Boston Symphony Orchestra Concert Programs, Season 125, 2005-2006, Subscription, Volume 01
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DIJOUS, 1 DE JUNY DEL 2017 BARBER, SAMUEL: Sonata Per a Piano, Op
PROGRAMACIÓ DE CATALUNYA MÚSICA DIJOUS, 1 DE JUNY DEL 2017 BARBER, SAMUEL: Sonata per a piano, op. 26. Daniel Pollack, piano. 07:00 TITULARS (18m) Titulars a la nostra mida. Posem l'accent a la informació cultural. MOZART, WOLFGANG AMADEUS: Concert per a trompa i orquestra n. 4 en Mi b, KV 495. Barry Tuckwell, trompa. 07:03 TOTS ELS MATINS DEL MÓN Orquestra Simfònica de Londres. Dir.: Peter Maag. ...són camins sense retorn. Un paradís de músiques per començar el (17m) dia de la millor manera. Presentat per Joan Vives i Ester Pinart. RAKHMÀNINOV, SERGUEI: "Trio elegíac" n. 1 en sol m, op. pòst.. Borodin Trio. 08:00 TITULARS (15m) Titulars a la nostra mida. Posem l'accent a la informació cultural. BARTÓK, BÉLA: "Música per a corda, percussió i celesta", BB 114. Orquestra de Cambra d'Europa. Dir.: Nikolaus Harnoncourt. 09:00 BUTLLETÍ I AGENDA (33m) Titulars a la nostra mida. Informació cultural i agenda de Catalunya Música. 16:00 AGENDA Informació cultural i agenda de Catalunya Música. 11:00 TITULARS Titulars a la nostra mida. Posem l'accent a la informació cultural. 16:03 ELS CONCERTS Concerts d'intercanvi provinents de la Unió Europea de Radiodifusió 11:03 ELS CONCERTS UER-EBU. Presentació d'Olga Cardús. FESTIVAL DE VERBIER 2016 Una selecció dels millors concerts de la nostra fonoteca. Presentació Johannes Brahms: Estudi per a piano, Anh.1a/1 (arranjament de la d'Olga Cardús. ''Xacona'' de la Partita per a violí n. 2, BWV 1004, de Johann Sebastian Bach). Franz Schubert: Sonata per a piano en Sol MÚSICA EN LA INTIMITAT. -
Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S. -
Elliott Carter Works List
W O R K S Triple Duo (1982–83) Elliott Carter Collection, Paul Sacher Foundation Basel ORCHESTRA Adagio tenebroso (1994) ............................................................ 20’ (H) 3(II, III=picc).2.corA.2(II=Ebcl).bcl.2.dbn-4.3.3.1-timp.perc(4):BD/ 4bongos/glsp/4tpl.bl/cowbells/vib/2susp.cym/2tom-t/2wdbl/SD/xyl/ tam-t/marimba/wood drum/2metal block-pft-strings (also see Symphonia: sum fluxae pretium spei) Allegro scorrevole (1996) ........................................................... 11’ (H) 2.picc.2.corA.2(II=Ebcl).bcl.2.dbn-4.3.3.1-perc(4):timp/glsp/xyl/vib/ 4bongos/SD/2tom-t/wdbl/3susp.cym/2cowbells/guiro/2metal blocks/ 4tpl.bl/BD/marimba-harp-pft-strings (also see Symphonia: sum fluxae pretium spei) Anniversary (1989) ....................................................................... 6’ (H) 3(III=picc).2.corA.2.bcl.2.dbn-4.3.3.1-timp.perc(2):vib/marimba/xyl/ 3susp.cym-pft(=cel)-strings(16.14.12.10.8) (also see Three Occasions for Orchestra) Boston Concerto (2002) .............................................................. 19’ (H) 3(II,III=picc).2.corA.3(III=bcl).3(III=dbn)-4.3.3.1-perc(3):I=xyl/vib/log dr/4bongos/high SD/susp.cym/wood chime; II=marimba/log dr/ 4tpl.bl/2cowbells/susp.cym; III=BD/tom-t/4wdbls/guiro/susp.cym/ maracas/med SD-harp-pft-strings A Celebration of Some 100 x 150 Notes (1986) ....................... 3’ (H) 2.picc.2.corA.2.bcl.2.dbn-4.3.3.1-timp.perc(1):glsp/vib-pft(=cel)- strings(16.14.12.10.8) (also see Three Occasions for Orchestra) Concerto for Orchestra (1969) .................................................. -
Red Note New Music Festival Program, 2013 School of Music Illinois State University
Illinois State University ISU ReD: Research and eData Red Note New Music Festival Music 2013 Red Note New Music Festival Program, 2013 School of Music Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/rnf Part of the Music Commons Recommended Citation School of Music, "Red Note New Music Festival Program, 2013" (2013). Red Note New Music Festival. 7. https://ir.library.illinoisstate.edu/rnf/7 This Book is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in Red Note New Music Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. calendar of events SUNDAY, MARCH 3, 2013 3 PM COMPOSER PRESENTATION CENTER FOR THE PERFORMING ARTS David Kirkland Garner centennial east building, room 229 2 - 2:50 pm the illinois state university wind symphony, conducted by daniel belongia, performs music composer david kirkland garner, winner of the by scott lindroth, john mackey, and paul dooley, composition competition, presents on his music as well as marcus maroney’s “rochambeau” (winner of the red note call for scores). COMPOSER Q&A - Tony Solitro MONDAY, MARCH 4, 2013 2-4 PM Kemp Recital Hall 4 - 5:30 pm KEMP RECITAL HALL composer tony solitro discusses his vocal music and career as a composer of opera and songs chicago-based spektral quartet leads a master class for string students in the illinois state university school of music string studio. TUESDAY, MARCH 5, 2013 8 PM KEMP RECITAL HALL MONDAY, MARCH 4, 2013 8 PM KEMP RECITAL HALL illinois state university faculty members and guest pianist blair mcmillen perform works of guest composer joan tower. -
Boston Symphony Orchestra Concert Programs, Season 125, 2005-2006
Tap, tap, tap. The final movement is about to begin. In the heart of This unique and this eight-acre gated final phase is priced community, at the from $1,625 million pinnacle of Fisher Hill, to $6.6 million. the original Manor will be trans- For an appointment to view formed into five estate-sized luxury this grand finale, please call condominiums ranging from 2,052 Hammond GMAC Real Estate to a lavish 6,650 square feet of at 617-731-4644, ext. 410. old world charm with today's ultra-modern comforts. BSRicJMBi EM ;\{? - S'S The path to recovery... a -McLean Hospital ', j Vt- ^Ttie nation's top psychiatric hospital. 1 V US NeWS & °r/d Re >0rt N£ * SE^ " W f see «*££% llffltlltl #•&'"$**, «B. N^P*^* The Pavijiorfat McLean Hospital Unparalleled psychiatric evaluation and treatment Unsurpassed discretion and service BeJmont, Massachusetts 6 1 7/855-3535 www.mclean.harvard.edu/pav/ McLean is the largest psychiatric clinical care, teaching and research affiliate R\RTNERSm of Harvard Medical School, an affiliate of Massachusetts General Hospital HEALTHCARE and a member of Partners HealthCare. REASON #78 bump-bump bump-bump bump-bump There are lots of reasons to choose Beth Israel Deaconess Medical Center for your major medical care. Like less invasive and more permanent cardiac arrhythmia treatments. And other innovative ways we're tending to matters of the heart in our renowned catheterization lab, cardiac MRI and peripheral vascular diseases units, and unique diabetes partnership with Joslin Clinic. From cardiology and oncology to sports medicine and gastroenterology, you'll always find care you can count on at BIDMC. -
Levit Spielt Brahms Fr 7
LEVIT SPIELT BRAHMS FR 7. September 2018 2 3 programm programm FR 7. September 2018 Kölner Philharmonie / 20.00 Uhr Johannes Brahms 19.00 Uhr Einführung Konzert Nr. 1 d-Moll Wibke Gerking für Klavier und Orchester op. 15 I. Maestoso II. Adagio III. Rondo. Allegro non troppo ~ 45 Minuten pause Arnold Schönberg Pelleas und Melisande Sinfonische Dichtung op. 5 (nach dem Drama von Maurice Maeterlinck) [I.] Die Achtel ein wenig bewegt – Heftig – Lebhaft – [II.] Sehr rasch – Ein wenig bewegt – [III.] Langsam – Ein wenig bewegter – [IV.] Sehr langsam – Etwas bewegt – In gehender Bewegung – Breit ~ 43 Minuten Jukka-Pekka Saraste Igor Levit Klavier WDR Sinfonieorchester Jukka-Pekka Saraste Leitung sendetermin wdr 3 SA 15. September 2018 20.04 Uhr wdr 3 konzertplayer digitales programmheft Zum Nachhören finden Sie Unter wdr-sinfonieorchester.de dieses Konzert 30 Tage lang im steht Ihnen fünf Tage vor WDR 3 Konzertplayer: wdr3.de jedem Konzert das jeweilige Programmheft zur Verfügung. Titelbild: Igor Levit 4 5 die werke die werke Die Ereignisse freilich überschlugen sich in den 1850er Jahren: 1853 veröffentlichte Schumann den Artikel »Neue Bahnen«, in dem er Brahms eine große Zukunft als Komponist prophezeite: »Am Cla- vier sitzend, fing er an wunderbare Regionen zu enthüllen. Wir wurden in immer zauberischere Kreise hineingezogen. Dazu kam ein ganz geniales Spiel, das aus dem Clavier ein Orchester von wehklagenden und lautjubelnden Stimmen machte. Es waren So- naten, mehr verschleierte Symphonien«. Damit war dem jungen KONZERT NR. 1 D-MOLL Komponisten klar, dass von ihm Sinfonisches erwartet wurde. Ent- sprechend wollte Brahms seine ursprünglich für zwei Klaviere kon- FÜR KLAVIER UND zipierte d-Moll-Sonate umarbeiten. -
559700 Bk Hanson US
559642 bk Baker US_559642 bk Baker US 22/06/2012 21:07 Page 12 AMERICAN CLASSICS CLAUDE BAKER The Glass Bead Game Awaking the Winds • Shadows • The Mystic Trumpeter St. Louis Symphony Leonard Slatkin • Hans Vonk 8.559642 12 559642 bk Baker US_559642 bk Baker US 22/06/2012 21:07 Page 2 Claude Baker (b. 1948): The Glass Bead Game Hans Vonk Awaking the Winds • Shadows: Four-Dirge Nocturnes • The Mystic Trumpeter The distinguished Dutch conductor Hans Vonk assumed The Glass Bead Game (1982, rev. 1983) attained through a complete consumption and exhaustive the post of Music Director and Conductor of the St. Louis analysis only of the fruits of the past. Such a society, says Symphony in September 1996. A sought-after guest In 1943, the German novelist and philosopher Hermann Hesse, no matter how elite, how intellectual, how esoteric, conductor as well, he appeared with many of the world’s Hesse completed his last and (excepting Narcissus und must stagnate, wither and die. most prestigious orchestras and led performances at major Goldmund) greatest novel, Das Glasperlenspiel. Winner Claude Baker is saying much the same thing in his opera houses in Europe and North America, while also of the 1946 Nobel Prize for Literature, this book, the sum three-movement musical piece based on The Glass Bead remaining active in the musical life of his native Holland. and summit of Hesse’s thought and one of the most truly Game. His work, bearing the same title, is far more than a Vonk was Chief Conductor of the Netherlands Opera from relevant books of the era, was translated into English in programmatic reflection of Hesse’s novel; it is, remarkably, 1976 to 1985, during which time he was also Conductor of 1969 and brought out first with the title The Glass Bead like the novel, a philosophical mirror as well, in which the Netherlands Radio Philharmonic (1973-1979) and Game and subsequently as Magister Ludi (Master of the Baker utilizes Hesse’s methods and imagery to comment Associate Conductor of London’s Royal Philharmonic Game). -
The Proms Listening Service Radio 3’S Tom Service Proposes Onward Sonic Explorations Inspired by the Music of Tonight’S Prom
The Proms Listening Service Radio 3’s Tom Service proposes onward sonic explorations inspired by the music of tonight’s Prom BACH a kaleidoscope of new forms, groups and layers. In his Indian Brandenburg Concertos summer – composing throughout his eighties and nineties until his death at the age of 103 – Carter continued to revisit and reshape Bach’s Brandenburgs are a set of wildly innovative and dizzyingly the concerto principle, from Dialogues I and II for piano and diverse answers to the question of how musical individuals relate orchestra and his Clarinet Concerto to works that take the to larger groups. Bach doesn’t come up with anything so Brandenburg principle of a group of instruments as an ensemble of straightforward as the concerto form as it became ossified in potential soloists into the present day. That’s the effervescent energy the 19th century, in which a single soloist is set against the that drives Carter’s Boston Concerto, written for the Boston massed ranks of the orchestra. Instead, each Brandenburg Symphony Orchestra in 2002, and the Asko Concerto, composed in Concerto proposes a much more fluid solution to the question 1999–2000 for the eponymous Dutch new music group. It’s not of how a solo part or multiple solo parts weave in and out of only the example of Bach that tonight’s composers are up against: the texture of the instrumental ensemble as a whole. It’s all there are the achievements of Musgrave and Carter to contend with done with such seamless invention that it’s like looking at an too! ever-active shoal of fish in the ocean, where your attention is sometimes drawn to the dazzle and glint of individuals but then flows out to the group as a whole, in and out again, in a dance of different relationships between the players and a dance of listening on which Bach leads us in each of these concertos. -
Celebrating Slatkin Booklet FINAL
Marie-Hélène Bernard St. Louis Symphony Orchestra President & CEO Dear Leonard, When you made your conducting debut with the St. Louis Symphony Orchestra in 1968, who could have imagined that we’d gather on the same stage 50 years later to celebrate a remarkable partnership – one that redefined what an American orchestra could – and continues – to be. What you built with the St. Louis Symphony Orchestra starting 50 years ago remains core to our mission. It’s the solid bedrock we’ve been building on for the past five decades: enriching lives through the power of music. Your years with the SLSO reshaped this orchestra, earning it the title of “America’s Orchestra.” You connected with our community – both here in St. Louis and on national and international stages. By taking this orchestra on the road, you introduced the SLSO and St. Louis to the world. You recorded with this orchestra more than any other SLSO music director, championing American composers and music of our time. Your passion for music education led to your founding of the St. Louis Symphony Youth Orchestra, which is the premiere experience for young musicians across our region. Next year, we will mark the Youth Orchestra’s golden anniversary and the thousands of lives it has impacted. We admire you for your remarkable spirit and talent and for your amazing vision and leadership. We are thrilled you have returned home to St. Louis and look forward to many years sharing special moments together. On behalf of the entire St. Louis Symphony Orchestra family, congratulations on the 50th anniversary of your SLSO debut. -
Boston Symphony Orchestra Concert Programs, Season 125, 2005
BOSTON SYM PHONY ORCHESTRA 'f *;.Hpii-s* 2005-2006 SEASON JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK CONDUCTOR EMERITUS SEIJI OZAWA MUSIC DIRECTOR LAUREATE Tap, tap, tap. The final movement is about to begin. In the heart of This unique and this eight-acre gated final phase is priced *ta~ community, at the from $1,625 million pinnacle of Fisher Hill, to $6.6 million. the original Manor will be trans- For an appointment to view formed into five estate-sized luxury this grand finale, please call condominiums ranging from 2,052 Hammond GMAC Real Estate to a lavish 6,650 square feet of at 617-731-4644, ext. 410. old world charm with today's ultra-modern comforts. LONGYEAR. at urisner Jiill BROOKLINE www.longyearestates . com • • "-. ».* , '- ; ..• CORTLAND _ PROPERTIES INC. " - ^ fj* :t- y> *i&K. '. ^ - ' >// • ., S^': The path to recovery... McLean Hospital •The nation's top psychiatric hospital. &\ U.S. News & WorldWor/d RReport t» . «^'X •? - - :' *^ ,« * t^^ <w, kj^fi%. ;il:;||::iB|: .^-s^-^-r/r •-' - -^ m\ - at McLean Hospital Unparalleled psychiatric evaluation and treatment Unsurpassed discretion and service Belmont, Massachusetts 6 1 7/855-3535 www.mclean.harvard.edu/pav/ McLean is the largest psychiatric clinical care, teaching and research affiliate Partners of Harvard Medical School, an affiliate of Massachusetts General Hospital and a member of Partners HealthCare. REASON #78 bump-bump bump-bump bump-bump There are lots of reasons to choose Beth Israel Deaconess Medical Center for your major medical care. Like less invasive and more permanent cardiac arrhythmia treatments. And other innovative ways we're tending to matters of the heart in our renowned catheterization lab, cardiac MRI and peripheral vascular diseases units, and unique diabetes partnership with Joslin Clinic. -
American Mavericks Festival
VISIONARIES PIONEERS ICONOCLASTS A LOOK AT 20TH-CENTURY MUSIC IN THE UNITED STATES, FROM THE SAN FRANCISCO SYMPHONY EDITED BY SUSAN KEY AND LARRY ROTHE PUBLISHED IN COOPERATION WITH THE UNIVERSITY OF CaLIFORNIA PRESS The San Francisco Symphony TO PHYLLIS WAttIs— San Francisco, California FRIEND OF THE SAN FRANCISCO SYMPHONY, CHAMPION OF NEW AND UNUSUAL MUSIC, All inquiries about the sales and distribution of this volume should be directed to the University of California Press. BENEFACTOR OF THE AMERICAN MAVERICKS FESTIVAL, FREE SPIRIT, CATALYST, AND MUSE. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England ©2001 by The San Francisco Symphony ISBN 0-520-23304-2 (cloth) Cataloging-in-Publication Data is on file with the Library of Congress. The paper used in this publication meets the minimum requirements of ANSI / NISO Z390.48-1992 (R 1997) (Permanence of Paper). Printed in Canada Designed by i4 Design, Sausalito, California Back cover: Detail from score of Earle Brown’s Cross Sections and Color Fields. 10 09 08 07 06 05 04 03 02 01 10 9 8 7 6 5 4 3 2 1 v Contents vii From the Editors When Michael Tilson Thomas announced that he intended to devote three weeks in June 2000 to a survey of some of the 20th century’s most radical American composers, those of us associated with the San Francisco Symphony held our breaths. The Symphony has never apologized for its commitment to new music, but American orchestras have to deal with economic realities. For the San Francisco Symphony, as for its siblings across the country, the guiding principle of programming has always been balance. -
Ronald Roseman: a Biographical Description and Study of His Teaching Methodology
LAMPIDIS, ANNA, D.M.A. Ronald Roseman: A Biographical Description and Study of his Teaching Methodology. (2008) Directed by Dr. Mary Ashley Barret. 103 pp. Ronald Roseman was an internationally acclaimed oboe soloist, chamber musician, teacher, recording artist, and composer whose career spanned over 40 years. A renowned oboist, he performed in some of America’s most influential institutions and ensembles including the New York Woodwind Quintet, the New York Philharmonic, and the New York Bach Aria Group. His contributions to 20th Century oboe pedagogy through his own unique teaching methodology enabled him to contribute to the success of both his own personal students and many others in the field of oboe and woodwind performance. His body of compositions that include oboe as well as other instruments and voice serve to encapsulate his career as a noteworthy 20th Century composer. Roseman’s musicianship and unique teaching style continues to be admired and respected worldwide by oboists and musicians. The purpose of this study is to present a biographical overview and pedagogical techniques of oboist Ronald Roseman. This study will be divided into sections about his early life, teaching career, performance career and his pedagogical influence upon his students. Exercises and techniques developed by Roseman for the enhancement of oboe pedagogy will also be included. Interviews have been conducted with his wife and three former well-known students in order to better serve the focus of this study. The author also contributed pedagogical techniques compiled during a two-year period of study with Roseman. Appendices include a discography of recorded materials, the New York Woodwind Quintet works list, Roseman’s published article on Baroque Ornamentation, a list of his compositions with premiere dates and performers, and interview questions.