Sara Zwangobani

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BIOGRAPHY SARA ZWANGOBANI FILM 2016 DANCE ACADEMY – Hattie McDaniel ZDF ENTERPRISES / WERNER FILM PRODS THE COMEBACK DIR. JEFFREY WALKER 2006 DISGRACE Young Woman FORTISSIMO FILMS DIR. STEVE JACOBS 2006 BIANCA Detective Ramos GRUNDY TELEVISION 2006 ONE OF THE LUCKY ONES (short) Hanna Wright BOB PICTURES DIR. WENDY CHALMERS 2004 STEALTH Orbit Tech #4 COLUMBIA PICTURES 2002 THE MERCHANT OF FAIRNESS Danielle CLANDESTINE PICTURES DIR. SHANE LUTHER 2001 STAR BABY Ariel ILIAN FILMS DIR. CLAIRE McCARTHY 1997 MR PUMPKIN’S BIG NIGHT OUT Deidre SPY PRODUCTIONS TELEVISION 2014 SOUL MATES Nancy AUSTRALIAN BROADCASTING CORPORATION 2008 ALL SAINTS Det. Bronwyn Allen CHANNEL 7 2008 PACKED TO THE RAFTERS Ultrasound tech CHANNEL 7 2006 STARTER WIFE Debra 3 ARTS ENTERTAINMENT DIR. JON AVNET HOME & AWAY Mel CHANNEL 7 NIGHTMARES & DREAMSCAPES: TV Anchor COOTE/HAYES ROAD VIRUS DIR. SERGIO MIMICA GEZZAN MONARCH COVE Det. Maria Ramos GRUNDY/LIFETIME CHANNEL TWO TWISTED: KYANNA Nurse NEWTOWN FILMS DIR. KATE RIEDL 2005 LOVE MY WAY Imogen SOUTHERN STAR 2004 ALL SAINTS Carol Graham CHANNEL 7 1 JEAN-PIERRE MIGNON 2000 WATER RATS Tolofi SOUTHERN STAR 1996 FALLEN ANGELS Guest AUSTRALIAN BROADCASTING CORPORATION THEATRE 2013 MAGGIE STONE Amath Deng STATE THEATRE COMPANY OF SOUTH AUSTRALIA DIR. GEORDIE BROOKMAN 2013 GIRL IN TAN BOOTS Antonietta GRIFFIN THEATRE COMPANY DIR. SUSANNA DOWLING 2012 LYREBIRD Cate TAMARAMA ROCK SURFERS DIR. JEMMA GURNEY 2010 IN THE NEXT ROOM – Elizabeth SYDNEY THEATRE COMPANY THE VIBRATOR PLAY DIR. PAMELA RABE 2010 DIRTY BUTTERFLY Amelia B SHARP / BELVOIR THEATRE COMPANY DIR. WAYNE BLAIR 2009 A STREETCAR NAMED DESIRE Negro Woman SYDNEY THEATRE COMPANY DIR. LIV ULLMANN 2007 THE TEMPEST Miranda/Trinculo HARLOS PRODUCTIONS DIR. DAMIEN MILLAR 2001 IMAGO Cleo B SHARP / BELVOIR THEATRE COMPANY DIR. CHRIS MEAD 2000 THE CRUCIBLE Tituba/Martha/Susanna SYDNEY THEATRE COMPANY DIR. MARION POTTS 1999 PULSE 10 Cast SYDNEY THEATRE COMPANY 1997 WOMEN IN SHORTS BELVOIR ST THEATRE 1994 AUSTRALIAN PEOPLE’S THEATRE SYDNEY THEATRE COMPANY 1993 SUMMER OF THE ALIENS Dulcie SYDNEY THEATRE COMPANY (AUST.PEOPLES THEATRE) ANTONY AND CLEOPATRA Iras SYDNEY THEATRE COMPANY (AUST.PEOPLES THEATRE) THE LOADED UTE Laurestina TRAINING 1992 DIPLOMA OF ARTS IN DRAMATIC ARTS (Acting) VICTORIAN COLLEGE OF ARTS 2 1989 TELEVISION & FILM WORKSHOPS ON BROADWAY FILM STUDIOS CANBERRA 1988-89 SINGING PRIVATE TUITION 1985-88 DANCE (Ballet, Jazz, Modern, Funk) PETSY SAWYERS SCHOOL OF DANCE HUMAN VEINS DANCE CO. 3 .

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State of Play, Julian Is Artistic Director of NORPA, Griffin Theatre, and Circa
CREATIVE TEAM JOSHUA LOBB, WRITER the commonwealth games opening ceremony, Who Will Save The Day, At 14, Joshua was the youngest FLiNG youth physical theatre, participant at Interplay ’88, the Second Krush for short works, Season 4 On International Young Playwright’s The Floor with ensemble members of Conference. His plays have been Legs On The Wall Physical theatre. performed by Canberra Youth Theatre, Kirk has worked in remote areas as Sydney Conservatorium of Music, a dance teacher/movement sharer Shopfront Theatre, Vancouver Youth with Croc festival youth dance Theatre and at the Harold Park Hotel. programme, ‘Nyinka Nyunyu’ arts He worked as writer and dramaturg centre in Tennant Creek and various for the Australian Museum’s Theatre outreach projects with ATYP. Education program and is a founding member of the cabaret group CARL POLKE, SOUND DESIGNER Massabanadeen. His plays include: Broadway Baby!, Shakespeare–the A circus runaway interested in Cabaret!, Daedalus, The Falling as well as all things tuneful and noisy, his Still At Aulis and Wilde Tales for State of work encompasses a large variety Play for whom he has been the writer of theatrical musicality and in residence since 2003. Joshua has a performance. Companies Carl has PhD in English from UNSW. worked with include Circus Oz, Legs on the Wall (2002 Canadian Jessie JULIAN LOUIS, DIRECTOR award for best original score), The Flying Fruitfly Circus, State of Play, Julian is Artistic Director of NORPA, Griffin Theatre, and Circa. 2006 Lismore and State of Play. He is Helpmann Award nominee, Carl is a graduate of the NIDA Directors interested in where music stops, and CRITICAL STAGES AND course and holds a BA in Theatre noise starts.
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Nathan Lovejoy Resume
NATHAN LOVEJOY FILM BECOMING BOND Supporting Hulu/Delirio Films BOMBSHELL Lead Screentime NZ/TV One THE MYSTERY OF A HANSOM CAB Lead Burberry Entertainment/ABC TELEVISION (US/AUS) DEEP WATER Guest Star Blackfella Films/SBS THE CODE Supporting Netflix/Acorn TV/ABC THE KETTERING INCIDENT Guest Star Amazon/Showcase HERE COME THE HABIBS Guest Star Jungleboys/9 Network SAMMY J & RANDY IN THE RICKETTS LANE Lead Seeso/ABC THIS IS LITTLETON Sketch Highwire Films/ABC LAID Guest Star Jungleboys/ABC AT HOME WITH JULIA Guest Star Quail TV/ABC REVIEW WITH MYLES BARLOW Guest Star Jungleboys/ABC MY PLACE Guest Star Matchbox/ABC THE PACIFIC Guest Star HBO HEADLAND Supporting 7 Network THEATER ROMEO & JULIET Lead Sydney Symphony THE GOOD PERSON OF SZECHUAN Lead Malthouse Theatre CLYBOURNE PARK Lead Ensemble Theatre HAMLET Supporting Belvoir Street Theatre EMPIRE Lead Tamarama Rock Surfers HENRY IV Supporting Bell Shakespeare Company THIS YEAR’S ASHES Lead Griffin Theatre Company MUCH ADO ABOUT NOTHING Supporting Bell Shakespeare Company WAY TO HEAVEN Lead Ride On Theatre Company THE CRUCIBLE Lead Sydney Theatre Company A MIDSUMMER NIGHT’S DREAM Lead Sydney Symphony ANATOMY: TITUS: FALL OF ROME Lead Bell Shakespeare Company TWELFTH NIGHT Lead Siren Theatre Company THE MERCHANT OF VENICE Lead Ride On Theatre Company THE TEMPEST Lead Bell Shakespeare Company KING LEAR Lead Harlos Productions BONES Lead Darlinghurst Theatre Company TRAINING Bachelor of Dramatic Art (Undergraduate) 3 years National Institute of Dramatic Arts (NIDA) UCB 101 & 102 Level 2 Upright Citizens Brigade, Los Angeles CA AWARDS Nominated: Best Performance in a Television Comedy, 2015 AACTA Awards, SAMMY J & RANDY IN RICKETTS LANE Nominated: Best Performance in Theatre, 2011 SMAC Awards, WAY TO HEAVEN AGENT: Brianna Ancel & Scot Reynolds / 10950 Ventura Blvd, Studio City, CA 91604 Phone: 818.509.0121 / Fax: 818.509.7729 / [email protected] / [email protected] MANAGER: Art/Work Entertainment, Spencer Robinson & David Chien [email protected] / [email protected] .
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The Turquoise Elephant E X T D N F C R T O
GRIFFIN THEATRE COMPANY PRESENTS THE TURQUOISE ELEPHANT STEPHEN CARLETON BY STEPHEN CARLETON 14 OCTOBER-26 NOVEMBER E Production Sponsor Meet Augusta Macquarie: Her Excellency, patron of the arts, X formidable matriarch, environmental vandal. THE T D TURQUOISE Inside her triple-glazed compound, Augusta shields herself from the catastrophic elements, bathing in THE TURQUOISE ELEPHANT the classics and campaigning for the reinstatement of global reliance on fossil fuels. Outside, the world lurches from one environmental cataclysm to the next. ELEPHANT N Meanwhile, her sister, Olympia, thinks the best way to save endangered species is to eat them. Their niece, Basra, is intent on making a difference – but how? Can you save the world one blog at a time? F C Stephen Carleton’s shockingly black, black, black political farce won the 2015 Griffin Award. R T It’s urgent, contemporary and perilously close to being real. Director Gale Edwards brings her magic and wry insight to the world premiere of this very funny, clever and wicked new work. O S T CURRENCY PRESS GRIFFIN THEATRE COMPANY PRESENTS THE TURQUOISE ELEPHANT BY STEPHEN CARLETON 14 OCTOBER-26 NOVEMBER Director Gale Edwards Set Designer Brian Thomson Costume Designer Emma Vine Lighting and AV Designer Verity Hampson Sound Designer Jeremy Silver Associate Lighting Designer Daniel Barber Stage Manager Karina McKenzie Videographer Xanon Murphy With Catherine Davies, Maggie Dence, Julian Garner, Belinda Giblin, Olivia Rose, iOTA SBW STABLES THEATRE 14 OCTOBER - 26 NOVEMBER Production Sponsor Government Partners Griffin acknowledges the generosity of the Seaborn, Broughton and Walford Foundation in allowing it the use of the SBW Stables Theatre rent free, less outgoings, since 1986.
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Jared Turner
JARED TURNER TELEVISION Power Rangers NinJa Steel Joe Saban Brands, Oliver Driver Ablaze Roger Ballantyne Screentime NZ, Joshua Frizzell The Secret Daughter Chris Norton 7 Network/Screentime, Leah Purcell/Geoff Bennett Roman Empire Cleander Netflix, Rick Lopez Filthy Rich Sam Filthy Rich Productions The Shannara Chronicles Slanter MTV Productions, Brad Turner Hillary Earle Riddiford Great Southern Television, Danny Mulheron When We Go To War Sergeant Graves Jump Productions, Peter Burger The Almighty Johnsons Ty Johnson South Pacific Pictures Spartacus: Blood and Sand Furius Starz Media Go Girls Ben Maddox South Pacific Pictures Power Rangers Jungle Fury Whiger BVS Entertainment Outrageous Fortune Trent South Pacific Pictures, Simon Bennett & Britta Johnstone All Saints Brett Davis 7 Network, Julian Pringle FILM 6 Days Tommy Palmer GFC (SAS) Ltd, Toa Fraser The Last Saint Gaz The Reservior, Rene Naufahu Underworld: Rise of the Lycans Xristo Sketch Films/Lakeshore Entertainment, Patrick Tatopoulos 30 Days of Night Aaron Columbia Pictures, David Slade Fracture Brent Rosser Kahukura Productions, Larry Parr THEATRE Stepping Into Shadows Matt Darlinghurst Theatre, Laura Scrivano The Castle Brian New Theatre, Rochelle Whyte Six Pack Mark Sydney Opera House, Kate Gaul Search & Destroy Robert/Pamfilo Tamarama Rock Surfers, Alan Flower Solitude in Blue Colin Glass Theatre, Melita Rowston Get the Message Jared Theatre Physical, Beth Kayes Jake & Pete (Canadian Tour) Jake Theatre of Image, Kim Carpenter Alice's Adventures Underground Lewis Carroll
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The Pillowman
THE PILLOWMAN Company B presents THE PILLOWMAN Written by MARTIN McDONAGH Directed by CRAIG ILOTT The Company B production of The Pillowman opened at Belvoir St Theatre on 4 June 2008 Set Designer NICHOLAS DARE Costume Designer JO BRISCOE Lighting Designer NIKLAS PAJANTI Composer & Sound Designer JETHRO WOODWARD Assistant Sound Designer CHRIS MERCER Fight Director KYLE ROWLING Stage Manager KYLIE MASCORD Assistant Stage Manager SARAH SMITH NIDA Secondment (Stage Management) ISABELLA KERDIJK NIDA Secondment (Technical) JACK HORTON Consultant Clinical Psychologist DR RACHAEL MURRIHY (BA PGDip DPsych) With AMANDA BISHOP Mother MARTON CSOKAS Tupolski LAUREN ELTON Girl DAMON HERRIMAN Katurian STEVE RODGERS Michal DAVID TERRY Father DAN WYLLIE Ariel PRODUCTION THANKS: Chameleon Touring Systems, Kylie Clarke, CODA Audio, Joel Edgerton, Dr Tony Kidman and the UTS Health Psychology Unit, Maurice Menswear Marrickville, Kirsty McGregor, Neil Phipps, Thomas Creative, David Trethewey and Martin McDonagh’s agent – The Rod Hall Agency Limited of 6th Floor Fairgate House 78 New Oxford St London WC1A 1HA. The Pillowman was first presented by the National Theatre at the Cottesloe, London, directed by John Crowley, on 13 November 2003. The production was subsequently produced on Broadway by the National Theatre, Robert Boyett Theatricals LLC and RMJF Inc. in association with Boyett Ostar, Robert Fox, Arielle Tepper, Stephanie P. McClelland, Debra Black, Dede Harris / Cover Image: Alex Craig Morton Swinsky / Roy Furman / Jon Avnet in association with Joyce Schweickert, Photography: Heidrun Löhr opening at the Booth Theatre, New York City, on 10 April 2005. DESIGN: Tim Kliendienst DIRECTOR’S NOTE Katurian: A great man once said is the relationship between art and ‘The first duty of a storyteller is to politics? And perhaps a key question tell a story’.
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2010-2011 Financial Year Funding Recipients
2010-2011 Financial Year Funding Recipients NEGOTIATED Organisation Purpose/Program Name Funding $ Accessible Arts year 3 of triennial program funding A peak national body for NSW, providing a range of project and advocacy $240,875 (2009-2011) services within the arts and disability sectors. Arts Law Centre of Australia year 2 of triennial program funding Arts Law Centre of Australia is a specialist centre for artists and creators $123,000 (2010-2012) throughout Australia with arts-related queries including contracts, copyright, business structures, defamation etc. Where appropriate, provides free or low-cost telephone legal advice and referral services, professional development resources such as publications and presentations, and advocates for law reform. Arts Mid North Coast year 2 of triennial program funding Arts Mid North Coast is one of 14 Regional Arts Boards across NSW, $102,500 (2010-2012) each providing strategic direction for sustainable arts and cultural development in their region. The local councils in each area, together with the State Government, contribute financially to each Board to employ a Regional Arts Development Officer (RADO) and other support staff. This structure enables people who live in the regions to manage their own arts and cultural priorities for their own region. Mid North Coast services the people and communities of the Mid North Coast region, including the Coffs Harbour, Bellingen, Great Lakes, Kempsey, Nambucca, Greater Taree and Port Macquarie-Hastings local government areas. Arts North West Inc year 2 of triennial program funding Arts North West is one of 14 Regional Arts Boards across NSW, each $102,500 (2010-2012) providing strategic direction for sustainable arts and cultural development in their region.
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By Hilary Bell Sbw Stables Theatre 6 September – 12 October 2019
GRIFFIN THEATRE COMPANY PRESENTS GRIFFIN THEATRE SPLINTER COMPANY BY HILARY BELL SBW STABLES THEATRE 6 SEPTEMBER – 12 OCTOBER 2019 DIRECTOR LEE LEWIS DESIGNER TOBHIYAH STONE FELLER LIGHTING DESIGNER BENJAMIN BROCKMAN SOUND DESIGNER & COMPOSER ALYX DENNISON VIDEO DESIGNER MIC GRUCHY STAGE MANAGER REBECCA POULTER WITH LUCY BELL SIMON GLEESON Supported by Griffin’s Production Partner program Griffin acknowledges the generosity of the Seaborn, Broughton & Walford Foundation in allowing it the use of the SBW Stables Theatre rent free, less outgoings, since 1986. Government partners PLAYWRIGHT’S NOTE Splinter had its premiere in 2012 at can no longer resist it, and it takes hold, Sydney Theatre Company, following he must keep shifting the line in the a couple of intensive creative sand in order to sustain his logic. developments. It was a beautiful Splinter came to me pretty much whole. production co-directed by Sarah Goodes Unlike some other plays, where I’ve and puppeteer Alice Osborne, with floundered, found myself becalmed, guidance from dramaturge Polly Rowe. been filled with misgivings, I knew from Originally commissioned as a work for the first instant what this play wanted children (!), it darkly bloomed into a to be. The final draft is not substantially kind of gothic thriller. I brought to the different from my first outline. The play two of my creative obsessions: writing work that followed was mostly a fairy tales, and the Unreliable Narrator. matter of putting flesh on the bones. My references spanned sources as diverse as Henry James’ The Turn of the It’s unusual for a contemporary Screw, folk tales about changelings, Australian play to get a second life.
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Inside WAAPA
Official newsletter of the Western Australian Academy of Performing Arts, Edith Cowan University (Issue 48) June 2017 WORLD MUSIC ADVENTURES Ashley de Neef’s jazz fusion project TIM VAN DER KUIL on the road with Adele NELSON BAKER stars in ‘The Warriors’ Inside WAAPA Issue 48 Page 1 LIFE WITH ADELE YOUNG GUNS FIRE UP ADELE’S GUITARIST AND MUSIC DIRECTOR MUSIC AWARDS GIVES A WEEK-LONG SERIES OF MASTERCLASSES AT WAAPA WAAPA MUSIC GRADUATES WIN ACCOLADES ACROSS THE COUNTRY Photos by Media Art Photos by Media When Perth guitarist Tim Van Der Kuil arrived English in London in 1996, he thought he would walk songstress, straight off the plane and into a record deal. After Adele. all, he’d done the hard yards, studying jazz for Eight years four years at WAAPA before moving to Sydney ago, Van Der where he played in his own band and for other Kuil was playing artists, including pop singer Jenny Morris. guitar with Sydney-born artist So with the dream of making it big, Van De Daniel Merriweather at the Shepherd’s Bush “Doing the jazz course Kuil recloated to London – at the time, the hub of Empire in London when Adele, who sang on on opened up my knowledge of harmony,” he Photo by Castaway Photography the Britpop explosion when bands such as Blur Merriweather’s 2009 album Love and War on the Basemant Photo by Bird’s says. “What I got from the jazz course was an and Oasis were making their names. Van De track ‘Water and a Flame’, turned up backstage.
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I have spoken. To have this truth spoken CAST WRITER’S NOTE aloud on a stage so close to where their ordeal took place can certainly only be CORAL Since I began consulting with more than Riverside Productions understood by those who have been through CHRISTINE ANU thirty former inmates of Girls Training School ALANA it, but is a significant historical and cultural MAREE (GTS), Parramatta to write Parramatta Girls, achievement for Riverside Theatres, an act VALENTINE HOLLY AUSTIN the Parliament of Australia has undertaken Playwright of community reconciliation and retribution the 2004 Senate Committee ‘Report on JUDI which is at the heart of all works of art, and I Forgotten Australians’, the 2009 report In 2013 her play Grounded won three Australian ANNIE BYRON acknowledge Camilla Rountree, Robert Love ‘Lost Innocents and Forgotten Australians Writer’s Guild Awards – in Youth and Community LYNETTE and this dedicated cast and creative team VANESSA DOWNING Revisited’ and, on Monday 16th November, PARRAMATTA Theatre, the David Williamson Award for for their commitment to it. Excellence in Theatre Writing, and the Major 2009, a National apology by then Prime MELANIE Minister Kevin Rudd and then leader of the I would like to warmly acknowledge the AWGIE for 2013. Her play Ear to the Edge ANNI FINSTERER Opposition Malcolm Turnbull, acknowledged ongoing support and my inestimable of Time won the International STAGE Script GAYLE esteem for former inmate Bonney Djuric By Alana Valentine Competition for best new play about science the often destructive treatment of children in SANDY GORE who I continue to work with as part of the and technology in 2012, judged by an esteemed institutional care in Australian history.
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2019-The-Miser-Program.Pdf
DiRECTOR PETER EVANS BY MOLiÈRE A NEW VERSiON BY jUSTiN FLEMiNG C M Y CM MY CY CMY K Proud paner of Bell Shakespeare’s National Schools Program Bell Shakespeare’s National Schools Program inspires thousands of school children across Australia to learn and love Shakespeare. Believing that all Australians should have access to Shakespeare, program since 1999. Foxtel marks are used under licence by Foxtel Management Pty Ltd. Ethical banking Teachers Mutual Bank is delighted to partner with Bell Shakespeare to support the Regional Teacher Mentorship. Only four banks in the world have been named as a 2018 World’s Most Ethical Company.1 And we’re one of them for the 5th year in a row! Find out more today* tmbank.com.au/wme *Membership is open to citizens or permanent residents of Australia who are current or retired employees of the Australian education sector or family members of members of the Bank. 1 The Ethisphere Institute is a global leader in defining and advancing the standards of ethical business practice. The World’s Most Ethical Company assessment is based upon the Ethisphere Institute’s Ethics Quotient (EQ) framework and honours superior achievements in transparency, integrity, ethics and compliance. Worlds Most Ethical Companies and ‘Ethisphere’ names and marks are registered trade marks of Ethisphere LLL. www.ethisphere.com Teachers Mutual Bank Limited ABN 30 087 650 459 AFSL/ Australian Credit Licence 238981 | 00711-CSR-0518-WME-BS-297x210 00711-CSR-0518-WME-BS-210x148-1-2.indd 1 25/05/2018 3:03:00 PM 4 Bell Shakespeare ABOUT BELL SHAKESPEARE SHAKESPEARE’S WORK EXPLORES HUMAN EXPERIENCE AT ITS LIMITS.
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Darren Gilshenan
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