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Touching Photographs { Margaret Olin } Touching Photographs
Touching Photographs { margaret olin } Touching photographs the university of chicago press chicago and london margaret olin is a senior research scholar in the Divinity School, with joint appointments in the Departments of History of Art and Religious Studies and in the Program in Judaic Studies The University of Chicago Press, Chicago 60637 at Yale University. The University of Chicago Press, Ltd., London © 2012 by The University of Chicago All rights reserved. Published 2012. Printed in China 21 20 19 18 17 16 15 14 13 12 1 2 3 4 5 ISBN-13: 978-0-226-62646-8 (paper) ISBN-10: 0-226-62646-6 (paper) Library of Congress Cataloging-in-Publication Data Olin, Margaret Rose, 1948– Touching photographs / Margaret Olin. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-226-62646-8 (pbk : alk. paper) ISBN-10: 0-226-62646-6 (pbk : alk. paper) 1. Photographs—Psy- chological aspects. 2. Photography—Social aspects. 3. Photography in literature. 4. Barthes, Roland. Chambre claire. 5. Evans, Walker, 1903–1975. 6. Van Der Zee, James, 1886–1983. 7. September 11 Terrorist Attacks, 2001. I. Title. TR183.045 2012 770.01'9—dc22 2011016695 This book has been printed on acid-free paper. For Bob and George, our colleagues and students, and their legacy contents Acknowledgments ix 1 Introduction: Tactile Looking 21 1ts “ I I Not Going to Be Easy to Look into Their Eyes” Privilegef o Perception in Let Us Now Praise Famous Men 51 2 Roland Barthes’s “Mistaken” Identification 71 3 “ From One Dark Shore to the Other” The Epiphany of the Image in Hugo von Hofmannsthal and W. -
WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 April 1875
WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 april 1875. Overleden: Hollywood, USA, 10 februari 1932 Opleiding: St. Peter's School, Londen; kostschool, Camberwell, Londen, tot 12 jarige leeftijd. Carrière: Wallace was de onwettige zoon van een acteur, werd geadopteerd door een viskruier en ging op 12-jarige leeftijd van huis weg; werkte bij een drukkerij, in een schoen- winkel, rubberfabriek, als zeeman, stukadoor, melkbezorger, in Londen, 1886-1891; corres- pondent, Reuter's, Zuid Afrika, 1899-1902; correspondent, Zuid Afrika, London Daily Mail, 1900-1902 redacteur, Rand Daily News, Johannesburg, 1902-1903; keerde naar Londen terug: journalist, Daily Mail, 1903-1907 en Standard, 1910; redacteur paardenraces en later redacteur The Week-End, The Week-End Racing Supplement, 1910-1912; redacteur paardenraces en speciaal journalist, Evening News, 1910-1912; oprichter van de bladen voor paardenraces Bibury's Weekly en R.E. Walton's Weekly, redacteur, Ideas en The Story Journal, 1913; schrijver en later redacteur, Town Topics, 1913-1916; schreef regelmatig bijdragen voor de Birmingham Post, Thomson's Weekly News, Dundee; paardenraces columnist, The Star, 1927-1932, Daily Mail, 1930-1932; toneelcriticus, Morning Post, 1928; oprichter, The Bucks Mail, 1930; redacteur, Sunday News, 1931; voorzitter van de raad van directeuren en filmschrijver/regisseur, British Lion Film Corporation. Militaire dienst: Royal West Regiment, Engeland, 1893-1896; Medical Staff Corps, Zuid Afrika, 1896-1899; kocht zijn ontslag af in 1899; diende bij de Lincoln's Inn afdeling van de Special Constabulary en als speciaal ondervrager voor het War Office, gedurende de Eerste Wereldoorlog. Lid van: Press Club, Londen (voorzitter, 1923-1924). Familie: getrouwd met 1. -
Cinema 2: the Time-Image
m The Time-Image Gilles Deleuze Translated by Hugh Tomlinson and Robert Caleta M IN University of Minnesota Press HE so Minneapolis fA t \1.1 \ \ I U III , L 1\) 1/ ES I /%~ ~ ' . 1 9 -08- 2000 ) kOTUPHA\'-\t. r'Y'f . ~ Copyrigh t © ~1989 The A't1tl ----resP-- First published as Cinema 2, L1111age-temps Copyright © 1985 by Les Editions de Minuit, Paris. ,5eJ\ Published by the University of Minnesota Press III Third Avenue South, Suite 290, Minneapolis, MN 55401-2520 f'tJ Printed in the United States of America on acid-free paper 1'::>55 Fifth printing 1997 :])'''::''531 ~ Library of Congress Number 85-28898 ISBN 0-8166-1676-0 (v. 2) \ ~~.6 ISBN 0-8166-1677-9 (pbk.; v. 2) IJ" 2. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or othenvise, ,vithout the prior written permission of the publisher. The University of Minnesota is an equal-opportunity educator and employer. Contents Preface to the English Edition Xl Translators'Introduction XV Chapter 1 Beyond the movement-image 1 How is neo-realism defined? - Optical and sound situations, in contrast to sensory-motor situations: Rossellini, De Sica - Opsigns and sonsigns; objectivism subjectivism, real-imaginary - The new wave: Godard and Rivette - Tactisigns (Bresson) 2 Ozu, the inventor of pure optical and sound images Everyday banality - Empty spaces and stilllifes - Time as unchanging form 13 3 The intolerable and clairvoyance - From cliches to the image - Beyond movement: not merely opsigns and sonsigns, but chronosigns, lectosigns, noosigns - The example of Antonioni 18 Chapter 2 ~ecaPitulation of images and szgns 1 Cinema, semiology and language - Objects and images 25 2 Pure semiotics: Peirce and the system of images and signs - The movement-image, signaletic material and non-linguistic features of expression (the internal monologue). -
Past the Edge of the Forest Emily M
Northern Michigan University NMU Commons All NMU Master's Theses Student Works 5-2015 Past the Edge of the Forest Emily M. Suess Northern Michigan University, [email protected] Follow this and additional works at: https://commons.nmu.edu/theses Part of the Fiction Commons Recommended Citation Suess, Emily M., "Past the Edge of the Forest" (2015). All NMU Master's Theses. 44. https://commons.nmu.edu/theses/44 This Open Access is brought to you for free and open access by the Student Works at NMU Commons. It has been accepted for inclusion in All NMU Master's Theses by an authorized administrator of NMU Commons. For more information, please contact [email protected],[email protected]. PAST THE EDGE OF THE FOREST By Emily Suess THESIS Submitted to Northern Michigan University In partial fulfillment of the requirements For the degree of MASTER OF ARTS Office of Graduate Education and Research April 2015 SIGNATURE APPROVAL FORM Title of Thesis: Past the Edge of the Forest This thesis by Emily Suess_____________________________ is recommended for approval by the student’s Thesis Committee and Department Head in the Department of English___________________________________ and by the Assistant Provost of Graduate Education and Research. ____________________________________________________________ Committee Chair: Dr. Jon Billman Date ____________________________________________________________ First Reader: Professor Jennifer A. Howard Date ____________________________________________________________ Second Reader (if required): Date ____________________________________________________________ Department Head: Dr. Robert Whalen Date ____________________________________________________________ Dr. Brian D. Cherry Date Assistant Provost of Graduate Education and Research ABSTRACT PAST THE EDGE OF THE FOREST By Emily Suess This fictional work traces the superstitions around No Name Forest as members of the town just beyond the forest begin to disappear. -
Moments of Rupture
Moments of Rupture: Narratological Readings of Contemporary German Literature Olivia Albiero A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2016 Reading Committee: Brigitte Prutti, Chair Richard T. Gray Sabine Wilke Susan L. Gaylard Program Authorized to Offer Degree: Germanics ©Copyright 2016 Olivia Albiero University of Washington Abstract Moments of Rupture: Narratological Readings of Contemporary German Literature Olivia Albiero Chair of the Supervisory Committee: Professor Brigitte Prutti Germanics “Moments of Rupture: Narratological Readings of Contemporary German Literature” explores the representation of disruptive moments in contemporary German novels using a narratological framework of analysis. Joining the larger conversation on narrative practices in contemporary German literature, the dissertation focuses on key questions of literary form, narration and storytelling in four major novels published at the beginning of the twenty-first century: Christoph Ransmayr’s Der fliegende Berg (2006), Wolfgang Herrndorf’s Sand (2011), Lutz Seiler’s Kruso (2014) and Saša Stanišić’s Vor dem Fest (2014). The project investigates the use of narrative elements to relate, mend and overcome moments of personal, hermeneutical, political and social rupture. By drawing on influential works of narratology, from Aristotle’s early narratology to pertinent contemporary theories (e.g. Bakhtin, Brooks, Fludernik, Genette, Phelan), my study shows how narratives shape and are in turn shaped by the ruptures they describe. Chapters are organized around key narrative categories, which serve to explore one literary text. The opening chapter discusses the significance of time and space in Der fliegende Berg. It shows how a moment of personal rupture is reflected in the transitions between physical, virtual and mythological times and spaces, and in the encounters that characterize them. -
The Films of Jean-Marie Straub and Danièle Huillet
The Films of Jean-Marie Straub and Danièle Huillet Complete Retrospective March – June 2019 1 wvv Welcome The work of Danièle Huillet and Jean-Marie Straub is considered to be one of the most unparalleled and remarkable oeuvres of modern cinema. It is therefore with great pleasure that the Goethe-Institut London presents the first complete retrospective of their work in the UK. Over a period of three months, screenings of their films across different London venues and accompanying events will provide the opportunity to recognise the scope of their achievement and to discover different routes into their aesthetics and political concerns. Introductions, workshops and special presentations throughout the retrospective will allow to explore their films anew and revisit some of the literature, music and art on which their films are based. The Goethe-Institut London has long been committed to showing the work of Danièle Huillet and Jean-Marie Straub. They were our guests in 1990 during a series of selected screenings and 2015 saw the London premiere of new works by Jean-Marie Straub at the Goethe-Institut London. There have been recent major retrospectives worldwide, including at MoMA, Centre Pompidou and Akademie der Künste Berlin. The interest generated by these screenings as well as new publications about their work in English have allowed the films to become more available. We are most grateful to BELVA Film for helping us to present the films in new digital restorations and, wherever feasible, as new 35mm prints to experience the work -
Kosovo's Wartime Victims: the Questforjustice" April 30Th, 2019
KOSOVO’S WARTIME VICTIMS: THE QUEST FOR JUSTICE HEARING BEFORE THE COMMITTEE ON FOREIGN AFFAIRS HOUSE OF REPRESENTATIVES ONE HUNDRED SIXTEENTH CONGRESS FIRST SESSION April 30, 2019 Serial No. 116–28 Printed for the use of the Committee on Foreign Affairs ( Available: http://www.foreignaffairs.house.gov/, http://docs.house.gov, or http://www.govinfo.gov U.S. GOVERNMENT PUBLISHING OFFICE 36–132PDF WASHINGTON : 2019 COMMITTEE ON FOREIGN AFFAIRS ELIOT L. ENGEL, New York, Chairman BRAD SHERMAN, California MICHAEL T. MCCAUL, Texas, Ranking GREGORY W. MEEKS, New York Member ALBIO SIRES, New Jersey CHRISTOPHER H. SMITH, New Jersey GERALD E. CONNOLLY, Virginia STEVE CHABOT, Ohio THEODORE E. DEUTCH, Florida JOE WILSON, South Carolina KAREN BASS, California SCOTT PERRY, Pennsylvania WILLIAM KEATING, Massachusetts TED S. YOHO, Florida DAVID CICILLINE, Rhode Island ADAM KINZINGER, Illinois AMI BERA, California LEE ZELDIN, New York JOAQUIN CASTRO, Texas JIM SENSENBRENNER, Wisconsin DINA TITUS, Nevada ANN WAGNER, Missouri ADRIANO ESPAILLAT, New York BRIAN MAST, Florida TED LIEU, California FRANCIS ROONEY, Florida SUSAN WILD, Pennsylvania BRIAN FITZPATRICK, Pennsylvania DEAN PHILLIPS, Minnesota JOHN CURTIS, Utah ILHAN OMAR, Minnesota KEN BUCK, Colorado COLIN ALLRED, Texas RON WRIGHT, Texas ANDY LEVIN, Michigan GUY RESCHENTHALER, Pennsylvania ABIGAIL SPANBERGER, Virginia TIM BURCHETT, Tennessee CHRISSY HOULAHAN, Pennsylvania GREG PENCE, Indiana TOM MALINOWSKI, New Jersey STEVE WATKINS, Kansas DAVID TRONE, Maryland MIKE GUEST, Mississippi JIM COSTA, California JUAN VARGAS, California VICENTE GONZALEZ, Texas JASON STEINBAUM, Staff Director BRENDAN SHIELDS, Republican Staff Director (II) C O N T E N T S Page WITNESSES Jahjaga, Atifete, Former President, Republic of Kosovo ...................................... 8 Williams, Dr. Paul, Professor, Washington College of Law, American Univer- sity ........................................................................................................................ -
Amazing Stories Volume 02 Number 05
V/KN/C UGO GERNSBACK EDITOR iwmmxm? i IIS II IN G COMPANY, NEW YORK, PUBLl RADIO NEWS SCIENCES I 10 LISTENERS' GUIDE • AMAZING STORIES • SPARE TIME MONEY MAKING ! AMAZING STORIES 417 Are You Caught Behind the Bars of a "Small-Time" Job? *:.". Ba^SUCCKsllS^rte^Eu^reaBofolV? LEARNELECTRICITY Without Books or Lessons IJW IX WEEKS By Actual Work—in the Great Shops of Coyne Some kinds of jobs ought to be labeled with a big ]tfo Education or Experience Needed sign that says •Man-killer." They s heavy, dirty and hard that they sap a mi and keep him dog-tired all the time—or able, uninter- esting and poorly paid that they kill his ambition in almost no time. And $100aWeekJobs AMBITION is the most valuable thing a man can have Fascinating Work- Real Pay! h qW&w ' -.H W-a n.:i ¥l;-JJ.T.vpt'k! Right now b: irpm-malLycoir^WKineJEleotri IE weeks of training are in dernani is growing every day! The aitnal spells O-P-P-0-K-T-U-N-I-T-Y ic high for the men who is wide-awake Learn Quickly mnath grade qduc No Books or Dry Lessons is ALL PRACTICAL work. No "books— n. FREE R.R. Fare useless theory. In the great shop! f COYNE i When You Enroll — COYNE ELECTRICAL SCHOOL cal ecvuipment the 1 1 i. C. Lewis, Pres.. Dcpt. C7-02 1300-10 \V. Harrinon St., Cuica£o, Ul. Dear Mr. Lewis: obligation, : the facts, so without ir::i;.:L fa In log and details At/fcV^tr* ELECTRICAELECTRICAL | CUI WJL school Nan H. -
Nefarious Plots
Nefarious Plots Best-selling Necktie Rob Northrup Philosophy major Andrew Cyrus Galbraith penned a runaway best-seller that made him internationally known. Too bad he's not around to enjoy it. An earlier collection of his essays had already garnered critical acclaim for his striking new perspectives on old philosophical problems. However, Galbraith's latest paper asked whether life had any meaning, and if not, then should you continue to live? His powerful thirty-page answer was no, life has no meaning outside of what we project on it, and no, we should not live through this absurdity. It was the most intelligent, convincing, solid argument ever written in favor of suicide. Simply titled "You Should Do It," the paper also served as his own suicide note. Andrew tightened his necktie, secured the thick end of it to the cross-braces on his dorm window, and flung himself out. His death was a minor news story the next day. It only drew world-wide attention two days later, after someone circulated the paper on the internet, and thousands of readers began to agree with Galbraith's tightly reasoned arguments, and began taking their own lives... Possibilities 1) The paper is cursed. Galbraith undertook the Unspeakable Oath to accomplish this. Weak-willed people can be susceptible to suicide attempts if they read it. The curse can be cancelled, making all copies powerless, but only by seeking out Galbraith's ghost and allowing it to rest in peace by completing "unfinished business". Whatever that may be. 2) The paper isn't really very convincing.