Units 1 - 6: Themes and Essay Writing Confession by Augustine of Hippo Literature for Units 1 - 6

Total Page:16

File Type:pdf, Size:1020Kb

Units 1 - 6: Themes and Essay Writing Confession by Augustine of Hippo Literature for Units 1 - 6 The Artios Home Companion Series L i t e r a t u r e a n d Composition Units 1 - 6: Themes and Essay Writing Confession by Augustine of Hippo Literature for Units 1 - 6 “You have made us for yourself, and our heart is restless until it rests in you.” - Confessions 1:1, St. Augustine (Penguin Classics) shares with us the struggles and conflict each person faces on their journey toward God. His honesty and openness will ring true for some and draw sympathy from others. In his title Confessions, St. Augustine does not merely mean confession (Latin for “admitting“). Rather, he means his confessions to do more than admit wrongdoing. St. Augustine titled his work Confessions as a reflection of the Latin word confiteri, meaning, “to acknowledge to God, the truth one knows about God.” (augnet.org) More simply put, St. Augustine wants the readers to hear in his work praise and glory to God. The first nine books of this novel refer directly to St. Augustine’s life and journey to his faith. The final four books in the novel present St. Augustine’s analysis of self. In St. Augustine in His Study, by Sandro Botticelli Book X, St. Augustine analyzes memory; in Confessions chronicles the life and Book XI, St. Augustine introduces his conversion of St. Augustine, a fourth- analysis of time as it relates to creation; in century Christian bishop who is considered Books XII and XIII, St. Augustine one of the great theological fathers of the introduces his interpretation of Genesis, early church. Augustine does not merely ending with a meditation on the goodness of give an autobiography of his conversion, but creation. Medieval to Renaissance: Middle School Unit 1 - 6: Literature and Composition Page 372 Unit 1 – Assignments Literature Read Unit 1 – Assignment Background Read Books I & II of Confessions. Activity While Reading: As you read, keep a reading journal, making note of the struggles and ideas St. Augustine reveals. If it helps to have a list of discussion questions to guide your reading, visit: http://www.virtualsalt.com/lit/augustin.htm. Also While Reading: Work on the Composition assignment that is related to your reading. Composition Theme is the underlying message the author is portraying through his work. In Confessions, Augustine presents the themes below and gives examples to illustrate and explain these themes. You should choose one of the following themes to focus on: ▪ Evil in the World ▪ Free Will and Responsibility ▪ Literary Education vs. Moral Education While reading, track examples (quotes or paraphrasing) of that theme: ▪ To quote something, take a moment to write it down word-for-word. Be sure to mark the book/chapter/page where you found it. ▪ To paraphrase something, retell the interesting part in your own words. Do not just rearrange the words the author used. Be sure to retell it using words you would use, words you are comfortable with, words you understand. Then be sure to mark the book/chapter/ page where you found this information. Unit 1 – Assignment Background About the Author – adapted from The Harvard Classics: The Confessions of St. Augustine Aurelius Augustinus, better known as pleading. By the time he was about twenty- Saint Augustine, was born of poor parents seven he had begun to have doubts in North Africa, 354 A.D. His father, regarding the validity of Manichaeism, but Patricius, a pagan, was converted to it was not until 387, while he was Professor Christianity before his death; his mother of Rhetoric in the University of Milan, that Monica, on account of her personal piety he was converted to Catholic Christianity and her influence on her son, is one of the and received baptism. He now gave up his most revered women in the history of the profession and became an ascetic, studying Christian Church. the foundations of the faith, writing, chiefly While at the University of Carthage, against his former sect, and conversing with Augustine joined the heretical sect of the a group of disciples. In 395, he became Manichaeans, who professed to have Bishop of Hippo, an office which he filled for received from their founder, Manes, a the remaining thirty-five years of his life. higher form of truth than that taught by A large part of his literary activity was Christ. At the close of his university career, devoted to controversy with the heretics of Augustine practiced as a teacher of rhetoric, his time, first the Manichaeans, then the training young lawyers in the art of Donatists, and finally the Pelagians. It was Medieval to Renaissance: Middle School Unit 1 - 6: Literature and Composition Page 373 in his writings against these last and most protect the peoples who trusted them, and important opponents that he elaborated his goes on to expose the evil influence of the statement of the doctrines of belief in the old mythology, in a minute Predestination, Irresistible Grace, and Final examination of it traditions and mysteries. Perseverance, through which he has left his The second part of the book deals with the chief mark upon the creeds of later times. history of the “City of Man,“ founded upon The theology of the Schoolmen, such as love of self, and the “City of God,“ founded Thomas Aquinas, and of the Calvinists of upon love of God and contempt of self. This the Reformation, is built upon an work is a vast storehouse of the knowledge Augustinian basis. of the time, and is a monument not only to His two most important books are The Augustine’s great learning, but also to the City of God and Confessions. The former of keenest metaphysical mind of the age. these was provoked by the attacks upon The Confessions speaks for itself. The Christianity, roused by the disasters that earliest of autobiographies, it remains began to fall upon the Western Empire in unsurpassed as a sincere and intimate the beginning of the fifth century; and record of a great and pious soul laid bare Augustine replies by pointing out the failure before God. of the heathen gods in former times to http://augnet.org/default.asp Things to Know You should have at least a brief knowledge of the stories of the Iliad, the Odyssey, and the Aeneid. These are the works to which Augustine refers when pointing out the flaws in his early education. Summary of the Iliad: www.gradesaver.com/iliad/study-guide/short-summary/ Summary of the Odyssey: www.gradesaver.com/the-odyssey/study-guide/short-summary/ Summary of the Aeneid: www.gradesaver.com/the-aeneid/study-guide/short-summary/ Unit 2 – Assignments Literature Confessions is a study in St. Augustine’s search for God. Before you read the assigned books for this unit, review the summaries for Books I & II on this site: http://augnet.org/default.asp?ipageid=245&iParentid=959 Read Books III & IV of Confessions. Activity While Reading: As you read, keep a reading journal, making note of the struggles and ideas St. Augustine reveals. If it helps to have a list of discussion questions to guide your reading, visit: http://www.virtualsalt.com/lit/augustin.htm. Also While Reading: Work on the Composition assignment that is related to your reading. Using the context resources, write an Author Profile on St. Augustine. See the Resources section at www.ArtiosHCS.com to view the format for this paper. Medieval to Renaissance: Middle School Unit 1 - 6: Literature and Composition Page 374 Composition As you read use your journal to track examples (quotes or paraphrasing) of the theme you chose in Unit 1. Share the information you are finding. As you talk about your discoveries, you will be more comfortable communicating this theme in discussion and on paper. Read Unit 2 – Assignment Background. (The notes and projects from this unit should be used as a resource for the remainder of the year.) On a loose-leaf sheet of paper, create a Resource Document for writing. Include, in your own words, the reasons why we write essays and the three divisions the essays must contain. You will be using this Resource Document as a reference when you start writing your essay in Unit 5 so develop it with that in mind. Unit 2 – Assignment Background Adapted for Middle School from: Introduction from Essay Writing For Schools by Leslie Cope Cornford First of all, what is an Essay? . An thing really is, by proving, testing, or Essay is the setting forth, the making clear, examining it; by (as the Latin verb exigo the illustration of a particular fact, idea, suggests) the driving — or separating — truth, or emotion, or of a particular group of out the different things of which it is facts, ideas, truths, or emotions in a short composed (called its ingredients) . Thus, written composition. when you are endeavoring to find out and to For instance, the dictionary definition of make clear the nature of a subject, what it is, the word essay is itself a little essay on the you are essaying to do so; and when have word, an explanation of it. “A composition done all you can, you have made an essay. on some special subject, commonly briefer Here, the question naturally arises, and less complete and formal than a What is the object of writing essays at all? treatise,” says the dictionary; also, “an Why (you ask) should you, a person of endeavor to do something; attempt or effort humble pretensions, take the trouble to find made; also, sometimes, a trial or test, an out and to express your views upon subjects experiment:” and the dictionary goes on to which have already been treated, many tell us that the word is derived through the times, by the wise and famous? The reasons Old French assay, from the Latin exigo, are simple and sufficient.
Recommended publications
  • Medieval Studies
    College of Liberal Arts | Fall 2021-22 Minor - Medieval Studies ● Minor - Medieval Studies Minor - Medieval Studies Description The minor in medieval studies is an interdisciplinary course of study that covers the period from 476 to 1517. Students will be encouraged to take courses from a wide range of disciplines, which makes this minor well-suited to many majors. They will come to understand that "the Middle Ages" in fact includes a wide variety of cultures, artistic trends, literatures, languages, philosophies, and religious practices. In developing a deeper appreciation for the past, students will come to a better understanding of the foundation of our fast-paced, ever- changing present-day world. Course Requirements The minor in medieval studies consists of 18 semester hours, including Hst 309 or Eng 316 or Mlll 375. Students must complete 15 hours at the 300 level or above from the approved list of courses below. The 18 semester hours must be taken in at least three different areas (e.g., English, Spanish, German), with 15 hours in an area different from the student's major. The same course may not satisfy requirements for both the major and the minor. Medieval Studies Coursework AH 330 Medieval Art AH 332 Early Christian, Byzantine & Islamic Art AH 334 Early Medieval Art and Archaeology AH 336 Viking Art and Archaeology AH 338 Romanesque and Gothic Art AH 530 Topics in Medieval Art Eng 317 Chaucer Eng 318 Medieval Romance Eng 319 Medieval Drama Eng 320 The Heroic Age Eng 321 Literature of Medieval Europe Eng 322 Studies in Medieval
    [Show full text]
  • 000 (London, 2009)
    Aristotle from York to Basra An investigation into the simultaneous study of Aristotle’s Categories in the Carolingian, the Byzantine and the Abbasid worlds by Erik Hermans A dissertation submitted in partial ful@illment of the requirements for the degree of Doctor of Philosophy Institute for the Study of the AnCient World New York University May, 2016 _________________________ Robert Hoyland © Erik Hermans All Rights Reserved, 2016 ACKNOWLEDGEMENTS This dissertation is the produCt of a new and interdisCiplinary graduate program at the Institute for the Study of the AnCient World (ISAW) at New York University. Without the vision and generosity of Leon Levy and Shelby White ISAW would not have existed and this dissertation would not have been written. I am therefore greatly indebted to these philanthropists. At ISAW I was able to Create my own graduate CurriCulum, whiCh allowed me to expand my horizon as a ClassiCist and explore the riChness of Western Europe, Byzantium and the Middle East in the early medieval period. My aCademiC endeavors as a graduate student would not have been successful without the reliable, helpful and impeCCable guidanCe of Roger Bagnall. Without him AmeriCan aCademia would still be a labyrinth for me. I Consider myself very fortunate to have an interdisCiplinary Committee of supervisors from different institutions. Helmut Reimitz of PrinCeton University and John Duffy of Harvard University have voluntarily Committed themselves to the supervision of both my Comprehensive exams and my dissertation. I would like to thank them deeply for their time and assistanCe. However, I am most indebted to my primary advisor, Robert Hoyland.
    [Show full text]
  • Courses Taught in Foreign Languages in Academic Year 2020/21 Content
    Courses taught in foreign languages in academic year 2020/21 Content Winter Term ............................................................................................................................................ 2 Heresy in Medieval Society ................................................................................................................. 2 Modern Architecture ........................................................................................................................... 3 Ancient Political Thought .................................................................................................................... 4 Education for Democratic Citizenship ................................................................................................. 5 English Language ................................................................................................................................. 6 Methods and Application of Historical Geography ............................................................................. 7 History of Long 19th Century .............................................................................................................. 8 Czechs and Germans in the Bohemian Lands 1848-1947 ................................................................. 10 Health and Disease in the Middle Ages and Early Modern Period ................................................... 11 Summer term .......................................................................................................................................
    [Show full text]
  • Downloaded from Brill.Com10/01/2021 10:41:08PM Via Free Access
    erudition and the republic of letters 2 (2017) 359-395 brill.com/erl Universal History and the Origin Narrative of European Modernity: The Leiden Lectures of Jacob Perizonius (1651–1715) on Historia Universalis Frederic Clark Department of Classics, University of Southern California, Los Angeles, ca 90089 [email protected] Abstract This article explores a central facet of humanist scholarship and pedagogy—namely, the writing and teaching of universal history—in the decades around 1700. In does so by examining one of the most prominent humanists of the European Republic of Let- ters: the Leiden classical scholar Jacob Perizonius (1651–1715). Through analysis of Peri- zonius’s unpublished lectures on universal history, it explores how ‘classicists’ (long before they commonly identified as such) could command geographies and tempo- ralities far distant from Greco-Roman antiquity. Late humanist classical scholars like Perizonius used the ancient genre of universal history or historia universalis to com- bine everything from the fall of Rome to the emergence of Renaissance Europe into a single continuous narrative. In so doing, Perizonius helped forge a via media between antiquity and modernity at a moment when self-identified “ancients” and “moderns” * I wish to thank Mordechai Feingold for inviting me to write this article and for his generous assistance throughout the process. I am also most grateful to Anthony Grafton for his many insights into Perizonius and his expert guidance through the world of humanist scholarship. As I was finishing this article I greatly benefited from participation in a discussion group with Anton Matytsin and Thomas Wallnig on the history of early modern historiography.
    [Show full text]
  • Medieval World, 2018-2019
    COURSES THAT COUNT Medieval World, 2018-2019 Key to Requirements: HIS: Courses on the History of the Medieval World TIS: Courses on Texts, Images, and/or Sound SPR: Courses on Science, Philosophy, and/or Religion IC: HL90s on Pre-Modern Topics and Other Introductory Courses Aesthetic and Interpretive Understanding 40. Monuments of Islamic Architecture. Necipoglu- Kafadar and Roxburgh. (TIS) Aesthetic and Interpretive Understanding 64. Chaucer: The Canterbury Tales. Watson. (TIS) Celtic Languages and Literatures 101. [Irish Heroic Saga]. Nagy. (TIS) Celtic Languages and Literatures 103. [The Celts]. McKenna. (HIS) Celtic Languages and Literatures 105. The Folklore of Gaelic Ireland. Sumner.(TIS) Celtic Languages and Literatures 106. The Folklore of Gaelic Scotland. Sumner. (TIS) Celtic Languages and Literatures 109. [Finn: The Great Gaelic Hero]. TBA. (TIS) Celtic Languages and Literatures 111. Shapeshifters and Manbeasts in Celtic Traditions. McKenna. (TIS) (SPR) Celtic Languages and Literatures 120. [Food and Fantasy in Irish Tradition]. TBA. (TIS) Celtic Languages and Literatures 121. The Art of Storytelling in Medieval Ireland. Nagy. (TIS) Celtic Languages and Literatures 137. [Celtic Mythology]. TBA. (TIS) (SPR) Celtic Languages and Literatures 138. [The Mabinogion: Stories from Medieval Wales]. TBA. (TIS) Celtic Languages and Literatures 187. [Literature of the Dispossessed: Gaelic Ireland, c.1600- 1900]. TBA. (TIS) Celtic Languages and Literatures 188. [Songs of the Highlander]. TBA. (TIS) Celtic Languages and Literatures 194. The World of the Celtic Bard. McKenna. (HIS) (TIS) Chinese History 185. [The Historiography of the Middle Period]. Bol. (HIS) Chinese Literature 114. Introduction to Premodern Chinese Literature. Tian.(TIS) Classical Studies 119. Augustine the North African. Trettel. (SPR) Comparative Literature 114.
    [Show full text]
  • THE MEDIEVAL PERIOD​ (A.K.A Middle Ages) C. 500-1400 (Began
    Name_____________________________ HR Teacher_________________________ THE MEDIEVAL PERIOD (a.k.a Middle Ages) ​ C. 500-1400 (began with with fall of the Roman Empire) WORDS TO KNOW chant/plainchant unaccompanied, monophonic music used in liturgy of the western church monophony (monophonic, adj. ) (mono=one) ​ ​ a single melody played, written, or sung with no harmony polyphony (polyphonic, adj.) (poly=many) ​ ​ music featuring two or more independent melodies played, written, or sung simultaneously homophony (homophonic, adj.) (homo=same) ​ ​ music in which the accompanying parts have the same rhythm as the melody; secular music music not related to religion or religious services sacred music music used for religious service or purpose Gregorian Chant named after Pope Gregory I) is monophonic, plainchant music ​ ​ neumes symbols representing from one to four notes, used in the musical notation of the Middle Ages/Medieval Era THE RENAISSANCE PERIOD 1400-1600 renaissance literally means “re-birth”; rebirth of education, science, art, literature, music ​ motet a sacred, polyphonic vocal composition, usually unaccompanied (a cappella) madrigal a secular, polyphonic song based on poems, often about love consort a small group of instruments playing together MEDIEVAL COMPOSERS TO KNOW GUIDO of AREZZO c. 991-1033 ​ ♫ Guido was an Italian monk ♫ He created a set of syllables to help singers remember melodies designed after the human hand ♫ Guido also developed staff notation; a change from neumatic notation, which only gave a general outline of
    [Show full text]
  • The Guitar in the Middle Ages and Renaissance by Julie Carmen for Tournaments Illuminated, Issue #129, Winter, 1999 (Pre-Print)
    Central Washington University ScholarWorks@CWU Library Scholarship James E. Brooks Library Winter 1999 The uitG ar in the Middle Ages and Renaissance Julie D. Carmen Central Washington University, [email protected] Follow this and additional works at: https://digitalcommons.cwu.edu/libraryfac Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the History of Science, Technology, and Medicine Commons Recommended Citation Carmen, Julie D., "The uitG ar in the Middle Ages and Renaissance" (1999). Library Scholarship. 62. https://digitalcommons.cwu.edu/libraryfac/62 This Article is brought to you for free and open access by the James E. Brooks Library at ScholarWorks@CWU. It has been accepted for inclusion in Library Scholarship by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. 1 The Guitar in the Middle Ages and Renaissance By Julie Carmen For Tournaments Illuminated, Issue #129, Winter, 1999 (pre-print) In the Society for Creative Anachronism (SCA) world there are high standards for recovering and reconstructing the truth in history. Recorded history determines how we re-create the Middle Ages, and it is with much determination that we search for as many facts as possible for each of our varied interests. This article seeks to clarify the historical authenticity of one of the most popular musical instruments, the guitar. In preparation for this search, guidelines had to be set as to what the Society deems “authentic”. Is it more aesthetically pleasing
    [Show full text]
  • Medieval and Renaissance Studies 1
    Medieval and Renaissance Studies 1 HIST 4312 European Encounters, 1400-1800 MEDIEVAL AND RENAISSANCE Philosophy STUDIES PHIL 307 Medieval Philosophy Medieval & Renaissance Studies is cross-cultural in design and covers the time-period from Late Antiquity (ca. 400) to the seventeenth century. Through the interdisciplinary study of history, art, religion, language and literature, students will develop an integrated understanding of medieval and early modern civilization. Its legacy, along with its intellectual and social diversity, enhances our understanding not only of the past but of present society. Minor or LIBS Concentration Only The minor/concentration in Medieval and Renaissance Studies consists of 15 credit hours from the courses (CABR) listed below. Students must include courses from three disciplines. Code Title Credit Hours Art History ARTH 331 Erly Christian Byzan Art ARTH 332 Early Med and Romanesque Art ARTH 333 Gothic Art and Architecture ARTH 334 The 14th Century ARTH 335 Women in Medieval Art ARTH 341 Art&Arch in Early Ren Florence ARTH 342 High Renaissance and Mannerism ARTH 343 Northern Renaissance Art ARTH 344 Italian Renaissance Sculpture ARTH 351 Southern Baroque Art ARTH 352 Northern Baroque Art ARTH 454 Rembrandt Comparative Literature COML 433 Writing Women in Renaissance English ENGL 371 Engl Lit from Begin-1500 ENGL 372 Engl Lit: 1500 to 1600 ENGL 373 English Lit 1600-1660 ENGL 400 Maj Engl Auth of the Mid Ages ENGL 401 Lit of Anglo-Saxon England ENGL 405 Chaucer ENGL 406 Studies in Medieval Lit/Cult ENGL 408 Shakespeare I: Earlier Works ENGL 409 Shakespeare II: Later Works ENGL 410 Maj Engl Authors of the Renais ENGL 412 Milton ENGL 413 Shakespeare's Contemporaries ENGL 414 Seventeenth-Century Readings History HIST 314 England: Tudors and Stuarts HIST 329 Medieval Society HIST 330 The Renaissance HIST 331 The Reformation Era: 1500-1648.
    [Show full text]
  • Horizontal Learning in the High Middle Ages Middle High the in Learning Horizontal
    KNOWLEDGE COMMUNITIES Long, Snijders & Vanderputten (eds) VanderputtenLong, Snijders & Horizontal Learning in the High Middle Ages Edited by Micol Long, Tjamke Snijders, and Steven Vanderputten Horizontal Learning in the High Middle Ages Peer-to-Peer Knowledge Transfer in Religious Communities FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Horizontal Learning in the High Middle Ages FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Knowledge Communities This series focuses on innovative scholarship in the areas of intellectual history and the history of ideas, particularly as they relate to the communication of knowledge within and among diverse scholarly, literary, religious, and social communities across Western Europe. Interdisciplinary in nature, the series especially encourages new methodological outlooks that draw on the disciplines of philosophy, theology, musicology, anthropology, paleography, and codicology. Knowledge Communities addresses the myriad ways in which knowledge was expressed and inculcated, not only focusing upon scholarly texts from the period but also emphasizing the importance of emotions, ritual, performance, images, and gestures as modalities that communicate and acculturate ideas. The series publishes cutting-edge work that explores the nexus between ideas, communities and individuals in medieval and early modern Europe. Series Editors Clare Monagle, Macquarie University Mette Bruun, University of Copenhagen Babette Hellemans, University of Groningen Severin Kitanov, Salem State University
    [Show full text]
  • The Medieval Renaissance, Urbanization, and the Echoes Of
    KEVIN SYMINGTON In many cases, the literary hyperbole of the romance genres provides the opportunity for researchers to discern the realistic elements of these sources. With proper focus on the value of such cultural ideals and the historical paradigm shift that inspired them, the usefulness of these stories become evident.1 Chrétien de Troyes’ Lancelot, or the Knight of the Cart is a classic example of romantic literature of the twelfth century. This paper will examine the impact of the twelfth century renaissance in France and Germany and the wider European sphere and how this intellectual blossoming of law, literature and urbanization manifested in a more educated, secular and refined urban Europe. In particular, the role and popularity of the romance genre at medieval courts will be explored, and what aspects of these stories which appealed so greatly to courtly audiences reflect the realities of the changes that this renaissance brought. This paper will further examine this literature and ‘courtly culture’ for the historical insight they can provide today and how this intellectual stimulation reshaped the illiterate, religious and agrarian face of the earlier Middle Ages. The twelfth-century renaissance has been used as an example of how the Middle Ages was a more dynamic period than previously described.2 The timeframe of this renaissance is considered roughly 1050 to 1250 CE; though widely disputed amongst recent historians, this serves as a useful framework for the beginning and end this medieval renaissance period. It is 1 Richard W. Kaeuper, “William Marshal, Lancelot and the Issue of Chivalric Identity,” Essays in Medieval Studies 22:1, (2005), pp.
    [Show full text]
  • Checklist of Western Medieval, Byzantine, and Renaissance Manuscripts
    CHECKLIST OF WESTERN MEDIEVAL, BYZANTINE, AND RENAISSANCE MANUSCRIPTS IN THE PRINCETON UNIVERSITY LIBRARY AND THE SCHEIDE LIBRARY Department of Rare Books and Special Collections February 25, 2015 CONTENTS Introduction, p. 3 Manuscripts Division Robert Garrett Medieval and Renaissance Manuscripts (C0744.09), p. 5 Robert Taylor Medieval and Renaissance Manuscripts (RTC01), p. 44 Grenville Kane Medieval and Renaissance Manuscripts (C1442), p. 48 Princeton Medieval and Renaissance Manuscripts (C0931), p. 56 Cotsen Children’s Library Cotsen Medieval and Renaissance Manuscripts, p. 87 Rare Books Division Manuscripts bound with early printed books, p. 88 The Scheide Library Scheide Medieval and Renaissance Manuscripts, p. 88 INTRODUCTION The present checklist is not a catalogue, but rather a 96-page updatable checklist intended to serve as a guide to available cataloging, textual and codicological descriptions, and digital images for western medieval, Byzantine, and Renaissance manuscripts in the Princeton University Library, including the Scheide Library, whose bequest to Princeton was announced in February 2015. Manuscripts are listed by holding unit, collection, and manuscript number or shelfmark. Links are given for more than well over 2,000 digital images of miniatures, illustrations, and selected diagrams and decoration in the manuscripts, about a third of which are illuminated. In addition, links are provided for digitized grayscale microfilm of a large number of Middle English manuscripts at Princeton and for a group of important manuscripts digitized in the Library since the 1990s and now part of the Princeton University Digital Library (PUDL). For more information about the holdings of the Manuscripts Division or make appointments, potential researchers should contact Don C.
    [Show full text]
  • Explaining Religious Change in Medieval and Early Modern Europe
    a Migrations of the Holy: Explaining Religious Change in Medieval and Early Modern Europe Alexandra Walsham University of Cambridge Cambridge, United Kingdom How do we conceptualize and explain religious change in medieval and early modern Europe without perpetuating distorting paradigms inherited from the very era of the past that is the subject of our study? How can we do justice to historical development over time without resorting to linear grand narratives that have their intellectual origins in the very movements that we seek to comprehend? In one way or another, this challenging question has inspired all my published work to date, which has focused on the ways in which early mod- ern society adapted to the religious revolutions that unfolded before it. My work has explored the ambiguities, anomalies, and ironies that accompany dramatic moments of ideological and cultural rupture. It has sought to bal- ance recognition of the decisive transformations wrought by the Protestant and Catholic Reformations with awareness of the complexities and contra- dictions that characterized their evolution and entrenchment in practice. It has been marked by a consuming interest in the currents of continuity that tempered, mediated, and even facilitated the upheavals of the early mod- ern era. One consequence of this preoccupation with analyzing how and why cultures are held in tension and suspension during critical phases of transition is that I have been very much less effective in acknowledging and accounting for religious change itself. This is my Achilles’ heel as a historian, and one that I share with a number of other historians of my generation.
    [Show full text]