Boston Symphony Orchestra Concert Programs, Season 102, 1982-1983

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Season 102, 1982-1983 OSTON sOYMPHONY OORCHESTRA 102nd Season 1982-83 Hi vfr For BestAudience m* V s o <3** ,.**•" w ^> c«*o*v o o«f^ ^ %< :.* - ,»v i^ .THE /FIRST NAME IN COGNAC SINCE,172 S Of THf COGNAC W£GII €XCl. USiV€LY f IN€ CHAM PAG N£ COGNAC f ROM THE TWO BEST Dl STRICT Sole U.S. A Distributor Foreign Vintages, Inc. NX N.Y. 80 Proof. nm usan J! 1 MH^HWRB EHHH rJ^S*^^^ /BOSTON^ I SYMPHONY| VORCHESTRA/ X^ SEIJI OZAWA y^| Wit. ijfj Music Dirtctor 4^T itf <^2?^^ Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundred and Second Season, 1982-83 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chahman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Mrs. John H. Fitzpatrick William J. Poorvu Mrs. L. Irving Rabb J.P. Barger John Grandin W : Mrs. John M. Bradley David G. Mugar Mrs. George R. Rowland Mrs. Norman L. Cahners» Albert L. Nickerson Mrs. George Lee Sargent George H.A. Clowes, Jr. Thomas D. Perry, Jr. William A. Selke Archie C. Epps III John Hoyt Stookey Trustees Emeriti ; Talcott M. Banks, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward M. Kennedy Paul C. Reardon 1 Richard E Chapman Edward G. Murray John L. Thomdike John T. Noonan \ Administration of the Boston Symphony Orchestra, Inc. Thomas W Morris i General Manager I William Bernell Edward R. Birdwell Daniel R. Gustin Artistic Administrator Orchestra Manager Assistant Manager Caroline Smedvig Walter D.Hill B.J. Krintzman Director Director Director of of of i Promotion Business Affairs Planning Judith Gordon Theodore A. Vlahos Joyce Snyder Serwitz Assistant Director Controller Acting Director of Promotion of Development Marc Solomon Arlene Germain Katherine Whitty Director, Broadcasting Financial Coordinator of and Special Projects Analyst Boston Council James E. Whitaker Elizabeth Dunton Anita R. Kurland Hall Manager, Director of Administrator of Symphony Hall Sales Youth Activities James F. Kiley Charles Rawson Richard Ortner \ Operations Manager, Manager of Administrator, Tanglewood Box Office Berkshire Music Center Steven Ledbetter Marc Mandel Jean Miller MacKenzie Director of Editorial Print Production Publications Coordinator Coordinator Programs copyright ©1982 Boston Symphony Orchestra, Inc. | Cover photo by Peter Schaaf 1 Board of Overseers of the Boston Symphony Orchestra, Inc. William J. Poorvu Chairman William M. Crozier, Jr. Mrs. Lewis S. Dabney Vice-Chairman Vice-Chairman Mrs. Richard D. Hill Secretary John Q. Adams Graham Gund E. James Morton Mrs. Weston Adams Mrs. R. Douglas Hall III John A. Perkins David B. Arnold, Jr. Mrs. Richard E. Hartwell David R. Pokross Hazen H. Ayer Francis W Hatch, Jr. Mrs. Curtis Prout Bruce A. Beal Ms. Susan M. Hilles Mrs. Eleanor Radin Mrs. Richard Bennink Mrs. Marilyn Brachman Hoffman Peter C. Read Mrs. Edward J. Bertozzi, Jr. Mrs. Bela T. Kalman Harry Remis Peter A. Brooke Mrs. Louis I. Kane Mrs. Peter van S. Rice William M. Bulger Mrs. S. Charles Kasdon David Rockefeller, Jr. Mary Louise Cabot Richard L. Kaye Mrs. Jerome Rosenfeld Julian Cohen Mrs. F. Corning Kenly Jr. Mrs. William C. Rousseau Mrs. Nat King Cole Mrs. Gordon F. Kingsley Mrs. William H. Ryan Johns H. Congdon Mrs. Carl Koch Francis P. Sears Arthur P. Contas Robert K. Kraft Mark L. Selkowitz Ms. Victoria L. Danberg Harvey C. Krentzman Gene Shalit William S. Edgerly Mrs. E. Anthony Kutten Donald B. Sinclair Mrs. Alexander Ellis, Jr. Benjamin H. Lacy Richard A. Smith Frank L. Farwell John P. LaWare Ralph Z. Sorenson John A. Fibiger Mrs. James F. Lawrence Peter J. Sprague Kenneth G. Fisher Mrs. Charles P. Lyman Ray Stata Peter H.B. Frelinghuysen C. Charles Marran Mrs. Arthur I. Strang Mrs. Thomas J. Galligan, Jr. Mrs. August R. Meyer Mrs. Richard H. Thompson Mrs. Thomas Gardiner J. William Middendorf II Mark Tishler, Jr. Mrs. James Garivaltis Paul M. Montrone Ms. Luise Vosgerchian Avram J. Goldberg Mrs. Hanae Mori Roger D. Wellington Mrs. Ray A. Goldberg Mrs. Stephen YC. Morris Mrs. Donald B. Wilson Jordan L. Golding Richard P Morse John J. Wilson Haskell R. Gordon Mrs. Thomas Spurr Morse Nicholas T Zervas Overseers Emeriti Mrs. Frank G. Allen Paul Fromm David W Bernstein Carlton Fuller Leonard Kaplan '.!& "Harrison, did you know that the dollar is now worth 31 and that taxes take 4U? If it werentfor you Bank of New England trust people, every time 1 made a dollar Yd lose a dime!' For good advice on personal trust and investment matters, call our Trust Division at (617) 742-4000. Or write Bank of New England, 28 State Street, Boston, Massachusetts 02109. .•.--"-."' ENJOY THE CONVENIENCE OF YOUR FILENE CHARGE BSO BSO/WCRB Musical Marathon Preview Party Even before this year's BSO/WCRB Musical Marathon weekend of 11, 12, and 13 March, Symphony Hall will ring with music and excitement on Tuesday, 1 March when the gala Marathon Preview Party takes place. There will be complimentary champagne, music, a cash bar, and a cocktail buffet. The focal point of the evening is set for 7: 15 p.m., when John Marion of Sotheby Parke Bernet will be the auctioneer on stage in Symphony Hall to offer a group of very special Marathon premiums, with Dick Flavin doing the introductions. The premiums cover a very wide range, from a new Baldwin spinet piano to a sixteen-foot touring canoe, Symphony Hall memorabilia (including a set of doors from the Huntington Avenue entrance!), signed posters, a twelve-foot Mollie Brown sailboat, and the twenty-volume Grove Dictionary of Music and Musicians. Tickets for the party are $12.50 and can be obtained by calling the Marathon Office at (617) 266-1492, ext. 230. BSO and Pops Recording Honors The Hollywood Foreign Press Association has presented its annual Golden Globe Award in the category of Best Original Musical Score to John Williams for his film score for "E.T (the Extra-Terrestrial)." Mr. Williams has also been nominated for four Grammy awards for the same score, in the categories of Best Album of an Original Score Written for a Motion Picture or Television Special, Best Instrumental Composition (the "Flying Theme"), Best Arrangement (again for the "Flying Theme"), and Best Pop Instrumental Performance. Two Boston Symphony recordings have been nominated for Grammy awards in the category of Best Classical Performance by an Instrumental Soloist or Soloists with Orchestra: pianist Rudolf Serkin has been nominated for his performance of Beethoven's Fourth Piano Concerto with Seiji Ozawa and the BSO on Telarc, and concertmaster Joseph Silverstein has been nominated for his performance in Vivaldi's Pour Seasons also under the direction of Seiji Ozawa on Telarc. Gelbloom Scholarship Fund Concert A gala concert will be held on Friday, 4 March 1983 at 8 p.m. at the Longy School of Music in Cambridge to benefit the Gerald Gelbloom Scholarship Fund. Gerald Gelbloom was a violinist with the Boston Symphony Orchestra and the Boston Pops for twenty-one years until his unexpected death last June. Featured will be performances by Joseph Silverstein, Roman Totenberg, and members of the Boston Symphony Orchestra in music by Bach, Vivaldi, Mozart, and Beethoven. The performance will be followed by a wine-tasting and a reception. Tickets for this gala may be obtained by sending a tax- deductible contribution of $50 to the Gerald Gelbloom Scholarship Fund, Development Office, Symphony Hall, Boston, MA 02115. Silverstein Named to Utah Symphony Post The Board of the Utah Symphony has recently announced the appointment of BSO concertmaster Joseph Silverstein as artistic director of that orchestra effective 29 August 1983. The one-year appointment, which will not affect his BSO commitments for 1983-84, is renewable upon mutual consent, with the possibility that Silverstein will be named music director of the Utah Symphony beginning with the 1984-85 season. Silverstein has been a member of the BSO since 1955; he became concertmaster in 1962 and was named assistant conductor in 1971. He is also first violinist and music director of the Boston Symphony Chamber Players, chairman of the faculty of the Berkshire Music Center, and adjunct professor of music at Boston University. He also serves as music director of the Worcester Symphony and as principal guest conductor of the Baltimore Symphony Orchestra. 'A Walk Through the Ages' The Junior Council of the Boston Symphony Orchestra will present a special benefit program, "A Walk Through the Ages," featuring four BSO horn players: Daniel Katzen, Roger Kaza, Richard Sebring, and Jay Wadenpfuhl. This program, ranging from Renais- sance to modern music, and including works by Palestrina, Bach, Reicha, Hindemith, and Lowell Shaw, will be presented at the Harvard Club, 374 Commonwealth Avenue in Boston on Sunday, 27 February at 4:30 p.m. The musicians will comment briefly on the music being performed. Wine and cheese will be served. Tickets to this benefit concert are $25 (of which $15 is tax-deductible) or $10 for regular admission. All proceeds benefit the Boston Symphony Orchestra. For further information or reservations, please call the Junior Council at Symphony Hall, (617) 266-1492. Art Exhibits in the Cabot-Cahners Room Once again, a variety of Boston-area schools, museums, non-profit artists' organizations, and commercial galleries are displaying their work in the Cabot-Cahners Room. During the next several months, the following organizations will be represented: 1 7 January— 1 4 February Depot Square Artists 14 February— 6 March Danforth Museum 7 March— 13 March BSO/WCRB Musical Marathon 14 March— 11 April Clark Gallery 11 April—9 May Wenniger Graphics Symphony Hall Tours Guided tours of Symphony Hall are available weekdays until the end of the Pops season in mid-July.
Recommended publications
  • Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]
    University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-15-2018 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Bourne, Thaddaeus, "Male Zwischenfächer Voices and the Baritenor Conundrum" (2018). Doctoral Dissertations. 1779. https://opencommons.uconn.edu/dissertations/1779 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus James Bourne, DMA University of Connecticut, 2018 This study will examine the Zwischenfach colloquially referred to as the baritenor. A large body of published research exists regarding the physiology of breathing, the acoustics of singing, and solutions for specific vocal faults. There is similarly a growing body of research into the system of voice classification and repertoire assignment. This paper shall reexamine this research in light of baritenor voices. After establishing the general parameters of healthy vocal technique through appoggio, the various tenor, baritone, and bass Fächer will be studied to establish norms of vocal criteria such as range, timbre, tessitura, and registration for each Fach. The study of these Fächer includes examinations of the historical singers for whom the repertoire was created and how those roles are cast by opera companies in modern times. The specific examination of baritenors follows the same format by examining current and
    [Show full text]
  • Paris, 1918-45
    un :al Chapter II a nd or Paris , 1918-45 ,-e ed MARK D EVOTO l.S. as es. 21 March 1918 was the first day of spring. T o celebrate it, the German he army, hoping to break a stalemate that had lasted more than three tat years, attacked along the western front in Flanders, pushing back the nv allied armies within a few days to a point where Paris was within reach an oflong-range cannon. When Claude Debussy, who died on 25 M arch, was buried three days later in the Pere-Laehaise Cemetery in Paris, nobody lingered for eulogies. The critic Louis Laloy wrote some years later: B. Th<' sky was overcast. There was a rumbling in the distance. \Vas it a storm, the explosion of a shell, or the guns atrhe front? Along the wide avenues the only traffic consisted of militarr trucks; people on the pavements pressed ahead hurriedly ... The shopkeepers questioned each other at their doors and glanced at the streamers on the wreaths. 'II parait que c'ctait un musicicn,' they said. 1 Fortified by the surrender of the Russians on the eastern front, the spring offensive of 1918 in France was the last and most desperate gamble of the German empire-and it almost succeeded. But its failure was decisive by late summer, and the greatest war in history was over by November, leaving in its wake a continent transformed by social lb\ convulsion, economic ruin and a devastation of human spirit. The four-year struggle had exhausted not only armies but whole civiliza­ tions.
    [Show full text]
  • A Pictoral History of the Boston Music Hall and the Great Organ
    A PICTORIAL HISTORY OF THE BOSTON MUSIC HALL AND THE GREAT ORGAN by Ed Sampson, President, Methuen Memorial Music Hall, Inc. 2018 Few instruments in the history of pipe organs in America have had as long, or as distinguished, a career as the Boston Music Hall Organ. The first concert organ in the country, it remains today one of the outstanding organs in America. The need for a large and centrally-located concert hall for Boston was discussed at the annual meeting of the Harvard Musical Association, founded in 1837 (Henry White Pickering (1811-1898), President) on January 31, 1851. A "Music Hall Committee", comprised of members Robert East Apthorp (1812-1882), George Derby (1819-1874), John Sullivan Dwight (1813-1893), Charles Callahan Perkins (1822-1886), and Dr. Jabez Baxter Upham (1820- 1902), was appointed to address the matter. The Boston Music Hall was built in 1852 by the Boston Music-Hall Association, founded in 1851 (Jabez Baxter Upham, President) and by the Harvard Musical Association, that contributed $100,000 towards its construction. It stood in the center of a block that sloped downward from Tremont Street to Washington Street; and was between Winter Street on the south and Bromfield Street on the north. Almost entirely surrounded by other buildings, only glimpses of the hall's massive granite block foundation and plain brick walls could be seen. There were two entrances to the Music Hall: the Bumstead Place entrance, (named after Thomas Bumstead (1740-1828) a Boston coachmaker), off Tremont Street (later Hamilton Place) opposite the Park Street Church; 1 and the Central Place or Winter Place (later Music Hall Place) entrance off Winter Street.
    [Show full text]
  • Still on the Road: 1974 Tour of America with the Band
    STILL ON THE ROAD 1974 TOUR OF AMERICA WITH THE BAND JANUARY 3 Chicago, Illinois Chicago Stadium 4 Chicago, Illinois Chicago Stadium 6 Philadelphia, Pennsylvania The Spectrum – Afternoon 6 Philadelphia, Pennsylvania The Spectrum – Evening 7 Philadelphia, Pennsylvania The Spectrum 9 Toronto, Ontario, Canada Maple Leaf Gardens 10 Toronto, Ontario, Canada Maple Leaf Gardens 11 Montreal, Quebec, Canada Forum de Montreal 12 Montreal, Quebec, Canada Forum de Montreal 14 Boston, Massachusetts Boston Gardens – Afternoon 14 Boston, Massachusetts Boston Gardens – Evening 15 Largo, Maryland Capital Centre 16 Largo, Maryland Capital Centre 17 Charlotte, North Carolina Coliseum 19 Hollywood, Florida Hollywood Sportatorium – Afternoon 19 Hollywood, Florida Hollywood Sportatorium – Evening 21 Atlanta, Georgia The Omni 22 Atlanta, Georgia The Omni 23 Memphis, Tennessee Mid-South Coliseum 25 Fort Worth, Texas Tarrant County Convention Center Arena 26 Houston, Texas Hofheinz Pavilion – Afternoon 26 Houston, Texas Hofheinz Pavilion – Evening 28 Nassau, New York Nassau County Coliseum 29 Nassau, New York Nassau County Coliseum 30 New York City, New York Madison Square Garden 31 New York City, New York Madison Square Garden – Afternoon 31 New York City, New York Madison Square Garden – Evening FEBRUARY 2 Ann Arbor, Michigan Crisler Arena, University Of Michigan 3 Bloomington, Indiana Assembly Hall, Indiana University 4 St. Louis, Missouri Missouri Arena – Afternoon 4 St. Louis, Missouri Missouri Arena – Evening 6 Denver, Colorado Coliseum – Afternoon 6 Denver,
    [Show full text]
  • The Stranger's New Guide Through Boston And
    Class THE STRANGER'S I imSW' ^'^™^^1 THROUGH J . BOST'ON \i AND VICINITY. I A Complete Hand-Book, Directing Visitors I WHERE to go, WHEN to go, and \ I HOW to go THKOUGU THE CITY AND SUBURBS. ! wm MAP m mmw§m. A. WILLIAMS & CO., ') 100 Washington Street. For sale in Cars, Hotels, Depots^ <Sc. J)^ Rand, Avery, & Frye, Printers, 3 Cornhill, Boston. WATCH AND CLOCK CO., Manufacturers of Church, Depot, Eailway, AND HOWAI^DAlso, ManufacturersWATOH.of the E. MO WARD A CO., AgetUn, Office, 114 Tremont Street, BOSTON. FAMILY READING FOR OLD AJ^D YOUNG. PUBLISHED BY LEE & SHEPAED, BOSTON. ELEGANT Some liife Series. By Mrs. Madeline Leslie. A new edition. Four vols. 12mo. Cloth. Per vol. Religious Gift Books. $1.50. 1. Cora and the Doctsr ; or. Rev- Illustrated Bible IBiosrra- elations of a Physician's Wife. phy; or, the Livesand Characters 2. The Courtesies of Wedded of the Principal Personages record- Life. ed in tlie Sacred Writings; with an . 3. The Household Angel in Dis- Introduction by Rev. Henry Ward Beecher ; embellished with up- wards of two hundred and fifty Engravinirs, from the pencil of Gustave Dore, the greatest of liv- ing designers, and other eminent New Juvenile Books. artists. An elegant royal octavo volume. Parlor edition, English BY OLIVER OPTIC. cloth, $4.00. Library ed., fine leath- er, marbled edges. *4.,5<l. French lils^tnins Express; or, The mor., full gilt sides and edges, $7. .50. Rival Academies. Sold only by subscription. Agents or. The Young Cap- wanted everywhere. On TimeJ Address the tain of the Ucayga Steamer.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 80, 1960-1961
    E I G H T I E T H S EASON i960 - 1961 BAYARD TUCKERMAN, JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE We blueprint the basic structure for the insurance of our clients and build their protection on a sound foundation. Only by a complete survey of needs, followed by intelligent counsel, can a proper insur- ance program be constructed. Without obligation on your part, we would be happy to act as your insurance architects. Please call us at any time. CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. When You Think of Insurance . Think of us! 141 Milk Street Boston 6, Massachusetts HU bbard 2-6200 EIGHTIETH SEASON, 1960-1961 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1960, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Theodore P. Ferris John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Sidney R. Rabb C. D. Jackson Charles H. Stockton E. Morton Jennings, Jr. John L. Thorndike Henry A. Laughlin Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen Lewis Perry N. Penrose Hallowell Edward A. Taft Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 15 [643] mm . Boston's Pops are known throughout the world as a yardstick for excellence .
    [Show full text]
  • Guide to the Playbill and Program Collection 1843-1979
    University of Chicago Library Guide to the Playbill and Program Collection 1843-1979 © 2008 University of Chicago Library Table of Contents Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Historical Note 3 Scope Note 4 Related Resources 5 Subject Headings 5 INVENTORY 5 Series I: Playbills and Theatre Documents 5 Subseries 1: Chicago Theater 5 Subseries 2: Scrapbooks 35 Subseries 3: General Theater 37 Series II: Frances Moore Collection 56 Series III: Music and Dance Performances and Public Programs 64 Series IV: Oversize 78 Series V: Addenda 84 Descriptive Summary Identifier ICU.SPCL.PLAYBILLSPROGRAMS Title Playbill and Program. Collection Date 1843-1979 Size 68.75 linear feet (126 boxes) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Contains primarily posters, programs, and souvenir books from 19th-century public performances and Playbill and Showbill magazines from the 20th century. Also contains musical performance programs for amateur recitals, operas, and ballets. A smaller number of programs are included for lectures, memorials, and tributes. Collection highlights performances in Chicago, New York, and Boston, but also includes material from other regions of the United States and Europe. Contains the Frances Moore Collection of Playbills, Showbills, and performance programs, 1940s-1970s. Also includes scrapbooks, movie programs, film stills, and radio broadcast scripts Information on Use Access No restrictions. Open for research. Citation When quoting material from this collection, the preferred citation is: Playbill and Program. Collection, [Box #, Folder #], Special Collections Research Center, University of Chicago Library Historical Note The Playbill and Program Collection represents a diverse body of material which falls under the general heading of 'public performance' in the 19th and 20th centuries.
    [Show full text]
  • Justice Delivered in Hernandez Trial Gyro
    VOL. 119 - NO. 16 BOSTON, MASSACHUSETTS, APRIL 17, 2015 $.35 A COPY JUSTICE DELIVERED IN HERNANDEZ TRIAL by Sal Giarratani Two Wednesdays in a row Hernandez’s lawyer, James Hernandez now faces fur- now, juries have returned to Sultan, did acknowledge dur- ther legal action. He is the courtroom with guilty ver- ing closing statements that awaiting trial for murder in dicts on all counts. Last Hernandez was present at the drive-by shooting. He is week, it was federal court the time of the killing, but accused of gunning down two where Dzhokhar Tsarnaev pinned the murder on two men over spilled drinks at a was found guilty of all charges friends of his, saying his cli- Boston nightclub. Security in the Marathon bombings of ent was a “23 year old kid” cameras inside the North April 15, 2013. Two days ago, who helplessly witnessed the Attleboro home of Hernandez down in Bristol County in a shocking crime. Prosecutors showed him holding what Fall River courtroom, ex-New suggested that Lloyd may appeared to be a gun 10 min- England Patriots Aaron have met his demises be- utes after Lloyd’s killing, Hernandez was convicted of cause he knew too much hanging out with the two 1st degree murder charges. about Hernandez’s alleged men who had been with him Prosecutors presented a involvement in a deadly in his basement “man cave” wealth of evidence, includ- 2012 drive-by shooting in holding his baby daughter. ing video from Hernandez Boston. However, the judge Hernandez was an All- own home and cell phone would not allow prosecutors American out of the Univer- records that the former foot- to present that information sity of Florida and was ball star was with Odin Lloyd to the jury since she drafted by the Patriots in the at the time he was killed.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 101, 1981
    BOSTON SOYMPHONY OORCHESTRA Hundredth-L iUNDREDTH BirthdayOIRTHDAY OEASONSi s -°g™A LORCHESTRAj SHJIOZAWA 1881 -OCTOBER 22 -1981 w?w» V.S.O.P. % '' v£ CHAM*!** HEMY M a*^ m^ 1 COGNAC HOB FRANCE NE CHAMPAGNE CO^' THE FIRST NAME IN COGNAC SINCE 1724 EXCLUSIVELY FINE CHAMPAGNE COGNAC: FROM IMF tWO 'PREMIERS CRUS' OF THE COCNAC REGION Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Hundredth Birthday Season, 1981-82 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. J. P. Barger Mrs. John L. Grandin Irving W Rabb Mrs. John M. Bradley Edward M. Kennedy Mrs. George Lee Sargent Mrs. Norman L. Cahners David G. Mugar William A. Selke George H. A. Clowes, Jr. Albert L. Nickerson John Hoyt Stookey Trustees Emeriti Talcott M. Banks, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward G. Murray Paul C. Reardon Richard P Chapman John T. Noonan John L. Thorndike Administration of the Boston Symphony Orchestra Thomas W. Morris General Manager William Bernell Edward R. Birdwell Daniel R. Gustin Artistic Administrator Orchestra Manager Assistant Manager Joseph M. Hobbs Walter D. Hill Richard Ortner Director of Director of Administrator, Development Business Affairs Berkshire Music Center Joyce M. Snyder Theodore A.
    [Show full text]
  • 06 – Spinning the Record
    V: THE GOLDEN AGE, Part 2 The LP-45 boom becomes an explosion As mentioned in the previous chapter, the years 1940-1956 were so rich culturally that it is virtually impossible to describe it all in one chapter, and Americans of all economic and educational backgrounds had free or inexpensive access to music that was once only the prov- ince of the very wealthy. One should note that, in addition to the various innovations men- tioned previously, radio too was part of this free dissemination of the arts. The crown jewel of its epistle may have been Toscanini, but there were also the weekly Metropolitan Opera broadcasts sponsored by Texaco Oil, a commercial-free venue that would continue uninter- rupted until the 2003-04 season, when the company—no longer interested in promoting music that few of their customers listened to—allowed their contract to expire. And then there were two programs, independently sponsored, that brought classical, semi-classical and quasi- classical vocal music to listeners on a weekly basis, the Bell Telephone Hour and The Voice of Firestone. Both had somewhat middlebrow programming, yet they still brought such great singers as Maggie Teyte and Jussi Björling to thousands who would otherwise be unaware of their greatness. During the early LP era, too, “new” conductors (or, at least, conductors previously not known by the general public) were suddenly brought to the fore. As inventor of the LP, Co- lumbia was first, producing records by the New York Philharmonic’s new music director, Artur Rodzinski, as well as his replacement, the great Dmitri Mitropoulos (though, since the New York musicians didn’t “like” Mitropoulos, they rarely played their best for him); a re- markable Polish conductor, Paul Kletzki, in his first EMI recordings with Walter Legge’s newly-formed Philharmonia Orchestra; and the draconian Hungarian, Fritz Reiner, then the music director of the Pittsburgh Symphony Orchestra.
    [Show full text]
  • Cohesion of Composer and Singer: the Female Singers of Poulenc
    COHESION OF COMPOSER AND SINGER: THE FEMALE SINGERS OF POULENC DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Susan Joanne Musselman, B.M., M.M. ***** The Ohio State University 2007 Document Committee: J. Robin Rice, Adviser Approved by: Hilary Apfelstadt Wayne Redenbarger ________________________ Adviser Graduate Program in Music Copyright by Susan Joanne Musselman 2007 ABSTRACT Every artist’s works spring from an aspiring catalyst. One’s muses can range from a beloved city to a spectacular piece of music, or even a favorite time of year. Francis Poulenc’s inspiration for song-writing came from the high level of intimacy he had with his close friends. They provided the stimulation and encouragement needed for a lifetime of composition. There is a substantial amount of information about Francis Poulenc’s life and works available. We are fortunate to have access to his own writings, including a diary of his songs, an in-depth interview with a close friend, and a large collection of his correspondence with friends, fellow composers, and his singers. It is through these documents that we not only glean knowledge of this great composer, but also catch a glimpse of the musical accuracy Poulenc so desired in the performance of his songs. A certain amount of scandal surrounded Poulenc during his lifetime and even well after his passing. Many rumors existed involving his homosexuality and his relationships with other male musicians, as well as the possible fathering of a daughter. The primary goal of this document is not to unearth any hidden innuendos regarding his personal life, however, but to humanize the relationships that Poulenc had with so many of his singers.
    [Show full text]
  • Scholarly Program Notes Yun Xin Lee Miss Southern Illinois University Carbondale, [email protected]
    Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-11-2014 Scholarly Program Notes Yun Xin Lee Miss Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Lee, Yun Xin Miss, "Scholarly Program Notes" (2014). Research Papers. Paper 497. http://opensiuc.lib.siu.edu/gs_rp/497 This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. SCHOLARLY PROGRAM NOTES by Yun Xin Lee B.A., Nanyang Academy of Fine Arts, 2005 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master in Music School of Music in the Graduate School Southern Illinois University Carbondale May 2014 RESEARCH PAPER APPROVAL SCHOLARLY PROGRAM NOTES By Yun Xin Lee A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Collaborative Piano Approved by: Dr. Paul Transue, Chair Dr. Eric Mandat Dr. Diane Coloton Graduate School Southern Illinois University Carbondale April 10, 2014 AN ABSTRACT OF THE RESEARCH PAPER OF YUN XIN LEE, for the Master’s degree in COLLABORATIVE PIANO, presented on APRIL 10, 2014, at Southern Illinois University Carbondale. TITLE: SCHOLARLY PROGRAM NOTES MAJOR PROFESSOR: Dr. Paul Transue This document is a compilation of biographical and musical information that serves to inform the audience about the music presented at the graduate recital of Ms.
    [Show full text]