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AUDITION PIECES – “THE MIKADO” Role Audition Piece Chappell Pg
AUDITION PIECES – “THE MIKADO” Role Audition Piece Chappell Pg.# Kalmus / Schirmer Pg.# THE MIKADO Solo: “A more humane Mikado” (to chorus entrance) 149 Act 2 #6 172 Act 2 # 17 bass or bass/baritone Ens.: “See how the fates their gifts allot” 162 Act 2 #8 190 Act 2 #19 Dialogue: “Obliged… -> theatrical performances” NANKI-POO Solo: ”A wand’ring minstrel, I” (to chorus entrance) 27 Act 1 #2 23 Act 1 #2 tenor Ens. “Were you not to Ko-Ko plighted” 80 Act 1 #9 88 Act 1 #9 Ens.: “Brightly dawns our wedding day” 133 Act 2 #3 151 Act 2 #14 Dialogue: “This is simply appalling” (whole scene) Dialogue: “Yum-Yum, at last we are alone” (whole scene) KO-KO Solo: “On a tree by a river…” 175 Act 2 #11 208 Act 2 #22 baritone Ens.: “I am so proud” 84 Act 1 #10 93 Act 1 #10 Ens.: “See how the fates their gifts allot” 162 Act 2 #8 190 Act 2 #19 Ens.: “There is beauty …” 179 Act 2 #12 213 Act 2 #23 Dialogue: “This is simply appalling” (whole scene) POOH-BAH Solo: “Young man, despair” 41 Act 1 #4 42 Act 1 #4 baritone Ens.: “I am so proud” 84 Act 1 #10 93 Act 1 #10 Ens.: “See how the fates their gifts allot” 162 Act 2 #8 190 Act 2 #19 Dialogue: “It is. -> sneering” PISH-TUSH Solo: “Our great Mikado, virtuous man” 34 Act 1 #3 32 Act 1 #3 baritone Ens.: “I am so proud” 84 Act 1 #10 93 Act 1 #10 Ens.: “Brightly dawns our wedding day” 133 Act 2 #3 151 Act 2 #14 Dialogue: “Obliged… -> theatrical performances” (reads The Mikado’s lines) GO-TO (A NOBLE) Solo: “Why, who are you who ask this question?” 26 Act 1 #1 Recit. -
The Mikado Program
GENEVA CONCERTS presents TheThe MikadoMikado Albert Bergeret, Artistic Director Saturday, September 24, 2011 • 7:30 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2011-2012 SEASON Saturday, 24 September 2011, 7:30 p.m. New York Gilbert & Sullivan Players The Mikado Sunday, 11 December 2011, 3:00 p.m. Imani Winds A Christmas Concert This tour engagement of Imani Winds is funded through the Mid Atlantic Tours program of Mid Atlantic Arts Foundation with support from the National Endowment for the Arts. Friday, 2 March 2012, 7:30 p.m. Rochester Philharmonic Orchestra Christoph Campestrini, conductor Juliana Athayde, violin Music of Barber and Brahms Friday, 30 March 2012, 7:30 p.m. Brian Sanders’ JUNK Patio Plastico Plus Saturday, 28 April 2012, 7:30 p.m. Cantus On the Shoulders of Giants Performed at the Smith Opera House, 82 Seneca Street, Geneva, New York These concerts are made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Saturday, September 24, 2011 at 7:30 p.m. The Mikado or, The Town of Titipu Libretto by Sir William S. Gilbert Music by Sir Arthur Sullivan First Performed at the Savoy Theatre, London, England, March 14, 1885 Stage Direction: Albert Bergeret & David Auxier Music Director: Albert Bergeret; Asst. Music Director: Andrea Stryker-Rodda Conductor: Albert Bergeret Scenic Design: Albère Costume Design: Gail J. Wofford & Kayko Nakamura Lighting Design: Brian Presti Production Stage Manager: David Sigafoose* Assistant Stage Manager: Annette Dieli DRAMATIS PERSONAE The Mikado of Japan .....................................................................Quinto Ott* Nanki-Poo (His son, disguised as a wandering minstrel) . -
The Mikado the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival The Mikado The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. Insights is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print Insights, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Erin Annarella (top), Carol Johnson, and Sarah Dammann in The Mikado, 1996 Contents Information on the Play Synopsis 4 CharactersThe Mikado 5 About the Playwright 6 Scholarly Articles on the Play Mere Pish-Posh 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: The Mikado Nanki-Poo, the son of the royal mikado, arrives in Titipu disguised as a peasant and looking for Yum- Yum. Without telling the truth about who he is, Nanki-Poo explains that several months earlier he had fallen in love with Yum-Yum; however she was already betrothed to Ko-Ko, a cheap tailor, and he saw that his suit was hopeless. -
I Have a Song to Sing O! Program.Pdf
Musical Numbers With Cat-like Tread, Upon Our Prey We Steal (The Pirates of Penzance) ...........................Ensemble I Have a Song to Sing, O! (The Yeomen of the Guard) ..................... James Mills and Sarah Caldwell Smith Am I Alone and Unobserved? (Patience)............................................... James Mills A British Tar (H.M.S. Pinafore) ................................Alex Corson, Albert Bergeret, Artistic Director Matthew Wages, David Wannen I’m Called Little Buttercup Wand’ring Minstrels (H.M.S. Pinafore) .............. Angela Christine Smith in We’re Called Gondolieri (The Gondoliers) ...................................Alex Corson and Matthew Wages Take a Pair of Sparkling Eyes (The Gondoliers) ...................................Alex Corson Oh, Better Far to Live and Die (The Pirates of Penzance) ................. Matthew Wages and Men Director: James Mills When All Night Long a Chap Remains (Iolanthe) ..........................................David Wannen Music Director & Conductor: Albert Bergeret Executive Producer: David Wannen Three Little Maids From School are We (The Mikado) .............................Rebecca Hargrove, Editor: Danny Bristoll Angela Christine Smith, Sarah Caldwell Smith Sarah Caldwell Smith, Soprano The Sun, Whose Rays are All Ablaze Rebecca Hargrove, Soprano (The Mikado) ..............................Rebecca Hargrove Angela Christine Smith, Contralto Here’s a How-de-do! Alex Corson, Tenor (The Mikado) ......................................Alex Corson, James Mills, Comic Baritone James -
Krantz [email protected] Phi Mu Alpha Sinfonia + Delta Omicron = Sinfonicron G&S Works, with Date and Length of Original London Run • Thespis 1871 (63)
Sinfonicron Light Opera presents Ruddigore, or The Witch’s Curse January 23-26, 2020 Kimball Theatre Osher Lifelong Learning Institute November 15, 2019 Ken Krantz [email protected] Phi Mu Alpha Sinfonia + Delta Omicron = Sinfonicron G&S Works, with date and length of original London run • Thespis 1871 (63) • Trial by Jury 1875 (131) • The Sorcerer 1877 (178) • HMS Pinafore 1878 (571) • The Pirates of Penzance 1879 (363) • Patience 1881 (578) • Iolanthe 1882 (398) G&S Works, Continued • Princess Ida 1884 (246) • The Mikado 1885 (672) • Ruddigore 1887 (288) • The Yeomen of the Guard 1888 (423) • The Gondoliers 1889 (554) • Utopia, Limited 1893 (245) • The Grand Duke 1896 (123) Elements of Gilbert’s stagecraft • Topsy-Turvydom (a/k/a Gilbertian logic) • Firm directorial control • The typical issue: Who will marry the soprano? • The typical competition: tenor vs. patter baritone • The Lozenge Plot • Literal lozenge: Used in The Sorcerer and never again • Virtual Lozenge: Used almost constantly Ruddigore: A “problem” opera • The horror show plot • The original spelling of the title: “Ruddygore” • Whatever opera followed The Mikado was likely to suffer by comparison Ruddigore Time: Early 19th Century Place: Cornwall, England Act 1: The village of Rederring Act 2: The picture gallery of Ruddigore Castle, one week later Ruddigore Dramatis Personae Mortals: •Sir Ruthven Murgatroyd, Baronet, disguised as Robin Oakapple (Patter Baritone) •Richard Dauntless, his foster brother, a sailor (Tenor) •Sir Despard Murgatroyd, Sir Ruthven’s younger brother -
The New York Gilbert and Sullivan Players'
FOR IMMEDIATE RELEASE February 7, 2020 CONTACT: DeAnn Lubell-Ames – (760) 831-3090 Note: Photos available at http://mccallumtheatre.com/index.php/media The New York Gilbert And Sullivan Players’ “The Mikado” McCallum Theatre Monday – March 9 – 7:00pm Palm Desert, CA – The McCallum Theatre welcomes the New York Gilbert and Sullivan Players to Palm Desert for a performance of the company’s all-new, critically acclaimed production of The Mikado, at 7:00pm, Monday, March 9. The Mikado sets the real-life characters of Victorian London’s D’Oyly Carte Opera Company within the imagined Japanese town of Titipu. Audiences will meet Messrs. Gilbert, Sullivan, and D’Oyly Carte themselves, and join them on a fantastic voyage to a land where the timeless libretto, beautiful music, and a fantastical cast of characters await. According to director and choreographer David Auxier-Loyola, and producer David Wannen: “The Mikado is undoubtedly the most popular piece of musical theater of all time, when its 135-year history is taken into account. For decades, a production of G&S’ satirical opera could be seen somewhere in the English-speaking world every day of the year. Its libretto has found its way into our language, with expressions such as the ‘grand Pooh-Bah’ and ‘Let the punishment fit the crime.’ Several films have been made of or about the work, including Mike Leigh’s 1999 film Topsy-Turvy. “Over the past decade, The Mikado has prompted a great deal of discussion in New York and in other cities across the United States about bringing classic productions, and particularly their performance practices, into the 21st century. -
The Mikado the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival The Mikado The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. Insights is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print Insights, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Erin Annarella (top), Carol Johnson, and Sarah Dammann in The Mikado, 1996 Contents Information on the Play Synopsis 4 CharactersThe Mikado 5 About the Playwright 6 Scholarly Articles on the Play Mere Pish-Posh 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: The Mikado Nanki-Poo, the son of the royal mikado, arrives in Titipu disguised as a peasant and looking for Yum- Yum. Without telling the truth about who he is, Nanki-Poo explains that several months earlier he had fallen in love with Yum-Yum; however she was already betrothed to Ko-Ko, a cheap tailor, and he saw that his suit was hopeless. -
Social Discourse in the Savoy Theatre's
SOCIAL DISCOURSE IN THE SAVOY THEATRE’S PRODUCTIONS OF THE NAUTCH GIRL (1891) AND UTOPIA LIMITED (1893): EXOTICISM AND VICTORIAN SELF-REFLECTION William L. Hicks, B.M. Thesis Prepared for the Degree of MASTER OF MUSIC UNIVERSITY OF NORTH TEXAS August 2003 APPROVED: John Michael Cooper, Major Professor Margaret Notley, Committee Member Mark McKnight, Committee Member James C. Scott, Dean of the College of Music C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Hicks, William L, Social Discourse in the Savoy Theatre’s Productions of The Nautch Girl (1891) and Utopia Limited (1893): Exoticism and Victorian Self-Reflection. Master of Music (Musicology), August 2003, 107 pp., 4 illustrations, 12 musical examples, references, 91 titles. As a consequence to Gilbert and Sullivan’s famed Carpet Quarrel, two operettas with decidedly “exotic” themes, The Nautch Girl; or, The Rajah of Chutneypore, and Utopia Limited; or, The Flowers of Progress were presented to London audiences. Neither has been accepted as part of the larger Savoy canon. This thesis considers the conspicuous business atmosphere of their originally performed contexts to understand why this situation arose. Critical social theory makes it possible to read the two documents as overt reflections on British imperialism. Examined more closely, however, the operettas reveal a great deal more about the highly introverted nature of exotic representation and the ambiguous dialogue between race and class hierarchies in late nineteenth-century British society. Copyright, 2003 by William L. Hicks ii ACKNOWLEDGEMENTS Because of the obscurity of The Nautch Girl and Utopia Limited, I am greatly indebted to the booksellers Christopher Browne and Wilfred M. -
'His Excellency'
AROUND TOWN No.151 Autumn 2012 ISSN 0159 3285 ISSN ’His Excellency’ The Hon Alex Chernov AC QC Governor of the State of Victoria 1 VICTORIAN BAR NEWS No. 151 Autumn 2012 Editorial 2 The Editors - Victorian Bar News Continues 3 Chairman’s Cupboard - At the Coalface: A Busy and Productive 2012 News and Views 4 From Vilnius to Melbourne: The Extraordinary Journey of The Hon Alex Chernov AC QC 8 How We Lead 11 Clerking System Review 12 Bendigo Law Association Address 4 8 16 Opening of the 2012 Legal Year 19 The New Bar Readers’ Course - One Year On 20 The Bar Exam 20 Globe Trotters 21 The Courtroom Dog 22 An Uncomfortable Discovery: Legal Process Outsourcing 25 Supreme Court Library 26 Ethics Committee Bulletins Around Town 28 The 2011 Bar Dinner 35 The Lineage and Strength of Our Traditions 38 Doyle SC Finally Has Her Say! 42 Farewell to Malkanthi Bowatta (DeSilva) 12 43 The Honourable Justice David Byrne Farewell Dinner 47 A Philanthropic Bar 48 AALS-ABCC Lord Judge Breakfast Editors 49 Vicbar Defeats the Solicitors! Paul Hayes, Richard Attiwill and Sharon Moore 51 Bar Hockey VBN Editorial Committee 52 Real Tennis and the Victorian Bar Paul Hayes, Richard Attiwill and Sharon Moore (Editors), Georgina Costello, Anthony 53 Wigs and Gowns Regatta 2011 Strahan (Deputy Editors), Ben Ihle, Justin Tomlinson, Louise Martin, Maree Norton and Benjamin Jellis Back of the Lift 55 Quarterly Counsel Contributors The Hon Chief Justice Warren AC, The Hon Justice David Ashley, The Hon Justice Geoffrey 56 Silence All Stand Nettle, Federal Magistrate Phillip Burchardt, The Hon John Coldrey QC, The Hon Peter 61 Her Honour Judge Barbara Cotterell Heerey QC, The Hon Neil Brown QC, Jack Fajgenbaum QC, John Digby QC, Julian Burnside 63 Going Up QC, Melanie Sloss SC, Fiona McLeod SC, James Mighell SC, Rachel Doyle SC, Paul Hayes, 63 Gonged! Richard Attiwill, Sharon Moore, Georgia King-Siem, Matt Fisher, Lindy Barrett, Georgina 64 Adjourned Sine Die Costello, Maree Norton, Louise Martin and James Butler. -
The Mikado 2020 Auditions 8 – 9 February 2020
The Mikado 2020 Auditions 8 – 9 February 2020 Auditions for this production will be held on Saturday 8th and Sunday 9th of February 2020. Details of the operetta, SWOC’s production, and how to audition are given in this document. Anyone 16 years or older is welcome to audition. For any additional information email The Mikado at [email protected]. The operetta The Mikado or The Town of Titipu Music by Arthur Sullivan: Lyrics and Libretto by W.S. Gilbert First performed at the Savoy Theatre, London - 14 March 1885 (it ran for 672 performances) First performed in the USA at the Fifth Avenue Theatre, New York - 19 August, 1885 First performed in Australia at the Theatre Royal, Sydney – 14th November, 1885 Historical context The Mikado has been performed more times, and in more countries, than any of the Gilbert and Sullivan Operas. It was first performed at the Savoy Theatre in London on the 14th March, 1885. Inspiration for the story came when a Samurai sword, on display in Gilbert’s study, fell from the wall as he was pondering what might become the theme of the collaboration’s ninth opera. Gilbert (the lyricist of the partnership) took this as an omen and determined to ‘leave his own country alone’ for a while and turn his biting satire instead towards the East. As it was, he merely took the opportunity to further satirise British politics and institutions more freely by clothing them in superficial Japanese trappings. He did not have to look far to research the subject of his new play. -
THE MERRY WIDOW Music by Franz Lehar English Dialogue by Gershom Clark Morningstar Lyrics by Adrian Ross and Ronald Orenstein
THE MERRY WIDOW Music by Franz Lehar English Dialogue by Gershom Clark Morningstar Lyrics by Adrian Ross and Ronald Orenstein FEATURES OF THIS SHOW The Merry Widow was a major hit in the United States, two years after it opened in Vienna. It boasted an English translation by Adrian Ross, a major lyricist in England. Although other librettos have been written for it since, Ross’s lyrics hold up very well, when modified for modern audiences. They convey the language that marks the period that is so important for the style of the show. Gershom Morningstar was commissioned by the Guild to rework the dialog, which was the show's weakest feature. New elements were added for plot depth and to increase the humor Obviously a star vehicle for a soprano as the Widow, the tenor De Rosillon and the soprano Valencienne have glorious duet material. The role of Danilo is one of the few chances for a baritone to be the romantic lead. The character moving the plot is Baron Zeta, who may be primarily an actor, as he sings little. There are good opportunities for supporting characters as well. CAST REQUIREMENTS Widow Hanna Glavari, soprano Marquis Cascada, baritone Count Danilo Danilovitch, baritone M. St. Brioche, a dandy, tenor Baron Mirko Zeta, actor General Cromov, actor, chorus Betush, his secretary, male or female actor Olga, his wife, actor, chorus Valencienne, his wife, soprano General Bogdanovitch, actor, chorus Camille, her lover, tenor Sylvaine, his wife, actor, chorus Zozo, the lead grisette, mezzo-soprano Praskovia Pritschitz, actor, chorus Six Grizettes, dancers Folk dancers, act 2 Chorus of embassy officials and their wives MUSICAL NUMBERS Overture........................................................................................ -
Price of Viagra 100Mg Uk
PARTNERS FOR THE ARTS BOARD OF DIRECTORS *President: Leilane Grimaldi. Mehler Secretary: Betty Farrell NEWSLETTER 2015 *Treasurer: F. Victoria Tresansky Vol.2,No.3 *Artistic Advisor: Elaine R. Walter, PhD *Membership: Cyd Everett Dena Feeney One more year and stronger! Joe Giannino *Immediate Vice President: Robert Misbin, MD THANKS TO YOU ! *Audrey Pendergast *Founding Board Members And what a year we had! In March, PARTNERS celebrated its anniversary at Twin Oaks, the elegant residence of Taipei’s Economic and Cultural Representative to the United States (TECRO), thanks to the graciousness of His Excellency Dr. Lyushun Shen and Mrs. Shen. Winners of the vocal competi- tion of 2014 as well as a inalist of the competition in 2013 delighted the audience. The Bulgarian Music Society presented our 2014 competition winners and a inalist in a recital at the Bulgarian Embassy in April. In so doing, one more platform was presented to our stars to per- form. In May, a group from PARTNERS went to Spain on a deluxe trip that included wonderful operas and concerts. We thank Audrey Pendergast and Alan Savada, our travel agent, for arranging the trip. After a performance of I Due Foscari, we toasted the performance with Christina Scheppelmann, artistic director of the Barcelona Opera, and the cast that included Plácido Domingo. Our traditional Potluck gathering took place in June at the Savada-Stevenson’s residence in D.C. We had great fun trying to solve opera charades. Will Stevenson, Dr. Wanda O’Brien Treil and Linda Petravogi were the charade winners! The prizes for the 2015 vocal awards competition were raised thanks to generosity of members Dr.