The 2015 the Heart of Oklahoma Purcell Register Thursday, April 27, 2017 Purcellregister.Com Vol

Total Page:16

File Type:pdf, Size:1020Kb

The 2015 the Heart of Oklahoma Purcell Register Thursday, April 27, 2017 Purcellregister.Com Vol OKLAHOMA PRESS ASSOCIATION BETTER NEWSPAPER News CONTEST W AWARD INNER Source for The 2015 The Heart of Oklahoma Purcell Register Thursday, April 27, 2017 purcellregister.com Vol. 130 No. 25 • 3 sections • 4036 pages 75¢ Since 1887 Deputy cleared Purcell residents Grinding Chris Grace back on job for sheriff accident McClain County Sheriff’s at SH 39 Deputy Chris Grace is back on the job. and Bryant After a thorough investiga- tion by the Oklahoma State INJURED Avenue Bureau of Investigation, District Attorney Greg Mash- JeanneGrimes burn has cleared Grace of any wrong doing in connection The Purcell Register with the March 30 killing of An elderly Purcell couple were critically injured April 19 Please see Grace, back page when their vehicle T-boned a pickup that failed to yield from a stop sign. Admitted to OU Medical Center were Jimmie P. Rid- enour, 81, and Helen Ridenour, Day of 75. Both suffered internal in- juries. Jimmie Ridenour also sustained head injuries. prayers An OU Medical Center spokesman said Tuesday both Annual have since been discharged from the hospital. observance Oklahoma Highway Patrol Trooper Brian Ozment identi- to be May 4 fied the pickup driver as De- JeanneGrimes shask N. Fielder, 21, of Wayne. The Purcell Register Ozment said Fielder was ejected from his pickup about Residents of Purcell are 15 feet. He was treated and re- invited to join millions of leased at OU Medical Center. Americans in observing the All three were transported to annual National Day of Prayer Oklahoma City by Wadley’s John D. Montgomery • The Purcell Register on May 4. EMS. The local observance hosted Ozment reported the wreck Accident victim by the Heartland Ministerial occurred around 12:55 p.m. Purcell first. responders. extract. Jimmie. Ridenour. of. Purcell. out. of. his. white. Ford. after. a. grinding. accident. at. the. intersection.of.SH.39.and.Bryant.Avenue.in.front.of.Union.Hill.Baptist.Church.last.Wednesday.afternoon..A.passenger. in.the.vehicle,.Helen.Ridenour,.was.also.injured..Both.were.transported.to.OU.Medical.Center.in.Oklahoma.City.where. Please see Prayer, back page Please see Accident, back page they.were.admitted.in.critical.condition,.according.to.the.Oklahoma.Highway.Patrol. ‘Unaccounted’ water How much is lost? No one can say JeanneGrimes The Purcell Register Purcell’s provides ample opportunities for water to Water leaks can be costly disappear. for residents who are charged Purcell draws its water for every gallon on their side from a well field in the Lex- of the meter whether it makes ington Wildlife Management it to a faucet or not. Area. But municipalities, Purcell From there it is pumped included, are much less con- several miles across Cleve- cerned about the liquid leak- land County, across the South ing from the waterlines that Canadian River and finally make up their water systems. into the city’s water towers It’s simply a given that and mains. lines are going to leak for any Kenny Sullivan is a civil number of reasons. It’s called “unaccounted for” water and a system like Please see Water, back page Brush week 1 The City of Purcell’s brush through May 5. pick up will begin next week. There will be no pick up in Brush, limbs and debris must alleys and any brush set out John D. Montgomery • The Purcell Register be left at curb side by Sunday in after the scheduled date will be Modern era cowboy the area north of Grant Street. invoiced to the resident. When the wagon.train.came.through.Purcell.last.Saturday.in.Purcell.on.its.way.to.Lexington.one.of.the.horse.riders.must. It will be collected during For more information, call have.been.phoning.in.his.pizza.order. business hours Monday city hall at 527-6561. Inside Inside Find it... The Academic Headed to Opinion.................4A Purcell Register All-State State Austin Nation and Purcell girls Society..................6A ■ Deadlines ■ Contact us Riley Hamilton golf back in Sports...................1B tabbed for 3A the picture. • News: 12 noon, Tuesday basketballers. Obituaries...........10A • Display Ads: 12 noon, Tuesday 405-527-2126 [email protected] • Classiieds: 11 a.m., Tuesday Classiieds..........10B • Legal Notices: 2 p.m., Tuesday Pg..1B Pg..5B 2A-THE PURCELL REGISTER, Thursday, April 27, 2017 Minor fire at Rob’s Ranch Laundry basket melted with Storms usher in milder temps There are warmer tempera- with the highest probability in the low to upper 70s. Expect laundry in it tures this week as opposed to on Saturday. After a stormy some windy conditions and John D. Montgomery last week. Chances for thunder- weekend the weather will clear minimal cloud cover. The Purcell Register storms exist over the weekend up and temperatures will stay – Leah Hill A small fire broke out in the southeast corner of the laundry room at Rob’s Ranch, 23899 N. Delta Head Start/Early Head state Highway 74, about 10:30 p.m. Saturday. Purcell fire crews rushed to Start accepting applications the scene but the fire had been put out by a sprinkler system Delta Head Start/Early Head apply. Start operates under Delta and fire extinguisher by the Start is currently accepting ap- We provide an inclusive Community Action Agency, staff. plications for pregnant women, classroom setting for all chil- serving Garvin, McClain and By the time Purcell firefight- infants, toddlers and children dren. Delta Head Start/Early Stephens counties. ers arrived, staff at the ranch ages three to five. Head Start also provides Delta Head Start/Early Head had the fire suppression system Delta Head Start/Early Head children with hot, healthy, Start is committed to provid- shut down. Start is a comprehensive pro- and nutritious breakfasts and ing each and every child an • Photo provided A melted plastic basket with gram designed to foster healthy lunches, and depending on the opportunity to learn and grow Missing teen laundry was taken outside of development of children, and hours we also serve a healthy in a safe, healthy and happy the building. their families, focusing on the snack. We fill up fast and we environment. Jesika Skinner, 15, of Lexington, is reported missing Firemen assisted staff with development of each child are prioritizing lists right now. If you would like your child from her grandmother’s home. She left between 12:08 changing the sprinkler head in areas such as social skills, A state certified birth cer- and family to participate in this and 7 a.m. April 17. Anyone who knows her whereabouts and placing the fire suppression self-help skills, physical de- tificate, current immunization exciting learning experience, or who hears from her is asked to contact the Lexington system back in service. velopment, emotional skills record and income verification, please call a Delta Head Start/ Police Department at 527-9881 or Barbara Skinner at After a thorough check of the and school readiness. along with a complete applica- Early Head Start staff member 527-7599 or 226-8481. scene firemen left the building Children with disabilities, tion is needed to be eligible for at (405) 756-1100 and let’s west of Purcell. including children with severe Head Start/Early Head Start. work together to get your child disabilities are encouraged to Delta Head Start/Early Head off to a great head start! Rep. Cleveland honored for supporting agriculture, rural Oklahoma Rep. Bob Cleveland, R- “This honor is presented to lawmakers for their leadership Lexington, was presented with those legislators who stand and service at the state Capitol.” the Oklahoma Farm Bureau with Farm Bureau in its core Cleveland received the award 100 Percent Club award for his mission of improving the lives for a 100 percent voting record support of farmers, ranchers of rural Oklahoma,” said Tom and rural Oklahoma during the Buchanan, OKFB president. 2016 legislative session. “We’re grateful to these state Please see Honors, page 3A IT’S ALMOST TIME... Time for the Purcell City Wide John D. Montgomery • The Purcell Register Storm damage A fragile tree took a hit from strong winds in a thunderstorm that blew through Purcell last Friday morning snagging an electrical power line forcing city of Purcell electric crews to repair the line and the service to the house of Beatrice Bordingham at 719 S. Santa Fe Street in Purcell. Work zone safety campaign ODOT rolls out new messages to increase awareness Friday & The orange and white barrels cluded drivers, passengers and summer road trips. and cones are there for a reason. an ODOT employee. Oklahomans can expect to And so are the reduced speed Jarrell Gray, 47, was killed see increased safety messages limits and signage. in May 2016 while working on ODOT’s Facebook and Seventeen seconds – accord- along State Highway 20 in Twitter accounts. Saturday ing to the Oklahoma Depart- Delaware County. He was the This is in conjunction with ment of Transportation, that 60th ODOT employee killed new public service announce- is roughly the amount of time in the line of duty. ments in which workers tasked speeding through a construc- Gray died because a driver with keeping Oklahoma’s May 5 & 6 tion zone will save you. was apparently distracted by a highways safe will share their Five seconds – that’s the cell phone and veered off the stories. average time a driver takes to highway and onto the shoulder A memorial event is planned glance at a text message. Driv- area where he was working. for May 1 to honor the lives lost Get your ad in to advertise your items! ers traveling at 60 mph will “The ripple effects from in recent work zone accidents.
Recommended publications
  • The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
    2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission.
    [Show full text]
  • B Y S U S a N D R a G
    NATIVE AMERICANS AND WESTERN ICONS HAVE BEEN THE TWIN PILLARS OF OKLAHOMA’S CULTURE SINCE WELL BEFORE STATEHOOD. WE ASSEMBLED TWO PANELS OF EXPERTS TO DETERMINE WHICH BRAVE, HARDWORKING, JUSTICE-SEEKING, FRONTIER-TAMING INDIVIDUALS DESERVE A PLACE IN OKLAHOMA’S WESTERN PANTHEON. THE RESULT IS THE FOLLOWING LIST OF THE MOST INFLUENTIAL NATIVE AMERICANS, COWBOYS, AND COWGIRLS IN THE STATE’S HISTORY. BY SUSAN DRAGOO OklahomaToday.com 41 BILL ANOATUBBY BEUTLER FAMILY (b. 1945) Their stock was considered a CHICKASAW NATION CHICKASAW Bill Anoatubby grew up in Tisho- cowboy’s nightmare, but that mingo and first went to work was high praise for the Elk City- for the Chickasaw Nation as its RANDY BEUTLER COLLECTION based Beutler Brothers—Elra health services director in 1975. (1896-1987), Jake (1903-1975), He was elected governor of the and Lynn (1905-1999)—who Chickasaws in 1987 and now is in 1929 founded a livestock in his eighth term and twenty-ninth year in that office. He has contracting company that became one of the world’s largest worked to strengthen the nation’s foundation by diversifying rodeo producers. The Beutlers had an eye for bad bulls and its economy, leading the tribe into the twenty-first century as a tough broncs; one of their most famous animals, a bull politically and economically stable entity. The nation’s success named Speck, was successfully ridden only five times in more has brought prosperity: Every Chickasaw can access education than a hundred tries. The Beutler legacy lives on in a Roger benefits, scholarships, and health care.
    [Show full text]
  • Oklahoma WOMEN's HAIL of FAME
    OKlAHOMA WOMEN'S HAIL OF FAME he Oklahoma Women's Hall of Fame, created in 1982, is a project ofthe T Oklahoma Commission on the Status ofWomen. Inductees are women who have lived in Oklahoma for a major portion of their lives or who are easily identified as Oklahomans and are: pioneers in their field or in a project that benefits Oklahoma, have made a significant contribution to the State of Oklahoma, serve or have served as role models to other Oklahoma women, are "unsung heroes" who have made a difference in the lives of Oklahomans or Americans because of their actions, have championed other women, women's issues, or served as public policy advocates for issues important to women. Inductees exemplifY the Oklahoma Spirit. Since 2001, the awards have been presented in odd numbered years during "Women's History Month" in March. A call for nominations takes place during the late summer of the preceding year. *inducted posthumously 1982 Hannah Diggs Atkins Oklahoma City State Representative, U.N. Ambassador Photo courtesy of' Oklahoma State University Library 158 Notable Women/Women's Hall ofFame 1982 Kate Barnard* Oklahoma City Charities & Corrections Commissioner, Social Reform Advocate Photo courtesy ofOklahoma Historical Society 1982 June Brooks Ardmore Educator, Oil and Gas Executive Photo copyright, The Oklahoma Publishing Company 1982 Gloria Stewart Farley Heavener Local Historian Photo provided Oklahoma Women's Almanac 159 1982 Aloysius Larch-Miller* Oklahoma City Woman Suffrage Leader Photo copyright, The Oklahoma Publishing Company 1982 Susie Peters Anadarko Founder Kiowa Indian School of Art Photo courtesy of Oklahoma Historical Society 1982 Christine Salmon Stillwater Educator, Mayor, Community Volunteer Photo courtesy ofSheerar Museum, Stillwater, OK 160 Notable Women/Women's Hall of Fame 1982 Edyth Thomas Wallace Oklahoma City Journalist Photo copyright, The Oklahoma Publishing Company 1983 Zelia N.
    [Show full text]
  • Doctoral Dissertation Template
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE REPRESENTATION AND MISREPRESENTATION: DEPICTIONS OF NATIVE AMERICANS IN OKLAHOMA POST OFFICE MURALS A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By DENISE NEIL-BINION Norman, Oklahoma 2017 REPRESENTATION AND MISREPRESENTATION: DEPICTIONS OF NATIVE AMERICANS IN OKLAHOMA POST OFFICE MURALS A DISSERTATION APPROVED FOR THE SCHOOL OF VISUAL ARTS BY ______________________________ Dr. Mary Jo Watson, Chair ______________________________ Dr. W. Jackson Rushing III ______________________________ Mr. B. Byron Price ______________________________ Dr. Alison Fields ______________________________ Dr. Daniel Swan © Copyright by DENISE NEIL-BINION 2017 All Rights Reserved. For the many people who instilled in me a thirst for knowledge. Acknowledgements I wish to extend my sincerest appreciation to my dissertation committee; I am grateful for the guidance, support, and mentorship that you have provided me throughout this process. Dr. Mary Jo Watson, thanks for being a mentor and a friend. I also must thank Thomas Lera, National Postal Museum (retired) and RoseMaria Estevez of the National Museum of the American Indian. The bulk of my inspiration and research developed from working with them on the Indians at the Post Office online exhibition. I am also grateful to the Smithsonian Office of Fellowships and Internships for their financial support of this endeavor. To my friends and colleagues at the University of Oklahoma, your friendship and support are truly appreciated. Tammi Hanawalt, heather ahtone, and America Meredith thank you for your encouragement, advice, and most of all your friendship. To the 99s Museum of Women Pilots, thanks for allowing me so much flexibility while I balanced work, school, and life.
    [Show full text]
  • Minisa Crumbo Halsey the Accomplished Artist Shares an Insight Into Her Father, Thomas Gilcrease and Her Native American Upbringing
    Minisa Crumbo Halsey The accomplished artist shares an insight into her father, Thomas Gilcrease and her Native American upbringing. Chapter 1 — 1:08 Introduction Announcer: Woody Crumbo was born near Lexington, Oklahoma, on January 31, 1912, as Woodrow Wilson Crumbo on his Potawatomi mother’s tribal allotment of land. Unfortunately, by the time he was seven he was an orphan, but his nomadic early life, living with different Indian families, including Creek and Sioux, and later becoming friends with a group of Kiowas with whom he studied art, instilled an appreciation for the diverse and disappearing cultures and traditions of the country’s tribes. With art, Woody Crumbo found a way to honor, promote, and preserve this history. While studying at Wichita University and later the University of Oklahoma, he supported himself as a dancer, learning different tribe’s dances from across the nation. And he was one of the first Native American artists to take on oil painting as a medium. His daughter Minisa, an accomplished artist in her own right, shares an insight into her father, his relationship with Thomas Gilcrease and her Native American upbringing. Thanks to the University of Tulsa, foundations and individuals who believe in preserving Oklahoma’s legacy one voice at a time…you can hear Minisa Crumbo Halsey on VoicesofOklahoma.com. MINISA CRUMBO HALSEY 2 Chapter 2 — 9:00 The Crumbos John Erling: My name is John Erling. Today’s date is November 11, 2014. Minisa, would you state your full name please? Minisa Crumbo Halsey: My name is Minisa Crumbo Halsey. JE: Did you have a middle name, Minisa something Crumbo? MCH: I do, actually, it’s Yoland.
    [Show full text]
  • OKLAHOMA WOMEN's HALL of FAME Sponsored by the Oklahoma Commission on the Status of Women 2011 Nomination Form
    The Honorable Brad Henry OKLAHOMA WOMEN’S HALL OF FAME Governor Sponsored by the Oklahoma Commission on the Status of Women The Honorable Glen Coffee Senate President Pro Tempore WANTED: The Honorable Chris Benge NOMINATIONS FOR OKLAHOMA WOMEN’S HALL OF FAME Speaker of the House Nominations for selection of 2011 inductees to the Oklahoma Women’s Hall of Fame are being Mary P. Walker sought by the Oklahoma Commission on the Status of Women. Inductees will be honored at an Commission Chair induction ceremony on April 7, 2011 at the Oklahoma State Capitol. Guidelines for eligibility are: Joyce Martin Vice-Chair Only Oklahoma women are eligible: Adeline Yerkes • Women who have lived in Oklahoma for a major portion of their lives. Secretary • Women who are easily identified or have identified themselves publicly as Oklahomans. Fern Bowling Advisory Council Chair Eligible women shall include: • Women who are pioneers in their field or in projects that benefit Oklahoma. Maj. Gen. Rita Aragon • Women who have made a significant contribution to the State of Oklahoma. Patty Bryant • Rep. Lee Denney Women who serve or have served as role models to other Oklahoma Women. Malaka Elyazgi • Women who may be “unsung heroes” but have made a difference in the lives of Deena Fisher Oklahomans or other Americans because of their actions. Catherine Haynes • Joyce Horton Sanders Women who have championed other women, women’s issues, or served as public policy Ashley Kehl advocates for issues important to women. Rebecca Kennedy • Women who exemplify the Oklahoma spirit. Denise Kinzie Lou Kohlman Current members of the Oklahoma Commission on the Status of Women are not eligible.
    [Show full text]
  • INDIANS at the POST OFFICE: New Deal Era Murals and Their Legacy of American Indian Representation Meghan A
    INDIANS AT THE POST OFFICE: New Deal Era Murals and Their Legacy of American Indian Representation Meghan A. Navarro Smithsonian National Postal Museum Scholarship Recipient Introduction The New Deal era of the 1930s through the early 40s was a dynamic period of growth and change for the United States. Beyond the work relief projects aimed at stemming the crippling effects of the Great Depression in communities across the nation, it was also a vibrant time of artistic innovation and expression. This article presents an overview of various themes presented by non-Native and Native artists in New Deal-era post office murals in terms of their depictions of American Indians. Inspired by Mexican muralists and driven by the circumstances of the Depression, the United States government sponsored four distinct programs that commissioned artists, directly and through anonymous competitions, to create murals and sculptures for federal buildings. Through research conducted with the support of the Smithsonian National Postal Museum Scholarshipi, I examined murals in post offices painted under the auspices of the Section of Fine Arts and featuring American Indian subjects. In this paper, I consider how the artistic trends and social conditions of this period contributed to the creation of a distinctly American art that portrayed American Indians in a variety of ways and reflected contemporaneous views of their place in historic and social society. As I observe, Indians were portrayed in post office murals as figures of myth and legend, symbols of a vanished past, obstacles to settlement and progress resolved through conflict and negotiation, and a romanticized, primitive ideal.
    [Show full text]
  • Transcending Boundaries: the Kiowa Six
    KIOWA SIX READING Kiowa Culture and Traditions In the early 1800s, the Kiowa were a nomadic tribe who lived primarily in the northern and central plains of what is now the United States. Tribal members had winter and summer camps that followed the migration of the bison, which was their main source of food, shelter, and leather goods. The economy revolved around hunting, trading, and breaking wild horses. The Kiowa also traded bison hides and horses for corn and agricultural products from neighboring tribes. Kiowa families were close-knit, large, and protective of one another. The Kiowa also had a rich artistic tradition. They had no written language, so their history and life were shared through storytelling and with pictures. Men painted calendars, scenes of war, heroic deeds, dances, religious ceremonies, and other important events on rocks, hides, shields, and clothing. Later, men painted in ledger books—account books given to the Kiowa by government officials or through trade with settlers. Women traditionally created art through beadwork, clothing, and pottery. Traditional art methods and designs were passed from generation to generation. Westward Expansion With a booming number of European American settlers traveling west in pursuit of land for themselves, clashes with Native American tribes like the Kiowa were inevitable. The Kiowa and other tribes spent years resisting settlers’ attempts to take their land. By the mid-1860s, the United States government prevailed in subduing Native uprisings, often by force. U.S. government officials signed treaties with the Kiowa and other tribes that moved the tribes onto permanent reservations. These reservations forced a new lifestyle of farming and ranching, yet the Kiowa still shared their wealth and shared ownership of these new lands.
    [Show full text]
  • Chapter One: Introduction: Honoring My Relations…………………………..………..7 Summary…………………………………………………..……………25
    RUTHE BLALOCK JONES: NATIVE AMERICAN ARTIST AND EDUCATOR Laurie A. Eldridge Submitted to the faculty of the University Graduate School In partial fulfillment of the requirements For the degree of Doctor of Philosophy In the Department of Curriculum and Instruction Indiana University October 2006 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy/Education. _____________________________________________ Enid Zimmerman, Ed..D. Doctoral Committee _____________________________________________ Gilbert Clark, Ph.D. _____________________________________________ Laura Lackey, Ph.D. Defense Date. July 11, 2006 _____________________________________________ Janice Bizzari, Ph.D. ii © 2006 Laurie A. Eldridge ALL RIGHTS RESERVED iii DEDICATION In Memoriam: Woodrow Wilson Eldridge, 1922-1998 ACKNOWLEDGEMENTS Many, many thanks to my dissertation committee; your belief in my abilities motivated me to the end. My deepest gratitude to Dr. Enid Zimmerman, you altered my path in life for the better. Thank you to my family for your love and support as I pursued my goals and dreams. iv Laurie A. Eldridge Ruthe Blalock Jones: Native American Woman Artist and Educator The focus of the study concerns life experiences of Ruthe Blalock Jones, a Native American woman who is an artist and educator, and how examining her life stories provides insights for improving teaching about Native American art and cultures in art education in the United States. This case study of the life stories of Jones, who was raised in traditions of the Native American Church and was a daughter of a Roadman, brings to art education two Native American voices; that of a Native American researcher and a Native American research participant.
    [Show full text]
  • Kiowa Six the Kiowa Six Is a Group of Six Kiowa Artists from Oklahoma in the 20Th Century
    Kiowa Six The Kiowa Six is a group of six Kiowa artists from Oklahoma in the 20th century. They were Spencer Asah, James Auchiah, Jack Hokeah, Stephen Mopope, Lois Smoky, and Monroe Tsatoke. Stephen Mopope, the oldest in the group, was born in 1898 on the Kiowa Reservation in Oklahoma Territo- ry. His relatives, including his great-uncles Silver Horn Oklahoma and Fort Marion ledger artist Ohettoint, recognized his artistic talent at an early age and taught him traditional Kiowa painting techniques Spotlight Jack Hokeah was born around 1900 and was or- phaned at a young age and raised by his grandmother. Later in life, San Ildefonso Pueblo potter Maria Marti- nez adopted him as a son and he lived with her family for a decade in New Mexico. Monroe Tsatoke was born in 1904 near Saddle Mountain, Okla- homa. His father, Tsatokee “Hunting Horse,” was his first artistic influ- ence. James Auchiah was born in 1906 near present-day Medicine Park, Oklahoma. One of his grandfather was Red Tipi, a ledger artist, medi- cine man, and bundle keeper the other was Satanta. Spencer Asah was born around 1905 in Carnegie, Oklahoma. His father, a buffalo medicine man, provided Asah with the traditional cul- tural background to inspire his art. Lois Smoky was born in 1907 near Anadarko; she was the youngest of the group and the only woman. Five of the artists attended the St. Patrick’s Mission School in Anadarko, serving Kiowa, Comanche, and Apache children. Operating from 1872 to 1996, the school — also known as the Anadarko Boarding School — was the longest lived of the seven schools for Native Ameri- can children in Oklahoma operated by St.
    [Show full text]
  • Fritchb2020.Pdf (1.490Mb)
    Culture on the Prairie: Celebrating Oklahoma’s Art Museums and Their Contributors in the Twentieth Century By Bradley Fritch A Thesis Project submitted to the faculty of the University of Central Oklahoma in partial fulfillment for the Requirements for the Master of Arts Degree in Museum Studies in the Department of History & Geography December 2020 CULTURE ON THE PRAIRIE Culture on the Prairie: Celebrating Oklahoma’s Art Museums and Their Contributors in the Twentieth Century Bradley Fritch 23 November 2020 Jackson College of Graduate Studies at the University of Central Oklahoma A THESIS APPROVED FOR PARTIAL FULFILLMENT FOR THE REQUIREMENTS FOR THE MASTER OF ARTS DEGREE IN MUSEUM STUDIES IN THE DEPARTMENT OF HISTORY & GEOGRAPHY By ___________________________________________________ Committee Chairperson ___________________________________________ _____________ CCiommittee Member ________________________________ Committeete Member _______________________________________________________ Committeete Member 2 DECEMBER 2020 Dedication To my grandparents – Grandma Betty and Pop-Pop, and Grandma Lorraine and Grandad. 3 CULTURE ON THE PRAIRIE Acknowledgments It took every second of my twenty-six years to come to the conclusion that accepting help from others is a good thing from time to time. As Zach Galifianakis’ character says in The Hangover, “I tend to think of myself as a one-man wolf pack.” But as the ultimate one-man wolf pack learned throughout the course of the film, surrounding yourself with quality friends is incredibly important to be successful; whether that success comes personally, professionally, or through another avenue, shared success is better than individual success. Now that I have stepped down from my soapbox, there are a number of people that I need to thank for their belief in me through the years.
    [Show full text]
  • Crafting an Indigenous Nation Jenny Tone-Pah-Hote
    Crafting an Indigenous Nation Jenny Tone-Pah-Hote Published by The University of North Carolina Press Tone-Pah-Hote, Jenny. Crafting an Indigenous Nation: Kiowa Expressive Culture in the Progressive Era. The University of North Carolina Press, 2019. Project MUSE. muse.jhu.edu/book/63566. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/63566 [ Access provided at 18 Mar 2021 21:37 GMT from University of Michigan @ Ann Arbor ] Introduction Figure 1, showing a truck rolling down the main street of Anadarko, Oklahoma, hints at what the American Indian Exposition parades looked like during the 1930s. The photo graph highlights dance, regalia, and Kiowa leadership in the event. Jasper Saunkeah, president of the American Indian Exposition, stands tall at the front of the truckbed. Saunkeah served as the president on and of during the 1930s and the 1940s.1 For the 1937 parade he donned a full war bonnet with tail feathers trailing down his back. When this photo graph was taken, “wearing war bonnets had complex meaning among the Kiowa”; for some, they were still associated with “war honors,” but for others, like Jasper Saunkeah, they were formal regalia donned for “special occasions.”2 The war bonnet, a ubiquitous piece of American Indian popu lar culture, signals his leadership of this intertribal fair and powwow. Two young women smile at his side, while a young fancy dancer looks toward the crowd and another young woman wearing a beaded dress and modest crown faces forward. Several other young fancy dancers are packed in the back of the flat- bed, and another man sits on the side of the truck.
    [Show full text]