2010-2011 Financial Year Funding Recipients
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Round 2 Outcomes Aboriginal Arts and Cultural Recipients
Create NSW Arts & Cultural Funding Program – Round 2 Outcomes Aboriginal Arts and Cultural recipients (9) $451,200 Annual Organisations (1): $100,000 1. Saltwater Freshwater Arts Alliance Aboriginal Corporation Saltwater Freshwater Annual Program 2020 ($100,000) • The 2020 Saltwater Freshwater (SWFW) annual program will deliver arts and culture projects to the Gumbaynggirr, Dunghutti, Biripi and Worimi nations. Projects include culture camps, weaving, exhibition and the Festival, all leading to skills development, maintenance and preservation of traditional practices, enabling inter-generational knowledge transfer from Elders to the youth. Creative Koori Projects (7): $331,210 1. Bulabunmarra Projects Pty Ltd Employment of artists/artworkers and Elders for untitled (transcription of country) ($118,860) • A major international research project and exhibition examining the 1800–1803 French expedition to Australia and the colonial transportation, trade and translation of significant Australian material. The exhibition will occur in Paris in 2021 at Palais de Tokyo and Château de Malmaison, and tour to Artspace, Sydney, in 2022. 2. Mr Dale Collier Guyang Giiny ($20,000) • Guyang Giiny is a site-specific project that will be produced over an 18-month period using the traditional cultural practice of making fire to produce multiple audio-visual and sculptural outcomes. The presentation of this project comprises of 250 scorched sculptures within an immersive performance installation at Cementa Contemporary Arts Festival 2021. 3. Mr Mitch King Flow – a yarn about country and water ($20,000) • Mitch King, Yaegl Bundjalung man, will present Flow, a one-man show inspired by community and country, and told through contemporary movement and hip- hop. Flow aims to strengthen the Indigenous voice and engage young people through a contemporary retelling of ancestral stories around culture, land and water. -
Far West Plan Regional 2017-2019 Plan 2036 – Implementation Plan 2017-2019 26
Planning & Environment 2036 Far West Regional Plan Regional West Far Far West Regional Plan Implementation Plan 2017-2019 FAR WEST REGIONAL PLAN 2036 – Implementation Plan 2017-2019 August 2017 © Crown Copyright NSW Government DISCLAIMER While every reasonable effort has been made to ensure that this document is correct at the time of printing, the State of NSW, its agents and employees, disclaim any and all liability to any person in respect of anything or the consequences of anything done or omitted to be done in reliance or upon the whole or any part of this document. Copyright Notice In keeping with the NSW Government’s commitment to encourage the availability of information, you are welcome to reproduce the material that appears in the Far West Regional Plan 2036 – Implementation Plan 2017-2019 for personal in-house or non-commercial use without formal permission or charge. All other rights are reserved. If you wish to reproduce, alter, store or transmit material appearing in the Far West Regional Plan 2036 – Implementation Plan 2017-2019 for any other purpose, request for formal permission should be directed to: Far West Regional Plan 2036, GPO Box 58, Dubbo NSW 2830 Cover image: Campers at Mt Oxley, Courtesy of Back O’ Bourke Exhibition Centre, Photographer - Simon Bayliss Contents Introduction 3 Implementation 4 Priority actions for 2017-2019 5 Governance 6 Far West Regional Plan Actions 9 Introduction The Far West Regional Plan 2036 is the NSW Government’s strategy for guiding land use planning decisions for the Far West region for the next 20 years. The Far West region consists of eight local government areas: Balranald, Brewarrina, Bourke, Broken Hill, Central Darling, Cobar, Walgett and Wentworth. -
NSW Trade & Investment Annual Report 2010-11
NSW Department of Trade and Investment, Regional Infrastructure and Services ANNUAL REPORT 2010-11 31 October 2011 The Hon. Mr Andrew Stoner, MP Deputy Premier Minister for Trade and Investment Minister for Regional Infrastructure and Services Parliament House Macquarie Street SYDNEY NSW 2000 Dear Minister In accordance with the Annual Reports (Departments) Act 1985, the Public Finance and Audit Act 1983, and the Regulations under these Acts, I am pleased to submit to you as the Department’s co-ordinating Minister, the 2010-2011 Annual Report of the New South Wales Department of Trade and Investment, Regional Infrastructure and Services for presentation to Parliament. The document reports on the Department’s achievements for the past year against the corporate outcomes. These achievements were made possible by the willingness and commitment of staff and I would like to take this opportunity to thank them for their dedication and hard work, as well as the leadership and direction provided by the Divisional heads throughout the year. The report also includes a summary of the major achievements of the Department’s statutory agencies. These agencies will also be submitting their own Annual Reports as required under the Act. Yours sincerely Mark I Paterson AO Director General CONTENTS Director General’s Year in Review 2 Corporate governance 5 About us 5 Organisational structure 6 Our results 7 Financial overview 9 Review of NSW Trade & Investment operations 11 Department of Primary industries 12 NSW Office of Water 28 Crown Lands Division 42 Soil Conservation Service 49 Industry, Innovation and Investment Division 53 Arts NSW 68 Office of Liquor, Gaming and Racing 80 Resources and Energy Division (incl. -
State of Play, Julian Is Artistic Director of NORPA, Griffin Theatre, and Circa
CREATIVE TEAM JOSHUA LOBB, WRITER the commonwealth games opening ceremony, Who Will Save The Day, At 14, Joshua was the youngest FLiNG youth physical theatre, participant at Interplay ’88, the Second Krush for short works, Season 4 On International Young Playwright’s The Floor with ensemble members of Conference. His plays have been Legs On The Wall Physical theatre. performed by Canberra Youth Theatre, Kirk has worked in remote areas as Sydney Conservatorium of Music, a dance teacher/movement sharer Shopfront Theatre, Vancouver Youth with Croc festival youth dance Theatre and at the Harold Park Hotel. programme, ‘Nyinka Nyunyu’ arts He worked as writer and dramaturg centre in Tennant Creek and various for the Australian Museum’s Theatre outreach projects with ATYP. Education program and is a founding member of the cabaret group CARL POLKE, SOUND DESIGNER Massabanadeen. His plays include: Broadway Baby!, Shakespeare–the A circus runaway interested in Cabaret!, Daedalus, The Falling as well as all things tuneful and noisy, his Still At Aulis and Wilde Tales for State of work encompasses a large variety Play for whom he has been the writer of theatrical musicality and in residence since 2003. Joshua has a performance. Companies Carl has PhD in English from UNSW. worked with include Circus Oz, Legs on the Wall (2002 Canadian Jessie JULIAN LOUIS, DIRECTOR award for best original score), The Flying Fruitfly Circus, State of Play, Julian is Artistic Director of NORPA, Griffin Theatre, and Circa. 2006 Lismore and State of Play. He is Helpmann Award nominee, Carl is a graduate of the NIDA Directors interested in where music stops, and CRITICAL STAGES AND course and holds a BA in Theatre noise starts. -
ANSTO Collaboration Area Place Strategy, for Personal, In-House Or Non- Commercial Use Without Formal Permission Or Charge
COLLABORATION AREA ANSTO Place Strategy 2 ATTACHMENT Collaboration Area CA – Place Strategy December 2019 2 Acknowledgement of Country The Greater Sydney Commission acknowledges the Dharawal people, the traditional owners of the lands that includes the Australian Nuclear Science and Technology Organisation (ANSTO) site, and the living culture of the traditional custodians of these lands. The Commission recognises that the traditional owners have occupied and cared for this Country over countless generations and celebrates their continuing contribution to the life of Greater Sydney. List of shortened terms ANSTO - Australian Nuclear Science and Technology Organisation CSIRO - Commonwealth Scientific and Industrial Research Organisation DPIE - Department of Planning, Industry and Environment DPIE - EES Group - Department of Planning, Industry and Environment – Environment, Energy and Science Group EPA - NSW Environment Protection Authority GIANT - Grenoble Innovation for Advanced New Technologies IAEA - International Atomic Energy Agency NBN - National Broadband Network NSW SES - NSW State Emergency Service NSW RFS - NSW Rural Fire Service OPAL - Open Pool Australian Light-water multipurpose reactor SSC - Sutherland Shire Council SMEs - Small to medium enterprises STEMM - Science, technology, engineering, mathematics and medicine TfNSW - Transport for NSW. Due to recent Machinery of Government changes Transport for NSW as the lead agency will include the functions of Roads and Maritime Services Greater Sydney Commission | Collaboration -
Planning and Environment Annual Report 2017-18
Annual Report 17-18 2 Contents Letter to the Ministers 3 About this Report 3 Secretary’s Foreword 4 1. Overview 5 About the Department 6 Major Contributions to NSW 8 2017-18 Highlights 9 The Department’s Executive and Divisions 15 Recognition for the Department and Staff 18 2. A Strong Economy 21 3. A Vibrant Sydney 37 4. Thriving Regions 49 5. Stronger Community Participation 55 6. A Sustainable Natural Environment 63 7. Supporting People and Governance 69 8. Financial Statements 75 APPENDICES Contents 168 1. Human Resources 169 2. Legal and Risk 181 3. Finance 189 4. Governance and Other 239 5. Additional Information 253 Department of Planning and Environment Annual Report 2017-18 Letter to the Ministers The Hon Anthony Roberts MP The Hon Don Harwin MLC Minister for Planning Minister for Resources Minister for Housing Minister for Energy and Utilities Special Minister of State Minister for the Arts 52 Martin Place 52 Martin Place SYDNEY NSW 2000 SYDNEY NSW 2000 Dear Ministers I am pleased to submit for presentation to Parliament the Annual Report for the Department of Planning and Environment for the year ended 30 June 2018. This report has been prepared in accordance with the Annual Reports (Departments) Act 1985 and the Annual Reports (Departments) Regulation 2015. Yours sincerely Carolyn McNally Secretary About this report This annual report summarises the activities and performance of the NSW Department of Planning and Environment for 2017-18. It has been prepared according to legislative and regulatory requirements. The structure of the report reflects achievements against the five aspirations that drive the Department’s vision: • A strong economy • A vibrant Sydney • Thriving regions • Strong community participation • A sustainable natural environment. -
Nathan Lovejoy Resume
NATHAN LOVEJOY FILM BECOMING BOND Supporting Hulu/Delirio Films BOMBSHELL Lead Screentime NZ/TV One THE MYSTERY OF A HANSOM CAB Lead Burberry Entertainment/ABC TELEVISION (US/AUS) DEEP WATER Guest Star Blackfella Films/SBS THE CODE Supporting Netflix/Acorn TV/ABC THE KETTERING INCIDENT Guest Star Amazon/Showcase HERE COME THE HABIBS Guest Star Jungleboys/9 Network SAMMY J & RANDY IN THE RICKETTS LANE Lead Seeso/ABC THIS IS LITTLETON Sketch Highwire Films/ABC LAID Guest Star Jungleboys/ABC AT HOME WITH JULIA Guest Star Quail TV/ABC REVIEW WITH MYLES BARLOW Guest Star Jungleboys/ABC MY PLACE Guest Star Matchbox/ABC THE PACIFIC Guest Star HBO HEADLAND Supporting 7 Network THEATER ROMEO & JULIET Lead Sydney Symphony THE GOOD PERSON OF SZECHUAN Lead Malthouse Theatre CLYBOURNE PARK Lead Ensemble Theatre HAMLET Supporting Belvoir Street Theatre EMPIRE Lead Tamarama Rock Surfers HENRY IV Supporting Bell Shakespeare Company THIS YEAR’S ASHES Lead Griffin Theatre Company MUCH ADO ABOUT NOTHING Supporting Bell Shakespeare Company WAY TO HEAVEN Lead Ride On Theatre Company THE CRUCIBLE Lead Sydney Theatre Company A MIDSUMMER NIGHT’S DREAM Lead Sydney Symphony ANATOMY: TITUS: FALL OF ROME Lead Bell Shakespeare Company TWELFTH NIGHT Lead Siren Theatre Company THE MERCHANT OF VENICE Lead Ride On Theatre Company THE TEMPEST Lead Bell Shakespeare Company KING LEAR Lead Harlos Productions BONES Lead Darlinghurst Theatre Company TRAINING Bachelor of Dramatic Art (Undergraduate) 3 years National Institute of Dramatic Arts (NIDA) UCB 101 & 102 Level 2 Upright Citizens Brigade, Los Angeles CA AWARDS Nominated: Best Performance in a Television Comedy, 2015 AACTA Awards, SAMMY J & RANDY IN RICKETTS LANE Nominated: Best Performance in Theatre, 2011 SMAC Awards, WAY TO HEAVEN AGENT: Brianna Ancel & Scot Reynolds / 10950 Ventura Blvd, Studio City, CA 91604 Phone: 818.509.0121 / Fax: 818.509.7729 / [email protected] / [email protected] MANAGER: Art/Work Entertainment, Spencer Robinson & David Chien [email protected] / [email protected] . -
The Turquoise Elephant E X T D N F C R T O
GRIFFIN THEATRE COMPANY PRESENTS THE TURQUOISE ELEPHANT STEPHEN CARLETON BY STEPHEN CARLETON 14 OCTOBER-26 NOVEMBER E Production Sponsor Meet Augusta Macquarie: Her Excellency, patron of the arts, X formidable matriarch, environmental vandal. THE T D TURQUOISE Inside her triple-glazed compound, Augusta shields herself from the catastrophic elements, bathing in THE TURQUOISE ELEPHANT the classics and campaigning for the reinstatement of global reliance on fossil fuels. Outside, the world lurches from one environmental cataclysm to the next. ELEPHANT N Meanwhile, her sister, Olympia, thinks the best way to save endangered species is to eat them. Their niece, Basra, is intent on making a difference – but how? Can you save the world one blog at a time? F C Stephen Carleton’s shockingly black, black, black political farce won the 2015 Griffin Award. R T It’s urgent, contemporary and perilously close to being real. Director Gale Edwards brings her magic and wry insight to the world premiere of this very funny, clever and wicked new work. O S T CURRENCY PRESS GRIFFIN THEATRE COMPANY PRESENTS THE TURQUOISE ELEPHANT BY STEPHEN CARLETON 14 OCTOBER-26 NOVEMBER Director Gale Edwards Set Designer Brian Thomson Costume Designer Emma Vine Lighting and AV Designer Verity Hampson Sound Designer Jeremy Silver Associate Lighting Designer Daniel Barber Stage Manager Karina McKenzie Videographer Xanon Murphy With Catherine Davies, Maggie Dence, Julian Garner, Belinda Giblin, Olivia Rose, iOTA SBW STABLES THEATRE 14 OCTOBER - 26 NOVEMBER Production Sponsor Government Partners Griffin acknowledges the generosity of the Seaborn, Broughton and Walford Foundation in allowing it the use of the SBW Stables Theatre rent free, less outgoings, since 1986. -
Dominic Perrottet Don Harwin MEDIA RELEASE
Dominic Perrottet Treasurer Don Harwin Minister for the Arts MEDIA RELEASE Wednesday, 16 December 2020 GET YOUR CULTURE FIX UP LATE IN SYDNEY THIS SUMMER Sydneysiders will be able to get their culture up late over summer, as major arts and cultural institutions keep their doors open longer and welcome visitors to blockbuster exhibitions and events. From January to March 2021, the Art Gallery of NSW, Australian Museum, Museum of Contemporary Art, Powerhouse Museum, State Library of NSW, and Sydney Living Museums will leave the lights on for visitors at least one night a week, and Sydney Opera House will offer new evening tours and special programming, for Culture Up Late. Treasurer Dominic Perrottet said the Government was focused on bringing people back to the city to support businesses and jobs and restore Sydney city’s cultural life. “The NSW Government has committed $1.47 million to supporting the extended opening hours across our major arts and cultural institutions, which is just one of many initiatives designed to draw people back to the CBD over the coming months. “Sydney’s city centre has been one of the biggest casualties of the pandemic, but as the weather warms up and more people start to get out and about, Culture Up Late will give Sydneysiders the opportunity to visit exhibitions straight after work, well beyond the standard closing time. “It’s been a tough year, and I encourage anyone who can, to get out and immerse yourself each week this summer in all that the country’s largest arts and cultural institutions have to offer,” said Mr Perrottet. -
Jared Turner
JARED TURNER TELEVISION Power Rangers NinJa Steel Joe Saban Brands, Oliver Driver Ablaze Roger Ballantyne Screentime NZ, Joshua Frizzell The Secret Daughter Chris Norton 7 Network/Screentime, Leah Purcell/Geoff Bennett Roman Empire Cleander Netflix, Rick Lopez Filthy Rich Sam Filthy Rich Productions The Shannara Chronicles Slanter MTV Productions, Brad Turner Hillary Earle Riddiford Great Southern Television, Danny Mulheron When We Go To War Sergeant Graves Jump Productions, Peter Burger The Almighty Johnsons Ty Johnson South Pacific Pictures Spartacus: Blood and Sand Furius Starz Media Go Girls Ben Maddox South Pacific Pictures Power Rangers Jungle Fury Whiger BVS Entertainment Outrageous Fortune Trent South Pacific Pictures, Simon Bennett & Britta Johnstone All Saints Brett Davis 7 Network, Julian Pringle FILM 6 Days Tommy Palmer GFC (SAS) Ltd, Toa Fraser The Last Saint Gaz The Reservior, Rene Naufahu Underworld: Rise of the Lycans Xristo Sketch Films/Lakeshore Entertainment, Patrick Tatopoulos 30 Days of Night Aaron Columbia Pictures, David Slade Fracture Brent Rosser Kahukura Productions, Larry Parr THEATRE Stepping Into Shadows Matt Darlinghurst Theatre, Laura Scrivano The Castle Brian New Theatre, Rochelle Whyte Six Pack Mark Sydney Opera House, Kate Gaul Search & Destroy Robert/Pamfilo Tamarama Rock Surfers, Alan Flower Solitude in Blue Colin Glass Theatre, Melita Rowston Get the Message Jared Theatre Physical, Beth Kayes Jake & Pete (Canadian Tour) Jake Theatre of Image, Kim Carpenter Alice's Adventures Underground Lewis Carroll -
The Pillowman
THE PILLOWMAN Company B presents THE PILLOWMAN Written by MARTIN McDONAGH Directed by CRAIG ILOTT The Company B production of The Pillowman opened at Belvoir St Theatre on 4 June 2008 Set Designer NICHOLAS DARE Costume Designer JO BRISCOE Lighting Designer NIKLAS PAJANTI Composer & Sound Designer JETHRO WOODWARD Assistant Sound Designer CHRIS MERCER Fight Director KYLE ROWLING Stage Manager KYLIE MASCORD Assistant Stage Manager SARAH SMITH NIDA Secondment (Stage Management) ISABELLA KERDIJK NIDA Secondment (Technical) JACK HORTON Consultant Clinical Psychologist DR RACHAEL MURRIHY (BA PGDip DPsych) With AMANDA BISHOP Mother MARTON CSOKAS Tupolski LAUREN ELTON Girl DAMON HERRIMAN Katurian STEVE RODGERS Michal DAVID TERRY Father DAN WYLLIE Ariel PRODUCTION THANKS: Chameleon Touring Systems, Kylie Clarke, CODA Audio, Joel Edgerton, Dr Tony Kidman and the UTS Health Psychology Unit, Maurice Menswear Marrickville, Kirsty McGregor, Neil Phipps, Thomas Creative, David Trethewey and Martin McDonagh’s agent – The Rod Hall Agency Limited of 6th Floor Fairgate House 78 New Oxford St London WC1A 1HA. The Pillowman was first presented by the National Theatre at the Cottesloe, London, directed by John Crowley, on 13 November 2003. The production was subsequently produced on Broadway by the National Theatre, Robert Boyett Theatricals LLC and RMJF Inc. in association with Boyett Ostar, Robert Fox, Arielle Tepper, Stephanie P. McClelland, Debra Black, Dede Harris / Cover Image: Alex Craig Morton Swinsky / Roy Furman / Jon Avnet in association with Joyce Schweickert, Photography: Heidrun Löhr opening at the Booth Theatre, New York City, on 10 April 2005. DESIGN: Tim Kliendienst DIRECTOR’S NOTE Katurian: A great man once said is the relationship between art and ‘The first duty of a storyteller is to politics? And perhaps a key question tell a story’. -
Economic Value of Arts and Culture
The Economic Value of Arts, Screen and Culture to NSW A report for Create NSW Office of Arts, Screen and Culture 13 July 2018 Contents Executive Summary 1 1. Introduction 2 1.1 Report Scope and Structure 2 1.2 Defining Creative Industries 4 1.3 NSW Government Arts, Screen and Culture Division 6 1.4 Contribution of NSW Arts, Screen and Culture 8 2. Creative Industries in NSW 10 3. Arts, Screen and Culture in NSW 12 3.1 Direct Economic Contribution of the Arts, Screen and Cultural sectors 13 3.2 Industry Comparisons 23 3.3 Attendance at Events and Venues 25 3.4 Tourism 28 3.5 Total Economic Contribution of the Arts, Screen and Cultural Sectors 35 4. Government Support for Arts, Screen and Culture 41 4.1 The Australian Government 41 4.2 The NSW Government 43 4.3 Local Government 47 4.4 Economic Impact of NSW Government Support 48 5. NSW State Cultural Institutions and State Significant Organisations 53 5.1 The State Cultural Institutions 53 5.2 The State Significant Organisations 61 6. Major Performing Arts Companies in NSW 63 7. Screen Sector in NSW 73 8. Live Music Sector in NSW 75 9. Major Festivals in NSW 77 9.1 Sydney Festival 77 9.2 Sydney Writers’ Festival 78 9.3 Biennale of Sydney 78 9.4 Sydney Film Festival 79 Appendix A: ANZSIC Concordance 85 Appendix B: Data and Methods 86 Appendix C: Economic Modelling 89 Appendix D: References 92 Case Studies Case Study 1: Aboriginal Stories ......................................................................................................... 14 Case Study 2: Small Creative Enterprises .........................................................................................