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Mechanical Properties and Durability of Polypropylene and Steel Fiber-Reinforced Recycled Aggregates Concrete (FRRAC): a Review
sustainability Review Mechanical Properties and Durability of Polypropylene and Steel Fiber-Reinforced Recycled Aggregates Concrete (FRRAC): A Review Peng Zhang 1 , Yonghui Yang 1, Juan Wang 1,*, Shaowei Hu 1,2, Meiju Jiao 1 and Yifeng Ling 3 1 School of Water Conservancy Engineering, Zhengzhou University, Zhengzhou 450001, China; [email protected] (P.Z.); [email protected] (Y.Y.); [email protected] (S.H.); [email protected] (M.J.) 2 College of Civil Engineering, Chongqing University, Chongqing 400045, China 3 Department of Civil, Construction and Environmental Engineering, Iowa State University, Ames, IA 50011, USA; [email protected] * Correspondence: [email protected] Received: 7 October 2020; Accepted: 13 November 2020; Published: 15 November 2020 Abstract: With the development of concrete engineering, a large amount of construction, demolition, excavation waste (CDEW) has been produced. The treated CDEW can be used as recycled aggregate to replace natural aggregate, which can not only reduce environmental pollution and construction-related resource waste caused by CDEW, but also save natural resources. However, the mechanical properties and durability of Recycled Aggregates Concrete (RAC) are generally worse than that of ordinary concrete. Various fiber or mineral materials are usually used in RAC to improve the mechanical properties and durability of the matrix. In RAC, polypropylene (PP) fiber and steel fiber (SF) are two kinds most commonly used fiber materials, which can enhance the strength and toughness of RAC and compensate the defects of RAC to some extent. In this paper, the literature on PP fiber- and SF-reinforced RAC (FRRAC) is reviewed, with a focus on the consistence, mechanical performance (compressive strength, tensile strength, stress–strain relationship, elastic modulus, and shear strength), durability (water absorption, chloride permeability, carbonation, freeze–thaw cycling, and shrinkage), and microstructure. -
Hokuo Online Trade Mission
HOKUO ONLINE TRADE MISSION February 12 - 17, 2021 Nordic Delegates 02 ARCTIC RIGHTS MANAGEMENT ØYVIND STRØNEN A&R ASIA HEAD OF LABEL SERVICE NICLAS LUNDIN CO-FOUNDER / SONGWRITER / PRODUCER [email protected] PROFESSIONAL INSTRUCTOR AND TEACHER +47 40218414 WWW.ARCTICRIGHTS.COM [email protected] +46706622960 Arctic Rights Management is the biggest indie publisher in ARTOVIK.SE Norway, where we have about 50 writers in the roster, ranging from jazz, to heavy metal. In the field of J-pop and K-pop we Niclas Lundin is a Multi Platinum Songwriter with songs released all have a few that are aiming to be producers and songwriters, over the world by artists including Martin Garrix, Rick Springfield, where I am in charge of this particular part of our business. My Namie Amuro, SHINee, James LaBrie, Koda Kumi, Kiz-My-FtII, background is from being a touring musician in rock bands, Dada Life, Cho Yong Pil and many more. before I got a degree in musicology and took a role in Arctic Niclas often lectures about songwriting both in Sweden and abroad Rights spring 2019. I've always been in love with Japanese and he is well known for hosting professional songwriting camps and culture, and I’ve visited many times. I also spent a year trying to he is part of staff at the three songwriting Academies of Sweden; learn how to speak Japanese, but I’m afraid my vocabulary is Musikmakarna, Dreamhill Music Academy and Songwriting for an limited to ordering ok onomiyaki and beer. International Market. Arctic Rights also has a label as well where we release new music every month (mainly from own writers), and would be very I'm hoping to grow my network of professional contacts both for interested to connect our artist projects to the Japanese scene or myself as a music professional as well as professional camp host, sync opportunities. -
Africa in the Media
January 2019 By Johanna Blakley, Adam Amel Rogers, Erica Watson-Currie and Kristin (Eun Jung) Jung TABLE OF CONTENTS INTRODUCTION 3 SUMMARY OF KEY FINDINGS 6 TELEVISION FINDINGS 6 TWITTER FINDINGS 7 CROSSCUTTING FINDINGS 8 AFRICA ON TELEVISION 9 NUMBER OF MENTIONS 9 TYPES OF MENTIONS 10 AFRICA IN SCRIPTED ENTERTAINMENT 12 TYPES OF ENTERTAINMENT DEPICTIONS 12 SENTIMENT OF DEPICTIONS 14 AFRICAN CHARACTERS AND PERSONALITIES 23 AFRICA ON TWITTER 26 VOLUME OF TWEETS 27 SENTIMENT TOWARD AFRICA 28 BLACK PANTHER ON TV AND TWITTER 37 CONCLUSION AND RECOMMENDATIONS 42 METHODOLOGY 45 APPENDIX 48 ABOUT US 51 AFRICA NARRATIVE | USC LEAR CENTER Africa in the Media INTRODUCTION THE AFRICA NARRATIVE, WHICH IS BASED AT THE that provide a counterpoint showing the success, diversity, Norman Lear Center at the USC Annenberg School for Com- opportunity and vibrancy of Africa — its emerging middle munication and Journalism, was established to create great- class; technology and innovation; solutions-driven culture; er public knowledge and understanding of and engagement growing economies and democracies; and talent in the ar- with Africa through research, creative communications cam- eas of the arts and entertainment, technology, business and paigns and collaborations with private, public and non-profit government. partners. Even when the coverage of Africa was, on its surface, posi- Recognizing the pivotal role of media and entertainment in tive, it was described as often glib, simplistic, predictable, shaping perceptions and opinions of Africa and African peo- and sometimes sensationalist or extreme, at the expense of ple, Africa in the Media is the Africa Narrative’s inaugural re- showcasing regular voices and stories of Africa. -
The Influence of Network Design on Firm Performance – Perspectives and Empirical Evidence
THE INFLUENCE OF NETWORK DESIGN ON FIRM PERFORMANCE – PERSPECTIVES AND EMPIRICAL EVIDENCE Inauguraldissertation zur Erlangung des akademischen Grades eines Doktors der Wirtschaftswissenschaften durch die Wirtschaftswissenschaftliche Fakultät der Westfälischen Wilhelms-Universität Münster WESTFÄLISCHE WILHELMS-UNIVERSITÄT MÜNSTER vorgelegt von BRINJA MEISEBERG aus Bottrop Münster, 2010 Erster Berichterstatter: Prof. Dr. Thomas Ehrmann Zweite Berichterstatterin: Prof. Dr. Anja Tuschke Dekan: Prof. Dr. Stefan Klein Tag der mündlichen Prüfung: 12. April 2010 Acknowledgements The process of writing this dissertation was accompanied by a number of people to whom I would like to express my gratitude for their support. I am sincerely indebted to my dissertation advisor, Prof. Dr. Thomas Ehrmann, Institute of Stra- tegic Management at Münster University, for his guidance and promotion of my research efforts, and for providing extensive expertise and creative commentary whenever needed. I am also in- debted for his continuous trust in taking me on as a research assistant. I thank Prof. Dr. Anja Tuschke, Ludwig Maximilian University of Munich, for her co-supervisory of my dissertation. I extend my thanks to Prof. Dr. Martin Bohl and Prof. Dr. Gerhard Schewe, both of Münster University, for accepting the responsibility to join the dissertation committee. Finally, I thank Dr. Hendrik Schmale, Sandra Stevermüer and Alfred Koch for being great friends and colleagues. I am deeply grateful to Dagmar and Rolf Meiseberg for promoting and challenging critical thinking in any endeavours, and for being a constant source of love, concern, support and strength, all these years. I thank Prof. Dr. Frank Ückert for supporting me every step of the way. TABLE OF CONTENTS TABLE OF CONTENTS ................................................................................................. -
And the Hits Just Keep on Coming
and the hits just keep on coming... Adaptive Erwartungen, Pfadabhängigkeit und -bruch am Beispiel der Vermarktung von Musik durch große Tonträgerunternehmen Inaugural-Dissertation zur Erlangung des akademischen Grades eines Doktors der Wirtschaftswis- senschaft des Fachbereichs Wirtschaftswissenschaft der Freien Universität Berlin vorgelegt von Kristian Kunow Berlin, 2013 Erstgutachter Univ.-Prof. Dr. Martin Gersch Freie Universität Berlin Zweitgutachter Univ.-Prof. Dr. Jochen Koch Europa-Universität Viadrina Frankfurt (Oder) Tag der Disputation 06. Dezember 2012 3 4 DANKSAGUNG Meiner Erfahrung nach stellt man sich mit einem Promotionsvorhaben und damit verbunden dem Verfassen einer Dissertationsschrift, einer zunächst unüberschaubaren Herausforderung. Im Verlauf einiger Jahre muss man sich dieser immer wieder aufs Neue stellen, auch in Anbetracht von Rückschlägen und in den Weg gelegten Steinen. Es liegt in der Natur der Sache, dass man dabei oftmals auf sich allein gestellt ist. Das ist jedoch nur die halbe Wahrheit. Wenig ist möglich ohne die Hilfe anderer. Deshalb möchte ich die Gelegenheit nutzen, all denen zu danken, die mich die letzten Jahre auf vielfältige Weise darin unterstützt haben, die mit meiner Promotion verbundenen Herausforderungen zu meistern. Zunächst möchte ich Prof. Dr. Gebhard Rusch danken, dass er mein Interesse für Organisationstheorien und die Betrachtung vielfältiger Phänomene aus dieser Perspektive geweckt hat. Er war es auch, der mich nach meiner Diplomarbeit darin ermutigte und unterstützte, ein Promotionsvorhaben anzugehen. Im Hinblick auf die Verwirklichung des Vorhabens, gilt mein Dank allen Beteiligten des Graduiertenkollegs „Pfade organisatorischer Prozesse“ sowie der Dahlem Research School der Freien Universität Berlin. Ich möchte besonders Prof. Dr. Jörg Sydow und Prof. Dr. Georg Schreyögg für den Aufbau und die Leitung des Graduiertenkollegs danken. -
Accommodating Diversity in Deeply Divided Societies: the Management of the Linguistic Conflict in the Belgian Consociational Democracy
Fakultät für Kulturwissenschaften Sommersemester 2008 Bachelorarbeit Accommodating diversity in deeply divided societies: The management of the linguistic conflict in the Belgian consociational democracy Erstgutachterin: Frau Prof. Dr. Konstanze Jungbluth Zweitgutachter: Herr PD Dr. Antonius Liedhegener Tobias Weise 06. Semsester BA Kulturwissenschaften Wildenbruchstr. 83 12045 Berlin +49 178 2 18 18 81 [email protected]ffo.de http://tobiasweise.de 23. Juni 2008 Abstract In divided societies, i.e. societies where multiple separate societal groups are living together under one government, larger conflicts appear to be common. These conflicts might lead to violent disputes between groups and endanger the stability of the state. This may be even more so, when the conflicting groups are divided by a linguistic cleavage. However, there are states, like the Kingdom of Belgium, that manage to maintain a stable democracy despite the divided character of their society. This paper will try to analyze how this is possible. At first, the divisions of the Belgian society will be examined. Following, in a multidisciplinary approach that unites theories from sociolinguistics and political sciences, a consociational approach will be identified as crucial for the successful accommodation of diversity in the Belgian democracy. Furthermore, it will be stated that language policy plays a very important role in the maintenance of stability of the Belgian divided society. An electronic version of this paper and additional material is available at http://tobiasweise.de/studium/ba-arbeit/ Zusammenfassung In gespaltenen Gesellschaften, also in Gesellschaften in denen verschiedene, von- einander getrennte Gruppen unter dem Dach einer Regierung zusammenleben, treten häufig schwere Konflikte auf. -
DISCOGRAPHY CARSTEN HELLER Producer, Mixer, Songwriter
Zippelhaus 5a 20457 Hamburg DISCOGRAPHY Tel: 040 / 28 00 879 - 0 Fax: 040 / 28 00 879 - 28 CARSTEN HELLER mail: [email protected] producer, mixer, songwriter Danish Music Award 2012 Rockalbum of the year: Spleen United "School of Euphoria" Gulddreng "Model" Nephew "DanmarkDenmark" (2x) Platin Award Nephew "Hjertestarter" Polarkreis 18 "Allein Allein" Frida Gold "Juwel" Frida Gold "Wovon sollen wir träumen" Gold Award Sys Bjerre "Alle Mine Veninder" Nephew feat. Landsholdet "The Danish Way To Rock" P: Producer E: Engineer M: Mixer R: Remixer Co-W: Co-Writer W: Writer ED: Editor Pro: Programmer Year Artist Title Project Label Credit 2019 Lord Siva & Vera "Oh My Good" Single Sony Music/One Seven Music M Jung "Jeg Skal Nok Vente" Single Universal Music M Jung "Hun Kommer Tilbage" Single Universal Music M AV AV AV "No Statues" Album The Bank Music M Peter Sommer "Vi Der Valgte Mælkevejen" Single Sony Music M Dopha "September Till June" Single The Bank Music M 2018 The Minds Of 99 "Solkongen Del 2" Album No3 Co-P, M The Minds Of 99 "Alle Skuffer Over Tid" Single No3 P, M 2017 Aksglæde "Næste Sommer" & "Under Press" Singles disco:wax M deRoute "Ulykkeling Lykkeling" Single Sony Music Denmark Add. P, M The Minds Of 99 "Solkongen Del 1" EP Tracks No3 Co-P, M True Nord "Feel So Nice" Single Northerner Records M Simon Kvamm Vandmand Album Sony Music P,M 2016 deRoute "Fort Europa" Single Mermaid Records M Dúné Delta Album Universal Music M Saveus "Everchanging" Single Copenhagen Records M Gulddreng "Model" Single Universal Music DK M JAERV -
Tal, Tendenser, Markedsstatistik Og Analyser + Artikler Om Den Danske
STATUS 2008/09: UAFHÆNGIGE SELSKABER 04 MODSÆTNINGERNES ÅR 20 UNDER DIGITALT PRES IFPI’s formand, Henrik Daldorph, ser Væksten i det digitale marked presser Tal, tendenser, markedsstatistik og tilbage på markante begivenheder for den uafhængige sektor, som i 2008 havde analyser + artikler om den danske pladebranchen i 2008 og første halvdel af tilbagegang. Vi analyserer udviklingen. pladebranche 2008/09 2009. Fra den nye oplevelseszone til dom- men i The Pirate Bay-sagen. FREELANCERE I 30 MUSIKBRANCHEN KUNSTNERNE HAR STADIG Pladebranchen omfatter hundredvis af 14 BRUG FOR ET PLADESELSKAB arbejdspladser. De senere års omfattende Interview med en af pladebranchens suc- forandringer har skabt helt nye struktu- cesfulde ledere Jakob Sørensen, direktør rer – og en lang række nye virksomheder, for Copenhagen Records. Om hvad kunst- der fungerer som underleverandører til nere skal bruge et pladeselskab til i 2009. den etablerede del af branchen. Vi ser Om manglende skarphed i branchen. Og nærmere på freelancemarkedet. om forventningerne til fremtiden. Og så får vi historien om Alphabeats internationale succes. Plus: Hitlisterne 2008 / Guld- & platincertificeringer 2008 / DMA09 og meget mere Foto: Kristian Holm PLADEBRANCHEN.08 Velkommen til Pladebranchen.08 f Vi har forud for udarbejdelsen af IFPI’s femte årsskrift I et længere interview fortæller Jakob Sørensen fra Copen- overvejet grundigt, om vi skulle kalde det noget andet end hagen Records således bl.a. om selskabets arbejde med ”Pladebranchen.08”, fordi vores medlemmer, der pt. står for en af de største, danske succeshistorier i nyere tid – Alpha- ca. 95 % af omsætningen af indspillet musik i Danmark, i beat – og om hvorfor kunstnere stadig kan have glæde stadigt højere grad beskæftiger sig med alt muligt andet end af et pladeselskab i 2009. -
Album Top 1000 2021
2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt. -
Mia Rosa Koss Hartmann
In the Gray Zone With Police in Making Space for Creativity Hartmann, Mia Document Version Final published version Publication date: 2014 License CC BY-NC-ND Citation for published version (APA): Hartmann, M. (2014). In the Gray Zone: With Police in Making Space for Creativity. Copenhagen Business School [Phd]. PhD series No. 39.2014 http://libsearch.cbs.dk/primo_library/libweb/action/dlDisplay.do?docId=CBS01000688563&vid=CBS&afterPDS=tr ue Link to publication in CBS Research Portal General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us ([email protected]) providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 In the gray zone In the gray copenhagen business school handelshøjskolen solbjerg plads 3 dk-2000 frederiksberg danmark www.cbs.dk In the gray zone With police in making space for creativity Mia Rosa Koss Hartmann PhD Series ISSN 0906-6934 39-2014 Print ISBN: 978-87-93155-78-7 LIMAC PhD School Online ISBN: 978-87-93155-79-4 Department of Operations Management PhD Series 39-2014 In the Gray Zone With police in making space for creativity Mia Rosa Koss Hartmann Supervisor: Daniel Hjorth PhD School in Language, Law, Information, Operations Management, Accounting and Culture Copenhagen Business School 1 Mia Rosa Koss Hartmann In the gray zone With police in making space for creativity 1st edition 2014 PhD Series 39.2014 © The Author ISSN 0906-6934 Print ISBN: 978-87-93155-78-7 Online ISBN: 978-87-93155-79-4 LIMAC PhD School is a cross disciplinary PhD School connected to research communities within the areas of Languages, Law, Informatics, Operations Management, Accounting, Communication and Cultural Studies. -
2018 Rammys Ballot
CD 2018 �rammys Ballot ALBUM OF THE YEAR BEST POP DUO/ BEST COUNTRY ALBUM ¨ “Awaken, My Love!” Childish Gambino GROUP PERFORMANCE ¨ Cosmic Hallelujah Kenny Chesney ¨ 4:44 Jay-Z ¨ “Something Just Like This” ¨ Heart Break Lady Antebellum The Chainsmokers & Coldplay ¨ DAMN. Kendrick Lamar ¨ The Breaker Little Big Town ¨ “Despacito” Luis Fonsi & Daddy Yankee ¨ Life Changes Thomas Rhett ¨ Melodrama Lorde Featuring Justin Bieber ¨ From A Room: Volume 1 Chris Stapleton ¨ 24K Magic Bruno Mars ¨ “Thunder” Imagine Dragons ¨ “Feel It Still” Portugal. The Man ¨ “Stay” Zedd & Alessia Cara BEST MUSIC VIDEO RECORD OF THE YEAR ¨ “Up All Night” Beck ¨ “Redbone” Childish Gambino ¨ “Makeba” Jain ¨ “Despacito” Luis Fonsi & Daddy Yankee BEST POP VOCAL ALBUM ¨ “The Story Of O.J.” Jay-Z Featuring Justin Bieber ¨ Kaleidoscope EP Coldplay ¨ “Humble.” Kendrick Lamar ¨ “The Story Of O.J.” Jay-Z ¨ Lust For Life Lana Del Rey ¨ “1-800-273-8255” ¨ HUMBLE. Kendrick Lamar ¨ Evolve Imagine Dragons Logic Featuring Alessia Cara & Khalid ¨ 24K Magic Bruno Mars ¨ Rainbow Kesha ¨ Joanne Lady Gaga ¨ ÷ (Divide) Ed Sheeran BEST JAZZ VOCAL ALBUM SONG OF THE YEAR ¨ The Journey The Baylor Project ¨ “Despacito” ¨ A Social Call Jazzmeia Horn Ramon Ayala Rodriguez, Justin Bieber, BEST ROCK ALBUM ¨ Bad Ass And Blind Raul Midón Jason Boyd, Erika Ender, Luis Fonsi & Marty ¨ Emperor Of Sand Mastodon ¨ James Garton Jr, songwriters (Luis Fonsi & Porter Plays Porter Daddy Yankee Featuring Justin Bieber) ¨ Hardwired...To Self-Destruct Metallica Randy Porter Trio With Nancy King ¨ Dreams And -
MUSIKMAGASINET No19
5. Årgang September 2010 o MUSIKMAGASINET N 19 • FYSISK UDMATTET – MEN PSYKISK GENOPLADET • DEN SIDSTE SANGERDYSTAFSLUTNING • MUSIKFESTEN I BALLERUP Dansk Amatør Musik SANGBOGEN 83061_om_sangbogen_r1.indd 1 14/04/10 16:04:48 SANGBOGEN 2 83061_om_sangbogen_r1.indd 3 14/04/10 16:04:51 SANGBOGEN 4 SANGBOGEN 3 83061_om_sangbogen_r1.indd 5 14/04/10 16:04:53 83061_om_sangbogen_r1.indd 7 14/04/10 16:04:56 SANGBOGEN 4 udkommer 12. november 2010 Med hovedvægten lagt på danske og internationale rytmiske Og fra udlandet blandt andre CHUCK BERRY, BOB DYLAN, sange adskiller Sangbogen 4 sig fra de tre foregående bind i ELVIS PRESLEY, THE BEATLES, THE ROLLING STONES, serien. Samtidig bevares seriens stilistiske spændvidde med MICHAEL JACKSON, STING, STEVIE WONDER, BRUCE sange fra den danske salme-, sang- og evergreentradition. SPRINGSTEEN, ELTON JOHN, TAKE THAT, ALANIS MO- RISSETTE, BRYAN ADAMS, BACKSTREET BOYS, DIDO, Historisk set omfatter bogen sange fra de sidste 100 års vokal- COLDPLAY, DUFFY og THE CORRS. tradition med fokus på de sidste 50 års populære sangstof: Samtlige sange er becifret med bastoneangivelse og fremstår Med danske hits fra eksempelvis STEPPEULVENE, KIM i overensstemmelse med den indspillede musik. LARSEN, ANNE LINNET, SEBASTIAN, ONE TWO, RAY-DEE- OHH, GNAGS, TV·2, C.V. JØRGENSEN, TIM CHRISTENSEN, Bogen er desuden forsynet med en becifringsoversigt samt KASHMIR, SAYBIA og TINA DICKOW. med eksempler på grundlæggende akkompagnement. Leder I DAM Leder På tærsklen til den nye sæson vil jeg indledningsvis hæfte mig at det nuværende kunstråds musikfagudvalg til 2010 valgte at ved et par af sommerens bemærkelsesværdige manifestationer reducere støtten til DAMs driftsopgaver, hvoraf husleje, kon- på vores område.