137TH SEASON PROGRAM BOOK WINTER 2016 PROGRAM

UNIVERSITY OF MICHIGAN | ANN ARBOR PROGRAM BOOK WINTER 2016

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Be Enjoy the performance. the Enjoy Present UMS unleashes the power of the performing arts in of the performing arts UMS unleashes the power exceptional, world-class, and truly inspiring performances. and truly world-class, exceptional, Welcome to the UMS experience. We’re glad you’re present. present. you’re glad We’re to the UMS experience. Welcome order to engage, educate, transform, and connect individuals transform, order to engage, educate, with uncommon experiences. The Winter 2016 season is full of 2016 season is full The Winter with uncommon experiences.

When you attend a UMS performance, you’re part of a larger equation:

nonproft ARTS +CULTURE = ECONOMIC PROSPERITY in the greater Ann Arbor Area $100 million annually

Together, we invest in our local community’s vibrancy.

Ann Arbor Area Community Foundation aaacf.org BE PRESENT WINTER 2016 3

UMS Board of Directors of UMS Board S T E P H E N R . FORREST Chair, K E N N E T H C . FISCHER UMS President to this UMS performance. We’re We’re performance. UMS this to

SCHLISSEL President, Michigan of University M A R K President Ken Fischer at 734.647.1174 or at at or 734.647.1174 at Fischer Ken President [email protected]. We hope to see you again soon. performance at umslobby.org. If you have any comments, comments, any have you If umslobby.org. at performance UMS with touch in be please concerns, or questions, to a performance. We’re always eager to hear from you, you, from hear to eager always We’re performance. a a to after thoughts your share and conversation the Join too! joining us at the Ann Arbor Y for a community dance dance community a for Y Arbor Ann the at us joining ticket a buying or company, dance visiting a with class our programs at ums.org and to become engaged with with engaged become to and ums.org at programs our campaign, our to gift a making by it’s whether UMS, oversees of all the 175-voiceabout Grammymore Award-winninglearn to UMSyou invite We Union. Choral of the most exciting, diverse, and engaging in our history. history. our in engaging and diverse, exciting, most the of robust a has UMS stage, on see you’ll what to addition In also and ages all of people serving program education Welcome season, one 137th in our joining us you’re that delighted For those who leave Michigan, but for whom Michigan never leaves.

This is where you belong. Join today at umalumni.com BE PRESENT WINTER 2016 5

8 7 31 40 11 11 12 14 20 23 People History Ad Index Education Foundation, Foundation, Winter 2016 2016 Winter Table of of Table Government, & Government, Contents Season Calendar Generous Donors Generous Leadership Donors University Support University Corporate Champions Corporate

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The Bad Plus Redman Joshua 4/14 Mnozil Brass 4/15 Zafir: Musical Winds Africa to from North Andalucía Simon Shaheen, music director 4/16 Orchestra Radio Bavarian Jansons, Mariss conductor violin Kavakos, Leonidas 4/23 American Ballet Theatre American Ballet Beauty The Sleeping APRIL 4 / 1 de Mariachi Vargas Tecalitlán 4/3 Shakespeare’s NT Live: It Like As You 4/8 String Quartet Jerusalem 3/19 Symphony conductor Nagano, Kent piano Trifonov, Daniil 3/26 Gil Shaham, violin with original films by Michalek David Solos Bach Six 3/31-4/3 Les Liaisons 3/15 Apollo’s Fire & Apollo’s Singers Passion John St. Bach’s 2/24 Christopher NT Live: Hampton’s Dangereuses MARCH 3/5 The Chieftains 3/11-12 Nufonia Must Fall producer, DJ, Kid Koala, novelist and graphic 2/14 and Union Choral UMS Organ Love is Strong as Death conductor Hanoian, Scott 2/16-20 Schiff, piano Sir András Sonatas Last The Mozart, Haydn, of and Schubert Beethoven, 2/19 Belleville of The Triplets Charest, Benoît -conductor 2/5 Mac Taylor History A 24-Decade Music: Popular of 1960s–1980s 2/6 piano Igor Levit, 2/13 & Camille A. Brown Dancers &

Jane Eyre

Nanook of the North

Tanya Tagaq in concert in concert Tagaq Tanya with FEBRUARY 2/2 1/27 Ms. Lisa Fischer and Baton Grand 1/24 Charlotte NT Live: Brontë’s 1/22 Music Society Chamber of Lincoln Center Young Jean Lee’s Young Company Theater Show Feminist Untitled White Men Straight Orchestra with Orchestra Marsalis Wynton 1/21-23 Hamlet 1/20 Lincoln Center Jazz at conductor and violin conductor 1/17 Shakespeare’s NT Live: 1/11 Philharmonic Royal Orchestra Pinchas Zukerman, 1/10 Jamie Barton, mezzo-soprano 1 / 8 in a Song? What’s evening A song recital Katz Martin by curated JANUARY Winter 2016 Winter Calendar Season Education

E D U C A T I O N A L E X P E R I E N C E S F O R EVERYONE

At UMS, our mission goes beyond performance. We want you to create, to explore, and to experience extraordinary new things. That is why we ofer a fascinating lineup of artist Q&As, conversations, workshops, and interactive experiences, each designed to bring you closer to performance and creation, and to expand your comfort zone. If you want to experience something new, diferent, highly engaging, and eye-opening, we invite you to participate in events inside and outside of the theater.

UMS.ORG/LEARN

8 BE PRESENT WINTER 2016 9 . These These . , Tanya Tagaq, Taylor Taylor Tagaq, Tanya , An Interview with Taylor Mac and and Mac Taylor with Interview An Tanya Tagaq” Mac) Taylor Tagaq, (Tanya Monday, 2/8 Together: Identity “Constructing Artists and Audiences” Dancers) & Brown A. (Camille Monday, 2/15 ection & Graduation” f “Re Monday, 1/25 Identity” Dancing and “Acting Theater Lee’s Jean (Young Company, Tanya Tagaq, Taylor Mac) Monday, 2/1 Onstage: Identity “Constructing Black Girl—Linguistic Play Girl—Linguistic Black Straight White Men & Taylor Mac by Kevin Yatarola Kevin by Mac Taylor Performance” Theater Lee’s Jean (Young Company) Monday, 1/18 and Identity about “Thinking performance. Drop in to just one session, or attend them all. Events are free, free, are Events all. them attend or session, one just to in Drop performance. required. is pre-registration no and 90-minute classes combine conversation, interactive exercises, and lectures lectures Mac,and and& Dancers Camille A. Brown exercises, interactive conversation, combine classes and 90-minute identity to related themes the into you draw to experts genre with who share a similar interest. The Night School curriculum will include include will curriculum School Night The interest. similar a share who Company’s Theater Lee’s Jean Young of discussion and at attendance Untitled Feminist Show work? Do audiences’ own identities shape what they see on the stage? stage? the on see they what shape identities own audiences’ Do of work? intersections the discover to participants invites School Night others UMS meet to and dance, and theater, music, in identity and performance In our ongoing Night School series, UMS explores the dynamic quality quality dynamic the explores UMS series, School Night ongoing our this In in explored and constructed are identities social and human their how of inform identities personal artists’ do How program. artistic season’s Mondays 1/18–2/15, 7–8:30 pm St.) 200 Fletcher Center, (U-M Alumni UMS Night School: Constructing Identity Constructing School: Night UMS Bravo!

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Pedal to the metal. Daniil Trifonov, 2014 Gilmore Keyboard Festival © Chris McGuire

APRIL 29 TO MAY 14, 2016 THEGILMORE.ORG BE PRESENT WINTER 2016 11 . Led by Professor Henry Simmons Frieze and and Frieze Simmons Henry Professor by Led . Messiah

Photo: Hill Auditorium in 1928. Hill Auditorium Photo: continue to strengthen our reputation for artistic distinction and innovation. innovation. and distinction artistic for reputation our strengthen to continue and global music performers, and contemporary stagework and classical classical and stagework contemporary and performers, music global and new of commissioning the programming, educational Through theater. works, youth programs, artist residencies, and collaborative projects, we rst season, UMS has expanded greatly and now presents the the presents now and greatly expanded has UMS season, rst f that Since internationally arts: performing the of spectrum wide a from best very jazz ensembles, chamber and dance orchestras, and recitalists renowned University, and the University Musical Society was established soon after in in after soon established was Society Musical University the and University, 1880. December study of Handel’s Handel’s study of The name the assumed group the Cady, Calvin Professor by conducted the with liated f a also were members Union Choral Many Union. Choral ering that is unlike anything fering that is unlike an o artists for the contemporary alongside of members local of group a from grew UMS Midwest. the in available the for together gathered who 1870s the in townspeople and University In our 137th season, we continue to showcase traditional performances performances traditional showcase to continue we season, 137th our In

the the Future Tradition Tradition Builds Leadership Donors

We recognize the donors who have made or completed multi-year campaign commitments of $100,000 or more during the last year. In addition, we recognize the individuals who have committed $50,000 or more in support of the 2015–16 season.

BERTRAM ASKWITH (1911-2015) PATTI ASKWITH KENNER “The arts have made a signifcant diference in my life and my daughter’s life. I want every U-M student to have the opportunity to experience the impact of the performing arts at UMS. This is why I am ofering every frst and second year student one free ticket — Bert’s Ticket — to introduce them to a cultural experience at Michigan.”

EMILY BANDERA “One of the delights of living in Ann Arbor is the opportunity to attend the many and varied programs brought to us by UMS. We don't need to travel world-wide to experience these 'big city' events. I feel honored to help make this possible.”

DALLAS AND SHARON DORT “It could almost be said that we chose to move to Ann Arbor post-career because of UMS. Who wouldn’t want to live in a city that can attract such talent, and fll a 3,500-seat hall with so many enthusiastic audiences? Now, we enjoy each season all the more because, as donors, we’re an active part of UMS. What a privilege!”

STEVE AND ROS FORREST “As students, we benefted from low-cost student tickets, fostering a lifelong love of the performing arts. Our donation will help to ensure that afordable tickets will be available to today's students.”

12 BE PRESENT WINTER 2016 13 RICHARD AND SUSAN GUTOW theater, music, contemporary and classical enjoy "We endowment our add to privileged feel and dance, and to continues UMS that ensure help to others of that to university the to performances adventuresome present and Southeast Michigan communities." EUGENE AND EMILY GRANT EUGENE AND EMILY programs many the and UMS support to proud are “We that know to is great It students. fer University o they performing the greatest to access will have students important an are arts The world. the around from artists a Michigan education.” part of another institution that has had such an enormous enormous an such had has that institution another work UMS’s time. long a such over many so on impact support generous deserves and valuable enormously is the of power liberating the in believes who anybody from arts." performing PHIL AND KATHY POWER PHIL AND KATHY made been have lives of thousands and "Thousands music, the through aware profoundly more and richer imagine to hard It’s UMS. of erings f o dance and theater, member — allowing us to challenge our existing beliefs beliefs existing our challenge to us allowing — member boundaries.” and push our own MAXINE AND STUART FRANKEL MAXINE AND STUART fth f the for UMS with partner to delighted are “We Renegade Supporting Series. Renegade the of year for experiences provide to UMS allows programming audience experimental and adventurous, curious, the ILENE FORSYTH My Arbor. Ann in ourish f music chamber help to want “I and 1963 in inception its with began series the for support our help nurture these concerts that believe to I continue us.” and refresh stimulate as they life intellectual Corporate Champions

We thank the following businesses for their commitments of $5,000 or more for the 2015–16 season.

ALICIA M. TORRES Senior Vice President & Chief Financial Ofcer, Altarum Institute “The Arts stimulate the mind and inspire creativity. Hence, we at Altarum are thrilled to support UMS and provide inspiring and enjoyable cultural opportunities for our team and our community. Altarum Institute serves the public good by solving complex systems problems to improve human health through objective research, technology, analysis, and consulting leadership skills.”

DOUGLASS R. FOX President, Ann Arbor Automotive “We at Ann Arbor Automotive are pleased to support the artistic variety and program excellence given to us by UMS.”

TIMOTHY G. MARSHALL President and CEO, Bank of Ann Arbor “We take seriously our role as a community bank. While there have been sizable cuts in arts funding over the years by both the private and public sectors, Bank of Ann Arbor is delighted to continue to sponsor UMS year after year. We are frm believers that the arts are vital to the vibrancy of our cities, both culturally and economically.”

LARRY BRYANT Ann Arbor Region President, Comerica Bank “As a company with a long-standing commitment to diversity and our community, Comerica is proud to continue its support of UMS. We salute UMS on its eforts to enrich our community by showcasing the talents of performing artists from around the world. Congratulations to the leader and best in the performing arts.”

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xt: Te our frm.” rm’s tradition of supporting major cultural institutions, LLP and Cohn Schwartz institutions, cultural major supporting of tradition Ann rm’s f Our our UMS. “In of supporter all long-time a of been behalf has on Honigman tradition that on carry to Ann the proud in is ce live f o and Arbor work who those especially attorneys, our of and community our experiences cultural the exceptional all view of We area. Arbor success the to key as provides UMS that community. We are proud to support UMS and the important important the and UMS support to proud are We community. role it plays in enriching our lives.” DAVID Miller Honigman N.Partner, PARSIGIANManaging ce f O Arbor Ann JAMES G. VELLA Fund Company Motor Ford President, makes arts the and music through world the “Experiencing a as together us bringing while individuals as better us NANCY AND RANDALL FABER FABER NANCY AND RANDALL Founders, Faber Piano Institute program of tradition its in UMS support to proud are “We our thoughts, our enriches that outreach and excellence families, and our community.” organizations like UMS that inspire the soul, instruct the mind, mind, the instruct soul, the inspire that UMS like organizations and enrich the community.” today.” FAYE ALEXANDER Foundation Energy DTE President, NELSON exemplary support to pleased is Foundation Energy DTE “The CHRIS CONLIN Inc. Travel, Conlin President, over for UMS of supporter proud a been has Travel “Conlin UMS rst f my of one attending forget never will I years. 50 perform Horowitz Vladimir to listening 1975, in concerts makes UMS and others. f, Schumann, Rachmanino Chopin, Michigan in community cultural vibrant most the Arbor Ann

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rm Fo erred) .EPS White BW CMYK.EPS rm (pref Fo Black and CMYK File Format: d Fund Master For 6/2003 MOHAMAD ISSA Director, Issa Foundation “The Issa Foundation is sponsored by the Issa family, which has been established in Ann Arbor for the last 30 years, and is involved in local property management as well as area public schools. The Issa Foundation is devoted to the sharing and acceptance of culture in an efort to change stereotypes and promote peace. UMS has done an outstanding job bringing diverse and talented performers to Ann Arbor.”

KIRK ALBERT Michigan Market President, KeyBank “KeyBank remains a committed supporter of the performing arts in Ann Arbor and we commend UMS for bringing another season of great performances to the community. Thank you, UMS, for continuing the tradition.”

MICHAEL CONLIN Director of Business Development, Level X Talent “Level X Talent enjoys supporting UMS and its ongoing success bringing world-class artistic talent to the community. Please join us in congratulating UMS. As with the arts, consistently fnding and attracting exceptional talent in Advanced Technology can be difcult. Level X Talent partners with our clients to meet that challenge.”

KEITH ALLMAN President and Chief Executive Ofcer, Masco “Masco is proud to support UMS and salutes its commitment to providing excellent and diverse programs that spark a lifelong passion for creativity. Thank you, UMS, for allowing all of us to experience the transformative power of the performing arts!”

ALBERT M. BERRIZ CEO, McKinley, Inc. “The success of UMS is based on a commitment to present a diverse mix of quality cultural performances. McKinley is proud to support this tradition of excellence which enhances and strengthens our community.”

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Detroit and Southeast Michigan Regional President, President, Regional Michigan Southeast and Detroit PNC Bank Ann the and UMS of orts f e the support to proud is Bank “PNC community.” Arbor million in grants and sponsorships and our associates donated donated associates our and sponsorships and grants in million we’re reason the also It’s hours. volunteer 100,000 almost sponsor corporate a as UMS support again once to pleased for the 2015–16 season.” RICHARD L. DEVORE TODD CLARK Regional President, Old National Bank community to committed we’re Bank, National Old “At $5 over funded we alone, year last why, That’s partnership. STEPHEN G. PALMS P.L.C. and Stone, Paddock feld, Can Principal, Miller, our enhancing for UMS supports proudly eld f Can “Miller live of immediacy ltered f un the bringing by life of quality our community.” arts to performing fortunate that our business provides so many opportunities opportunities many so provides business our that fortunate bringing in success continuing its and UMS supporting for community.” the Ann Arbor to talent acclaimed internationally DENNIS SERRAS Inc. Mainstreet Ventures, Owner, ourselves consider we owners, service catering and restaurant “As THOMAS B. MCMULLEN THOMAS Properties McMullen CEO, and President in ticket best the still is ticket football State Michigan-Ohio “A the best in provides always a UMS ticket sport. However, all of and artistic entertainment.” educational BROCK HASTIE Managing Partner, Retirement Income Solutions, Inc. “With strong roots in the community for more than 30 years, our team of investment advisors is proud to support UMS. We recognize and appreciate UMS’s successful history and applaud the organization’s ongoing commitment to presenting authentic, world-renowned artists to the Ann Arbor community.”

SAVA LELCAJ Chief Executive Ofcer, Savco: Hospitality “One of Ann Arbor’s greatest assets is UMS, which brings amazing, best-in-class performances to our city season after season. Savco Hospitality is honored to support UMS and its mission of engaging, educating, transforming, and connecting the arts to our community.”

JOE SESI President, Sesi Lincoln Volvo Mazda “UMS is an important cultural asset for our community. The Sesi Lincoln Volvo Mazda team is delighted to sponsor such a fine organization.”

SesiMotors.com.com

JOHN W. STOUT President, Stout Systems “Supporting UMS is really a labor of love — love of music and the performing arts and love of arts advocacy and education. Everyone at Stout Systems knows we cannot truly be successful without helping to make our community a better place. It is an honor to be part of the UMS family.”

TOM THOMPSON Owner, Tom Thompson Flowers “Judy and I are enthusiastic participants in the UMS family. We appreciate how our lives have been elevated by this relationship.”

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Music improves the quality of life for all of us, and, and, us, of all for life of quality the improves Music for ingredient important an as recognized is increasingly, health.” better airs, University of of MARSCHALL RUNGE University airs, f A Medical for President Vice Executive System Health Michigan of University and CEO, Michigan, season. 2015–16 its for UMS with partner to proud are We MARK SCHLISSEL Michigan of University President, as UMS support to proud is Michigan of University “The UMS’s enterprise. academic our of extension natural a add programs educational and performances outstanding and alumni, faculty, students, our for value tremendous regional community.” Michigan Credit Union is proud to be a part of another great another be a part of to is proud Union Michigan Credit arts.” performing season of TIFFANY FORD TIFFANY Union Credit Michigan of University President, of University The lives. our enriching for UMS to you “Thank OSAMU “SIMON” NAGATA & Manufacturing Engineering Motor Toyota President, Inc. America, North an UMS, support to proud is Center Technical “Toyota diverse serving of history rich and long a with organization arts programming.” of a wide variety through audiences Foundation, Government, & University Support UMS gratefully acknowledges the support of the following private foundations, government agencies, and University of Michigan units:

$500,000 AND ABOVE The Andrew W. Mellon Foundation

$20,000-$499,000 Anonymous Charles H. Gershenson Trust

$5,000-$19,999 Benard L. Maas Foundation The Seattle Foundation University of Michigan Third Century Initiative

20 SUPPORTING THE ARTS

As a long-time patron of the arts, Honigman and its Ann Arbor attorneys are proud to support UMS.

Fernando Alberdi Tara E. Mahoney Christopher A. Ballard Cyril Moscow Maurice S. Binkow Leonard M. Niehoff Cynthia M. Bott David N. Parsigian Anna M. Budde Julie Kretzschmer Reitz Thomas W. Forster II Eric J. Sosenko Carl W. Herstein James E. Stewart Richard D. Hoeg Bea Swedlow Ann T. Hollenbeck Sara E. Waidelich J. Michael Huget Bill Winsten Barbara A. Kaye

For more information, please contact David Parsigian at 734.418.4250 or [email protected].

WWW.HONIGMAN.COM Montreal Symphony Orchestra

Kent Nagano Conductor

Daniil Trifonov Piano

Saturday Evening, March 19, 2016 at 8:00 Hill Auditorium Ann Arbor

77th Performance of the 137th Annual Season 137th Annual Choral Union Series Tonight’s performance is sponsored by the University of Michigan Health System and supported by Diane and Gary Stahle, James and Nancy Stanley, and the Zelenock Family. Endowed support provided by the Medical Community Endowment Fund. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. The Steinway piano used in this evening’s concert is made possible by William and Mary Palmer. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening's concert. The Montreal Symphony Orchestra (OSM) is presented by Hydro-Québec. The OSM USA BMO Harris Bank Tour is possible thanks to the OSM Foundation, Air Canada, Tourisme Montréal, the Canada Council for the Arts, the Conseil des arts et des lettres du Québec, and the Ville de Montréal. The Montreal Symphony Orchestra appears by arrangement with Opus 3 Artists. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM

Claude Debussy Prélude à l’après-midi d’un faune

Sergei Prokofiev Piano Concerto No. 3 in C Major, Op. 26

Andante — Allegro Tema con variazioni Allegro, ma non troppo

Mr. Trifonov

Intermission

Igor Stravinsky The Firebird (Complete Ballet)

Introduction

Scene I Kastchei’s Enchanted Garden Appearance of the Firebird Pursued by Prince Ivan Dance of the Firebird Prince Ivan Captures the Firebird Supplications of the Firebird Appearance of the Thirteen Enchanted Princesses The Princesses’ Game with the Golden Apples (Scherzo) Sudden Appearance of Prince Ivan The Princesses’ Round Dance (Khorovod) Daybreak Prince Ivan Penetrates Kastchei’s Palace Magic Carillon: Appearance of Kastchei’s Guardian Monsters; Capture of Prince Ivan Arrival of Kastchei the Immortal; His Dialogue with Prince Ivan; Intercession of the Princesses Appearance of the Firebird Dance of Kastchei’s Retinue under the Spell of the Firebird Infernal Dance of All Kastchei’s Subjects Lullaby (Firebird) Awakening of Kastchei Death of Kastchei; Profound Darkness

Scene II Disappearance of the Palace and Dissolution of Kastchei’s Magical Creations; Animation of the Petrified Warriors General Thanksgiving

3 N O W T H AT YO U ’ R E I N YOUR SEAT...

You are about to hear a true “Parisian” program, even though only one of the three was actually French. But both Prokofiev and Stravinsky lived in Paris for years. Prokofiev’s Third Piano Concerto was written in France, and Stravinsky’s Firebird was premiered in Paris by the Russian Ballet, whose director, Sergei Diaghilev, also commissioned Debussy and Prokofiev. The three works also share the magic of youth — all three composers were 30 or under when they wrote these pieces. Their lives and careers overlapped to a certain extent: Stravinsky, in the middle in terms of age, interacted with both his older and his younger colleague. Yet the program is far from unified in terms of style. There is a whole world — or more precisely, a world war — separating the Debussy and the Prokofiev works; in the 30 years that elapsed between the two, Western music had entered a whole new era in its history, with Stravinsky as one of the major catalysts of the change.

4 PRÉLUDE À L’APRÈS-MIDI D’UN FAUNE (PRELUDE TO THE AFTERNOON OF A FAUN) (1892)

Claude Debussy Born August 22, 1862 in Saint-Germain-en-Laye, France Died March 25, 1918 in Paris

UMS premiere: Chicago Symphony Orchestra conducted by Frederick Stock; May 1907 in Hill Auditorium.

Snapshots of History…In 1892: · Ellis Island begins accommodating immigrants to the US · The General Electric Company is established through the merger of the Thomson-Houston Company and the Edison General Electric Company · Homer Plessy (who is black) is arrested for sitting on the whites-only car in Louisiana, leading to the landmark Plessy vs. Ferguson court case · Women are first admitted to Yale University’s graduate school

The importance of Stéphane The first-person narrator in the Mallarmé (1842–1898) in the history eclogue (the word evokes associations of French poetry can hardly be with the pastoral poetry of the overestimated. His works, which great Latin poet Virgil) is a faun, a abound in complex symbols and mythological creature who is half images, sought to represent states man and half goat. The faun lives in of mind rather than ideas, express the woods, near a river surrounded moods rather than tell stories. by reedy marshes; he is daydreaming Mallarmé tried to capture that elusive about nymphs who may be real or line between dream and awakening mere figments of his imagination. that most of us who are not poets are The faun’s desire is filtered through well aware of but are unable to put the vagueness of its object as he into words. recalls past dreams, which emerge Mallarmé’s eclogue “L’Après-midi from the shadows only to recede into d’un Faune” (The Afternoon of a Faun) the darkness again. was published in 1876. Debussy first In his music, Debussy admirably set a poem by Mallarmé to music in captured that delicious vagueness of 1884, at the age of 22. Three years contours which is so important in the later, the young composer joined the poem. The themes do not follow any circle of poets and artists who met at stable metric patterns, and instead Mallarmé’s house every Tuesday night of progressing in a certain direction, for discussions and companionship. they remain entirely unpredictable, Thus he was thoroughly familiar with reflecting the unconstrained nature the poet’s style long before he began of the faun’s meditations. work on his prelude to “The Afternoon The faun plays a flute, which evokes of a Faun” in 1892. the syrinx (the Greek panpipe)*; and

5 it is quite natural that in Debussy’s music the orchestral flute is given a solo part throughout. The languid opening melody, which descends, mostly in half-steps, from C-sharp to G-natural and rises back to C-sharp again (thus outlining the exotic interval of the tritone, or augmented fourth), has become famous as an example of a melodic style independent from any traditional models. As it unfolds, the orchestral accompaniment becomes more and more intense. After a short resting point, a new section starts in which the first clarinet and the first oboe temporarily take over the lead from the flute; the tempo increases and a new melody is introduced, in sharp contrast with the chromatic flute theme that opened the piece. The new melody moves in wide intervals, and is played by all the woodwinds, plus the first horn, in unison. Finally, the first theme returns in its original tempo; following a passage that briefly brings back some of the agitation of the middle section, the music settles into a serene and peaceful idyll which prevails to the end.

*Debussy was to write a piece for unaccompanied flute under the title Flûte de Pan in 1913, planned as part of an incidental music; the piece was published as Syrinx after Debussy’s death.

6 PIANO CONCERTO NO. 3 IN C MAJOR, OP. 26 (1921)

Sergei Prokofiev Born April 23, 1891 in Donetsk Oblast, Ukraine Died March 5, 1953 in Moscow

UMS premiere: Philadelphia Orchestra conducted by Thor Johnson with piano soloist William Kapell; May 1951 in Hill Auditorium.

Snapshots of History…In 1921: · The US formally ends World War I · The first radio baseball game is broadcast; Harold Arlin announces the Pirates-Phillies game from Forbes Field over Westinghouse KDKA, in Pittsburgh · In Atlantic City, New Jersey, the first Miss America Pageant is held · Albert Einstein is awarded the Nobel Prize in Physics for his work with the photoelectric effect

Six months after the October coast of Brittany in Northern France Revolution of 1917, 27-year-old to work on what in his autobiography Sergei Prokofiev left Russia for the he called “a large virtuoso concerto.” US. Already famous in his homeland His first two concertos, written in as the enfant terrible of modern Russia, had been highly iconoclastic music, a controversial composer and a works giving rise to heated debates. pianist of dazzling virtuosity, he was This time, Prokofiev created a more eager to make a name for himself in Classical piece, one that he hoped the West as well. would help establish him in the West. His efforts to succeed in Most of the concerto’s thematic America, however, were only half material derives from earlier works successful. His first New York and sketches that had accumulated recital, on November 20, 1918, had over a 10-year period; yet in its final positive reviews. His The form the concerto is remarkably Love of Three Oranges got mostly unified in style and mood. unfavorable reviews in Chicago, The concerto contains many with the critics treating Prokofiev examples of that supreme musical as a Bolshevist barbarian let loose humor that has always been one of on the peaceful American shores. Prokofiev’s hallmarks; it combines As a result, Prokofiev soon decided melodic richness with a spectacular to make Western Europe his home virtuosity and interesting harmonic base instead of the US, although innovations in a most attractive way. his concert tours in this country The first movement opens with a continued until 1938. short “Andante” introduction whose In the summer of 1921, Prokofiev melody is stated by an unaccompanied retreated to a small village on the clarinet. The “Allegro” section is based

7 on a motif of quick 16th-notes, played by the violins, and a quirky piano motif (it is actually derived from the “Andante” theme) that is elaborated upon at some length. A new theme is soon introduced by the oboe; all this melodic material is then treated in a free sonata form. Next comes a theme with five variations that stands as the concerto’s slow movement, although three of the five variations are rather fast in tempo. These three (variations nos. 2, 3, and 5) exploit the beautiful lyrical theme more for its rhythmic than for its melodic potential. The other two, in which the piano plays the leading role, are more delicate, and filled with exciting chromatic harmonies. The last variation turns the theme into a march of sorts, but the coda suddenly reverts to the lyrical ambiance of the slow variations. The third-movement finale is brisk and vigorous. It has an extended middle section in a slower tempo that abounds in special orchestration effects (oboes doubling the clarinets below, not above as usual; the section playing the melody in an extremely high register, etc.) The middle section has its own middle section where the piano, suddenly switching from 3/4 to 4/4 time, plays a simple melody based on a single note. The dynamic material that opened the movement returns for a vivacious ending.

8 THE FIREBIRD (COMPLETE BALLET) (1910)

Igor Stravinsky Born June 17, 1882 in Lomonosov, Russia Died April 6, 1971 in New York City

UMS premiere: Philadelphia Orchestra conducted by Leopold Stokowski; May 1936 in Hill Auditorium.

Snapshots of History…In 1910: · African-American boxer Jack Johnson defeats American boxer James J. Jeffries in a heavyweight boxing match, sparking race riots across the US · In Brazil, Sport Club Corinthinas Paulista, the first FIFA World Club Championship, is founded · The first air flight for the purpose of delivering commercial freight takes place in the US, made by Wright brothers pilot Philip Parmalee between Dayton and Columbus, Ohio · Henry Ford sells 10,000 automobiles

Sergei Diaghilev’s Paris-based Ballets Since the end of the 19th century, Russes was one of the greatest ballet there had been a great affinity companies in history that united between Russia and France. The many of the best dancers of its time. political alliance between the two Diaghilev, the director, combined the countries had brought Russia closer to soul of a brilliant artist with the mind France (France had always been close and skills of a shrewd businessman. to Russia where French had long been He was committed to exciting and the language of the educated classes). innovative productions, and he sought At the same time, the geographical out the best modern artists and distance and the difference in culture composers available. Among musicians endowed things Russian with an exotic alone, he worked over the years with flavor in the eyes of the French. Both Debussy, Ravel, Falla, Prokofiev, and Debussy and Ravel admired, and were others. However, he never made a more influenced by, the music of the 19th- sensational nor a more fruitful musical century Russian masters Mussorgsky discovery than when he engaged the and Rimsky-Korsakov. 27-year-old Igor Stravinsky to write the To create a story of an appropriately music for Michel Fokine’s new ballet, exotic flavor, Fokine used several The Firebird. It was the start of a long Russian fairy-tales in the scenario collaboration that was to give the world of The Firebird. The stories of the Petrushka, The Rite of Spring, Les beneficent Firebird and the evil ogre Noces, Mavra, and Apollon Musagète, Kastchei the Immortal are combined and which ended only shortly before in an ingenious plot, which Eric Walter Diaghilev’s death in 1929. White summarized in his standard book on Stravinsky as follows:

9 A young Prince, Ivan Tsarevich, The complete ballet consists of 19 wanders into Kastchei’s magic garden musical numbers. Eighteen of these at night in pursuit of the Firebird, belong to the first tableau and the whom he finds fluttering round a tree last number alone constitutes the bearing golden apples. He captures it second tableau. The music had to and extracts a feather as forfeit before follow the plot very closely, in a strict agreeing to let it go. He then meets a descriptive style we don’t often find group of 13 maidens and falls in love in Stravinsky’s works. with one of them, only to find that she To describe the magic world and the other 12 maidens are princesses of fairy-birds and evil sorcerers, under the spell of Kastchei. Stravinsky had a whole tradition to When dawn comes and the princesses build on, a tradition he had inherited have to return to Kastchei’s palace, he from his teacher Rimsky-Korsakov. breaks open the gates to follow them In the last years before his death inside; but he is captured by Kastchei’s in 1908, Rimsky had written three guardian monsters and is about to on fantastic subjects, one suffer the usual penalty of petrifaction, of which was titled Kastchei the when he remembers the magic feather. Immortal (the two others were He waves it; and at his summons the the Legend of the Invisible City of Firebird appears and reveals to him the Kitezh and the Golden Cockerel). In secret of Kastchei’s immortality [his his fantastic operas as elsewhere, soul, in the form of an egg, is preserved Rimsky-Korsakov made ample use in a casket]. Opening the casket, Ivan of a special scale Russian musicians smashes the vital egg, and the ogre knew as the “Rimsky scale,” which immediately expires. His enchantments was also adopted by the master’s most dissolve, all the captives are freed, and famous pupil. (The “Rimsky” scale, Ivan and his Tsarevna are betrothed also known as the “octatonic” scale, with due solemnity. consists of the regular alternation of half-steps and whole steps: C– According to the original plans, C-sharp–D-sharp–E–F-sharp–G–A– the music for The Firebird was to be B-flat.) This particular grouping of written by Nikolai Tcherepnin and, tones, lying outside the major-minor after Tcherepnin’s withdrawal, by system, is always associated with Anatoli Lyadov or Alexander Glazunov. the evil Kastchei. The music of the However, none of these more magical Firebird is also chromatic in experienced composers delivered the nature, related in part to the Kastchei score on time, so Diaghilev approached music. The motifs of the Tsarevich, on Stravinsky, who had already worked the other hand, are purely diatonic for him as an orchestrator, and whose (using a traditional seven-note scale) orchestral piece Fireworks had greatly and are derived from a central type impressed him. The young composer, of Russian folksong known as the honored by the commission, put aside “long-drawn-out” song (protyazhnaya the opera The Nightingale whose first pesnya). Both the story and the act he had just completed, and began musical style of the ballet seemed work on the ballet. highly original in the West, where the

10 Russian traditions that had nourished Appearance of the Firebird Pursued it were largely unknown. by Prince Ivan. For the first time, For all the Rimsky influence, the music becomes more agitated as Stravinky’s first ballet shows a the anguished fluttering of the bird remarkable degree of individuality. is contrasted with a simple, Russian- The handling of rhythm in flavored theme representing the particular (with already quite a prince. After a measure of general few typical Stravinskyan ostinatos, rest, the… or stubbornly” repeated figures) is quite innovative, and the Dance of the Firebird begins. The orchestration reveals the hand of melody in this brilliantly orchestrated a true master. Even at this early dance is derived entirely from sound age, Stravinsky knew how to draw color, with the piccolo flute and the most spectacular effects from piccolo clarinet taking the lead; the his enormous orchestra. One may harp and the strings accompany with cite special items like the famous trills and broken chords. The pizzicati harmonic arpeggios (broken chords) (plucked strings) in the cello provide for strings in the introduction or the rhythmic support. the solos for the small D-clarinet at several points. But even more Prince Ivan Captures the Firebird. important are the many new The flourishes in the woodwinds combinations of instrumental colors come to a sudden standstill, and the appearing on virtually every page of repeated chords in the four horns the score. indicate that the bird is no longer free The score contains numerous to move. section titles that correspond to the stage action, though there Supplications of the Firebird. are no actual pauses in the music. A slow, expressive melody is played The sections, with a brief musical by solo viola, oboe, and English horn, description of each, are as follows: later taken over by the violins. The tempo speeds up as the Firebird’s The Introduction begins with the plea becomes more insistent (flute rumble of low strings, trombones, and and oboe solos). After a return of the bassoons, with the higher-pitched slower theme, the prince (solo horn) instruments entering gradually as the lets the bird go, and the flaps of its curtain rises on the first tableau. wings can be heard in the woodwind.

Scene I The Appearance of the Thirteen Enchanted Princesses is announced Kastchei’s Enchanted Garden. The by a magical chord progression in the motif of the introduction is taken violins. A series of expressive solos over by the violins, punctuated by create a tender, lyrical mood. short figures in the woodwind, harp, and celesta.

11 The Princesses’ Game with the The Arrival of Kastchei the Immortal Golden Apples (Scherzo). Dominated is proclaimed by austere brass chords by fast-moving 16th-notes in and frightening tremolos in strings the strings, the scherzo is briefly and percussion. interrupted by a lyrical middle section with a clarinet solo. His Dialogue with Prince Ivan. It seems that the poor prince can Sudden Appearance of Prince Ivan. hardly get a word in edgewise in this As before, the prince is represented dialogue, for the short section is by the solo horn and a simple Russian entirely dominated by the music of melody in the minor mode. the sorcerer.

The Princesses’ Round Dance Intercession of the Princesses. The (Khorovod). One of the ballet’s great solo violin plays the princesses’ theme melodies is introduced by the solo from earlier in the ballet, but the oboe in a slow tempo. The actual melody is cut short by Kastchei’s wild dance is slightly faster; the strings brass and percussion sounds. and woodwind are joined, after a while, by the first horn. Appearance of the Firebird. This brief Allegro section, in which the Daybreak. A trumpet call heralds firebird’s familiar musical style is in the arrival of the dawn. A brief and evidence throughout, leads directly forward-thrusting theme indicates into the… that Prince Ivan is approaching the place where he will meet his great Dance of Kastchei’s Retinue under challenge. the Spell of the Firebird. More and more of Kastchei’s minions are Three measures of energetic string swept up in the ecstatic dance, with a scales: Prince Ivan Penetrates gradual crescendo leading to a tutti Kastchei’s Castle. climax.

Magic Carillon: Appearance of Infernal Dance of all Kastchei’s Kastchei’s Guardian Monsters, Subjects. A fast timpani roll and Capture of Prince Ivan. The introduces a syncopated motif arising distinctive melodic style of the evil from the lower registers (bassoons, sorcerer appears here for the first horn, tuba) and gradually taken over time. The monsters charge Prince by the entire orchestra. There is a Ivan as we hear a massive orchestral lyrical countersubject symbolizing buildup; the motion stops abruptly the plight of Kastchei’s prisoners. as he is captured (not unlike what happened to the Firebird earlier). As a total contrast, the Lullaby (Firebird) is a delicate song for solo bassoon, accompanied by harps and muted strings.

12 A dissonant fanfare accompanies Kastchei’s Awakening. But the evil sorcerer’s end is imminent: a powerful tutti downbeat and a rapidly descending orchestral figure accompanied by a decrescendo on the bass drum depict…

Death of Kastchei, followed by Profound Darkness — a short interlude of divided string tremolos. The scene changes.

Scene II

Disappearance of the Palace and Dissolution of Kastchei’s Magical Creations; Animation of the Petrified Warriors; General Thanksgiving. The finale, in which everyone celebrates the wedding of Prince Ivan and the princess, contains what is probably the most famous Russian folksong in in the ballet. This beautiful melody, first played by the first horn (Ivan’s instrument), grows in volume and orchestration until the full orchestra plays it. Here a significant rhythmic change is introduced: the symmetrical triple meter (3/2) is transformed into an asymmetrical 7/4, bringing the music to its final culmination point.

Program notes by Peter Laki.

13 ARTISTS

Kent Nagano (conductor) has established the Deutsches Symphonie-Orchester and an international reputation as one of the Busoni’s Doktor recorded with the most insightful and visionary interpreters Opéra national de Lyon, among other awards. of both the operatic and symphonic In 2013, he was named “Great repertoire. Since 2006 he has been music Montrealer” by the Board of Trade of director of the Montreal Symphony Metropolitan Montreal, and he received Orchestra (OSM), a contract extended the insignia of Grand Officer of the Order until 2020, and was general music director of Quebec. of the Bayerische Staatsoper in Munich from 2006–2013. He became principal Combining consummate technique with guest conductor and artistic advisor of the rare sensitivity and depth, Daniil Trifonov Gothenburg Symphony Orchestra in 2013. (piano) has made a spectacular ascent Since 2015, he has been general music to stardom. Since taking director and principal conductor of the First Prize at both the Tchaikovsky and Hamburg State Opera and Philharmonic Rubinstein competitions in 2011 at just age Orchestra. 20, the Russian pianist has appeared with Born in California, Maestro Nagano most of the world’s foremost orchestras, spent his early professional years in including the New York, Los Angeles, and Boston, working in the opera house and Royal Philharmonics; the Chicago, Boston, as assistant conductor to Seiji Ozawa at San Francisco, and Symphony the Boston Symphony Orchestra. He was Orchestras; the Cleveland, Philadelphia, music director of the Opéra national de and Mariinsky Orchestras; Washington’s Lyon (1988–1998), music director of the National Symphony; and Rome’s Orchestra Hallé Orchestra (1991–2000), associate dell’Accademia Nazionale di Santa principal guest conductor of the London Cecilia. In solo recital he graces such key Symphony Orchestra (1990–1998), and international venues as Carnegie Hall, the artistic director and chief conductor of Kennedy Center, and Boston’s Celebrity the Deutsches Symphonie-Orchester Series; London’s Royal Festival, Queen Berlin from 2000–2006 and remains their Elizabeth, and Wigmore Halls; Amsterdam’s honorary conductor. Maestro Nagano Concertgebouw, Berlin’s Philharmonie, was the first music director of the Los Vienna’s Musikverein, Zurich’s Tonhalle, Angeles Opera from 2003–2006. As a and Barcelona’s Palau de la Musica; the much sought-after guest conductor, he Salle Pleyel and Théâtre des Champs has worked with most of the world’s Élysées in Paris; Tokyo’s Opera City and finest orchestras — the Vienna, Berlin, Suntory Hall; and the Seoul Arts Center. and New York Philharmonics, Chicago Following the August release of Symphony, Dresden Staatskapelle, and Rachmaninoff Variations, recorded Leipzig Gewandhaus, and at leading opera for with the houses including Opéra national de Paris, Philadelphia Orchestra and Yannick Berlin State Opera, , Nézet-Séguin, in the 2015–16 season, and Semperoper Dresden. He has won Mr. Trifonov plays complete Rachmaninoff two Grammy Awards for his recordings cycles with the of Kaija Saariaho’s L’amour de loin with and Philharmonia Orchestras, and single

14 concertos for debuts with the Berlin Since its founding in 1934, the Staatskapelle and Royal Stockholm Montreal Symphony Orchestra (OSM) Philharmonic, where he headlines the has distinguished itself as a leader in the prestigious Nobel Prize Concert; an Asian orchestral life of Canada and Québec. A tour with the Czech Philharmonic; and cultural ambassador of the highest order, dates with the Philadelphia Orchestra, the Orchestra has earned an enviable Orchestre National de Lyon, and Munich reputation internationally through the Philharmonic. Prokofiev is the vehicle for quality of its many recordings and tours. his Montreal Symphony Orchestra debut The OSM carries on that rich tradition on a North American tour and for returns under the leadership of its music director, to the Orchestre National de France and Kent Nagano, while featuring innovative the London Symphony. He plays Chopin programming aimed at updating the with the San Francisco Symphony, orchestral repertoire and deepening Tchaikovsky with the La Scala Orchestra, the Orchestra’s connection with the and Liszt with the Pittsburgh Symphony community. at home and on a North European tour. An The excellence and vision of the OSM accomplished composer, it is also with the have been shaped over the years by Pittsburgh Symphony that Mr. Trifonov its music directors: Wilfrid Pelletier, a reprises his own acclaimed piano concerto. Montrealer by birth and first artistic Besides making his recital debut in Los director of the Orchestra; Désiré Defauw; Angeles, he undertakes an extensive, ; , with whom high-profile European recital tour and the Orchestra toured in Europe for the residencies in Lugano, Switzerland, and first time; Franz-Paul Decker; Rafael at London’s , where he Frühbeck de Burgos; , collaborates with pianist Sergei Babayan who collaborated with the Orchestra for and violinist Gidon Kremer. close to 25 years and under whom the Last season saw the release of Trifonov: OSM achieved great prominence on the The Carnegie Recital, the pianist’s first international scene; and, since September recording as an exclusive Deutsche 2006, Kent Nagano. Grammophon artist; captured live at Over the years the Orchestra has his sold-out 2013 Carnegie Hall recital performed on more than 40 tours and debut. The album scored both an ECHO some 30 national and international Klassik Award and a Grammy nomination. excursions. The OSM has carried out 10 His discography also features Chopin on tours in Asia, 11 in Europe, and three in Decca and Tchaikovsky’s First with Valery South America. Under the direction of Gergiev and the Mariinsky Orchestra. Kent Nagano, the OSM presented a concert Born in Nizhny Novgorod in 1991, at Théâtre du Châtelet in Paris (2006), did Mr. Trifonov studied with Tatiana its first cross-Canada tour (2007), and in Zelikman at Moscow’s Gnessin School September 2008, Maestro Nagano and of Music and Sergei Babayan at the seven musicians from the Orchestra set off Cleveland Institute of Music. In 2013 on a historic tour of Nunavik, in northern he was awarded Italy’s Franco Abbiati Québec, where their program included Prize for “Best Instrumental Soloist.” Stravinsky’s Soldier’s Tale narrated in Inuktitut. Kent Nagano and the Orchestra have appeared twice in Carnegie Hall

15 VICTORIES START HERE.

Kojo Elenitoba-Johnson, M.D., is developing new methods to diagnose blood cancers.

16 (2008 and 2011), where the OSM played The OSM offers its varied audience almost every year between 1982 and 2004 an increasingly rich programming, one to sold-out halls. In 2011 the OSM took that consists of orchestral concerts, part for the first time in the Edinburgh recitals, chamber music, and performances International Festival. Kent Nagano and featuring the OSM Chorus and the Grand the Orchestra have together done a tour Orgue Pierre-Béique. The OSM figures in South America (2013), two European prominently outside the concert hall thanks tours (2009 and 2014), and two Asian tours to the broadcast of concerts on a variety of (2008 and 2014), including the OSM’s first platforms, enabling it to reach thousands of concerts in China in 2014. In March 2016, music lovers around the world. the OSM, under the direction of Maestro For more information, please visit Nagano, embarks for its ninth major tour www.osm.com, or follow the Orchestra on in the US. Facebook, Twitter, and Instagram at their In September 2011, the OSM and handle @OSMconcerts. Maestro Nagano inaugurated Maison symphonique de Montréal, the Orchestra’s new home. The construction of this concert hall was made possible thanks to the Government of Quebec. The hall’s acoustics bear the signature of the firm Artec Consultants Inc., while its architecture was entrusted to Diamond Schmitt Architects Inc. in association with Ædifica Architects.

UMS ARCHIVES

This evening’s concert marks the Montreal Symphony Orchestra’s second performance under UMS auspices. The Orchestra made its UMS debut in January 1989 at Hill Auditorium under the baton of Charles Dutoit with Radu Lupu as piano soloist. UMS welcomes Maestro Kent Nagano and pianist Daniil Trifonov as they make their UMS debuts this evening.

17 Montreal Symphony Orchestra - 2016 US tour Kent Nagano, Music Director and Conductor Dina Gilbert, Assistant Conductor Andrew Megill, Chorusmaster Chair sponsored by Mrs. F. Ann Birks, in loving memory of Barrie Drummond Birks Simon Leclerc, Associate Conductor of the OSM Pop Concert Series Olivier Latry, Organist Emeritus Jean-Willy Kunz, Organist-in-Residence Wilfrid Pelletier (1896–1982) and Zubin Mehta, Conductors Emeriti Pierre Béique (1910–2003), General Manager Emeritus

First Violins Violas Marc Denis Richard Roberts Neal Gripp Alec Hiller Concertmaster Principal Andrew Horton Andrew Wan1 Jean Fortin Concertmaster First Assistant Flutes Olivier Thouin2 Victor Fournelle-Blain Timothy Hutchins Associate Concertmaster Second Assistant Principal Marianne Dugal2 Chantale Boivin Albert Brouwer Second Associate Rosemary Box Interim Associate Concertmaster Sofia Gentile Denis Bluteau Ramsey Husser Anna-Belle Marcotte Second Flute Second Assistant Charles Meinen Danièle Bourget Marc Béliveau David Quinn Interim Piccolo Marie Doré Natalie Racine Lara Deutsch Sophie Dugas Scott Chancey Marie Lacasse3 Wilhelmina Hos Oboes Jean-Marc Leblanc Bertrand Robin Theodore Baskin Ingrid Matthiessen Véronique Potvin Principal Myriam Pellerin Megan Tam Vincent Boilard Susan Pulliam Associate Jean-Sébastien Roy Alexa Zirbel Claire Segal Sergi Brian Manker2 Second Oboe Lauren DeRoller Principal Pierre-Vincent Plante Marc Djokic Anna Burden Principal English Horn Lizann Gervais Associate Josée Marchand Alexander Lozowski Pierre Djokic First Assistant Clarinets Second Violins Gary Russell Todd Cope Alexander Read Second Assistant Principal Principal Karen Baskin Alain Desgagné Marie-André Chevrette Li-Ke Chang Associate Associate Sylvie Lambert Michael Dumouchel Brigitte Rolland Gerald Morin Second Clarinet and E-Flat First Assistant Sylvain Murray Clarinet Ann Chow Peter Parthun André Moisan Mary Ann Fujino Alexandre Castonguay Bass Clarinet and Saxophone Johannes Jansonius Caroline Milot Brent Besner Jean-Marc Leclerc Isabelle Lessard Double Basses Bassoons Alison Mah-Poy Ali Yazdanfar Stéphane Lévesque Katherine Palyga Principal Principal Monique Poitras Brian Robinson Mathieu Harel Gratiel Robitaille Associate Associate Daniel Yakymyshyn Eric Chappell Martin Mangrum Van Armenian Assistant Second Bassoon Laura D’Angelo Jacques Beaudoin Michael Sundell Soo Gyeong Lee Scott Feltham Contrabassoon Katherine Manker Peter Rosenfeld Mark Romatz Viviane Roberge Edouard Wingell

18 Horns Bass Trumpet Percussion John Zirbel David Martin Serge Desgagnés Principal Principal Denys Derome Trombones Hugues Tremblay Associate James Box André Dufour Catherine Turner Principal Sandra Joseph Second Horn Vivian Lee John Wong Jean Gaudreault Second Trombone Fourth Horn Pierre Beaudry Harps Marie-Sonja Cotineau Principal Bass Trombone Jennifer Swartz Xavier Fortin David Martin Principal Rachelle Jenkins Robin Best Jocelyn Veilleux Tubas Caroline Lizotte Austin Howle Trumpets Principal Piano and Celesta Paul Merkelo Nicholas Atkinson Olga Gross Principal Russell De Vuyst Timpani Music Library Associate Andrei Malashenko Michel Léonard Jean-Luc Gagnon Principal Second Trumpet Hugues Tremblay Christopher P. Smith Associate Amy Horvey Tazmyn Eddy

1 Andrew Wan’s 1744 Bergonzi violin is generously loaned by philanthropist David Sela. 2 Marianne Dugal’s 1737 Domenico Montagnana violin and Sartory bow, Olivier Thouin’s 1754 Michele Deconet violin, Marie-André Chevrette's 1700 Carlo Tononi violin, as well as Brian Manker’s c.1728–30 Pietro Guarneri cello and François Peccate bow are generously loaned by Canimex. 3 Marie Lacasse’s 1771 Andreas Ferdinandus Mayr violin is generously loaned by philanthropist Miroslav Wicha.

Tour Staff Madeleine Careau, Chief Executive Officer Marie-Josée Desrochers, Chief Operating Officer Sébastien Almon, Director, Tour and Artistic Operations Geneviève Dion, Director, Marketing and Communications Marianne Perron, Director, Music Programming Rachel Laplante, Director, Sponsorship Development and Strategic Alliances Jean Gaudreault, Chief of Personnel — Musician Marie-Hélène Forest, Coordinator, Artistic Projects Estelle-Rose Clayon, Account Manager, Sponsorship Marc Wieser, Personal Assistant to the Music Director Claude Berthiaume, Head Stagehand Carl Bluteau, Stagehand

For Opus 3 Artists David V. Foster, President and CEO Leonard Stein, Senior Vice President, Director, Touring Division William Bowler, Manager, Artists & Attractions Irene Lönnblad, Associate, Touring Division John Pendleton, Company Manager Don Irving, Stage Manager John C. Gilliland III, Assistant Tour Manager

19 TONIGHT'S VICTORS FOR UMS

Diane and Gary Stahle — James and Nancy Stanley — The Zelenock Family — Medical Community Endowment Fund — University of Michigan Health System

Supporters of this evening’s performance by the Montreal Symphony Orchestra.

MAY WE ALSO RECOMMEND...

3/26 Bach Six Solos: Gil Shaham with original films by David Michalek 3/31-4/3 American Ballet Theatre: The Sleeping Beauty 4/16 Bavarian Radio Orchestra

Tickets available at www.ums.org.

ON THE EDUCATION HORIZON...

3/26 Tune In: Gil Shaham (must have a ticket to the performance to attend , Hill Auditorium Mezzanine Lobby, 7:30 pm) 3/29 & 3/30 Center for Russian, East European, & Eurasian Studies Lecture Re-Awakening Sleeping Beauty: The Lively Debate over Alexei Ratmansky’s New Production (3/29 at The Carr Center, 311 E. Grand River Avenue, Detroit, 7–8:30 pm) (3/30 at 1636 International Institute, U-M School of Social Work Building, 1080 S. University Avenue, Ann Arbor, 12 noon–1:30 pm) 4/9 You Can Dance: Kyle Abraham/Abraham.In.Motion (Boll Family Y, 1401 Broadway Street, Detroit, 2–3:30 pm)

Educational events are free and open to the public unless otherwise noted. Still Playing Some of the world’s most creative minds suffer from one of the most devastating conditions… Silver Maples Resident: Lajos R.

Be a source of hope. Help find a cure for bipolar disorder.

What makes a person bipolar, prone to manic highs and depressed lows? We are Silver Maples is an active community advancing research on the personalized of interesting and talented individuals, treatment of this illness that affects like Lajos, who started playing the violin at close to 6 million Americans. age 5 and still enjoys sharing his love of classical music.

Joining our neighborhood opens the door to a new phase of life. From the moment Make your donation at: you move in, residents of Silver Maples PrechterFund.org/help become friends and family. Come by 1-877-UM-GENES for a visit and join our VIP wait list.

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Locally-Owned, Non-Profi t Jointly Sponsored by the Chelsea-Area Wellness Foundat on and United Methodist Ret rement Communit es, Inc. BE PRESENT WINTER 2016 23 Martha E. Pollack U-M Provost, Dworkin P. Aaron Dean, U-M School of Music, &Theatre Dance Swift Kerr Jeanice Schools Public Arbor Ann Superintendent Louise Taylor UMS Ambassadors Chair, EX-OFFICIO Mark S. Schlissel U-M President, . All rights reserved. Used with permission of of permission with Used reserved. rights All . The Ann Arbor News The Ann Arbor Karen Karen Jones Stutz Julia Donovan Darlow Monique Deschaine Tif any L. Ford Katherine Goldberg Gutow F. Richard Henderson Stephen Daniel Herwitz Joel Howell Frank Legacki L. Morelock Donald Agnes Moy-Sarns David Parsigian Rothwell Sharon Linh Song Rick Sperling J. Strecher Victor Janet Callaway David Canter Mark Clague LisaCook D. .

The Ann Arbor News The Ann Arbor

Photo: Shara Worden performs with My Brightest Diamond at the UMS Season Opening Celebration at Downtown Diamond at the UMS Season Opening Celebration with My Brightest performs Worden Shara Photo: Home & Garden in September; ©2015 MLive and and MLive Past Board Chair Tuchman Bruce Council National Chair, A. Douglas Rothwell Council Corporate Chair, G. Palms Stephen Secretary Petersen Tim Treasurer Sarah Nicoli Nicoli Sarah Chair Vice Bendit Rachel Stephen R. Forrest Forrest R. Stephen Chair UMS Board of Directors to devoted volunteers elected of group a is Directors of that Board UMS ensures The work hard Their community. our to and arts performing the year. after year performances fer outstanding o to UMS is able

you UMS UMS you performances each season People who Those bring to work UMS Senate The UMS Senate is composed of former members of the Board of Directors who dedicate time and energy to UMS and our community. Their ongoing commitment and gracious support of UMS are greatly appreciated.

Wadad Abed Deborah S. Herbert Prudence L. Rosenthal Michael C. Allemang Carl W. Herstein A. Douglas Rothwell Carol L. Amster David Herzig Judy Dow Rumelhart Gail Davis-Barnes Peter N. Heydon Maya Savarino Kathleen Benton Toni Hoover Ann Schriber Lynda Berg Kay Hunt Edward R. Schulak Richard S. Berger Alice Davis Irani John J.H. Schwarz Maurice S. Binkow Stuart A. Isaac Erik H. Serr DJ Boehm Thomas E. Kauper Ellie Serras Lee C. Bollinger Christopher Kendall Joseph A. Sesi Charles W. Borgsdorf David B. Kennedy Harold T. Shapiro Janice Stevens-Botsford Gloria James Kerry George I. Shirley Paul C. Boylan Thomas C. Kinnear John O. Simpson William M. Broucek S. Rani Kotha Timothy P. Slottow Barbara Everitt Bryant Marvin Krislov Anthony L. Smith Robert Buckler F. Bruce Kulp Carol Shalita Smokler Letitia J. Byrd Leo A. Legatski Jorge A. Solis Kathleen G. Charla Melvin A. Lester Cheryl Soper Mary Sue Coleman Earl Lewis Peter Sparling Jill A. Corr Patrick B. Long James C. Stanley Peter B. Corr Helen B. Love Lois U. Stegeman Ronald M. Cresswell Cynthia MacDonald Edward D. Surovell Martha Darling Robert C. Macek James L. Telfer Hal Davis Jefrey MacKie-Mason Susan B. Ullrich Sally Stegeman DiCarlo Judythe H. Maugh Michael D. VanHermert Robert F. DiRomualdo Rebecca McGowan Eileen Lappin Weiser Junia Doan Barbara Meadows B. Joseph White Al Dodds Joetta Mial Marina v.N. Whitman James J. Duderstadt Lester Monts Clayton E. Wilhite David Featherman Alberto Nacif Iva M. Wilson David J. Flowers Shirley C. Neuman Karen Wolf George V. Fornero Jan Barney Newman Maxine J. Frankel Roger Newton Patricia M. Garcia Len Niehof Beverley B. Geltner Gilbert S. Omenn Christopher Genteel Joe E. O’Neal Anne Glendon Randall Pittman Patricia Green Phil Power William S. Hann John D. Psarouthakis Shelia M. Harden Rossi Ray-Taylor Randy J. Harris John W. Reed Walter L. Harrison Todd Roberts Norman G. Herbert Richard H. Rogel

24 BE PRESENT WINTER 2016 25

Zarin Mehta Jordan Morgan Caroline Nussbaum James A. Read Herbert Ruben James and Nancy Stanley Christian Vesper Wilhite Ann and Clayton Forrest R. Stephen fcio Ex-O Joey Velez Wong Justin Interns Artist Century *21st Shenell McCray McCray Shenell Westley Montgomery Tsukumo Niwa* Patrick Katie Evan Saddler* Heather Shen Smith Brice Rachel Stopchinski Edward Sundra Sharon Rothwell Sharon Frederick E. Shell Michael B. Staebler James G. Vella R. Forrest Stephen fcio Ex-O Laura McGinn Laura Maxine Frankel Eugene Grant Hamlen Charles Katherine Hein D. David Heleniak Patti Kenner Klein C. Wallis Jerry and Dale Kolins and Leichtman David Jakob Lenhardt Lenhardt Jakob Robert Luzynski Maxted Manami Christina Maxwell* Trevor Hofman Annie Jacobson Olivia Johnson Jones Garret Ayantu Kebede Meredith Kelly Kloska Emily Caitlyn Koester Kojima Bridget Richard L. DeVore Richard Nolan Finley R. Forrest Stephen Hodges Michele Mary Kramer David Parsigian Vivian Pickard Delphis Janet Eilber Fleischman Barbara Marylene Delbourg- John and Betty Edman Andrew Bernstein Andrew Kathleen G. Charla Jacqueline Davis arts are an integral part of the student experience. the student part of an integral arts are Tuchman Bruce Chair The UMS National Council is comprised of U-M alumni and performing performing and alumni U-M of comprised is Council National promoting, UMS The supporting, to committed country the across enthusiasts arts performing the that ensuring on focus a with UMS for advocating and UMS National Council National UMS Kathryn DeBartolomeis Sophia Deery Taylor Fulton Abigail Choi Abigail Tahmid Chowdhury Catherine Cypert Madisen Bathish Meredith Bobber* Sophia Brichta Mysti Byrnes Maryam Ahmed Bader Andrew Genan Bakri Students in our volunteer internship and work-study program gain gain program work-study and internship volunteer our in contributing Students while management arts of areas all in experience valuable success. continued UMS’s to greatly Robert Casalou UMS Students Albert Berriz Brownlee Bruce Robert Buckler A. Douglas Rothwell Chair The UMS Corporate Council is a group of regional business leaders who who leaders business regional of group a is Council Corporate base UMS our The broaden to seek we as UMS to advisors and advocates as serve Michigan. southeastern throughout support corporate of UMS Corporate Council UMS Corporate Carol Barbour, PhD Alex Barends, PhD Organic. Ronald Benson, MD Meryl Berlin, PhD Holistic. Robert Cohen, PhD No Artifcial Ingredients. Susan Cutler, PhD Sara Dumas, MD Joshua Ehrlich, PhD Harvey Falit, MD Richard Hertel, PhD Psychoanalysis helps--mind, body, and soul. Erika Homann, PhD Howard Lerner, PhD Barry Miller, MD Ask one of our psychoanalysts how you, or someone you love, can Christina Mueller, MD Jack Novick, PhD work on achieving a fuller, richer life. Kerry Kelly Novick Jean-Paul Pegeron, MD Dwarakanath Rao, MD Ivan Sherick, PhD Merton Shill, PhD Michael Shulman, PhD Michael Singer, PhD Michigan Jonathan Sugar, MD Dushyant Trivedi, MD Psychoanalytic Jefrey Urist, PhD INSTITUTE Gail van Langen, PhD David Votruba, PhD & Margaret Walsh, PhD Elisabeth Weinstein, MD SOCIETY Mark Ziegler, PhD

For change that lasts. Learn more about us. www.mpi-mps.org

Join us for cocktails and dinner at our two Ann Arbor restaurants for a spectacular meal after the Celebrating performance. Serving steaks cut in our own 137 Successful Seasons market, Knight’s famous prime rib, falling-off-the-bone ribs, burgers, proud supporter of seafood, salads, daily specials, “home-baked” bread and desserts. Knight’s Steakhouse 600 East Liberty • 734/887-6899 535 W. WILLIAM STREET, SUITE 400S • ANN ARBOR, MICHIGAN 48103 2324 Dexter Avenue • 734/665-8644 P: 734.222.4776 • F: 734.222.4769 www.jaffelaw.com Open Daily 11 a.m. to Midnight - Liberty St. Preferred Seating Available ANN ARBOR • SOUTHFIELD • DETROIT • NAPLES www.Knightsrestaurants.com BE PRESENT WINTER 2016 27 Winkelman Schwimmer Susan Snyder Linda Spector Pam Tabbaa Elaine Tetreault Janet Torno Martha Williams Sarajane Terra Webster Willacker Amy Kathy Rich Nan Richter Audrey Carol Sennef Shy P. Arlene Snyder Elena Ren Snyder Lester Monts Melody Racine Sidonie Smith Wilcox Emily

Roedenbeck Roedenbeck Maloof La Fountain- Stokes Karen Karen Pancost Ruth Petit Julie Picknell Susan Pollans Anne Preston Jef Reece Michael Lee Lewis Gloria Machida Laura Katie Malicke Rita Malone Valerie Patti McCloud Terry Meerkov Mulay Barbara Magda Munteanu Jane Nyman Marjorie Oliver Palms Betty Katie Mann Naomi Norman Peet Michelle Yael Rothfeld Shivers Sarena Wayne Laura Daniel Klionsky Lawrence Dolan Dort Ye Na Kim Russell Larson Jane Holland Allison Jordon Carol Kaplan Nancy Karp Kaye Barbara Kendra Kerr Freddi Kilburn Sharon Peterson Peterson Sharon J. Edwards Gloria Christina Ferris Zita Gillis Joan Grissing Hale Stephanie Judy Cohen Jon Desenberg Susan DiStefano Kilburn Annemarie Colleen Conway Deller Amy Tia Farrell Dayna Lang Janet Callaway Kathy Churchill Linda Gregerson Marjorie Horton Joel Howell Martha S. Jones Brown Callahan Connie Rizzolo Rizzolo Connie Chang Richard Arlene Barnes Arlene Astrid Beck Gail Bendit Corry Berkooz Pat Bantle Past Chair Sassa Akervall Secretary Wendy K. Zellers Treasurer William Shell Chair Vice Karen Bantel support, and assist in countless other ways. ways. other countless in assist and support, Louise Taylor Chair UMS Ambassadors UMS the champion UMS, of goals the advance Ambassadors nancial f UMS secure and provide engagement, community through mission Rose Marie Marie Rose Robin Bailey Borders Ann Marie Deb Brzoska Jennifer Burton and new opportunities for learning in the K-12 classroom. The following following The classroom. K-12 the in learning for opportunities new and 2015: May in participated individuals UMS K-12 Think Tank UMS K-12 Think and educators K-12 together brings UMS tank, think annual an resources, Through changing trends, of aware stay us help to administrators Philip J. Deloria Gillian Eaton Michigan. Michigan. Mark Clague Croft Clare As part of the UMS Mellon Initiative on Arts/Academic Integration, this this Integration, Arts/Academic on Initiative Mellon UMS the of part As of University programming our integrate to f on opportunities the sta UMS advises group of life academic the into systematically and deeply more UMS Faculty Insight Group Insight Faculty UMS millercanfield.com BE PRESENT WINTER 2016 29

Simmons

Chorus Librarian Chorus Jean Schneider Accompanist VanOrnum Scott Accompanist Dennis Carter, Bruce Bruce Carter, Dennis Oshaben, Brian Roddy Head Ushers U M S C H O R AUNION L Hanoian Scott & Director Music Conductor Arianne Abela Conductor Assistant Kathleen Operhall Manager Chorus Nancy Heaton Promotions Coordinator Promotions Miller Ellen Ofce/Front-of- Ticket House Assistant Anné Renforth Services Ticket Coordinator Anna Services Ticket Assistant Manager Willie Sullivan Front-of-House Coordinator Saba Keramati & Programming Assistant Production Liz Stover Rosenthal Manager Programming TICKET OFFICE Christina Bellows Services ManagerTicket Megan Boczar AssistantOfce Ticket McBride Katherine & Sales Group

Artist Services Manager Services Artist Mark Jacobson Programming Senior Manager Media Mallory Schirr Media & Marketing Relations Coordinator P R O G R A M M IP N R G O D & U C T I O N Michael J. Kondziolka Programming of Director Jef rey Beyersdorf Director Production Gay Alex Coordinator Production Anne Grove Community Programs Programs Community Manager M A R K E T I N GCOMMUNICATIONS & Billmann Sara & Marketing of Director Communications Jesse Meria Production Video Specialist Odom Annick Coordinator Marketing Anna Prushinskaya Digital of Manager Senior E D U C AT I O NCO & M M U N I T Y ENGAGEMENT Leija James P. & Education of Director Community Engagement Shannon Fitzsimons Engagement Campus Specialist Teresa C. Park Education Coordinator Roeder Mary

Development, Major Gifts Major Development, Special Events Mary A. Walker Campaign Director and of Director Associate & Government Relations & Government Cindy Straub & Manager Volunteers of Lisa Murray Michiko of Director Associate Foundation Development, Development, Corporate Corporate Development, Partnerships & Major Gifts Rachelle Lesko Manager Fund Annual Development Coordinator Development Craig Susan Bozell of Director Associate Marnie Reid Development of Director Esther Barrett John Peckham Systems Information Manager DEVELOPMENT Administrator Patricia Hayes Financial Manager Executive Assistant Assistant Executive Jenny Graf Systems Tessitura John B. Kennard, Jr. Administration of Director Brown Kathy A D M I N I S T RFINANCE AT I O N & Fischer C. Kenneth President works hard to inspire individuals and enrich communities by by communities enrich and individuals inspire to hard works f Sta UMS The connecting audiences and artists in uncommon and engaging experiences. UMS Staff UMS Trusted financial advisors to Ann Arbor and the university community for more than 30 years.

Ann Arbor | 734-769-7727 | risadvisory.com © 2015 Retirement Income Solutions is an Independent Investment Advisor

Volunteer for

UMS is recruiting new volunteers! If you are passionate about the arts and looking for ways to be an advocate for UMS, we hope you’ll consider joining us.

To learn more, please contact Cindy Straub at 734.647.8009 or [email protected]. BE PRESENT WINTER 2016 31 Romani Geiringer Beutler Stout Alexander Janet Netz Newman Steve and Betty Palms and Betty Steve Eric and Ines Storhok Virginia and Gordon Nordby and Gordon Virginia Pollack Eleanor $5,000–$14,999 John and Anderson Barbara John and Lillian Back Steve and Bantel Karen J. Frederick and A. Suzanne Inc. Travel, Conlin Tim and Robin Damschroder Derr Michele Larson and Russ Ann Martin Dan and Nicoli Sarah Lois Stegeman Systems Stout andJohn GailW. Ferguson Karen and David Stutz Dody Viola $15,000–$24,999 Suzan and Michael Linda and Ronald Benson Valerie and David Canter Michael Frank and Sara Wendy and Ted Lawrence rey MacKie-Mason and and MacKie-Mason rey f Je FoundationMartin Family Barney Jan and M. Haskell Edman Foundation P.L.C. and Stone, Morelock Family and the Sarns Sarns Darling Howell Norman and Debbie Herbert Carl and Charlene Herstein Jerry and Dale Kolins Jane Schulak and Edward Dennis and Ellie Serras E. Watkins Glenn Marina and Bob Whitman B. Zelenock Gerald $25,000–$49,999 Carol Amster Cheryl Cassidy Junia Doan John R. Edman and Betty B. H. Garavaglia Barbara Trust H. Gershenson Charles Glendon Anne and Paul Mohamad Issa/Issa Issa/Issa Mohamad Paddock eld, f Can Miller, L. Donald Mrs. and Mr. David and Moy-Sarns Agnes Gil Omenn and Martha Tim and Sally Petersen Power Phil and Kathy and Doug Rothwell Sharon Joel and Samuelson Linda $50,000–$74,999 Essel and Menakka Bailey Daniel and Barbara Balbach Penny and Ken Fischer Geltner and Gerson Beverley

Crowley A. McGinn Forrest Askwith Kenner Foundation Foundation Family Foundation $75,000–$99,999 David and Phyllis Herzig Nancy and James Stanley Ron and Eileen Weiser Sheila and Wicha Max Wilhite Ann and Clayton Wallis Cherniack Klein Laura and Leichtman David Norma and Dick Sarns Stephen and Rosamund Rosamund and Stephen Gutow Susan and Richard Emily W. Bandera W. Emily Dennis Dahlmann Dort and Dallas Sharon $100,000–$499,999 Anonymous Patti and Askwith Bert The Andrew W. Mellon Mellon W. Andrew The Stern F. Helmut and J. Candis Foundation The Wallace Eugene and Emily Grant $500,000 OR MORE $500,000 Carl Cohen Forsyth H. Ilene Frankel Stuart and Maxine CAMPAIGN CO-CHAIRS CAMPAIGN and Maxine Frankel Stanley James To help ensure the future of UMS, the following donors have made gifts gifts made have donors following the UMS, of future the for ensure donors help these To to grateful are We campaign. Michigan for Victors the to commitments. their Campaign Gifts and Multi-Year Pledges and Multi-Year Gifts Campaign Generous Generous Donors Classical Listen online at Music www.wgte.org

NPR News Listen on the radio at & WGTE FM 91.3 Toledo WGLE 90.7 Lima WGBE 90.9 Bryan WGDE 91.9 Defance

since 1992 Contemporary Food $MBTTJD%ÏDPSt'VMM#BS Locally Owned 316 S. State Street @ North University Our Ann Arbor Attorneys: Our Ann Arbor Attorneys: 734-994-4004 Cheryl Chandler Edward Lynch www.redhawkannarbor.com Gary Eller Gabe Marinaro Sharon Kelly Michael Miller Veronique Liem Edward Stein revive soups • custom salads • classic sandwiches replenish essential groceries • beer & wine 619 East University @ Zaragon Place 734-332-3366 · www.revive-replenish.com BE PRESENT WINTER 2016 33 Experiences Experiences Fund Endowment Fund Fund Endowment Fund Fund Endowment Union, Chamber Arts, and Theater Fund Endowment James and Nancy Stanley Endowment Fund Fund Endowment Susan B. Ullrich Fund UMS Endowment Fund Endowment The Wallace Fund Endowment Family The Zelenock Wallis Cherniack Klein Endowment for Student Student for Endowment Klein Cherniack Wallis Shakespearean Kolins Jerry Mrs. and Dr. Endowment Union Choral Lohr Mauney Frances Natalie Matovinović Endowment Fund Medical Community Endowment Fund Fund Endowment Miller and Janet Robert Dr. Fund NEA Matching Funds Ottmar Eberbach Palmer Endowment Fund Music Appreciation Fund Mary R. Romig-deYoung Education K-12 Rosenthal Amnon and Prudence Fund A. Sink Endowment Charles Herbert E. and Doris Sloan Endowment Fund Doris Duke Charitable Foundation Endowment Endowment Foundation Charitable Duke Doris John R. and Betty B. Edman Endowment Fund Fund Endowment Epstein Ticket Student Forrest Rosamund and Stephen Choral for Funds Endowment Forsyth H. Ilene James Garavaglia Theater Endowment Fund Fund Endowment Glendon Anne and Paul Ventures Renegade Gutow Richard and Susan Fund Endowment C. Hall N. and Katharine George Norman and Debbie Herbert Endowment Fund David and Phyllis Herzig Endowment Fund JazzNet Endowment Fund Fund Endowment William R. Kinney by income from UMS endowment endowment UMS from income by an to contribute may You funds. establish or fund endowment existing minimum a with endowment named a deepest our extend We $25,000. of gift who donors the many to appreciation contributed and/or established have funds: following the to Fund Endowment and Bonnie Ackley H. Gardner Herbert S. and Carol Amster Endowment Fund Catherine S. Arcure Endowment Fund Carl and Isabelle Brauer Endowment Fund Dahlmann Sigma Nu Endowment UMS Fund Hal and Ann Davis Endowment Fund Dallas and Sharon Dort Endowment Fund Endowed Funds Endowed part in secured is UMS of success The

literature to Ann Arbor Bringing the world of

WRITERS SERIES 2016 ZELL VISITING VISITING ZELL lsa.umich.edu/writers the public. and open to free are All events at: Details readings by some of the by some of the readings in voices global finest literature. contemporary The Zell Visiting Writers Writers The Zell Visiting regular Series offers 15

16 SEASON BEETHOVEN FESTIVAL with GARRICK OHLSSON September 19 Hill Auditorium

ROMANTIC MENDELSSOHN TCHAIKOVSKY “ITALIAN” October 24 November 7 Michigan Theater Michigan Theater

MOZART HOLIDAY POPS BIRTHDAY BASH December 11 January 16 Hill Auditorium Michigan Theater

HARP MAGIC THE PLANETS March 12 April 9 Michigan Theater Michigan Theater

Ann Arbor Symphony Orchestra ­ÇÎ{®Ê™™{‡{nä£ÊÊUÊÊ>2so.com BE PRESENT WINTER 2016 35 Marion Wirick Zollar G. Ronald and Mrs. Mr. Dr. and Mrs. Frederick O’Dell Frederick and Mrs. Dr. David Parsigian Politano Irena Pollack Eleanor Dennis M. Powers and Mrs. Mr. Michael Radock and Mrs. Mr. Ricketts Jack and Mrs. Mr. Prue and Ami Rosenthal J. Sklenar Irma Solomon Art and Elizabeth Solt W. Richard Spencer Hildreth Eric and Ines Storhok Louise Taylor Roy and JoAn Wetzel Wilhite Ann and Clayton Max Wicha and Sheila Crowley fer Ho Carol Gideon and Marilyn G. fJe s M. Kinnear Constance Thomas C. and Diane Kirkpatrick Kolins Jerry and Mrs. Dr. Frank Legacki and Alicia Torres Leo and Kathy Legatski LeSueur Richard Robert and Pearson Macek Susan McClanahan McDonald Grif and Pat Joanna McNamara Newman Barney and Jan M. Haskell Len Niehof For more information, please call 734.764.8489 or visit ums.org/support. UMS Development Development UMS Ave 881 N. University MI 48109-1011 Ann Arbor, performances and create outstanding educational opportunities for our our for opportunities educational outstanding create and performances community. send gift to: Please UMS excites the imagination, sparks creativity, sharpens collaboration, collaboration, sharpens creativity, sparks imagination, the the excites only UMS that ways in us connects and thinking, of ways new world-class inspires deliver to UMS enable will size any of gift Your can. arts John and Martha Hicks Hicks Martha and John a Gift to Make How Thea and Elliot Glicksman Thea and Elliot Herbert and Norman Debbie David and Phyllis Herzig Heydon Rita and Peter Thomas and Barbara Gelehrter Thomas and Barbara Geltner and Gerson Beverley Barbour Carol Sid Gilman and Dr. Dr. Glendon Anne and Paul Mary C. Crichton Dallas and Sharon Dort Penny and Ken Fischer Fisher Susan Ruth Meredith L. and Neal Foster Pat and George Chatas Clark Alden John and Mrs. Mr. Carl Cohen Cotzin Alan and Bette Mr. and Mrs. W. Howard Bond Howard W. and Mrs. Mr. E. Borondy Pal and Mrs. Mr. Bryant Everitt Barbara Lou and Janet Callaway Rodney and Joan Bentz Kathy Benton and Robert Brown Linda and Maurice Binkow Bishop S. Elizabeth Carol and Herb Amster AndersonNeil P. G. Anderson David and Mrs. Dr. Catherine S. Arcure R. Baker K. and Laurence Barbara Anonymous f Agrano and Raquel Bernard Allemang Mike We are grateful to the following donors for including UMS in their in their UMS including for donors the following to grateful are We UMS for to fnancial support will provide gifts These plans. estate come. to generations Planned Gifts/Bequests Planned UMS Support – July 1, 2014–December 15, 2015 The following list includes donors who made gifts to UMS between July 1, 2014 and December 15, 2015. Due to space restraints, we can only list in the UMS program book those who donated $250 or more. Donors of $1-$249 will be included in the online list at ums.org.

PRODUCERS Max Wicha and Sheila Crowley Barbara A. Anderson ($500,000 OR MORE) Ann and Clayton Wilhite includes gift in memory of John H. Ilene H. Forsyth # Romani Eugene and Emily Grant Family VIRTUOSOS Ann Arbor Automotive Foundation ($10,000–$19,999) Anonymous University of Michigan Gerald and Gloria Abrams Linda and Ronald Benson includes gift in honor of John M. Andrew and Lisa Bernstein DIRECTORS Nicklas Gary Boren ($100,000–$499,999) Altarum Institute Edward and Mary Cady Anonymous Menakka and Essel Bailey # Valerie and David Canter Carl and Isabelle Brauer Fund # Barbara and Daniel Balbach # Cheryl Cassidy Ford Motor Company Fund and Bank of Ann Arbor Comerica Bank Community Services Joseph A. Bartush, LS&A, Class of '71 Anne and Howard Cooper Maxine and Stuart Frankel Bendit Foundation Junia Doan Foundation Rachel Bendit and Mark Bernstein Faber Piano Institute Karl V. Hauser # Maurice and Linda Binkow Randall and Nancy Faber The Andrew W. Mellon Foundation Carl Cohen David and Jo-Anna Featherman University of Michigan Health System Jim and Patsy Donahey Barbara G. Fleischman The Wallace Foundation Penny and Ken Fischer George W. Ford Anne and Paul Glendon includes gift in memory of Stef SOLOISTS David and Phyllis Herzig Reiss ($50,000–$99,999) Joel Howell and Linda Samuelson Katherine and Tom Goldberg Anonymous The Japan Foundation Lynn and Martin Halbfnger Anonymous # Frank Legacki and Alicia Torres Norman and Debbie Herbert # Bert Askwith and Patti Askwith Natalie Matovinović Carl and Charlene Herstein Kenner in memory of Josip Matovinović MD Honigman Miller Schwartz and Cohn Community Foundation for McKinley Associates, Inc. LLP Southeast Michigan Thomas and Deborah McMullen David and Sally Kennedy Dance/USA McMullen Properties in memory of Elizabeth Earhart Doris Duke Charitable Foundation Ann R. Meredith Kennedy DTE Energy Foundation Miller, Canfeld, Paddock and Stone Jerry and Dale Kolins # Masco Corporation Foundation P.L.C. Samuel and Marilyn Krimm National Endowment for the Arts Mr. and Mrs. Donald L. Morelock Level X Talent Linda and Stuart Nelson New England Foundation for the Arts Richard and Carolyn Lineback in honor of Ken Fischer Old National Bank Benard L. Maas Foundation Gil Omenn and Martha Darling Mardi Gras Fund MAESTROS Leslee and Michael Perstein Martin Family Foundation # ($20,000–$49,999) in honor of Margie McKinley Dan and Sarah Nicoli Anonymous Tim and Sally Petersen # THE MOSAIC FOUNDATION (of R. & Anonymous # PNC Foundation P. Heydon) Emily W. Bandera, M.D. James Read M. Haskell and Jan Barney Newman Noreen and Kenneth Buckfre Retirement Income Solutions Virginia and Gordon Nordby Sharon and Dallas Dort # Sharon and Doug Rothwell Rob and Quincy Northrup Stephen and Rosamund Forrest # Agnes Moy-Sarns and David Sarns Eleanor Pollack Barbara H. Garavaglia # Jane and Edward Schulak Frances Quarton in memory of Jim Garavaglia Dennis and Ellie Serras Corliss and Dr. Jerry Rosenberg Beverley and Gerson Geltner Gary and Diane Stahle in honor of Ken Fischer Charles H. Gershenson Trust, Maurice Nancy and James Stanley Prue and Ami Rosenthal S. Binkow, Trustee University of Michigan Credit Union Lynne Rosenthal Susan and Richard Gutow # Stanford and Sandra Warshawsky RunSignUp KeyBank Robert O. and Darragh H. Weisman Savco Hospitality Jefrey MacKie-Mason and Janet Netz in honor of Jean and Sidney Silber Lois Stegeman Michigan Council for Arts and Cultural Robert and Marina Whitman The Summer Fund of the Charlevoix Afairs Fred and Judy Wilpon County Community Foundation Philip and Kathy Power Gerald B. (Jay) Zelenock # Stout Systems Norma and Dick Sarns # John W. and Gail Ferguson Stout Sesi Lincoln CONCERTMASTERS Karen and David Stutz Toyota ($5,000–$9,999) includes gift in honor of Donald Bruce G. Tuchman Michael Allemang and Janis Bobrin and Antoinette Morelock U-M Third Century Initiative Carol Amster Dody Viola Ron and Eileen Weiser Dr. Carl Winberg in honor of Margie McKinley

36 # indicates that a donation was made to support a UMS Endowment Fund BE PRESENT WINTER 2016 37

McGinn in memory of Dr. Mel Barclay Mel Dr. in memory of Fischer Ken in honor of Noland Philippe Badin DeLay Harbour # in memory of Ellwood Derr Ellwood in memory of Area Arbor Ann the of Fund Arbor Community Foundation Norman and Carol of honor in Schnall in honor of Ken Fischer Ken of in honor Richard LeSueur Richard Evie and Allen Lichter Fran Lyman John and Cheryl MacKrell Edwin and Cathy Marcus Janet andfJe ries Wallie Timothy and Jo Wiese Johnson Liz Johnson Kent and Mary Johnson Mark and Madolyn Kaminski Kaufman Sylvia and Richard C. Mariam and Kelly A. James Carolyn and Jim Knake and Mathias- Michael J. Kondziolka and Michael Kratchman Barbara Kunz and Jeanne Donald Larson and Russ Ann Martin Jerry and Marion Lawrence A. Jeanine and Lawrence K. John A. Laura and Leichtman David Bill and Boc Fulton Gillis Zita and Wayne Heather and Seth Gladstein # Goldberg and Fred Barbara Cozette T. Grabb Nicki Grifth Leslie and Mary Ellen Guinn Kenneth and Margaret Guire # Marlys Hamill Jef Hannah and Nur Akcasu Caine Nancy and L. Randall Hart and Alice Cliford Hastie Larry Daniel and Jane Hayes Heller Sivana f # Diane S. Ho Robert M. and Joan Howe F. and Saul Hymans Eileen 395 Local IATSE Jean Jacobson Charles and Kathleen Davenport and Kathleen Charles Derr Michele Monique Deschaine Molly Dobson Jill and Doug Dunn Peter and Grace Duren Ann Edwards/Vibrant Rosalie Johanna Epstein and Steven Katz Harvey and Elly Falit andMargaret John Faulkner Esther Floyd Food Art Dan and Jill Francis Judy and Paul Freedman Leon and Marcia Friedman Mac and Nita Cox Rowse and Ruth Dahl Christopher Timothy and Robin Damschroder

Cohen H. Regan Gallagher M.D. L. Barclay, Mel in memory of David Lebenbom in memory of Carolyn R. Zaleon includes gifts in honor of Ken Ken of honor in gifts includes Jerry of memory in and Fischer Fischer Washtenaw Campbell Jean in honor of Myung Choi Brian and Cheryl Clarkson Cohen and Hubert Ellen Evan and Keller-Cohen Deborah Connie and Jim Cook Blue Nile Restaurant Nile Blue Bond and Margaret Howard Rebecca S. Bonnell Borgsdorf and Linda Charles Boxer and Grace Laurence R. Bozell Ralph and Mrs. Dr. Dale E. and Nancy M. Briggs Sample f and Kathy Bill Brinkerho David and Sharon Brooks Robert and Jeannine Buchanan Bullen and Valerie Lawrence Joan and Charley Burleigh and Al Cain Barbara Lou and Janet Callaway Foundation Dan Family Cameron CampbellJean W. and Bob Lyons Camper Sally Capo Thomas and Marilou Anne Chase Patricia Chatas Dr. Frank J. Ascione Frank Dr. Ause Bob and Martha Donald and Axelson R. Elizabeth Teresa and Ayers Jonathan Patricia Bard Lisa and Jim Baker Rosalyn, Joshua and Beth Barclay John and Ginny Bareham David and Monika Barera and Phil Berry Anne Beaubien Cecilia Benner Dr. and Berardi R. Rosemary Dr. Kuras frey Billmann and Je Sara Joan Binkow John Blankley and Maureen Foley Jim Toy Elise Weisbach PATRONS ($1,000–$2,499) Katherine Aldrich Alonzo and Mona Richard of Company Title American Christiane Anderson David G. and Joan M. Anderson # John Anderson McHie and Lyn Dave and Katie Andrea Anonymous Anonymous Ansbacher Rudi and Mrs. Dr. Harlene and Henry Appelman Victor Strecher and Jeri Rosenberg Rosenberg Jeri and Strecher Victor Ed and Natalie Surovell Judy and Lewis Tann Keturah Thunder Haab

in honor of Candis and Helmut Helmut and Candis of honor in Stern in honor of Ken Fischer Ken in honor of Parmelee Zimmerman of honor in gift a includes Morelock and Antoinette Donald Corbett O'Meara Billmann Haug Beutler # Beutler Sara of honor in gift includes Gilman Herbert and Ernestine Ruben Frankie and Scott Simonds Jim and Bonnie Reece ReedJohn W. fells L. Re Anthony Nathaniel and Melody Rowe Steve and Betty Palms and Betty Steve Parsigian and David Elizabeth Judith A. Pavitt and Elaine Pitt Bertram Price Rick and Mary Estate of Michael G. McGuire Paul Morel and Linda Woodworth and Vivian Mosellie Anthony Donna and Nolting William Ernest and Adèle McCarus and Adèle Ernest Bill and McClanahan Susan Leo and Kathy Legatski Carolyn and Paul Lichter # Lohr and Rebecca Lawrence # Long and Kay E. Daniel Jean E. Long David W. Heleniak # David W. Connie and Tom Kinnear Diane Kirkpatrick Klintworth Philip and Kathryn Ted and Wendy Lawrence Thomas and Barbara Gelehrter Thomas and Barbara Gilkey Bill and Ruth John Grif th Robert and Dannielle Hamilton Hein D. Katherine John Dryden and Diana Raimi Eisendrath and Julia Charles Joan and Emil Engel and Michael Frank Sara M. Gates David Prof. Julia Donovan Darlow and John John and Darlow Donovan Julia and Nicholas Delbanco Elena Marylene Delbourg-Delphis Dobson Alice Carolyn M. Carty and Thomas H. H. Thomas and Carty M. Carolyn Jean and CaseyKen Conlin Travel, Inc. Kathy Benton and Robert Brown J. Frederick and A. Suzanne DJ and Dieter Boehm Karen Karen Bantel and Steve Geiringer Sid Dr. and Barbour Carol Dr. Robert and Wanda Bartlett Bates Lydia and Bradford Jim and Barbara Adams Barbara Jim and Alexander Michael and Suzan Anonymous Fund Touring Arts Midwest John and Lillian Back LEADERS ($2,500–$4,999) Nancy and Philip Margolis BENEFACTORS David and Maureen Ginsburg # Betsy Yvonne Mark ($500–$999) Ken Gottschlich and Martha Pollack W. Harry Marsden Tena Achen Christopher and Elaine Graham Howard L. Mason Roger Albin and Nili Tannenbaum Martha and Larry Gray Mary M. Matthews Christine W. Alvey Dr. John and Renee M. Greden Jerry A. and Deborah Orr May # Neil P. Anderson Drs. Patricia and Stephen Green W. Joseph McCune and Georgiana Anonymous Raymond Grew M. Sanders Sandy and Charlie Aquino Werner H. Grilk Grif and Pat McDonald Penny and Arthur Ashe in memory of Warren L. Hallock James H. McIntosh and Elaine K. Ralph and Barbara Babb Steven and Sheila Hamp Gazda in memory of Jim Garavaglia Alan Harnik and Prof Gillian Feeley- Margaret McKinley Laurence R. and Barbara K. Baker Harnik Michael and Terrie McLauchlan # Reg and Pat Baker Martin D. and Connie D. Harris Scott and Julie Merz Nancy Barbas and Jonathan Sugar Dr. Don P. Haefner and Dr. Cynthia Bert and Kathy Moberg Astrid B. Beck J. Stewart Lester and Jeanne Monts Gail M. Bendit Helen C. Hall Virginia Morgan Rodney and Joan Bentz Stephen Henderson Moscow Philanthropic Fund James K. and Lynda W. Berg Kay Holsinger and Douglas C. Wood John and Ann Nicklas Peggy and Ramon Berguer Jim and Colleen Hume Susan and Mark Orringer # in honor of Jim and Nancy Stanley Ann D. Hungerman Elisa A. Ostafn L. S. Berlin and Jean McPhail Harold Ingram # Lisa and John Peterson Raymond and Janet Bernreuter Isciences, L.L.C. Pfzer Foundation Dr. John E. Billi and Dr. Sheryl Hirsch John and Gretchen Jackson Juliet S. Pierson William and Ilene Birge Hank and Karen Jallos Susan Pollans and Alan Levy Jerry and Dody Blackstone # Mark and Linda Johnson Stephen and Bettina Pollock Ron and Mimi Bogdasarian Mattias Jonsson and Johanna Jef Reece R.M. Bradley and C.M. Mistretta Eriksson Marnie Reid Joel Bregman and Elaine Pomeranz Don and Sue Kaul Ray and Ginny Reilly Charles C. Bright and Susan Crowell David H. and Gretchen Kennard Malverne Reinhart Susan and Oliver Cameron John Kennard and Debbi Carmody Richard and Susan Rogel Thomas and Colleen Carey Paul and Dana Kissner Huda Karaman Rosen Brent and Valerie Carey Jean and Arnold Kluge Craig and Jan Ruf Jack and Susan Carlson Barbara and Ronald Kramer Karem and Lena Sakallah Barbara Mattison Carr Mary L. Kramer Maya and Stephanie Savarino Andrew Caughey MD and in honor of Ken Fischer Erik and Carol Serr Shelly Neitzel MD Gary and Barbara Krenz Janet Shatusky Tsun and Siu Ying Chang Jane Fryman Laird Alyce Sigler Samuel and Roberta Chappell Joan and Melvyn Levitsky Carl Simon and Bobbi Low John and Camilla Chiapuris Jennifer Lewis and Marc Bernstein Nancy and Brooks Sitterley Reginald and Beverly Ciokajlo James and Jean Libs Michael Sivak and Enid Wasserman Mark Clague and Laura Jackson Marty and Marilyn Lindenauer Barbara Furin Sloat Judy and Malcolm Cohen Rod and Robin Little Janet Kemink and Rodney Smith, MD Jon Cohn and Daniela Wittmann Joan Lowenstein and Jonathan Trobe Ren and Susan Snyder Arnold and Susan Coran Brigitte Maassen Linh and Dug Song Paul Courant and Marta Manildi William and Jutta Malm Cheryl Soper Katherine and Cliford Cox Melvin and Jean Manis Michael B. Staebler and Jennifer R. Cliford and Laura Craig # Susan Martin Poteat John and Mary Curtis Judythe and Roger Maugh Ted St. Antoine Roderick and Mary Ann Daane Martha Mayo and Irwin Goldstein Virginia E. Stein # Linda Davis and Bob Richter Margaret and Harris McClamroch Eric and Ines Storhok in honor of Ken Fischer Jordan McClellan Dalia and Stan Strasius David Deromedi Bill and Ginny McKeachie Charlotte Sundelson in memory of Nancy Deromedi Semyon and Terry Meerkov Louise Taylor Andrzej and Cynthia Dlugosz Bernice and Herman Merte Ted and Eileen Thacker Karen Yamada and Gary Dolce Fei Fei and John Metzler Louise Townley Ed and Mary Durfee Lee Meyer Jef and Lisa Tulin-Silver James F. Eder Dr. James M. Miller and Dr. Rebecca Susan B. Ullrich # John R. Edman H. Lehto Jack and Marilyn van der Velde Gloria Edwards Lewis and Kara Morgenstern Douglas and Andrea Van Houweling Barbara and Tony Eichmuller Lisa and Steve Morris Joyce Watson and Marty Warshaw Alan S. Eiser Brian and Jacqueline Morton Harvey and Robin Wax Phil and Phyllis Fellin Drs. Louis and Julie Jafee Nagel includes a gift in honor of Penny Carol Finerman John and Ann Nicklas Fischer Susan Fisher Marylen S. Oberman Lauren and Gareth Williams Scott and Janet Fogler Elizabeth Ong Max and Mary Wisgerhof David Fox and Paula Bockenstedt M. Joseph and Zoe Pearson Charles Witke and Aileen Gatten Christopher Friese Jean and Jack Peirce The Worsham Family Foundation in honor of Jerry Blackstone Wesen and William Peterson Thomas and Karen Zelnik Carol Gagliardi and David Flesher Diana and Bill Pratt Thomas and Erin Zurbuchen # Tom Gasloli Wallace and Barbara Prince Renate Gerulaitis Cynthia and Cass Radecki

38 BE PRESENT WINTER 2016 39

Schluederberg Smerza King Stearns Gibbard Goss # in memory of Eugene O. Ingram O. Eugene of in memory James Leija and Aric Knuth Leo Anne and Harvey Suzanne and Lesko John Rachelle Lesko Lewis Kitto Gloria Fred and Susan Kellam Kelly Charles James and Patricia Kennedy Michael and Keppelman Nancy Dan Kilburnand Freddi Frey- Robyn King and Laurence Web and Betty Kirksey Michael Koen Rosalie and Ron Koenig Joseph and Marilynn Kokoszka Korobkin Melvyn and Mrs. Dr. Kruse Bert and Geraldine Frank and Kim La Marca Lachowicz John Donald Tim and Kathy Laing Linda Langer La Rocca and Anthony Anne-Marie John and Theresa Lee Drs. Erik and Dina Hanby Drs. Susan R. Harris Jacqueline and Henkel Lawrence J. Hero and Alfred Therese Lorna and Mark Hildebrandt Perry Irish Hodgson Kivelsonand Timothy Valerie Hofer Danielf man Ho Jane and Thomas Holland James Fisher S. and House Wendy # Humphrey Gaye Jahn Elizabeth Joachim Janecke Jones Ruth and Mrs. Lawrence Mr. Janet and Jerry Joseph Kaegi Don and Nancy Monica and Fritz Kaenzig Angela Kane Mark and Kaplan Carol E. and M. Katz Charles and Janet Garvin and Janet Charles Kolecki Gast and Greg Sandra Gates Bob and Julie Murray Lisa Michael Gatti and Allan Prof. and Genne Beth Prof. Moses and Dara Chris Genteel Gillespie Tara and Gillespie Martin J. Glicksman Thea and Elliot Inc. Google Janet and Charles Mrs. and Mr. Marla Goussef Michael L. Gowing Jenny Graf Jerry M. and Mary K. Gray Greene and Linda Richard Linda and Roger Grekin Carl Guldberg Haddad and Mary George Susan Froelich and Richard Ingram and Richard Susan Froelich Frost Woodten Renée Philip and Enid Galler

in memory of Gerald B. Fischer Gerald in memory of Dintenfass C. Fischer Kenneth in honor of B. Fischer Gerald in memory of Ulaby Drickamer and Gwen of memory in Powrie Emerson Catherine Fischer Frederick and Kathleen Fletcher Peter C. Flintoft Jessica Fogel and Lawrence Weiner Lucia and Doug Freeth Margaret DelaneyMargaret Linda and Wisinski Kenneth Paul and Annemarie Dolan Robert Donia Duell Elizabeth Duquette Don and Kathy Dutta Swati Edgar Myrna and Richard Morgan and Sally Edwards Ellis and Julie Charles Thomas Fabiszewski Kay Felt Jef Fessler and Sue Cutler Herschel and Adrienne Fink andHarold Billie Fischer Martha Fischer and William Lutes Norman and Jeanne Fischer Samuel and Roberta Chappell Samuel and Roberta Joan and Mark Chesler Cheung Laurence Hilary Cohen Wayne and Melinda Colquitt Cook D. Lisa Dr. Katharine Cosovich and Cottrill Jon Wolfson Margaret Craig Susan Bozell Fawwaz and Cunningham Jean Lynn and Dalton Marylee Connie D'Amato Das Sunil and Merial # Davidge Powrie Art and Lyn Ed and Ellie Davidson John Debbink David L. DeBruyn Corry and Gahl Berkooz Dan Berland and Lisa Jevens Berry and Sheldon Barbara Maria Beye Mary E. Black Judy and Bobrow Jon Desenberg Bomia D. Mark Mr. Joel Bregman and Elaine Pomeranz Les and Bonnie Bricker Brooks D. Gloria Morton B. and Raya Brown Tom and Lori BuitewegJonathan and Bulkley Trudy Burnstein Jim and Cyndi Tony and Jane BurtonJenny and Jim Carpenter (Peggy) Carroll W. Margaret Dennis J. Carter Susan Carter Albert C. Cattell Frank and Lindsay Tyas Bateman Kenneth and Eileen Behmer Alberts and Joe Bellows Christina BergHelen V.

Foundation in memory of Angela Welch Angela in memory of Miller Finholt Rueter Schilperoort in memory of Leon Cohan Leon in memory of Eric and Nancy Aupperle Eric and Nancy Rosemary and John Austgen Robert and Mary Baird Pat Bantle Barclay Barbara f Agrano and Raquel Bernard Diane M. Agresta Dr. Helen and David Aminof Ralph and Elaine Anthony Lisa and Armstrong Scott James and Catherine Allen Catherine M. Andrea Community Area Arbor Ann Anonymous ASSOCIATES ($250–$499) Judith Abrams Jan and Sassa Akervall Allardyce Carol and Gordon Dr. and Mrs. Robert Wolf Robert and Mrs. Dr. and Douglas Woll Margo Drs. Mary Jean and John Yablonky Yarmain Kathryn and Richard Iris and Fred Whitehouse Iris and Fred Diane Widzinski Thomas K. Wilson eld f Win Robert Dr. Wise and Mary Lawrence Edward and Colleen Weiss Lyndon Welch JamesWhite B. White and Mary F. Kathy White # Elizabeth A. and David C. Walker A. and David Elizabeth Wasserman Arthur and Renata # Weber Madelon and Richard George and Webster Deborah Doris H. Terwilliger Turcotte Claire UrbaJoyce and David Kinsella Wagener and David Nelson Erika Gretta Spier and Jonathan Rubin and Jonathan Spier Gretta Leslie Stainton and Steven Whiting Stillwagon Allan and Marcia Lindley and Mark Sandy Talbott Thomas and Teasley Stephanie Edward and Kathy Silver Sue and Don Sinta Henry and Sorensen Cynthia Linda Spector and Peter Jacobson David Schmidt and Jane Myers Schriber Ann and Tom Matthew Shapiro and Susan Garetz M. Siegan Bruce Linda and Sahn Leonard Mariam Sandweiss Sarkar Ashish and Norma and Susan Kendall Christopher Doug and Nancy Roosa Nancy Doug and David Lampe and Susan Rosegrant Rosenbaum Stephanie Rosenfeld and Edie Richard Nancy Rugani Peter Railton and Rebecca Scott Jessica C. Roberts, PhD # Jacqueline Lewis Donald and Evonne Plantinga Becki Spangler and Peyton Bland in honor of Ken Fischer Joyce Plummer Doris and Larry Sperling Barbara Levine Thomas S. Porter in memory of David Klein Michael and Debra Lisull Nancy Powell Jim Spevak Dr. Len and Betty Lofstrom Anne Preston # Jef Spindler Julie M. Loftin Karen and Berislav Primorac Paul and Judith Spradlin Barbara and Michael Lott Quest Productions Daniel and Susan Stepek Bruce Loughry Floretta Reynolds James L. Stoddard Martin and Jane Maehr Guy and Kathy Rich Cynthia Straub Susan C. Guszynski and Gregory F. Douglas and Robin Richstone Brian and Lee Talbot Mazure Dr. and Mrs. Jonathan Rodgers May Ling Tang Charles McCaghy Dr. Stephen Rosenblum and Dr. Carolyn and Frank Tarzia Joanna McNamara and Mel Guyer Rosalyn Sarver Eva Taylor Frances McSparran Rosemarie Haag Rowney Stephan Taylor and Elizabeth Marilyn Meeker Carol Rugg and Richard Stumbo Gerlinda S. Melchiori Montmorency Denise Thal and David Scobey Warren and Hilda Merchant Jay and Sunny Sackett Nigel and Jane Thompson Dennis J. Merrick and Judith H. Mac Eugene Saenger, Jr. John G. Topliss Louise Miller Amy Saldinger and Robert Axelrod Donald Tujaka Gene and Lois Miller Irv and Trudy Salmeen Alvan and Katharine Uhle Dr. and Mrs. Josef Miller in honor of Pat Chapman Karla and Hugo Vandersypen John and Sally Mitani Michael and Kimm Sarosi Michael Van Tassel Candy Mitchell Albert J. and Jane L. Sayed James and Barbara Varani Arnold and Gail Morawa Judith Scanlon Virginia O. Vass Trevor Mudge and Janet Van Jochen and Helga Schacht Brad L. Vincent Valkenburg Mark Schlissel Jack Wagoner, M.D. Gavin Eadie and Barbara Murphy Betina Schlossberg Mary Walker and David Linden Thomas J. Nelson Regan Knapp and John Scudder Charles R. and Barbara H. Wallgren # Gayl and Kay Ness Larry and Bev Seiford Bob and Liina Wallin Marc Neuberger Suzanne Selig Jo Ann Ward Richard and Susan Nisbett Ms. Harriet Selin Alan and Jean Weamer Eugene and Beth Nissen Elvera Shappirio MaryLinda and Larry Webster Laura Nitzberg Laurence Shear Mr. and Mrs. Richard Weiermiller Christer and Outi Nordman William and Christina Shell Jack and Carol Weigel Arthur S. Nusbaum Patrick and Carol Sherry Lisa and Steve Weiss Constance Osler George and Gladys Shirley Mary Ann Whipple Mohammad and J. Elizabeth Othman Jean and Thomas Shope Nancy P. Williams Karen Pancost Andrew and Emily Shuman in honor of Katie Stebbins William and Hedda Panzer Nina Silbergleit Robert J. and Anne Marie Willis Donna D. Park Terry M. Silver John and Pat Wilson Karen Park and John Beranek Robert and Elaine Sims Beth and I. W. Winsten Lisa Payne Scott and Joan Singer Stuart and Nancy Winston # Sumer Pek and Mickey Katz-Pek Loretta Skewes Steven and Helen Woghin Melvin and Sharon Peters Carl and Jari Smith # Charlotte A. Wolfe Margaret and Jack Petersen Dr. and Mrs. Gregory Smith Frances Wright # in honor of Jerry Blackstone Robert W. Smith Gail and David Zuk Sara Jane Peth Greg Grieco and Sidonie Smith Marianne Udow-Phillips and Bill David and Renate Smith *Due to space restraints, tribute gifts Phillips Hanna Song and Peter Toogood of $1-$249 will be recognized in the online donor list at ums.org. Ad Index 2 Ann Arbor Area Community Foundation 26 Michigan Psychoanalytic Institute and 34 Ann Arbor Symphony Orchestra Society 5 Center for Plastic and Reconstructive Surgery 28 Michigan Radio 6 Charles Reinhart Co. Realtors 28 Miller, Canfeld, Paddock and Stone, P.L.C. 6 Cottage Inn 32 Red Hawk and Revive + Replenish 6 Donaldson & Guenther 30 Retirement Income Solutions 10 Dykema Gossett 22 Silver Maples 10 Gilmore Keyboard Festival 32 Smith Haughey Rice & Roegge 22 Heinz C. Prechter Bipolar Research Fund 4 U-M Alumni Association 21 Honigman Miller Schwartz and Cohn LLP IBC WEMU 10 Iris Dry Cleaners 32 WGTE 26 Jafe, Raitt, Heuer & Weiss PC 30 WKAR 26 Knight's Downtown 33 Zell Visiting Writers Series IBC = Inside back cover

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