Old Parliament House Annual Report 2012–2013
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Part Five: Appendices
136 national museum of australia annual report 08–09 Part five: Appendices Detail of a needlework sampler depicting Botany Bay in the early years of settlement, acquired by the Museum in 2009. part five: appendices 137 138 national museum of australia annual report 08–09 Professor Andrea Hull ao Appendix 1 : BA Dip Ed (Sydney University) Council and committees MBA (Melbourne Business School) Executive Education AGSM, Harvard of the National Museum Fellow, Australian Institute of Company Directors of Australia Fellow, Australian Institute of Management Director, Victorian College of the Arts (to March 2009) Council members are appointed under Section 13(2) 12 December 2008 – 11 December 2011 of the National Museum of Australia Act 1980. Attended 2/2 meetings executive member Council Mr Craddock Morton members as at 30 june 2009 BA (Hons) (ANU) Mr Daniel Gilbert am (Chair) Director, National Museum of Australia LLB (University of Sydney) Acting Director: 15 December 2003 – 23 June 2004 Managing Partner, Gilbert+Tobin Director: 24 June 2004 – 23 June 2007 Non-Executive Director, National Australia Bank Limited Reappointed: 24 June 2007 – 23 June 2010 Director, Australian Indigenous Minority Supplier Council Attended 4/4 meetings Member, Prime Minister’s National Policy Commission on Indigenous Housing outgoing members in 2008–09 Councillor, Australian Business Arts Foundation The Hon Tony Staley ao (Chair) 27 March 2009 – 26 March 2012 LLB (Melbourne) Attended 1/1 meeting Chair, Cooperative Research Centres Association Dr John Hirst (Deputy -
Canberra Theatre Centre May 29-31 Australian Theatre
AUSTRALIAN TO THE CANBERRA THEATRE HEART OF THEATRE CENTRE FORUM 2013 IT. MAY 29-31 PRODUCED BY THEATRE NETWORK VICTORIA WELCOME TO THE AUSTRALIAN THEATRE FORUM 2013. As a leap of faith we have had an amazing response from artists, producers and presenters across the country. I began the curation of ATF 2013 with a simple frame of wanting to talk about ‘what’s not possible?’ as a way of stretching our minds and thoughts forward over the next 30 years and to think about the broader questions that we grapple with as makers, artists and cultural producers. Alongside this, I gave myself the provocation of ‘not knowing’ to embrace curiosity and freedom, and open my mind to ideas and questions outside my frame of reference. I would describe this as a willful and measured naivety. There are always critical issues we are compelled to talk about – but what else can happen if we knowingly put these to one side? In assembling the program I have been directly inspired by attending IETM – International Network for Contemporary Performing Arts - over the last three years. Not because it is European, but because I am interested in the people and the conversations – accidental and intended, formal and informal. Away from the environment of a market- focused meeting, how can we diffuse an artificial hierarchy to engage in conversations that thread diverse practices, ideas and provocations to re-inspire ourselves, and one another…Talk to people we don’t know, follow the scent of a good idea, do some business and pursue an interesting conversation not knowing where it will lead… This, and discussions across the country, has lead to the program for ATF 2013. -
THE ART of BRINGING the ARTS to CANBERRA EDUCATION RESOURCE Cover Image: Courtesy of Ben Wrigley CONTENTS
THE ART OF BRINGING THE ARTS TO CANBERRA EDUCATION RESOURCE Cover Image: courtesy of Ben Wrigley CONTENTS SECTION 1 Introduction: the purpose of this resource 2 The Educational Landscape 3 The Centenary of Canberra 3 Acquiring public works of art 4 SECTION 2 Early Canberra 1913, A E MacDonald, at the Canberra Museum and Gallery 6 Great Hall Tapestry, Arthur Boyd and the Victorian Tapestry Workshop Parliament House, Canberra 8 Icarus, Jan Brown, Petrie Plaza, Civic, Canberra 10 SECTION 3 StellrScope, Eleanor Gates-Stuart, A major visual arts production, Questacon 2013 12 Prime Time, John Shortis and Moya Simpson, to be performed in 2013 14 Hipbone Sticking Out (the Yijala Yala project) Big hART - Canberra Theatre, 2013 16 SECTION 4 The Australian Curriculum 18 * Copies of additional sheets can be downloaded from canberra100.com.au CONTENTS 1 INTRODUCTION The following pages will present material Welcome to this resource for Arts teachers. Your role in the for Arts teachers to use concentrating on education of children and young people is extraordinarily three existing public art works, and three works that have been commissioned as important as you enable them to find their creative talents and to part of the celebrations of the Centenary participate in the wide world of artistic expression and innovation. of Canberra. You teach and enable students to ‘see’ into this world. THE THREE EXISTING WORKS ARE: “One only admires what one has first learnt to see” • A E MacDonald’s oil painting Early - Ernst H Gombrich Canberra, at the Canberra Museum Canberra abounds in art works, not just in well-known cultural institutions and Gallery, Civic such as the National Gallery of Australia, National Portrait Gallery, • Arthur Boyd’s Great Hall Tapestry in National Museum of Australia and Australian War Memorial, Parliament House but also in smaller galleries and museums, offices, banks and restaurants, • Jan Brown’s Icarus, a bronze sculpture and, of course, in outdoor public spaces. -
Appendices Appendix a Contact Information
APPENDICES APPENDIX A CONTACT INFORMATION Physical address Old Parliament House 18 King George Terrace PARKES ACT 2600 Mailing address Old Parliament House PO Box 7088 CANBERRA BC ACT 2610 General enquiries Phone (02) 6270 8222 Fax (02) 6270 8111 E-mail [email protected] Website moadoph.gov.au Australian Prime Ministers Centre Phone (02) 6270 8270 Email [email protected] School programs Phone (02) 6270 8282 Email [email protected] 126 APPENDIX B ADVISORY COUNCIL At 30 June 2009, the Old Parliament House Advisory Council had six members (as shown in Table 11), and four vacancies for members. Mr Peter Rush of the Department of the Prime Minister and Cabinet was an official observer of the council. The terms of the Rt Hon Doug Anthony (former Chair) and Mr Fred Brenchley expired during 2008–09. Table 11 Old Parliament House Advisory Council members at 30 June 2009 Role Name Background Term Chair Mr William McInnes Writer and actor 16 February 2009 to 15 February 2012 Deputy The Hon Susan Ryan Former senator 16 May 2008 to 15 May 2011 Chair and minister Member The Hon Paul Calvert Former President 16 May 2008 to 15 May 2011 of the Senate Member Dr Jane Lennon Heritage expert 24 July 2007 to 23 July 2010 Member Mr Geoff Pryor Cartoonist and 24 July 2007 to 23 July 2010 artist Member Dr John Byron Academic 26 June 2008 to 25 June 2011 OLD PARLIAMENT HOUSE ANNUAL REPORT 2008–09 127 APPENDIX C CHARTER OF OPERATIONS The Old Parliament House Charter of Operations, which sets out the agency’s obligations and services to the public, is reviewed annually. -
Original Music for the Dance in Australia, 1960-2000. Compiled by Rachel Hocking for This Thesis and Found in Appendix A
Crafting Connections: original music for the dance in Australia, 1960-2000. by Rachel Hocking BMus(Hons) LTCL ATCL AMusA A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Music and Music Education Faculty of Arts and Social Sciences University of New South Wales August 2006 Originality Statement I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project’s design and conception or in style, presentation and linguistic expression is acknowledged. Signed _____________________________________________ Date _______________________________________________ ii Abstract This thesis documents the artistic connections made between composers and choreographers in Australia during the period 1960-2000. These 40 years saw a growth in the establishment of dance companies, resulting in many opportunities for composers to write original music for original dance works. The findings of original dance-music are tabulated in an extensive database giving details of 208 composers and over 550 music compositions written specifically for dance. Examples of choreographer and composer collaborative relationships and attitudes to each other’s artforms are discussed. -
Download Annual Report 2001–02: Part
9248NMAA.R01 28/10/02 12:14 PM Page 13 PART TWO Performance reports George Serras George 9248NMAA.R01 28/10/02 12:14 PM Page 14 INTRODUCTION This annual report provides actual performance and financial information against the budgeted expenditure and planned performance targets laid out in the Portfolio Budget Statements 2001–2002 and Portfolio Additional Estimates Statements 2001–2002. The Museum’s output structure was streamlined for 2001–2002. No change was made to the Museum’s outcome. The National Museum of Australia is the country’s newest national cultural institution, committed to providing the best possible physical and intellectual access to its cultural resources and collections. In the 2001–2002 Federal Budget, the Government increased resources allocated to the acquisitions, care and management of the National Historical Collection to provide objects for exhibition, development and display in the new Acton Peninsula facility. As part of the Additional Estimates process, the Government made adjustment for higher than anticipated visitor numbers and associated cost increases, supplementation for foregone admission fees, and higher than anticipated depreciation expenses on the new premises. The performance framework summarised in the table below does not correspond directly to the organisational structure of the Museum or its diverse activities. Accordingly, a summary of achievements follows the performance table to provide a context for the Museum’s formal reporting requirements. Given the visitor focus of the Museum’s first