson Dr. John C. Tibbetts Date approved: October 30, 2014 iii Abstract Breaking Bad (AMC, 2008-2013) dramatizes the rise and fall of Walter White, a mild- mannered high school chemistry teacher who, through a series of misfortunes and freak opportunities, is transformed into a notorious, brutal drug kingpin -- a trajectory described as "Mr. Chips" to "Scarface." I contextualize and conduct a textual analysis of this acclaimed television series as a case study that demonstrates the increasingly complex construction of masculine identity in contemporary television. This study examines the reception of specific characters among critics and audiences, as well as investigates the ways in which the setting and depiction of ethnicities influence representations of masculinity. Calling for attention to the apparent lack in masculinity studies on television, the complex male representation in Breaking Bad suggests that men are not merely experiencing a crisis of their masculinity in contemporary society, but demonstrates that there is a problem with uniform white, hetero-normative representation of masculinity on TV. -
GOTT-DISSERTATION.Pdf (1.059Mb)
Copyright by Michael Robert Gott 2011 The Dissertation Committee for Michael Gott Certifies that this is the approved version of the following dissertation: Re-charting French Space: Transnationalism, Travel and Identity from the Postcolonial Banlieue to post-Wall Europe Committee: Hélène Tissières, Supervisor Dina Sherzer, Co-Supervisor Michael Johnson Madhavi Mallapragada ___________________________________ Andrea Loselle Re-charting French Space: Transnationalism, Travel and Identity from the Postcolonial Banlieue to post-Wall Europe by Michael Robert Gott, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2011 Acknowledgements I would like to thank all of my committee members and in particular my supervisor Hélène Tissières and in my co-supervisor Dina Sherzer. iv Re-charting French Space: Transnationalism, Travel and Identity from the Postcolonial Banlieue to post-Wall Europe Michael Robert Gott, PhD. The University of Texas at Austin, 2011 Supervisor: Hélène Tissières Co-supervisor: Dina Sherzer Contemporary French identity issues are often conceived spatially in popular imagination and political discourse. France and French identity have been mapped into a series of imagined exclusionary spaces through media representations and political rhetoric. This dissertation argues that artists in the fields of film, rap music and fiction are actively yet often indirectly intervening in French identity debates by reframing the question of “integration” and by demonstrating that not only can one be simultaneously French and “other,” but that French identity is always already more complex and transnational than prevailing discourses of “imagined” identity will admit. -
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PERFORMANCE PHILOSOPHY BLOW YOUR MIND! SHARDS HAILING, ON SUPERFLUOUS VIOLENCE TO STOP SURVIVING SIMON(E) VAN SAARLOOS DUTCH ART INSTITUTE Admittedly, it is a hard place to begin, with the avowal that violence is not an exception but rather that it defines the horizon of her existence. It is to acknowledge that we were never meant to survive, and yet we are still here. —Saidiya Hartman, Wayward Lives, Beautiful Experiments (2019, 29–30) I saw I wanted to be beaten up. I didn’t understand. This isn’t enough. Nothing is enough, only nothing. I want to get to what I don’t know which is discipline. In other words, I want to be mad, not senseless, but angry beyond memories and reason. I want to be mad. —Kathy Acker, Empire of the Senseless (1988, 51) We are sitting on a countryside terrace in France, sipping a beer. Summer. We don’t really know each other, just two different kinds of foreigners who bonded over an emergency at our shared holiday horizon: a fire in a farmer’s field, caused by drought and an overheated tractor. We called the emergency number, using Google Translate to explain what we saw, ‘un feu, un feu,’ failing to localize the field. No one got hurt. She tells me her name is Ada. We speak English with each a different accent. PERFORMANCE PHILOSOPHY VOL 5, NO 2 (2020):303–315 DOI: https://doi.org/10.21476/PP.2020.52288 ISSN 2057-7176 I tell her about David Buckel. On April 14, 2018, David Buckel set himself on fire in Brooklyn’s Prospect Park. -
Revisiting The“White Negro” Through Skateboarding
Sociology of Sport Journal 2005;22:356-372 © 2005 Human Kinetics, Inc. “Black-Lash”: Revisiting the“White Negro” Through Skateboarding Sean Brayton Alternative sports have been situated within backlash politics whereby subcultural or marginal representations illustrate a victimized white male. Whereas this might be true of some sports, skateboard media fosters a sustained critique of “white- ness.” To understand the representation of white resistance in skateboarding, we must locate the sport within the larger historical context of white male rebellion found in Jack Kerouacʼs On the Road (1957) and Norman Mailerʼs White Negro (1957). Similar to these countercultural narratives, skateboard media represents a tension between a death of whiteness (symbolized by co-opting “blackness”) and its inevitable rebirth (through prolifi c marketing of white skaters). Unlike the Beats, however, the dialectics of white resistance appear in skateboard media through advertisements that are often underscored by parody, which produces its own set of complexities. Les sports alternatifs ont été situés au sein des idées politiques de contrecoups. Selon ces idées, les représentations marginales ou sous culturelles illustrent un mâle blanc victimisé. Quoique ceci soit vrai de quelques sports, les médias liés à la planche à roulette (ou « skate ») entretiennent une critique de la « blancheur ». Pour comprendre la représentation de la résistance blanche en skate, nous devons placer ce sport dans le contexte historique plus large de la rébellion masculine blan- che retrouvée dans les écrits de Jack Kerouac (On the Road, 1957) et de Norman Mailer (White Negro, 1957). Similaire à ces récits contre-culture, les médias du skate représentent une tension entre la mort de la blancheur (symbolisée par la cooptation de la « noirceur ») et sa renaissance inévitable (par le marketing agressif des planchistes blancs). -
An Australian Composer Abroad: Malcolm Williamson And
An Australian Composer Abroad: Malcolm Williamson and the projection of an Australian Identity by Carolyn Philpott B.Mus. (Hons.) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Conservatorium of Music University of Tasmania October 2010 Declaration of Originality This dissertation contains no material that has been accepted for a degree or diploma by the University of Tasmania or any other institution, except by way of background information that is duly acknowledged in the text. I declare that this dissertation is my own work and to the best of my knowledge it contains no material previously published or written by another person except where clear acknowledgement or reference is made in the text, nor does it contain any material that infringes copyright. This dissertation may be made available for loan and limited copying in accordance with the Copyright Act 1968. Carolyn Philpott Date ii Abstract Malcolm Williamson (1931-2003) was one of the most successful Australian composers of the latter half of the twentieth century and the depth, breadth and diversity of his achievements are largely related to his decision to leave Australia for Britain in the early 1950s. By the 1960s, he was commonly referred to as the “most commissioned composer in Britain” and in 1975 he was appointed to the esteemed post of Master of the Queen’s Music. While his service to music in Britain is generally acknowledged in the literature, the extent of his contribution to Australian music is not widely recognised and this is the first research to be undertaken with a strong focus on the identification and examination of the many works he composed for his homeland and his projection of an Australian identity through his music and persona. -
University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ezekiel Crago June 2019 Dissertation Committee: Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson Dr. Carole-Anne Tyler Copyright by Ezekiel Crago 2019 The Dissertation of Ezekiel Crago is approved: __________________________________________ __________________________________________ Committee Co-Chairperson __________________________________________ Committee Co-Chairperson University of California, Riverside Acknowledgments I wish to thank my committee chairs, Sherryl Vint and Derek Burrill, for their constant help and encouragement. Carole-Anne Tyler helped me greatly by discussing gender and queer theory with me. Josh Pearson read drafts of chapters and gave me invaluable advice. I was able to work out chapters by presenting them at the annual conference of the Science Fiction Research Association, and I am grateful to the members of the organization for being so welcoming. I owe Erika Anderson undying gratitude for meticulously aiding me in research and proofreading the entire project. iv ABSTRACT OF THE DISSERTATION Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema by Ezekiel Crago Doctor of Philosophy, Graduate Program in English University of California, Riverside, June 2019 Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson This study investigates anxieties over the role of white masculinity in American society after World War Two articulated in speculative films of the post-apocalypse. It treats the nascent genre of films as attempts to recenter white masculinity in the national imagination while navigating the increased visibility of this subject position, one that maintains dominance in society through its invisibility as superordinate standard of manhood.