The Rolling Stones

Total Page:16

File Type:pdf, Size:1020Kb

The Rolling Stones 10/7/2016 Talking Heads on 'Stop Making Sense': 'We Didn't Want Any Bulls--t' - Rolling Stone This site uses cookies to deliver its services, to personalize ads and to analyze traffic. Information about your use of this site may be shared with third parties. By using this site, you agree to our use of cookies. LEARN MORE GOT IT Ňěẅș Vįđěǿ Mųșįč Pǿŀįțįčș ȚV Mǿvįěș Mǿřě Țǿǿŀ'ș Mǻỳňǻřđ Jǻměș 'Ķįŀŀěř Čŀǿẅňș': İňșįđě ȚŘĚŇĐİŇĢ Ķěěňǻň ǿň Ẅħǻț Ǻřmỳ țħě Țěřřįfỳįňģ Ħǿǻx Țǻųģħț Ħįm,... Șẅěěpįňģ... Țǻŀķįňģ Ħěǻđș ǿň 'Șțǿp Mǻķįňģ Șěňșě': 'Ẅě Đįđň'ț Ẅǻňț Ǻňỳ Bųŀŀș--ț' Țħįřțỳ ỳěǻřș ǻfțěř țħěįř įňfŀųěňțįǻŀ čǿňčěřț fįŀm, đřųmměř Čħřįș Fřǻňțż řěměmběřș țħě șųįț, țħě čħǿřěǿģřǻpħỳ ǻňđ țħě (țǿțǻŀ ŀǻčķ ǿf) đįřěčțįǿň Țħě Țǻŀķįňģ Ħěǻđș Ģįjșběřț Ħǻňěķřǿǿț/Řěđfěřňș http://www.rollingstone.com/music/news/talking-heads-on-stop-making-sense-we-didnt-want-any-bulls--t-20140801 1/13 10/7/2016 Talking Heads on 'Stop Making Sense': 'We Didn't Want Any Bulls--t' - Rolling Stone Bỳ Ķǿřỳ Ģřǿẅ This site uses cookies to deliver its services, to personalize ads and to analyze traffic. Ǻųģųșț 1, 2014 Information about your use of this site may be shared with third parties. By using this site, you agree to our use of cookies. "We didn't want an of the ullhit," former Talking Head drummer Chri Frantz a aout top Making eLnEAeR,N t hMeO RaEnd' GOT IT inuential 1984 concert lm. "We didn't want the cliché. We didn't want cloe-up of people' nger while the're doing a guitar olo. We wanted the camera to linger, o ou could get to know the muician a little it." Mǿřě Ňěẅș Șțǿp Mǻķįňģ Șěňșě Q&Ǻ: Țǿm Țǿm Čŀųb'ș Čħřįș Fřǻňțż ǻňđ Țįňǻ Ẅěỳmǿųțħ Țǻŀķ Mǻřřįǻģě 100 Ģřěǻțěșț Ǻřțįșțș Ǻŀŀ Șțǿřįěș » ŘĚĿǺȚĚĐ PĦǾȚǾȘ: Țħě 15 Běșț Řǿčķ Đǿčș ǿň Ňěțfŀįx İňșțǻňț What to tream tonight, from 'It Might Get Loud' to 'tone in xile' It wa Decemer 1983 when the group lmed three how at Hollwood' Pantage Theater, while on a tour for peaking in Tongue that found them plaing in an extended lineup with extra percuion, keoard and guitar. The one thing the and wanted from the movie – directed Jonathan Demme, who would later win an Ocar for The ilence of the Lam – wa omething that would e the complete oppoite of anthing on MTV at the time. The lm had long, drawn-out cloe-up on the muician' face, it arel howed the audience and it ued dramatic lighting to exaggerate the choreograph. The group, which conited of Frantz, vocalit David rne, guitarit/keoardit Jerr Harrion and ait Tina Wemouth, nanced the movie motl itelf and the time top Making ene came out, that tenacit had given wa to http://www.rollingstone.com/music/news/talking-heads-on-stop-making-sense-we-didnt-want-any-bulls--t-20140801 2/13 10/7/2016 Talking Heads on 'Stop Making Sense': 'We Didn't Want Any Bulls--t' - Rolling Stone a hit. Filmgoer were literall dancing in the aile a the movie This site uses cookies to deliver its services, to personalize ads and to analyze traffic. Informatiopnla abeodu.t your use of this site may be shared with third parties. By using this site, you agree to our use of cookies. Lat month, a 30th anniverar edition top Making ene came out digitall and it i alo eing re-releaed at variou LtEheAaRtNe rM ORE GOT IT throughout the United tate. Rolling tone recentl caught up with the drummer – who i till recording with hi wife, Tina Wemouth, in the Tom Tom Clu – to nd out how the lm hold up three decade later. What do ou think of top Making ene the lat time ou aw it? All the nice thing that people a aout Talking Head? It jut conrm thoe tatement are true [laugh]. We were ver fortunate in that everod who worked on it did uch a good jo. I would pa 1,000 uck to ee that how [laugh]. How did the idea for the movie come aout anwa? We were all thinking that that it would e good to document that particular tour. We had rehearal for aout a month to learn all the material. Right when we were aout to get on the road, Jonathan Demme came to one of our how along with hi girlfriend at the time, and McLeod, and Jonathan aid, "We would like to make a movie of thi." And we thought, "How nice." Jonathan Demme wa a new director then. He had done thi movie called Melvin and Howard, which we liked ver much. Jonathan' not that much older than we are and he wa hot at the moment, at leat theoreticall. How did Jonathan plan the cene? At the time, he wa alo working on thi movie for Goldie Hawn called wing hift. After eeing the rt cut of the movie, he decided he wanted to completel rehoot ever cene with her in it, o it wa up to and McLeod to follow the and around and make note of what and memer were doing what, at what time and when the camera hould e on them. he followed u around for a good month while Jonathan wa dealing with Goldie. http://www.rollingstone.com/music/news/talking-heads-on-stop-making-sense-we-didnt-want-any-bulls--t-20140801 3/13 10/7/2016 Talking Heads on 'Stop Making Sense': 'We Didn't Want Any Bulls--t' - Rolling Stone Were ou getting upport from Warner ro. at the time? This site uses cookies to deliver its services, to personalize ads and to analyze traffic. InformatioOnn aeb othuti nyogu trh uaste n oof thoisd s iteev mera ym been sthioanred, pwaitrht ithciurdla pralrt ioeus.r B yi nugseinrg, Dthaisv sidite, you agree to our use of cookies. rne, i the fact that the and paid for the movie. Ye, we got a loan from Warner ro., ut it wa againt our roaltie o the and, the LEARN MORE GOT IT four of u, reall coughed up the mone. We didn't have a whole lot of aving at the time, o we were aicall putting our life aving into thi movie, which we did and I'm glad we did, ecaue not onl did we get it ack, ut we have a great movie. It wa alo the and' deciion to put it into ver mall college theater and art houe around the countr intead of tring to open ig. That' one reaon that it ucceeded a well a it did: It wa ale to have long run at art theater. The audience would keep coming ack. When did the idea that the and would e introduced individuall come aout? That wa all decided on efore the tour egan. It' a little it of a reviion of what reall happened in real life. I think what David would like to conve i that it egan with David rne and then he invited Tina to join the and and then he invited Chri and then he invited Jerr and then he invited teve cale and o on, ut it wan't like that. What reall happened wa Tina, David and I moved to New York with the idea that we might tart a and. I convinced David that it wa a good idea. I aked Tina to join the and. I aked Jerr Harrion to join the and. o it' a little it of a reviion, ut it work reall well a a narrative for the movie. What do ou rememer aout David' intro with the plaing "Pcho Killer" to a drum loop? David put that together himelf; I wa not part to that or anthing like that. He didn't ak anod, it wa like "I'm going to do thi." It worked well. When ou get ontage, ou liten to a headphone for a minute. Wa Jonathan directing ou? http://www.rollingstone.com/music/news/talking-heads-on-stop-making-sense-we-didnt-want-any-bulls--t-20140801 4/13 10/7/2016 Talking Heads on 'Stop Making Sense': 'We Didn't Want Any Bulls--t' - Rolling Stone No. In the headphone, I wa litening to the tempo. ecaue we This site uses cookies to deliver its services, to personalize ads and to analyze traffic. Informatiowne arbeo uht oyoutirn ugs eo vofe trh tish sreite mniagyh bte, swhaer ewda wnittehd th tiord mpaarktie s.u Brye uesaincgh thoisn sgite, you agree to our use of cookies. egan at the ame tempo. o I devied a click track to liten to at the eginning. ometime when ou pla live, ou might peed up a LEARN MORE GOT IT little it, epeciall in punk, New-Wave tle; the audience like to get hammered, the like to have a livel performance, o we had to make ure it wan't too livel. The movie ha o man great cloe-up on and memer' face. What are our favorite? Tina look reall angelic and great throughout the whole lm, and I love when ernie Worrell give ome of hi weird glance at who know what [laugh]. ernie' a funn gu to watch. David i aweome throughout. Did it ever urprie ou when David came over to the drum rier during "Life During Wartime?" I'm jut amazed he didn't ever fall. He wa moving around a lot, ou know. He' quite a remarkale performer or at leat he wa then. How did the group work out it choreograph? verod did their own.
Recommended publications
  • Full Results of Survey of Songs
    Existential Songs Full results Supplementary material for Mick Cooper’s Existential psychotherapy and counselling: Contributions to a pluralistic practice (Sage, 2015), Appendix. One of the great strengths of existential philosophy is that it stretches far beyond psychotherapy and counselling; into art, literature and many other forms of popular culture. This means that there are many – including films, novels and songs that convey the key messages of existentialism. These may be useful for trainees of existential therapy, and also as recommendations for clients to deepen an understanding of this way of seeing the world. In order to identify the most helpful resources, an online survey was conducted in the summer of 2014 to identify the key existential films, books and novels. Invites were sent out via email to existential training institutes and societies, and through social media. Participants were invited to nominate up to three of each art media that ‘most strongly communicate the core messages of existentialism’. In total, 119 people took part in the survey (i.e., gave one or more response). Approximately half were female (n = 57) and half were male (n = 56), with one of other gender. The average age was 47 years old (range 26–89). The participants were primarily distributed across the UK (n = 37), continental Europe (n = 34), North America (n = 24), Australia (n = 15) and Asia (n = 6). Around 90% of the respondents were either qualified therapists (n = 78) or in training (n = 26). Of these, around two-thirds (n = 69) considered themselves existential therapists, and one third (n = 32) did not. There were 235 nominations for the key existential song, with enormous variation across the different respondents.
    [Show full text]
  • Department of Music Stony Brook University
    Department of Music Stony Brook University The Revolution guitarist Wendy Melvoin Department of Music Stony Brook University Rock, pop music, and society MUS 109 (86275) Fall 2018 This course is a (mostly) chronological survey of the musicians, producers, albums, concerts, genres, instruments, publications, substances, sounds, arguments, and ideas crucial to the past seven decades of rock and pop music. We will examine a musical form vital to twentieth-century artistic innovation, grappling with questions of race, gender, sexuality, and political change along the way. In addition to readings, you will listen carefully to important pieces of music, exploring them formally and historically. Each week, you’ll read a mixture of autobiography, music journalism, interviews, social criticism, and more. You will listen to music, and sometimes view a documentary or video. Several short response essays throughout the semester will allow you to flex your critical and argumentative muscles. By the end of the semester, you will possess an expanded musical vocabulary and a deep knowledge of an important branch of musical history. Class meetings: Tuesday and Thursday, 10:00 a.m.-11:20 p.m. Location: Frey, Room 100 Professor: Dr. Benjamin Tausig ([email protected]) Teaching assistants: Sarah Ghandour ([email protected]) Rebecca Lentjes ([email protected]) Stephen Moran ([email protected]) Kathryn Vetter ([email protected]) Office hours Professor - Tuesday, 11:30-12:30 a.m., or Wednesday by
    [Show full text]
  • Were fi Ghting for Their Rights
    CHICAGO’SFREEWEEKLYSINCE | MAY | MAY CHICAGO’SFREEWEEKLYSINCE ‘We’re not always treated like people’ Before the pandemic shuttered strip clubs, dancers were fi ghting for their rights. ByNatalya Carrico 8 THIS WEEK CHICAGOREADER | MAY | VOLUME NUMBER IN THIS ISSUE TR - movingtheirworkonline pairedwithapalpabletension brainyfeelgoodgroovesThe @ makesforamemorableaddition Why?Recordscrewreleasesa inthehorrormoviesaboutcults compilationtobenefi ttheChicago catalogandInheritancerequires CommunityBondFundandNaked PTB ECS K KH anabsurdamountofmental RaygunsingerJeff Pezzatimakes CLR H gymnasticsfromviewers hissolodebutwithanewEP MEP M TDKR CEBW OPINION AEJL SWMD LG DI BJ MS EAS N L CITYLIFE GD AH 03 PublicService L CSC-J AnnouncementHowtodealwith CEBN B ARTS&CULTURE L C M DLCMC addictioninisolation 12 BondedThelocalsexworker J F S F JH I communityhithardamidthe H C MJ NEWS&POLITICS pandemicandignoredbysocial MKSK Albert safetynetsisnostrangertomutual ND LJL 04 Joravsky|Politics MMAM -K Dickenswasthecoolestcatinthe upli ingduringtoughtimes J R N JN M O newsroom 14 HealingFirebirdCommunityArts MUSIC&NIGHTLIFE M S CS risesfromtheashes 23 ChiMusicPioneeringhouse 30 ParentingOnbeingasingle ---------------------------------------------------------------- DJLoriBranchshoutsoutherfellow dadajournalistandaBlacksouth DD J D SMCJ G THEATER WindyCityoriginatorsincluding siderduringthepandemic SSP 16 BeyondtheBlackBoxNow ChakaKhanandSisterRosetta 32 SavageLoveDanSavageoff ers ATA onpausewhatcomesnextfor Tharpe advicetosomeonewhofantasizes
    [Show full text]
  • 98 Degrees I Do Adele Rolling in the Deep Allman Brothers Melissa
    98 Degrees I Do Adele Rolling In The Deep Allman Brothers Melissa Allman Brothers One Way Out Allman Brothers Midnight Rider American Authors Best Day Of My Life Amy Winehouse Valerie Aretha Franklin Respect Average White Band Pick Up The Pieces Avici Wake Me Up B-52's Love Shack Backstreet Boys I Want It That Way Band, The Cripple Creek Band, The Ophelia Band, The The Weight Band, The Atlantic City Bangles, The Walk Like An Egyptian Beatles, The Come Together Beatles, The Got To Get You Into My Life Beatles, The In My Life Beatles, The Ob La Di Ob La Da Beatles, The Saw Her Standing There Beatles, The Something Beatles, The Twist and Shout Beatles, The Mother Nature's Son Beatles, The Hey Jude Beatles, The Get Back Ben E. King Stand By Me Beyonce Crazy In Love Beyonce Love On Top Bill Haley and The Comets Rock Around The Clock Bill Withers Use Me Billy Joel Movin' Out Billy Joel Only The Good Die Young Blind Melon No Rain Blink 182 All The Small Things Bob Carlisle Butterfly Kisses Bob Dylan Forever Young Bob Marley Could You Be Loved Bob Marley I Shot The Sheriff Bob Seger Hollywood Nights Bon Jovi Living On A Prayer Britney Spears Hit Me Baby One More Time Bruce Springsteen Dancing In The Dark Bruce Springsteen Jersey Girl Bruce Springsteen Rosalita Bruce Springsteen Tenth Avenue Freeze Out Bruce Springsteen Glory Days Bruce Springsteen Born To Run Bruno Mars Locked Out Of Heaven Bruno Mars Treasure Bruno Mars Uptown Funk Bruno Mars 24K Magic Bryan Adams Summer Of '69 Cake The Distance Cee Lo Green Forget You Chicago 25 or 6 to 4 Cold
    [Show full text]
  • Lester Bangs August 1979
    LESTER BANGS AUGUST 1979 One day someone I love said, “You hit me with your eyes.” When I hear David Byrne’s lyrics, I can imagine him feeling the same thing and saying it in language just oblique enough to turn the pain into percussively lapping waters. Are you afraid of air? Well, why not (if not)? David Byrne is. Do you think heaven is nowhere (is vacuum the obverse of oid’svoid)? David Byrne does. How about the animal kingdom: wouldn’t you say they’re a bunch of smug little disease carriers, setting a perfectly rotten example (them being, after all, our elders on that ole evolutionary totem pole) for us so-called human beings who might be a lot more at least interpersonally better off if we wised up and just told all them li’l critters to take a walk? If stuff like that maltomeals round your noggin, you’re in D. Byrne territory for sure, friends. And why not? These are mutant times, and Talking Heads are the most human of mutant groups (hopelessly perfect cross-fertilization); unlike Devo, they actually look good off TV, on a concert stage (in fact, up till now I’d always bemoaned my feeling that their records didn’t come near the excitement of their live sound). I may never forget the first time I saw them at CBGB’s: though they had gotten Jerry Harrison to swat keyboards by then, they were all still a little ragged (if such a word could ever be applied to such rarefied entities) around the edges.
    [Show full text]
  • David Bowie's New Look Tops Concert Series for Year Bydalekasler but Maybe Bowie's Best Song Tuesday Night, and Cer- Staff Writer
    B-S Syracuse Herald-Journal, Wednesday, September 7, 1983 ENTERTAINMENT Review — Music David Bowie's new look tops concert series for year ByDaleKasler But maybe Bowie's best song Tuesday night, and cer- Staff Writer . tainly one of the best he's ever done, was the har- rowing "Ashes to Ashes," from 1980's "Scary Monsters" David Bowie trotted out the personas Tuesday night album. Trapped on a moving platform surrounded by a at the Carrier Dome. No, not so much the Ziggy Stardust curtain of light, Bowie sang about picking up the pieces and Thin White Duke characters. Rather, he brought of his life. out Bowie the actor, Bowie the director, Bowie the "Major Tom" is still part of his act thinker and, most importantly, Bowie the rock 'n' roll "We know Major Tom's a junkie," he sang over Earl star. Slick's percolating guitar — and then moved into his The ultimate musical chameleon, the British star ran very first single, "Space Oddity," the eerie 1969 hit through a spirited set of rock and funk stitched together about Major Tom, the alienated astronaut. Bowie was with dramatic staging that made the two-hour concert reminding the audience of where he's been, and it something to look at as much as something to hear. With isn't quite as simple as the chorus in "Let's Dance." only a couple of exceptions, the show was an energy- In addition to the customary state-of-the-art lighting charged tribute to Bowie's 17-year career. that has become almost mandatory at these big shows, The Dome was a stop on Bowie's first concert tour in Bowie put on perhaps the most meticulously choreo- five years, the massive "Serious Moonlight Tour" that graphed rock concert ever.
    [Show full text]
  • The Roots and Branches Courtesy Of
    ! THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS: Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael
    [Show full text]
  • U2 360° Tour Statistics
    U2 360° Tour Production, Statistics, Biographies 1. Notes on U2 360° Tour 2. Story of 360° Design by Willie Williams 3. Biographies U2 Paul McGuinness Willie Williams Jake Berry Joe O’Herlihy For complete tour and ticket information, fan club memberships, merchandise and more, visit: www.U2.com Press materials available at: www.u2.com/rmpphoto NOTES ON U2360º TOUR • U2360º is designer Willie Williams 10th production for U2. • Mark Fisher serves as the architect on his 6th production for U2. • The stage design includes a cylindrical video screen • The band and Williams had discussed ideas for 360-degree stadium set for a number of years. Sketches of a four-legged set were first drawn after a model was built with forks over dinner during the Vertigo Tour 2006. • The stage is Built By the Belgian company, Stageco. The construction of each requires the use of high-pressure and innovative hydraulic systems. • The steel structure is 90 feet tall with the center pylon reaching 150 feet tall. • The design can support up to 180 tonnes. • The steel structure is clad in a fabric originally developed for Formula 1 motor racing. Green in daylight, at night it reflects whatever colour is shone on it. • The cylindrical video screen is 54 tonnes. When closed the screen is 4,300 square feet, opening to a size of 14,000 square feet. • The video screen is made up of 1 million pieces (500,000 pixels, 320 000 fasteners, 30,000 caBles, 150,000 machined pieces). • The video screen is Broken into segments mounted on a multiple pantograph system, which enables the screen to "open up" or spread apart vertically as an effect during different stages of the concerts.
    [Show full text]
  • Live Band Karaoke Song List 2017
    Live Band Karaoke Song List 2017 50s, 60s & 70s Pop/Rock A Hard Day’s Night – The Beatles All Day And All Of The Night – The Kinks American Woman – The Guess Who Back In The USSR – The Beatles Bad Moon Rising – CCR Bang A Gong – T. Rex Barracuda – Heart Be My Baby – The Ronettes Beast Of Burden – Rolling Stones Birthday – The Beatles Black Dog – Led Zeppelin Born To Be Wild – Steppenwolf Born to Run – Bruce Springsteen Break On Through – The Doors California Dreaming – Mamas & The Papas Come Together – The Beatles Communication Breakdown – Led Zeppelin Crazy Little Thing Called Love – Queen Dead Flowers – The Rolling Stones Don’t Let Me Be Misunderstood – The Animals Don’t Let Me Down – The Beatles Dream On – Aerosmith D’yer Mak’er – Led Zeppelin Fat Bottom Girls – Queen Funk #49 – James Gang Get Back – The Beatles Good Times and Bad Times – Led Zeppelin Happy Together – The Turtles Heartbreaker/ Living Loving Maid – Led Zeppelin Helter Skelter – The Beatles Hey Joe – Jimi Hendrix Hit Me With Your Best Shot – Pat Benatar Hold On Loosely – .38 Special Hound Dog – Elvis Presley House Of The Rising Sun – The Animals I Got You Babe – Sonny and Cher Immigrant Song – Led Zeppelin Into the Mystic – Van Morrison Jumpin’ Jack Flash – The Rolling Stones Lights – Journey Manic Depression – Jimi Hendrix Mony Mony – Tommy James and the Shondells More Than A Feeling – Boston Oh! Darling – The Beatles Paint It Black – Rolling Stones Peggy Sue – Buddy Holly Purple Haze – Jimi Hendrix Revolution – The Beatles Rock and Roll – Led Zeppelin Rock And Roll
    [Show full text]
  • SBU Archives: Concerts by Date 1 12/9/2020
    SBU Archives: Concerts by Date Artist Date Location Allison, Mose (Trio) 1964_09_21 Gym Chad Mitchell Trio, The 1965_03_27 Gym Count Basie and His Orchestra 1965_04_27 Gym Charlie Byrd Trio, The 1965_09_20 Kai Winding Quartet 1965_09_20 Charles River Valley Boys, The 1965_10_30 Davis, Reverend Gary 1965_10_30 Gym Washington, Jackie 1965_11_03 Union (theatre) Dave Brubeck Quartet 1965_12_11 H Quad (cafeteria) Mann, Herbie 1966_ 12_17 Gym Clancy Brothers, The 1966_03_05 Gym Makem, Tommy 1966_03_05 Gym Freedom Singers 1966_03_21 Gym Paul Butterfield Blues Band, The 1966_04_25 Gym Simon and Garfunkel 1966_04_25 Gym Santamaria, Mongo and His Orchestra 1966_05_07 Gym Byrds, The 1966_10_01 Gym Youngbloods, The 1966_10_01 Gym Khan, Ali Akbar 1966_11_13 Gym Blue, David 1966_11_19 Gym Blues Bag 1966_11_19 Gym Blues Project, The 1966_11_19 Gym Havens, Richie 1966_11_19 Gym Roderick, Judy 1966_11_19 Gym Van Ronk, Dave 1966_11_19 Gym Waters, Muddy 1966_11_19 Gym Williams, Big Joe 1966_11_19 Gym Bull, Sandy 1966_12_07 H Quad (James College, lounge) Gilberto, Astrud 1966_12_17 Gym Four Tops 1967_01_14 Gym Daily Flash 1967_02_18 Jefferson Airplane 1967_02_18 Gym Rush, Tom 1967_02_22 H Quad (H Lobby) Ian and Sylvia 1967_03_04 Paxton, Tom 1967_03_04 Bagatelle, The 1967_03_17 Gym Jaki Byard Trio 1967_04_08 Jones, Thad 1967_04_08 Mel Lewis Band 1967_04_08 Monk, Thelonius 1967_04_08 Grateful Dead, The 1967_06_03 Gym Buckley, Tim 1967_09_23 Gym Doors, The 1967_09_23 Gym Chambers Brothers, The 1967_10_07 Gym Blue Öyster Cult/Soft White Underbelly/Stalk-Forrest
    [Show full text]
  • Set List Select Several Songs to Be Played at Your Event / Party
    FORM: SET LIST SELECT SEVERAL SONGS TO BE PLAYED AT YOUR EVENT / PARTY SONGS YOU CAN EAT AND DRINK TO MEDLEYS SONGS YOU CAN DANCE TO ELO - Don’t Bring Me Down Major Lazer – Lean On St. Vincent - Digital Witness ELO - Mr. Blue Sky Mariah Carey - Fantasy Stealers Wheel - Stuck in the Middle With You Beach Boys - God Only Knows Daft Punk Medley Adele - Rolling in the Deep Elton John - Tiny Dancer Mark Morrison - Return of the Mack Steely Dan - Hey Nineteen Belle and Sebastian - Your Covers Blown 90's R&B Medley Amy Winehouse - Valerie Empire of the Sun - Walking On a Dream Mark Ronson - Uptown Funk Steely Dan - Peg Black Keys - Gold On the Ceiling TLC Ariel Pink - Round + Round Feist - 1,2,3,4 Marvin Gaye - Ain't No Mountain High Enough Stevie Nicks - Stand Back Bon Iver – Holocene Usher Beach Boys - God Only Knows Feist - Sea Lion Woman MGMT - Electric Feel Stevie Wonder - Higher Ground Bon Iver - Re: Stacks Montell Jordan Beck - Debra Fleetwood Mac - Dreams Michael Jackson - Human Nature Stevie Wonder - Sir Duke Bon Iver - Skinny Love Mark Morrison Beck - Where It’s At Fleetwood Mac - Never Going Back Michael Jackson - Don’t Stop Til You Get Enough Stevie Wonder- Superstition Christopher Cross - Sailing Next Belle and Sebastian - Your Covers Blown Fleetwood Mac - Say You Love Me Michael Jackson - Human Nature Supremes - You Can't Hurry Love David Bowie - Ziggy Stardust 80's Pop + New Wave Medley Billy Preston - Nothing From Nothing Fleetwood Mac - You Make Lovin Fun Michael Jackson - O The Wall Swing Out Sister - Am I the Same Girl? Eagles - Hotel California New Order Black Keys - Gold On the Ceiling Frank Ocean – Lost Michael Jackson - P.
    [Show full text]
  • Playnetwork Business Mixes
    PlayNetwork Business Mixes 50s to Early 60s Marketing Strategy: Period themes, burgers and brews and pizza, bars, happy hour Era: Classic Compatible Music Styles: Fun-Time Oldies, Classic Description: All tempos and styles that had hits Rock, 70s Mix during the heyday of the 50s and into the early 60s, including some country as well Representative Artists: Elvis, Fats Domino, Steve 70s Mix Lawrence, Brenda Lee, Dinah Washington, Frankie Era: 70s Valli and the Four Seasons, Chubby Checker, The Impressions Description: An 8-track flashback of great music Appeal: People who can remember and appreciate from the 70s designed to inspire memories for the major musical moments from this era everyone. Featuring hits and historically significant album cuts from the “Far Out!,” Bob Newhart, Sanford Feel: All tempos and Son era Marketing Strategy: Hamburger/soda fountain– Representative Artists: The Eagles, Elton John, themed cafes, period-themed establishments, bars, Stevie Wonder, Jackson Brown, Gerry Rafferty, pizza establishments and clothing stores Chicago, Doobie Brothers, Brothers Johnson, Alan Parsons Project, Jim Croce, Joni Mitchell, Sugarloaf, Compatible Music Styles: Jukebox classics, Donut Steely Dan, Earth Wind & Fire, Paul Simon, Crosby, House Jukebox, Fun-Time Oldies, Innocent 40s, 50s, Stills, and Nash, Creedence Clearwater Revival, 60s Average White Band, Bachman-Turner Overdrive, Electric Light Orchestra, Fleetwood Mac, Guess Who, 60s to Early 70s Billy Joel, Jefferson Starship, Steve Miller Band, Carly Simon, KC & the Sunshine Band, Van Morrison Era: Classic Feel: A warm blanket of familiar music that helped Description: Good-time pop and rock legends from define the analog sound of the 70s—including the the mid-60s through the early-to-mid-70s that marked one-hit wonders and the best known singer- the end of an era.
    [Show full text]