THAT EVENING SUN” If It Was Publicly Announced, Particularly If It Was Declared by the Black Woman As the Victim
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The Blind Man, the Idiot, and the Prig: Faulkner's Disdain for the Reader
THE BLIND MAN, THE IDIOT,AND THE PRIG: FAULKNER’S DISDAIN FOR THE READER1 GENE C. FANT, JR. William Faulkner’s disdain for the reader surfaces in his narrative approach in three novels: Sanctuary, The Sound and the Fury, and Absalom, Absalom! Frustrated with the failure of contemporary critics and general readers to wrestle with his style, he asserts authorial power over his audience. Three particular characters come to symbolize, in part, the general reader. In Sanctuary, Faulkner undermines the senses, leading the reader to identify with the blind-deaf-mute, Pap Goodwin. In The Sound and the Fury, the reader’s demands for narrative order find a parallel in the idiot Benjy Compson. In Absalom, Absalom!, Faulkner depicts the overactive reader in the priggish Shreve McCannon, who reshapes the story. Each character pro- vides insight into the total dependence of the audience upon the narrator and the overall epistemological ramifications of narrative itself. By 1928, William Faulkner was an experienced novelist, with Soldier’s Pay and Mosquitoes published and a third completed manuscript (which became Sartoris), under his authorial belt. His experiences as a novelist, however, frus- trated him as his sales lagged and his critical reception proved underwhelming. He felt underappreciated and misunderstood, as his own recollections give evidence.2 When Faulkner wrote The Sound and the Fury and Sanctuary, the two major works of 1928–29, he made a step in his approach to writing that ele- vated his prose: he stopped writing for the “ideal” reader, regardless of the con- sequences. Up until that time, Faulkner had taken a fairly traditional approach to relating a story with fairly ordered plots and narrative points of view. -
In the Sound and the Fury, Benjy Compson Most Likely Suffers from Autism
1 In The Sound and the Fury, Benjy Compson Most Likely Suffers from Autism Patrick Samway, S.J. Gentry Silver Stating that Benjy Compson most likely suffers from autism in The Sound and the Fury introduces methodological concerns never before seen in Faulkner criticism, insofar as ongoing information concerning an actual neurological disorder is used to diagnose a completely fictional character. To a great extent, the possibility of such a diagnosis supposes Benjy to be a genuine candidate for a neurological/psychological case study, a supposition that, admittedly, needs to remain speculative, but which nevertheless has value in identifying more exactly why he acts as he does. As in any neurological/psychological case study, a review of earlier opinions by literary critics can bring to light how Benjy has been perceived to date, which, when linked with precise textual evidence from the novel and recent neurological theories, will allow for a more coherent explanation of his condition. Given His Physical Condition and Mental Limitations, Should Benjy Be Called an “Idiot” or Would “Autistic” Be More Appropriate? Due in large part to the “idiotic” or “lunatic” ways in which Benjy perceives and relates the world around him, literary critics and Faulkner himself have preferred to call Benjy an idiot, though they often discuss the nature of his idiocy in different ways (see, for example, The Most Splendid Failure, 67, 71, 88, 178- 9; “The Ordeal of Consciousness,” 175; “Nihilists and Their Relations,” 93; “Faulkner, Childhood, and the Making of The Sound and the Fury,” 381; “Idiocy and Idealism,”101; “‘Where you want to go now’,” 4; Faulkner’s Inexhaustible Voice, 171; “Searching for Jason Richmond Compson,”185 ; The Fool: Character as Technique in the Novels of William Faulkner, 51; “‘Trying to Say’,” 40; “A propos de ‘Le Bruit et la Fureur’,”1058). -
A Modern Tragedy
“WONDER. GO ON AND WONDER”: QUENTIN’S TRAGEDY FROM THE SOCIOLOGICAL PERSPECTIVE by Huang Min 黄 敏 A Dissertation Presented to The Graduate School of Language, Communication, and Culture Kwansei Gakuin University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy March 2013 Doctor of Philosophy Dissertation “Wonder. Go on and wonder”: Quentin’s Tragedy from the Sociological Perspective by Huang Min Members of Evaluation Committee Major Advisor: Associate Advisor: Associate Advisor: Associate Advisor: i ABSTRACT “Wonder. Go on and wonder”: Quentin’s Tragedy from the Sociological Perspective by Huang Min A major hero in the works of William Faulkner, Quentin Compson used to be one of the most frequently commented characters. Regarding his death, there are a variety of critical opinions. Yet very few critical works have devoted to a thorough study of Quentin’s tragedy. The result is that voices on this issue are presented within the different concerns of critics and tend to overstress one aspect of the problem. The diversified opinions contribute much to the unsettled argument and the complexity of Quentin’s death itself. For want of a better argument, the critical world has paid considerably less attention to Quentin’s suicide over the last 30 years. My dissertation has tried to approach Quentin’s tragedy in a more systematic and consistent way by the adaptation of a sociological perspective, which has seen the accumulation of well-defined studies on ii the problem of suicide since Sociologist Durkheim’s monumental book Suicides published well over a century ago. It is from this discipline of social science that the present paper gains a theoretical framework for laying down the fundamental questions regarding Quentin’s death, in an attempt to objectively define and examine the development of his character and suicidal mentality. -
An Annotated Bibliography of William Faulkner, 1967-1970
Studies in English Volume 12 Article 3 1971 An Annotated Bibliography of William Faulkner, 1967-1970 James Barlow Lloyd University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the American Literature Commons Recommended Citation Lloyd, James Barlow (1971) "An Annotated Bibliography of William Faulkner, 1967-1970," Studies in English: Vol. 12 , Article 3. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol12/iss1/3 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Lloyd: Faulkner Bibliography An Annotated Bibliography of William Faulkner, 1967—1970 by James Barlow Lloyd This annotated bibliography of books and articles published about William Faulkner and his works between January, 1967, and the summer of 1970 supplements such existing secondary bibliog raphies as Maurice Beebe’s checklists in the Autumn 1956 and Spring 1967 issues of Modern Fiction Studies; Linton R. Massey’s William Faulkner: “Man Working” 1919-1962: A Catalogue of the William Faulkner Collection of the University of Virginia (Charlottesville: Bibliographic Society of the University of Virginia, 1968); and O. B. Emerson’s unpublished doctoral dissertation, “William Faulkner’s Literary Reputation in America” (Vanderbilt University, 1962). The present bibliography begins where Beebe’s latest checklist leaves off, but no precise termination date can be established since publica tion dates for periodicals vary widely, and it has seemed more useful to cover all possible material than to set an arbitrary cutoff date. -
A Study of Faulkner's Religious Critical Thought Based on the Image of Black Women
2019 5th International Conference on Economics, Management and Humanities Science (ECOMHS 2019) A Study of Faulkner's Religious Critical Thought Based on the Image of Black Women Shi Qin Shanghai Open University Chongming Branch, Shanghai, China Keywords: Faulkner; religion outlook; black female; image-building; Southern Renaissance Abstract: In the 20th century, the famous American writer William Faulkner grew up in the "Bible Belt" of the southern United States. Due to the influence of religious and cultural environment, Faulkner infiltrated a strong religious color into his works, reflecting his complex diversity of religious thoughts. As a representative of the southern Renaissance, Faulkner created numerous black female images in different periods. Through attention and characterization of the black women at the bottom of the southern society under the white rule, he reveals the fact that the southern religion and the decayed and evil old southern cultural tradition are mutually integrated and accelerate the collapse of the old south. This paper studies and interprets the artistic depiction of the special group of black women, which is the artistic expression of Faulkner's critical thoughts of southern religion and his humanitarian spirit in the southern Renaissance. 1. Introduction William Faulkner was a famous American writer in the 20th century and an outstanding representative of southern literature. In 1950, he won the Nobel Prize for literature for his "powerful and unique artistic contribution to the American novel". Faulkner, who grew up in the southern United States with a strong religious culture, integrated the ubiquitous religious elements in his series of novels of Yoknapatawpha, the representative of his highest artistic achievement. -
Bad Blood: the Southern Family in the Work of William Faulkner
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2011 Bad Blood: The outheS rn Family in the Work of William Faulkner Neil T. Phillips University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the English Language and Literature Commons Phillips, Neil T., "Bad Blood: The outheS rn Family in the Work of William Faulkner" (2011). Masters Theses 1911 - February 2014. 706. Retrieved from https://scholarworks.umass.edu/theses/706 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. BAD BLOOD: THE SOUTHERN FAMILY IN THE WORK OF WILLIAM FAULKNER A Thesis Presented by NEIL T. PHILLIPS Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of Master of Arts September 2011 Department of English BAD BLOOD: THE SOUTHERN FAMILY IN THE WORK OF WILLIAM FAULKNER A Thesis Presented By NEIL T. PHILLIPS Approved as to style and content by: ________________________________________________ Arthur Kinney, Chair ________________________________________________ Randall Knoper, Member ________________________________________________ Nicholas Bromell, Member ___________________________________________________ Joseph Bartolomeo, Department Head English Department DEDICATION INTERVIEWER: Some people say they can’t understand your writing, even after they read it two or three times. What approach would you suggest to them? FAULKNER: Read it four times. -William Faulkner with Jean Stein The Paris Review, Spring, 1956. ABSTRACT BAD BLOOD: THE SOUTHERN FAMILY IN THE WORK OF WILLIAM FAULKNER SEPTEMBER 2011 NEIL T. -
My Life with Faulkner and Brodsky
A Tribute to L. D. Brodsky: Excerpts from My Life with Faulkner and Brodsky Robert W. Hamblin On a Saturday morning in March 1978, I drove down a hallway to a conference room where we took to Farmington, Missouri, a little more than an hour’s seats at a long table. We talked for a while about our drive northwest of Cape Girardeau, to meet with Louis mutual interest in Faulkner; then he excused himself and Daniel Brodsky. L. D. had instructed me to meet him in left the room. When he returned he held a large safe- the lobby of the Mercantile Bank on the town square. I deposit box. He placed it on the table, opened it, reached arrived a little early and took a seat that offered a good inside, and lifted an object delicately wrapped in soft, view of the front door. I wondered what this Faulkner white tissue paper. I was quite impressed when he collector would look like, how old he was, whether I removed the wrapping and laid the book before me on could guess his identity when he entered the bank. the table. It was a first edition of The Sound and the I didn’t have to wait long, and I knew it was he Fury. L. D. opened the book to the title page, on which I as soon as he stepped inside the door. He was of medium saw, in small, meticulous handwriting, Faulkner’s height, muscularly built, with alert, friendly eyes and personal signature. I had never seen a first edition of long, curly brown hair. -
The Case of William Faulkner
ZSOLT VIRÁGOS THE SHORT STORY AS INTERTEXTUAL SATELLITE: THE CASE OF WILLIAM FAULKNER In a short story that’s next to the poem, almost every word has got to be almost exactly right. In the novel you can be careless but in the short story you can’t. ——William Faulkner (1957) To me she was the beautiful one, she was my heart’s darling. That’s what I wrote the book about… ——William Faulkner (1957) [1] An open-ended, revisable quality Despite the fact that he did mass-produce short stories on occasion, mainly for financial reasons, few twentieth-century modernists were as sophisticated in their short-prose technique and narrative depth as William Faulkner. This sophistication may be due, among several other factors, to his particular brand of a “process aesthetic.” The publishing history of Faulkner’s long and short prose fiction clearly documents his conviction that narratives should always be open to further revision, that they are never complete or finished. This aesthetic, variably practiced by such well-known predecessors as Poe and Whitman, is most clearly manifested in Faulkner’s revisiting and recasting of thematic units in new guises. These repeated tellings have 93 coalesced into distinct novel-plus-short-story clusters in the Faulkner canon, with the symbiotic components of the clusters signifying upon each other. We find, in other words, that Faulkner was, in a sense, often retelling. He kept returning to a vision not quite perfectly apprehended, he tended to brood over his material and approached a subject, a character, a type figure, an emotion-laden symbol repeatedly from different points of view for the purposes of fictional “corrections” or of adding further perspectives. -
Finding Aid for the Faulkner Periodicals Collection (MUM00161)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Faulkner Periodicals Collection (MUM00161) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Faulkner Periodicals Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. Finding Aid for the Faulkner Periodicals Collection (MUM00161) Questions? Contact us! The Faulkner Periodicals Collection is open for research. Finding Aid for the Faulkner Periodicals Collection Table of Contents Descriptive Summary Administrative Information Subject Terms Collection History Scope and Content Note User Information Related Material Arrangement Container List Descriptive Summary Title: Faulkner Periodicals Collection Dates: 1930-1997 Collector: Wynn, Douglas C. ; Wynn, Leila Clark ; University of Mississippi. Dept. of Archives and Special Collections Physical Extent: 27 full Hollinger boxes ; 6 half boxes ; 1 oversize box ; 22 cartons (35.85 linear feet) Repository: University of Mississippi. Department of Archives and Special Collections. University, MS 38677, USA Identification: MUM00161 Language of Material: English Abstract: Collection of magazine and newspaper articles written by or concerning William Faulkner and University of Mississippi Yearbooks referencing Faulkner. Administrative Information Processing Information Collections processed by Archives and Special Collections staff. Series III-IV, Periodicals by Faulkner and Periodicals about Faulkner, originally processed by Jill Applebee and Amanda Strickland, August-September 1999. Multiple collections combined into single finding aid and encoded by Jason Kovari, August 2009. -
WILLIAM FAULKNER, Collected Stories
WILLIAM FAULKNER Collected Stories Contents I. THE COUNTRY Barn Burning Shingles for the Lord The Tall Men A Bear Hunt Two Soldiers Shall Not Perish II. THE VILLAGE A Rose for Emily Hair Centaur in Brass Dry September Death Drag Elly Uncle Willy Mule in the Yard That Will Be Fine That Evening Sun III. THE WILDERNESS Red Leaves A Justice A Courtship Lo! IV. THE WASTELAND Ad Astra Victory Crevasse Turnabout All the Dead Pilots V. THE MIDDLE GROUND Wash Honor Dr. Martin Fox Hunt Pennsylvania Station Artist at Home The Brooch Grandmother Millard Golden Land There Was a Queen Mountain Victory VI. BEYOND Beyond Black Music The Leg Mistral Divorce in Naples Carcassonne I THE COUNTRY Barn Burning Shingles for the Lord The Tall Men A Bear Hunt Two Soldiers Shall Not Perish Barn Burning THE STORE in which the Justice of the Peace's court was sitting smelled of cheese. The boy, crouched on his nail keg at the back of the crowded room, knew he smelled cheese, and more: from where he sat he could see the ranked shelves close-packed with the solid, squat, dynamic shapes of tin cans whose labels his stomach read, not from the lettering which meant nothing to his mind but from the scarlet devils amid the silver curve of fish this, the cheese which he knew he smelled and the hermetic meat which his intestines believed he smelled coming in intermittent gusts momentary and brief between the other constant one, the smell and sense just a little of fear because mostly of despair and grief, the old fierce pull of blood. -
William Faulker's Use of Memory and Imagination
“NOT GONE OR VANISHED EITHER:” WILLIAM FAULKNER’S USE OF MEMEORY AND IMAGINATION By Kevin Daniel Gleason A Thesis Submitted to the Faculty of the University of Tennessee at Chattanooga in Partial Fulfillment of the Requirements for the Degree of Master of English The University of Tennessee at Chattanooga Chattanooga, Tennessee May 2011 ii Copyright © 2011 By Kevin Daniel Gleason All Rights Reserved iii ABSTRACT This thesis examines the role that memory and imagination play in three of William Faulkner’s novels: The Sound and the Fury, Absalom, Absalom! and The Unvanquished. While most scholars perceive Faulkner’s characters as burdened, debilitated, and destroyed by the past, I argue that Faulkner presents a wide spectrum of engagement with the past which includes the potential for memory to serve as a tool of redemption and power. Henri Bergson’s notion of the fluidity of all time past, present, and future forms the center of Faulkner’s understanding of time, and in this paradigm, Faulkner’s characters are capable of creating and re-creating their pasts through memory and projecting their futures through imagination. In emphasizing Dilsey’s role as a rememberer in The Sound and the Fury, Shreve’s role as an imaginer in Absalom, Absalom!, and Bayard Sartoris’s role as defeater of his cultural and familial past in The Unvanquished, I demonstrate that while Faulkner does present memory and imagination as harmful forces, he also illustrates their potential for preservation and redemption. iv DEDICATION I would like to dedicate this thesis to my wife, Kathleen Gleason, who supported and encouraged me through every step of the process. -
V 9/C/ Ajo.Tycly
37? /V 9/c/ AJo.tyclY MYTHS, HIEROPHANIES, AND SACRAMENTS IN WILLIAM FAULKNER'S YOKNAPATAWPHA FICTION DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By David H. Zimmermann, B.A., M.T.S., M.A. Denton, Texas May, 1995 37? /V 9/c/ AJo.tyclY MYTHS, HIEROPHANIES, AND SACRAMENTS IN WILLIAM FAULKNER'S YOKNAPATAWPHA FICTION DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By David H. Zimmermann, B.A., M.T.S., M.A. Denton, Texas May, 1995 s Zimmermann, David H., Myths, Hierophanies, and Sacraments in William Faulkner's Yoknapatawpha Fiction. Doctor of Philosophy (English), May, 1995, 261 pp., bibliography 209 titles. Critical reactions to the religious experiences contained in William Faulkner's fiction have tended to fall within the context of traditional Christian belief systems. In most instances, the characters' beliefs have been judged by the tenets of belief systems or religions that are not necessarily those on which the characters base their lives. There has been no effort to understand the characters' spirituality as the basis of an independent religious belief system. Mircea Eliade's methods and models in the study of comparative religion, in particular his explanation of the interaction of the sacred and the profane during a hierophany (the manifestation of the sacred), can be applied to the belief systems of Faulkner's characters to reveal the theologies of the characters' religions, the nature of the belief systems on which they base their lives.