Mayor to 'Work Hard' on Budget Jloi't Rib, Scrub Or Fight"! by Uiw Jiigir •* Said
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BROWNIE the Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet
BROWNIE The Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet Dan Morgenstern Grammy Award for Best Album Notes 1990 Disc 1 1. DELILAH 8:04 Clifford Brown-Max RoaCh Quintet: (V. Young) Clifford Brown (tp), Harold Land (ts), Richie 2. DARN THAT DREAM 4:02 Powell (p), George Morrow (b), Max RoaCh (De Lange - V. Heusen) (ds) 3. PARISIAN THOROUGHFARE 7:16 (B. Powell) 4. JORDU 7:43 (D. Jordan) 5. SWEET CLIFFORD 6:40 (C. Brown) 6. SWEET CLIFFORD (CLIFFORD’S FANTASY)* 1:45 1~3: Los Angeles, August 2, 1954 (C. Brown) 7. I DON’T STAND A GHOST OF A CHANCE* 3:03 4~8: Los Angeles, August 3, 1954 (Crosby - Washington - Young) 8. I DON’ T STAND A GHOST OF A CHANC E 7:19 9~12: Los Angeles, August 5, 1954 (Crosby - Washington - Young) 9. STOMPIN’ AT TH E SAVOY 6:24 (Goodman - Sampson - Razaf - Webb) 10. I GET A KICK OUT OF YOU 7:36 (C. Porter) 11. I GET A KICK OUT OF YOU* 8:29 * Previously released alternate take (C. Porter) 12. I’ LL STRING ALONG WITH YOU 4:10 (Warren - Dubin) Disc 2 1. JOY SPRING* 6:44 (C. Brown) Clifford Brown-Max RoaCh Quintet: 2. JOY SPRING 6:49 (C. Brown) Clifford Brown (tp), Harold Land (ts), Richie 3. MILDAMA* 3:33 (M. Roach) Powell (p), George Morrow (b), Max RoaCh (ds) 4. MILDAMA* 3:22 (M. Roach) Los Angeles, August 6, 1954 5. MILDAMA* 3:55 (M. Roach) 6. -
Ron Mcclure • Harris Eisenstadt • Sackville • Event Calendar
NEW YORK FebruaryVANGUARD 2010 | No. 94 Your FREE Monthly JAZZ Guide to the New ORCHESTRA York Jazz Scene newyork.allaboutjazz.com a band in the vanguard Ron McClure • Harris Eisenstadt • Sackville • Event Calendar NEW YORK We have settled quite nicely into that post-new-year, post-new-decade, post- winter-jazz-festival frenzy hibernation that comes so easily during a cold New York City winter. It’s easy to stay home, waiting for spring and baseball and New York@Night promising to go out once it gets warm. 4 But now is not the time for complacency. There are countless musicians in our fair city that need your support, especially when lethargy seems so appealing. To Interview: Ron McClure quote our Megaphone this month, written by pianist Steve Colson, music is meant 6 by Donald Elfman to help people “reclaim their intellectual and emotional lives.” And that is not hard to do in a city like New York, which even in the dead of winter, gives jazz Artist Feature: Harris Eisenstadt lovers so many choices. Where else can you stroll into the Village Vanguard 7 by Clifford Allen (Happy 75th Anniversary!) every Monday and hear a band with as much history as the Vanguard Jazz Orchestra (On the Cover). Or see as well-traveled a bassist as On The Cover: Vanguard Jazz Orchestra Ron McClure (Interview) take part in the reunion of the legendary Lookout Farm 9 by George Kanzler quartet at Birdland? How about supporting those young, vibrant artists like Encore: Lest We Forget: drummer Harris Eisenstadt (Artist Feature) whose bands and music keep jazz relevant and exciting? 10 Svend Asmussen Joe Maneri In addition to the above, this month includes a Lest We Forget on the late by Ken Dryden by Clifford Allen saxophonist Joe Maneri, honored this month with a tribute concert at the Irondale Center in Brooklyn. -
HANDPICKED July 30-August 4 • Blue Note
WWW.JAZZINSIDEMAGAZINE.COM AUGUST 2013 Interviews Andrew Cyrille David Chesky Satoko Fujii Francisco Mela Dizzy’s Club, August 19 Roy Hargrove Big Band Blue Note, August 20-25 Marcus Strickland EARL Jazz Standard, August 13-14 Comprehensive Directory of NY Club Concert KLUGH & Event Listings HANDPICKED E view Section! July 30-August 4 • Blue Note xpanded CD Re The Jazz Music Dashboard — Smart Listening Experiences www.ConcordMusicGroup.com www.Chesky.com www.WhalingCitySound.com www.SatokoFujii.com The Stone August 20-25 Like Us facebook.com/JazzInsideMedia Follow Us twitter.com/JazzInsideMag Watch Us youtube.com/JazzInsideMedia TJC14_Ad_Jazz Inside.pdf 1 4/26/13 5:31 PM 13TH ANNUAL SAILING OF THE JAZZ CRUISE WHERE EVERY PERFORMANCE IS SPECIAL Ernie Adams Tony Kadleck John Allred Tom Kennedy Shelly Berg Joe LaBarbera MUSIC DIRECTOR Christoph Luty Alonzo Bodden COMEDIAN Dennis Mackrel Randy Brecker Manhattan Transfer Ann Hampton Callaway Marcus Miller Quartet Quartet Bill Charlap Trio Bob Mintzer Clayton Brothers Lewis Nash Trio Quintet Dick Oatts C Freddy Cole Trio M Ken Peplowski Kurt Elling Quartet SHOW HOST Y Robin Eubanks Houston Person CM Quartet John Fedchock MY BIG BAND DIRECTOR John Pizzarelli CY Quartet JAN. 26-FEB. 2 David Finck Gregory Porter Quartet CMY Chuck Findley 2014 K Poncho Sanchez Bruce Forman Arturo Sandoval Nnenna Freelon Trio Gary Smulyan Wycliffe Gordon GOSPEL SHOW HOST Cedar Walton Trio Jimmy Greene Jennifer Wharton Jeff Hamilton Niki Haris Antonio Hart Tamir Hendelman Dick Hyman Tommy Igoe Sextet Sean Jones TO L L -FREE US & C ANADA FT LAUDERDALE • TURKS & CAICOS • SAN JUAN 888.852.9987 ST. -
Draft Grabs Pair from Basie Band Eaders Brothers Illed in Crashes TD
Petrillo And His Board Meet To MullBanRepeai New York As Down Orel went to trees, Junes C. Petrillo nnd iiuhii •era of the exec nth e eanunittee of the AFM were gathering in Chicago (OeU 8) to con»id< r action on a ]M*r*onal nqnr.1 lo thr union l>rf«r dent (run, President Roosevelt far a repeal of the bon on recording. The telegram from the nation's president, received by Petrillo the By Mike Levin previous urrh. ealleel attention to the fact that the WLB riding in the •Still Jim Crow** diac hearing contained a directive Has! eqlumn I got good and calling for a reatunption of rerord- ead about this deal, and I’m ing. fill going on it Being mad Roosevelt's win “requested” Pe pesoit usually make good copy; trillo to lift thw ban. because con- buallv only Peglerisms result tinurd refnvsl to comply with the hit this Is one topic where I WLB directive might inspire other kink musicians should get mad Ed stay mad. might impede the war effort Indi- [There certainly Is enough grief rertly, the tel» grain itated. haming around the world these Petrillo replied that he would eall toys without unnecessarily add- a meeting of the executive eommit- hg problems we have already tee immediately to mmider th« re ■oven can be solved. quest, but that it would requite a rA lot of people the world over few days for all members to reach lave spent the last six years Chicago from various parts nf the Ighting to get a chance to jolve ¡heir own deals, the Chinese tavr been at it for over 12 years. -
Jazz Upand Down
Volume 39 • Issue 8 September 2011 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Guitarist Jim Hall warms up for his performance in the Eastman School of Music’s stately Kilbourn Hall at the 10th Xerox Rochester International Jazz Festival in June. Photo by Mitchell Seidel. Jazz Up and Down By Mitchell Seidel f you were going to use two upstate New York jazz festivals in June A week after Rochester shuttered for the year, Saratoga Springs played I as an example of the summer music scene, you’d be hard-pressed to host to its 34th annual jazz festival, sponsored in recent years by come away with a consensus. On one hand, it was robust and getting Freihofer’s. Started as a part of the Newport Jazz Festival in exile by better. On the other hand, it was losing strength. It all depends on George Wein in 1978 before his return to Rhode Island, in its early your venue and point of view. years it could draw about 17,000 people a day for a weekend at the Saratoga Performing Arts Center (SPAC). You can only guess at what The Xerox Rochester International Jazz Festival celebrated its tenth they draw now, because SPAC officials, who used to announce such edition with throngs of street minglers, sold-out concert halls and a figures the day of the event, were still withholding their statistics in sense of optimism that’s rare in these tough economic times. Just a August. Judging from previous figures and the lighter crowd this year, few blocks from the festival site, the city was eagerly tearing down the 5,500 people a day would be a generous guess. -
Alvin Fiedler Anthony Braxton Barbara Dane Bobby Zankel Cecil Taylor Leon Russell
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC BARB BFFFFFFFF ANA ALVIN FIEDLER ANTHONY BRAXTON BARBARA DANE BOBBY ZANKEL CECIL TAYLOR LEON RUSSELL Jazz in South Africa Top Ten Critics Picks of 2016 International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries Volume 43 Number 1 Jan Feb March 2017 HANS LÜDEMANN DAS REALE KLAVIER „There are musicians that are more real Hans Lüdemann – piano & virtual piano than others, real in the sense that they carry more truth in them as others... because the musician devotes himself without doubt completely to the music, lets himself be reached by the origin of what he wants to say without anything coming from elsewhere, neither an outer world or another source. This is what pianist Hans Lüdemann does on a CD entitled „das reale Klavier“ – in an incredible way, never heard new solo album and rarely with such on BMC records/MVD intensity“. nominated for „Deutscher notes des jazz/France, Schallplattenpreis 2016“ Michel Arcens, 2015 CD of the month – piano news 3/4 -2016 www.HansLuedemann.de vision of sound "Vincent has written some lovely tunes and plays them with a Debussy- like tension. More please, this is a fine mainstream pianist." Robert D. Rusch Cadence Magazine Future/memory jazz full of dynamism, melody and groove. Masterful composi- tions intimately performed. Beautiful music. Nick Luscombe, BBC Radio 3 Late Junction/FlomotionRadio Dynamic, sublime, refreshing. Occasionally too much of a good thing can be wonderful. Peter Wockner, Jazz and Beyond Captivating, vast shimmering piano impressionism with a unique sensitivity for sound. Robert Ratajczak, Longplay Available now on Vision Of Sound Records. -
Ravi Coltrane Steps out of His Parents' Shadows And
001_COVER.qxd 7/18/08 3:49 PM Page 1 DOWNBEAT RAVI COLTRANE COURTNEY PINE KENNY WERNER CRAIG TABORN COLTRANE RAVI DownBeat.com $4.99 SEPTEMBER 2008 09 0 09281 01493 5 SEPTEMBER 2008 U.K. £3.50 002-005_MAST.qxd 7/18/08 3:54 PM Page 2 002-005_MAST.qxd 7/18/08 3:55 PM Page 3 002-005_MAST.qxd 7/18/08 3:55 PM Page 4 September 2008 VOLUME 75 – NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser Intern Mary Wilcop ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 800-554-7470 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Kansas: Kevin Whitehead; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, Willard Jenkins, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Crinew Music Re 1Ort
CRINew Music Re 1 ort MARCH 27, 2000 ISSUE 659 VOL. 62 NO.1 WWW.CMJ.COM MUST HEAR Sony, Time Warner Terminate CDnow Deal Sony and Time Warner have canceled their the sale of music downloads. CDnow currently planned acquisition of online music retailer offers a limited number of single song down- CDnow.com only eight months after signing loads ranging in price from .99 cents to $4. the deal. According to the original deal, A source at Time Warner told Reuters that, announced in July 1999, CDnow was to merge "despite the parties' best efforts, the environment 7 with mail-order record club Columbia House, changed and it became too difficult to consum- which is owned by both Sony and Time Warner mate the deal in the time it had been decided." and boasts a membership base of 16 million Representatives of CDnow expressed their customers; CDnow has roughly 2.3 million cus- disappointment with the announcement, and said tomers. With the deal, Columbia House hoped that they would immediately begin seeking other to enter into the e-commerce arena, through strategic opportunities. (Continued on page 10) AIMEE MANN Artists Rally Behind /14 Universal Music, TRNIS Low-Power Radio Prisa To Form 1F-IE MAN \NHO During the month of March, more than 80 artists in 39 cities have been playing shows to raise awareness about the New Latin Label necessity for low power radio, which allows community The Universal Music Group groups and educational organizations access to the FM air- (UMG) and Spain's largest media waves using asignal of 10 or 100 watts. -
Brevard Live July 2018
Brevard Live July 2018 - 1 2 - Brevard Live July 2018 Brevard Live July 2018 - 3 4 - Brevard Live July 2018 Brevard Live July 2018 - 5 6 - Brevard Live July 2018 Content July 2018 FEATURES JAM NIGHT Columns FUNPIPE Go visit the RKB jam next chance you Hard rock band FunPipe has a legend get at the world famous Lou’s Blues. No CD Review that lasts a decade. Brevard Live talked matter if you are a musician or a music by Rob Pedrick to Paul Bender about the ups and downs fan, it’s the best Tuesday night you can 21 right before the tragedy hit: drummer have on this town. and sound man Tom Farrell committed Page 37 Charles Van Riper suidice. What to do? We decided not to Political Satire 22 The Summits look away but to address the subject. PUB AMERICANA Page 14 Is it possible that Pub Americana is not Calendars your average tourist pub in Cocoa Vil- Live Entertainment, BONNAROO lage? The answer is IT IS NOT. Every- Concerts, Festivals Matthew Bretz attends the world’s larg- thing is upscale but the prices, and when 25 est festival every year and gives us the you meet the owner Patrick Evangelista run-down about the newest and the most and Chef Raph you understand why. Old Crow Medicine Show exciting music on stage Page 42 32 Page 16 by Matt Bretz OLE FIRE GRILL Spotlight On A TOUCH OF GRAY It’s been said that if you have enough by Anita Brix For the last nine months A Touch of friends, you can open a bar. -
The World Record for the Sax Ensemble:~The Big Blowout
THE WORLD RECORD FOR THE SAX ENSEMBLE:~THE BIG BLOWOUT. 1 Chapter headings. 1.'What Seemed like ‘ A GOOD IDEA AT THE TIME!:~ APPROACHING WILL GREGORY EQUALS 'THE BIG BLOWOUT. 2. STUDENTS NOW AND YESTERYEAR.BLOWING THE HORN.BANGING THE DRUM. Cor what hard work! 3.SAXOPHONE TEACHERS OF GREAT BRITAIN UNITE?!. 4.THE SUNDAY WORKSHOP WHERE THE PIECES ARE TRIED OUT. 5. LOCAL RADIO FINALLY TAKE INTEREST. 6.THE REHEARSAL AND MR PEE WEE ELLIS. 7.COMPETITORS AND THE DAYS LEADING UP. 8.THE BIG BLOWOUT DAY ITSELF. All photos by Simon Archer. www.simonarcherphotography.co.uk 2 Chapter .1. 'What seemed like ‘ A GOOD IDEA AT THE TIME!:~ APPROACHING WILL GREGORY EQUALS 'THE BIG BLOWOUT. November 2003.During discussions with career coaching guru Mr William Pennington the Director of The Blowout Sax Mr Mark Archer mentioned Number 78 in the pr book of 101 ways to great ‘ PR PR darling!’ Break a world record. Seems like a plan. The Blowout Sax School had been building up it's reputation over the years and William checked the record and found it was currently held by the Dutch who played a specially composed piece called 'Off the Beaten Track! Well Blowout Sax founder Mark Archer figured the 321 saxophonists needed would be a breeze! This is because The Blowout Sax Bath and Bristol currently boasted over 180 students so that was a backbone!! Plus a list of oldies and brightened by the early optimism it would be easy to eclipse that total. There are so many different reasons to put The Blowout Sax Schools on the map.It's originality stemmed from the fact that the Blowout Sax teachers make music enjoyable, amusing and quick to learn. -
The Ithacan, 1997-04-17
Ithaca College Digital Commons @ IC The thI acan, 1996-97 The thI acan: 1990/91 to 1999/2000 4-17-1997 The thI acan, 1997-04-17 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1996-97 Recommended Citation Ithaca College, "The thI acan, 1997-04-17" (1997). The Ithacan, 1996-97. 25. http://digitalcommons.ithaca.edu/ithacan_1996-97/25 This Newspaper is brought to you for free and open access by the The thI acan: 1990/91 to 1999/2000 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1996-97 by an authorized administrator of Digital Commons @ IC. Opznzon AccenT SpOR.TS In~ex Changes Class Art Accent ........................ 13 Teeing Off Classifieds .................. 21 New president has Seniors show their Ithaca area is a Comics ........................ 22 chance to redefine best at the sand trap for Opinion ...................... 10 the College 10 Handwerker exhibit 13 golfers 23 Sports ........................ 23 The IT The Newspaper for the Ithaca College Community VOLUME 64, NUMBER 26 THURSDAY, APRIL 17, 1997 28 PAGES, FREE SENIOR SHOWCASE Investigation comes to end Student misses court date felony gambling charge to By Ryan Lillis and involve more than five bets in Andrew Tutino excess of $5,000. Alton was orig Ithacan Staff inally scheduled to appear for The second student charged in arraignment April 9; however, he connection with the gambling was granted an adjournment until investigation at Ithaca College Wednesday. Alton's attorney, failed to appear before Judge William McCloski, of Adams, Raymond Bordoni Wednesday N.Y., said he attempted lo sched night in Ithaca Town Court. -
Cadence the Independent Journal of Creative Improvised Music
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC VOLUME 38 NUMBER 2 APRIL MAY JUNE 2012 Cadence The Independent Journal of Creative Improvised Music April - May - June 2012 ABBREVIATIONS USED Vol. 38 No. 2 (400) IN CADENCE Cadence ISSN01626973 is published quarterly online acc: accordion and annually in print by as: alto sax Cadence Media LLC, bari s : baritone sax P.O. Box 282, Richland, OR 97870 b cl: bass clarinet bs: bass sax PH 315-289-1444 bsn: bassoon cel: cello Email: [email protected] cl: clarinet cga: conga www.cadencejazzmagazine.com cnt: cornet d: drums Subscriptions: 1 year: el: electric First Class USA: $65 elec: electronics Outside USA : $70 Eng hn: English horn PDF Link and Annual Print Edition: $50, Outside USA $55 euph: euphonium Coordinating Editor: David Haney flgh: flugelhorn Copy Editor: Jeffrey D. Todd flt: flute Transcriptions: Colin Haney, Paul Rogers, Rogers Word Fr hn: French horn Services g: guitar Art Director: Alex Haney hca: harmonica Crosswords: Ava Haney Martin kybd: keyboards Promotion and Publicity: Tiffany Rozee ldr: leader Advisory Committee: ob: oboe Jeanette Stewart org: organ Colin Haney perc: percussion Robert D. Rusch p: piano Abe Goldstein pic: piccolo rds: reeds ALL FOREIGN PAYMENTS: Visa, Mastercard, Pay Pal, and ss: soprano sax Discover accepted. sop: sopranino sax POSTMASTER: Send address change to Cadence Magazine, P.O. synth: synthesizer Box 282, Richland, OR 97870 ts: tenor sax © Copyright 2012 Cadence Magazine tbn: trombone Published by Cadence Media, LLC. tpt: trumpet All rights reserved. tba: tuba v tbn: valve trombone Reproduction or use of contents prohibited without written vib: vibraphone permission from publisher (except use of short quotes, please credit vla: viola Cadence Magazine).