SF State Is Now on Its Own Trustees Relent;• UC Merger Soon SF State Is No Longer a Part of the California State College System

Total Page:16

File Type:pdf, Size:1020Kb

SF State Is Now on Its Own Trustees Relent;• UC Merger Soon SF State Is No Longer a Part of the California State College System SF State is now on its own Trustees relent;• UC merger soon SF State is no longer a part of the California State College System. Chancellor Glenn S. Dumke announced late last night that due to “ unbearable pressure” on the part of faculty and admin­ istration here, SF State would be released from the system as of next fall. “ The final straw,” Dumke said, “ was the proposal of the Vol. 87, No. 33 San Francisco State College Wed., April 1, 1964 California Senate to investigate the State College System. I, and the trusteees agree, that such action is not warranted. We believe that (SF State) President Paul Dodd was correct when he said that academic matters should be ‘kept in the family.’ ” Communal live-in1 agitators As of next semester, Dumke added, this campus will merge with the University of California. A tentative name change has been submitted: University of California at San Francisco. protest raise in dorm fees “ This seems to be what the college wants,” Dumke said. “ We (the trustees and Chancellor) want to preserve the har­ SF State dorm-dwellers returned from spring the DDNCC said, “ but we’re working on a mony and autonomy of the system. It became quite evident vacation last weekend with artillery and pro­ reverse-psychology principle: the simplest re­ that San Francisco’s faculty and administration was unhappy visions in preparation for an organized protest quest of lower fees will seem less drastic in under our control.” against the proposed raise in dorm fees. comparison with the other proposals.” Dumke, a former president of SF State, indicated that the Armed with paint brushes, padlocks and In the past three days the dorms have been growing unrest on this campus was spreading to the other canned food, the residents of Mary Ward Hall functioning with little noticeable change ex­ state colleges. A source close to the Chancellor said that in and Merced Hall banished George Changaris cept for the physical appearance of the dorm­ order to check a growing feeling of dissatisfaction in the sys­ and his subordinates and proceeded to set up ies in the residence dining hall . bare feet, tem, Dumke agreed to isolate the problem of removing SF communal housekeeping in a ‘live-in’ demon­ pajamas, curlers, and questionable orange State. stration. juice. Charles Luckman, chairman of the trustees, when contacted The coup was planned in a mass meeting The committee feels they have solved the held over the holidays in Golden Gate Park, problems of the endless-waiting list. at his home last night, would only comment, “ SF State has where the dissatisfied dormies agreed, after “ The State doen’t need to build new dorms,” been a thorn in our side for several years. This move will be best for all concerned.” three hours of deliberation, to form a Dorm Derierre said. “ By merely ‘doubling up’ we Dwellers Non-Violent Coordinating Committee can get 1600 people in the residence halls. News of the merger met with favorable reaction from SF (DDNCC) and to present Changaris with a list Inspired by the current Bay area housing State people. of grievances, among them: strike, the DDNCC said they will be willing to President Dodd said he was glad the system “ had finally • freedom of inter-dormitory transit negotiate with dormitory officials at any time. seen the light.” • no restrictions on women residents “ Except for the Mary Ward control over • stabilization of dorm fees at present level. cooking, the live-in demonstration is going He expressed regret that “ the trustees and Chancellor felt SF State was a rebel campus. We have only been asking our “ We don’t expect to gain a total victory in along pretty well. We’re in no particular hurry rights as a free and autonomous member of the state college our proposal,” Jerry Derierre, chairman of to negotiate,” he concluded. system.” Several of the faculty hailed the merger as “ the best thing to happen to higher education in California since its inception.” Local connoisseurs leave Mattachine “ We have finally gotten what we want,” said one. “ Now this institution can grow to fulfill its potentiality. We have been dance honors harnessed for years by the trustees and the rest of the hier­ for impromptu field trip archy. This merger will revitalize the college.” springtime Clark Kerr, chancellor of the University of California, could “There were these some bearded chemistry major sug­ A “ Welcome to Thou, Sweet not be reached for comment. His administrative assistant, how­ dozen odd students sitting in gested that the group go to Spring” dance will be held in ever, said that Kerr had been looking forward to such a move the back of the car talking Mexico, Miss Orielle said. the men’s gymnasium Satur­ for quite a while. about tequila, mescal and When the M-car stopped at day night, commencing at 8:30 “ The facilities at SF State offer UC added resources for our pulque and all of a sudden SF State, the Mexico-bound p.m. research projects. The faculty, one of the best in the nation, one of them said, ‘What the group scurried off and piled Sponsoring the affair is the will compliment our staff and prove a boon to science and the hell, let’s all go to Mexico.’ ” into two cars. They planned Mattachine Gators, local chap­ arts.” These were the words spok­ to rendezvous in the afternoon ter of the International Matta­ en by Muni conductor, Charles at a farm south of San Fran­ chine Society. Munch, when he attempted to cisco, another student said. Decorations will be in honor explain why 12 students were of one of America’s greatest 'Ad Hoc' hits Post Office; motivated to drop out of According to Silas Mariner, springtime vignettes — th e school yesterday morning and a farmer who lives 10 miles Washington Monument. Atone go to Mexico. south of San Francisco, “ a mailbox sit-ins arrested few beatnik types” visited him end of the gym will be a rep­ “ I guess it was one of those Over 75 orderly pickets pro­ pus library, and sat silently in the early afternoon. They lica of the famous obelisk, tested on campus Monday for several hours. After mum­ spur of the moment deci­ rented a cattle truck from him sourrounded by spring posies. sions,” the conductor said, over alleged discrimination in blings of discontent had for $300. Mariner said the im­ President of the campus “ but I sure wonder what the postal services. threatened to break up the promptu agreement he drew chapter, I. B. Tiurf, said, “ We they’re using for money.” The pickets were from sev­ demonstration — “ I thought up with them specified that certainly expect that this won­ According to students who eral campus organizations — you said the cops were going the rental was to be for six derful dance will do much to were sitting near the itinerant mostly from the Ad Hoc Com­ to come and arrest us,” one months. procure new members for our group on the M-car, a discus­ mittee to End Racial Inequita- demonstrator was heard to group.” sion developed on the way to In a note the Gater received bility and Forge Justice say—leader Tracy Smis spoke school about the attributes of late last night from sociology Tickets can be had at the Among All Folk. to the crowd and told them to Mexican alcoholic beverages. major Jefferson Germany, door, $1 for stags, $.50 for The pickets surrounded a move inside. The discussion grew heated, the group plans to “ conduct a couples. mail box in front of the cam- As several demonstrators and several vociferous partici­ testing and tasting survey attempted to chain shut the pants maintained that the only throughout Mexico until ade­ mailbox, the police began to way to test the worth of Mexi­ quate data is amassed, or un­ load them into vans and take can booze was to conduct a til the group runs out of funds, the maway. survey of wineries and distil­ or until the group otherwise Flunky list The demonstrators had al­ leries. becomes incapacitated.” leged that zip code numbers The Student Dean’s office has announced, in a letter A speech major, Rito Ori- Germany also indicated that tended to promote segrega­ to the Gater, that a special Dean’s List has been compiled elle, was listening and said in addition if the survey was tion, and had chanted “ Zip listing all students who flunked or were expelled from that several of the students immediately successful, code — Must GO,” during a SF State last semester and weren’t notified. thought they could use the in­ “ some scientific studies will part of the sit-in. In the letter, the Dean stated that he was sorry about formation that they would be made on the moral effects Miss Smis, as she was the oversight, “ but sometimes these mistakes do happen glean from such a trip for of legalized prostitution on hoi dragged away from a mail­ and we’re sure everyone concerned will be very under­ term projects in next year’s polloi.” box chute and carried to a standing.” classes. The spokesman did not say waiting police van, said that The students ended the dis­ what kind of testing methods The list will be published in tomorrow’s Gater. the sit-ins would not end with cussion abruptly when a would be used in the projects. the postal service. Editor's desk Page 2 GOLDEN GATER Wed., April 1, 1964 The Red Boodle drain Letters to the Editor (Ed Note: Today the Gater is proud to pre­ canism and Mom’s Apple Pieism weren’t Sick? (sic) interesting for all of us entil- sent a guest editorial by Lusius Beebee, col­ enough, these bearded anarchistnicks flaunt Gentlemen (sic): (sic) lectwoals (sic) on the college umnist for the San Francisco Cornicle wherein their freakish flairs for supporting unsupport- Why do you make such a level.
Recommended publications
  • Big Decision My Music Partner Lou and I
    Seattle including the Roadrunner Cafe a motel parking lot in Schenectady. Sitting - where we tried the exhausting experiment on the ferry on the way to mainland US ©2017 of two shows in one night (mistake). Played from Victoria BC gig fixing Lou's accordion Peter Berryman in the cattle town of Dodge City Kansas, monopod with wire and epoxy; Playing to a where they told us if we climbed a nearby sold-out hall in Grand Rapids MI thanks to Big Decision hill we could see all the feedlots in town. a newspaper article titled "Divorced Cou- Played the wonderful middle-of-nowhere ple Sings Funny Songs." My music partner Lou and I have decided Sangerville Maine grange hall; best pie in to stop touring nationally. We have one the world. Had the honor of Tom Lehrer in Live radio was always a nervous treat. Had more brief New York slog in April, but then our audience on the west coast, Noam giggly radio interviews in Boston, Berke- we're winding down, and gigging only clos- Chomsky in on the east coast, and, thanks ley, Santa Cruz and other places on the er to home. I find myself reminiscing, and to connections made by our friend Bob mornings of the gigs, or sometimes the don't know if Whither Zither needs to know Blackman, folk DJ at WKAR in Lansing MI, morning after; Minnesota Public Radio had about it, but what the heck. the Pulitzer prize winning author and fa- us on their Morning Show many fun times; vorite of mine Doug Hofstadter in Bloom- we loved the bucolic drive to Cedar Falls IA We will miss so dearly the far flung friends, ington Indiana came to our show, and and Live from Studio One on KUNI; Nation- venues, and audiences we have come to drove out to our sleazy motel later that al Public Radio's Flea Market with Jim Post love so passionately.
    [Show full text]
  • Punk Aesthetics in Independent "New Folk", 1990-2008
    PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames
    [Show full text]
  • Arhai's Balkan Folktronica: Serbian Ethno Music Reimagined for British
    Ivana Medić Arhai’s Balkan Folktronica... DOI: 10.2298/MUZ1416105M UDK: 78.031.4 78.071.1:929 Бацковић Ј. Arhai’s Balkan Folktronica: Serbian Ethno Music Reimagined for British Market* Ivana Medić1 Institute of Musicology SASA (Belgrade) Abstract This article focuses on Serbian composer Jovana Backović and her band/project Arhai, founded in Belgrade in 1998. The central argument is that Arhai made a transition from being regarded a part of the Serbian ethno music scene (which flourished during the 1990s and 2000s) to becoming a part of the global world music scene, after Jovana Backović moved from her native Serbia to the United Kingdom to pursue an international career. This move did not imply a fundamental change of her musical style, but a change of cultural context and market conditions that, in turn, affected her cultural identity. Keywords Arhai, Jovana Backović, world music, ethno, Balkan Folktronica Although Serbian composer, singer and multi-instrumentalist Jovana Backović is only 34 years old, the band Arhai can already be considered her lifetime project. The Greek word ‘Arhai’ meaning ‘beginning’ or ‘ancient’ it is aptly chosen to summarise Backović’s artistic mission: rethinking tradition in contemporary context. Нer interest in traditional music was sparked by her father, himself a professional musician and performer of both traditional and popular folk music (Medić 2013). Backović founded Arhai in Belgrade in 1998, while still a pupil at music school Slavenski, and continued to perform with the band while receiving instruction in classical composition and orchestration at the Belgrade Faculty of Music. In its first, Belgrade ‘incarnation’, Arhai was a ten-piece band that developed a fusion of traditional music from the Balkans with am bient sounds and jazz-influenced improvisation, using both acoustic and electric instruments and a quartet of fe male vocalists.
    [Show full text]
  • Northern Junket, Vol. 8, No. 7
    M?K $ jt w !£- v \ / 0m I tl\il nl%. Wr / (M/ l/«,Vjii /An a *"\ ***-$**!, P~ , ,: - BARN : v X /,••;/ f;j'\ 1 /-/ dance 3 r ! ^ i/y \ ,. \ lit ! Ton 1/^.: ?^>> '? » ' » \ i < '«.&: / / K</^ u / \% tr \ f%/ V & VOL cV MO 7 25-<5 mm Article Page Take It Or Leave Ir 1 Folk Dance Manners «.---- Dancing In the Church 8 Tradition - - - - - - - -11 Rosin The Bow And Away Ve Go - - - - 13 Rod's Weekend _----- Year HJnd Camp ------ 21 It's Fu£ To Hunt ------ 24 Contra Dance - The Grange Tree - 30 Square Dance - Old Fall River Line - - - 31 Folk Song - A Trip To The Grand Banks Folk Dance - Blaydon Races, Mixer 3^ Take A Fling At Scottish Dancing News -------- 36 Painless Folklore ----- 39 Remember When? - - - 40 Folklore For the New Year - - ^3 Hither And Yawn ^5 Hornet own Food _ - - - - Kitchen Hints ------ 51 //////y///////// ///////////////////////// ////////7777777/ . the Like polkas and polka music? Then write at once to Polka Records Distributor, P.O. Box 101, Rockville, Conn, Mail. and ask for their latest lists of Polka Records By 00000 New If you're looking for a place to dance traditional England squares and contras plus a few European Folk Dances throughout the evening write to Edna Priest, your name RFD, Tinker Rd. Nashua,. N.H. and ask to have and address Placed oh her mailing list. !; -•' :: '5 : TAKE IT OR ^ '^^ te£^' ] l'"'' ^Tl r-^"^ ^SCx LEAVE 1 1 "T J - ; \ fs i -y / : w•• --"' Jv y • ): :. / sir It is heartening to note the ^'' ./ jO/^^^^^p^V^-^1 v continued success of what ; "Tf ''if f might be called "Old-Time" dan yi cing - if it were only a little older I Age has little to do with it though.
    [Show full text]
  • Edmonton Folk Music Festival Schedule
    Edmonton Folk Music Festival Schedule Foully forehand, Nealon detribalized slave-driver and evangelised bedtime. All-star Forster escaladed provably,now or dignifies is Dario oddly fold andwhen contractable Agustin is bawdiest. enough? Fernando never finances any coelenterates cuss Arden theatre tickets will offer fans are primarily concerned about seeing this. Please refer for the info icon for more details. Once payment by email list for music festival lineup better predict where he started or sprawled out. Artists go out of folk festival, schedules will miss gathering with custom code? Something especially wrong on bank end and sin need to stalk over. Visit us on. Journalists like big rock concerts, musical acts performing crazy live. We are subject? Call It Home: Vol. How did this festival scenes of folk fest: all of a comment posted weekly. This trio from Brooklyn, competitions and explain every Thursday! Read the article online and download the PDF from your email or better account. This page could really be found! How way ahead do together book artists and know god will attract foreign audience? Get here to present photo gallery: your email list of purchase tickets will have are. That first edmonton folk fest is being cancelled without it! The early years of the Edmonton Folk Music Festival coincided with the near disappearance of folk music from the mainstream of radio. They radiate low key warmth and are guys you can imagine having a beer with. This festival look for music. Raskin is the lead prosecutor for the House. Something went wrong on information we were looking for concerts in this transfer is held at ticketmaster or below on behalf of attendees come first record quantities.
    [Show full text]
  • Refried Elvis the Rise of the Mexican Counterculture 1St Edition Pdf, Epub, Ebook
    REFRIED ELVIS THE RISE OF THE MEXICAN COUNTERCULTURE 1ST EDITION PDF, EPUB, EBOOK Eric Zolov | 9780520215146 | | | | | Refried Elvis The Rise of the Mexican Counterculture 1st edition PDF Book The Cafe Cantantes "thus served as a kind of transcultural performance space where the styles, gestures, and sounds of the youth culture from abroad were transposed for a Mexican audience". Cambridge University Press. And just as the students in other countries peacefully protested conservative governments, the students of Mexico begin to challenge authority in Mexico too. Sep 14, Sara rated it really liked it. Books by Eric Zolov. While economic conditions and state policy produced important disjunctures between official ideology and material reality for the majority poor, for a growing middle class the revolutionary promise of a better life was coming true. The point of this study at one level, therefore, is to discern how global marketing strategies intersected with state apparatuses and audiences to shape and contest the terrain of mass popular culture. As approached, the president of Mexico gained more and more absolute and monopolizing power. Hidden categories: Pages with citations lacking titles Articles with short description Short description with empty Wikidata description All articles with unsourced statements Articles with unsourced statements from October Wikipedia articles needing clarification from October By conducting a detailed analysis of rock music's production, distribution, and reception this study thus offers a unique view of the rising expectations and mounting contradictions of Mexico's modernizing "miracle. In retrospect it seems reasonable to suggest that U. Romina rated it liked it Mar 07, Nederlands Edit links.
    [Show full text]
  • Northern Junket, Vol. 10, No. 9
    fiHBj.r..=.i;r^rp Rp- ,,,,, .:. ^^^.^ ;^^ (J'ir^- ^^>-^ ^<vP""'-v/ yf^c\'^ ^^^^mk vol 10 $ HO 9 \mci Article page Take It Or Leave It - - - - 1 Style - - - - 2 Hews - - - 3-12t-22-29 Hotes At A Callers' Meeting - * • if. Money Musk - - • •. 7 A Stolen Amati Violin Pound - - - 10 The Mystery Man Of Irish Music - - 13 Patter Chatter -, • - - 20 And In Conclusion - - - 23 Contra Dance - Braintree Hornpipe - -. 25 Square Dance - Fori'/ard 6 The Gents Pass Under - Z6 Folk Dance - Laces And Graces - - - 2? Polk Song - Aura lee - • - 28 let«s Mix »Bm Up ~ - - - 30 It's Pun To Hunt - - - • 3I Painless Folklore - - «, - 40 Remember Ii/hen - Tongue Twisters - ^3 JTew England Folklore - • -> .. i|4 Good Pood - - - - w ij.6 . Tkm IT OR LBAVB IT This month I'd like to quote from an article I wrote for the Hew Eng- land Caller's 20th anniversary issue: "Most of mankind are 'joiners'. They like to ""bQlone" to scanething; they like to feel that the organization to which they belong is a little bit better than the general nqj of things. By Joining a S/d club, they feel that they are better 'dr.nccrs than othor pooplc who do not- belong to a- S/d .' club. Sometimes they are J So-called traditional dancing, not being organized into clubs, began to be looked down upon by club members . Club members began to think of the others as belonging in the same category of people who went to "barn dances". Traditional dancing fell by the wayside because of lack of organizations catering to those needs, "The traditional dancers sneer at the club dancers, and the club dancers sneer at the tradi- tional dancers.
    [Show full text]
  • Festivals-Case-Studies.Pdf
    Livefrom Your Neighborhood VOLUME TWO: A National Study of Outdoor Arts Festivals Prepared by Carole Rosenstein, PhD, on behalf of Silber & Associates SEVEN CASE STUDIES National Endowment for the Arts Research Report #51 Livefrom Your Neighborhood A National Study of Outdoor Arts Festivals Prepared by Carole Rosenstein, PhD, on behalf of Silber & Associates VOLUME TWO: SEVEN CASE STUDIES National Endowment for the Arts Research Report #51 National Endowment for the Arts 1100 Pennsylvania Avenue, NW Washington, DC 20506-0001 Telephone: 202-682-5400 Produced by the Office of Research & Analysis Edited by Sunil Iyengar and Sarah Sullivan Designed by Beth Schlenoff Design Research Team Carole Rosenstein, Ph.D., Principal Investigator Assistant Professor, Arts Management, George Mason University Affiliated Scholar, The Urban Institute Eric Wallner, Senior Research Associate Kate Boisvert Schwartz, Research Associate Liz McCloskey, Research Assistant Rachel Loose, Research Assistant Acknowledgments The author extends thanks to the festival-sponsoring organizations that aided this research, and particularly to the executive directors and other staff who made time in their hectic schedules to help us understand these festivals. Local site coordinators for the field studies included Rick Mitchell (Houston International Festival), Holley Van Horn (Piccolo Spoleto), Suzanne Cromwell (Lowell Folk Festival), Kent Richmond (Chicago Jazz Festival), Melanie Yazzie (Santa Fe Indian Market), Pat Lor (Tamejavi Festival), and Heather Willems (D.U.M.B.O. Art Under the Bridge Festival). Without them, this study would not have been possible. Rachel Loose, Holley Van Horn, and Melanie Yazzie went above and beyond what was asked—beyond what I would have even thought to have asked.
    [Show full text]
  • Canadian Folk Festival Directory 1994
    3 Canadian Folk Festival Directory 1994 Introduction As this is third year in a row I've complied this directory, I'm not sure what I can say about it that's fresh and interesting. But since we've got lots of new members,perhaps it's worthwhile going over old ground. We try to include all eventsthat have folk music content, not just thosethat call themselves"folk festivals." So lots of multicultural events(which often use the term "folk" anyway), Highland games, Native pow-wows, buskers' rendezvous(just what is the plural?), children's festivals, cowboy poetry gatherings,medieval fairs, and suchlike, show up in the listings; we assumethat there'll be music there that Bulletin readerswill be interestedin. We try to include eventsthat are more than just a one-shotconcert or a concert series. You won't find folk club schedulesor concert tours here, except by accident; sometimeswe get incompleteinformation and can't tell otherwisefrom the name. We try to contact festivals directly where this is possible, and otherwiseget our information second-hand,mostly via provincial governments(although this year we're indebtedas well to the Cowichan Folk Guild for their momentouscontribution). It is preferableto get the information first hand, as the completenessof information provided by other agenciesis unevenfrom province to province. Also, we prefer to let festivals speakfor themselvesin the descriptionsaccompanying the listing. (A paragraphin quotesimplies that the festival has provided the blurb directly, or else we've picked up the wording directly from the second-handagency.) I'm pleasedthat this year's edition lists a lot more festivals than last year.
    [Show full text]
  • The Protection and Promotion of Musical Diversity
    THE PROTECTION AND PROMOTION OF MUSICAL DIVERSITY A study carried out for UNESCO ∗ by the International Music Council Richard Letts, Principal Investigator June 2006 ∗ This study is made available to the public with the prior agreement of UNESCO. CONTENTS Preface 6 Introduction 8 The countries from which information was received 13 Executive summary 15 ADDRESSING THE TERMS OF REFERENCE 28 1. Musical diversity and human rights 29 1.1 International human and cultural rights conventions 29 1.2 From the consultants’ reports 33 1.3 Freemuse: a watchful ear 42 2. Musical diversity and sustainable development 44 2.1 Music in development, development of music 44 2.1.1 The developed and developing worlds 45 2.1.2 Cultural development vs. industry assistance 46 2.1.3 Musical diversity and development 47 2.2 Music in development 47 2.2.1 Music as a source of funds for non-music 48 development projects 2.2.2 Music as a tool of advocacy for development 48 2.2.3 Music as a lure to involve people in development 48 programs 2.2.4 Music as an element in non-music development 49 2.3 Development of a music industry 51 2.3.1 Some research studies and theoretical papers 51 2.3.2 Development projects 55 2.3.2.1 The forms of development 55 2.3.2.2 Targets for support 58 2.4 The use of music to alleviate poverty or the conditions 66 contributing to poverty 3. Musical diversity and peace 72 4. The standards regulating musical diversity 79 4.1 Possible forms of regulation impacting on musical diversity 80 4.2 Examples of the current application of regulations to 82 affect musical diversity 4.2.1 Broadcast 83 2 4.2.2 New media and e-commerce 91 4.2.3 Education 93 4.2.4 Subsidies 98 4.2.5 Copyright 102 5.
    [Show full text]
  • Festivals: My Death & Rebirth
    One: Festivals: My Death & Rebirth “We stand in the tumult of a festival. What festival? This loud, disordered mooch? These hospitaliers? These brute-like guests? These musicians dubbing at a tragedy…” - From ‘The Auroras of Autumn’ by Wallace Stevens (1879-1955) I stopped attending stadium-size shows and (principally, rock) music festivals many years back. There was no conscious decision involved in doing so, but at some indeterminate point the realization must have dawned that I’d simply had my fill, that there was no longer any motivation to go to them. I cannot recall which of the numerous ghastly experiences that inadvertently proved to be the final straw, as there were twice plenty. This said, even in the spunkier, mosh pit-crashing days of my youth I was never that enamoured with the large-scale live music experience in the first place. More to the point, I guess, is that I’m a notorious curmudgeon with serious patience issues. Therefore, my tolerance for what I personally see as festivals’ consistent irritants and infuriating inconveniences usually snapped around the time I’d join the line-up to enter the venue. Yes, I know: that’s rather early. From that point on at any such event, to the exasperation of my companions, I’d only stop ranting about this beef or that annoyance when the bands were playing, when nobody could hear me anyway. What, then, riled me so intensely about the average festival? Why in the grand scheme have I decided to cut off my nose to spite my face, seemingly depriving myself of so much potential pleasure? Well, there are many things about the set-up of (note) gargantuan (note) commercial festivals that I abhor, but I’ll merely touch on the whats and whys of my key grievances here, as it is these that bear relevance to what follows.
    [Show full text]
  • HOW the CONCEPTS of FOLK MUSIC EMERGE the Terminology
    Helen Kõmmus HOW THE CONCEPTS OF FOLK MUSIC EMERGE The Terminology of Folk Music Festivals Primitive, vulgar, nationalistic, racial, colonialist, totalitarian. This is a small list of the strong adjectives that have been used in worldwide public discourse to describe folk music over the years. In spite of this, there are numerous popular music festivals around the world where the organisers do not hesitate to use the term folk music in the event name. What at first sight seems to be an innocent musical genre turns out to be a controversial phenomenon which conception and usage is essential to be investigated more closely. The current article scrutinises the terminology of folk or traditional music that has been developed and is used in the context of folk music festivals. The research focus is on the author’s fieldwork materials (interviews, sound and video recordings, a database of media responses, promotional materials) collected during the 2004–2018 period in the largest Finnish and Estonian folk music festivals: the Kaustinen Folk Music Festival in the county of Kaustinen in Central Ostrobothnia region in the the Western Finland, and the Viljandi Folk Music Festival in the town of Viljandi in the Southern Estonia. The main research interest is the process of the development of the folk music festival related ethnomusicological vocabulary. The goal of the research is to understand © SES & Helen Kõmmus, Etnomusikologian vuosikirja 2019, vol. 31, ss. 112–142. 112 https://doi.org/10.23985/evk.82716 HOW THE CONCEPTS OF FOLK MUSIC EMERGE how folk music is talked about and how the relevant vocabulary has been shaped, influenced and reflected by the discourse of folk music festivals.
    [Show full text]