Electric, Eclectic, Canadian: Issues of Genre and Identity in the Music of the Guess Who
Electric, Eclectic, Canadian: Issues of Genre and Identity in the Music of the Guess Who by Susan Elizabeth Dalby Bachelor of Music (Music History, University of Western Ontario, 2003 Bachelor of Education, University of Western Ontario, 2009 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in Musicology School of Music, Faculty of Fine Arts Susan Elizabeth Dalby, 2009 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Electric, Eclectic, Canadian: Issues of Genre and Identity in the Music of the Guess Who by Susan Elizabeth Dalby Bachelor of Music (Music History), The University of Western Ontario, 2003 Bachelor of Education, The University of Western Ontario, 2009 Supervisory Committee Dr. Jonathan Goldman, School of Music, Faculty of Fine Arts Supervisor Dr. Susan Lewis Hammond, School of Music, Faculty of Fine Arts Departmental Member Dr. Lianne McLarty, History in Art, Faculty of Fine Arts Outside Member iii Abstract Supervisory Committee Dr. Jonathan Goldman, School of Music, Faculty of Fine Arts Supervisor Dr. Susan Lewis Hammond, School of Music, Faculty of Fine Arts Departmental Member Dr. Lianne McLarty, History in Art, Faculty of Fine Arts Outside Member Conducting musical analyses over three case studies, Electric, Eclectic, Canadian: Issues of Genre and Identity in the Music of the Guess Who considers issues of genre, culture, and identity in the music of Canadian rock band the Guess Who. The first case study discusses soft rock transformations in the songs “These Eyes” (1968), “Laughing” (1969), and “Undun” (1969).
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