International Newsletter Number 26 | March 2012
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LÚR Festival
Háskóli Íslands Hugvísindasvið Hagnýt menningarmiðlun LÚR festival Greinagerð um menningarviðburðinn LÚR festival: Listahátíð Lengst Útí Rassgati Greinagerð til MA-prófs í Hagnýtri menningarmiðlun Ólöf Dómhildur Jóhannsdóttir Kt.: 170281-4119 Leiðbeinandi: Sigurjón B. Hafsteinsson September 2015 ÁGRIP Greinargerð þessi er hluti af af lokaverkefni mínu í hagnýtri menningarmiðlun við Háskóla Íslands og fjallar um vinnsluferli miðlunarhluta verkefnisins og fræðilegra þátta. Miðlunarleiðin sem valin var er listahátíð sem ber nafnið „LÚR-festival“ með undirtitilinn „Listahátíð lengst útí rassgati“. Hátíðin er menningarhátíð ungmenna haldin í fyrsta sinn sumarið 2014 og í annað sinn sumarið 2015. Undirbúningur hátíðarinnar er stór hluti verkefnisins og er greint frá vinnuferlinu frá upphafi til enda og eru bæði verklegir og fræðilegir þættir teknir fyrir. Ég vil tileinka verkefnið öllum þeim ungmennum sem hafa áhuga á listum og menningu sem nær út fyrir hátíðarhöld sautjánda júní og annarra hefðbundinna hátíða. 1 Efnisyfirlit 1 Inngangur .................................................................................................................... 4 2 Farvegur lista og menningar ......................................................................................... 5 3 Samhengið ................................................................................................................... 7 3.1 Hvað er hátíð? .................................................................................................................. 7 3.2 Fyrir -
Big Decision My Music Partner Lou and I
Seattle including the Roadrunner Cafe a motel parking lot in Schenectady. Sitting - where we tried the exhausting experiment on the ferry on the way to mainland US ©2017 of two shows in one night (mistake). Played from Victoria BC gig fixing Lou's accordion Peter Berryman in the cattle town of Dodge City Kansas, monopod with wire and epoxy; Playing to a where they told us if we climbed a nearby sold-out hall in Grand Rapids MI thanks to Big Decision hill we could see all the feedlots in town. a newspaper article titled "Divorced Cou- Played the wonderful middle-of-nowhere ple Sings Funny Songs." My music partner Lou and I have decided Sangerville Maine grange hall; best pie in to stop touring nationally. We have one the world. Had the honor of Tom Lehrer in Live radio was always a nervous treat. Had more brief New York slog in April, but then our audience on the west coast, Noam giggly radio interviews in Boston, Berke- we're winding down, and gigging only clos- Chomsky in on the east coast, and, thanks ley, Santa Cruz and other places on the er to home. I find myself reminiscing, and to connections made by our friend Bob mornings of the gigs, or sometimes the don't know if Whither Zither needs to know Blackman, folk DJ at WKAR in Lansing MI, morning after; Minnesota Public Radio had about it, but what the heck. the Pulitzer prize winning author and fa- us on their Morning Show many fun times; vorite of mine Doug Hofstadter in Bloom- we loved the bucolic drive to Cedar Falls IA We will miss so dearly the far flung friends, ington Indiana came to our show, and and Live from Studio One on KUNI; Nation- venues, and audiences we have come to drove out to our sleazy motel later that al Public Radio's Flea Market with Jim Post love so passionately. -
Open'er Festival
SHORTLISTED NOMINEES FOR THE EUROPEAN FESTIVAL AWARDS 2019 UNVEILED GET YOUR TICKET NOW With the 11th edition of the European Festival Awards set to take place on January 15th in Groningen, The Netherlands, we’re announcing the shortlists for 14 of the ceremony’s categories. Over 350’000 votes have been cast for the 2019 European Festival Awards in the main public categories. We’d like to extend a huge thank you to all of those who applied, voted, and otherwise participated in the Awards this year. Tickets for the Award Ceremony at De Oosterpoort in Groningen, The Netherlands are already going fast. There are two different ticket options: Premium tickets are priced at €100, and include: • Access to the cocktail hour with drinks from 06.00pm – 06.45pm • Three-course sit down Dinner with drinks at 07.00pm – 09.00pm • A seat at a table at the EFA awards show at 09.30pm – 11.15pm • Access to the after-show party at 00.00am – 02.00am – Venue TBD Tribune tickets are priced at €30 and include access to the EFA awards show at 09.30pm – 11.15pm (no meal or extras included). Buy Tickets Now without further ado, here are the shortlists: The Brand Activation Award Presented by: EMAC Lowlands (The Netherlands) & Rabobank (Brasserie 2050) Open’er Festival (Poland) & Netflix (Stranger Things) Øya Festivalen (Norway) & Fortum (The Green Rider) Sziget Festival (Hungary) & IBIS (IBIS Music) Untold (Romania) & KFC (Haunted Camping) We Love Green (France) & Back Market (Back Market x We Love Green Circular) European Festival Awards, c/o YOUROPE, Heiligkreuzstr. -
Music Reading Read the Passage, the E-Mail and the Festival Guide. the Glastonbury Festival Is an Unforgettable Sight. for Three
Music Reading Read the passage, the e-mail and the festival guide. The Glastonbury Festival is an unforgettable sight. For three days, 280 hectares of peaceful farm country in the beautiful Somerset Valley become a vast, colourful tent city. The Glastonbury Festival is Britain's largest outdoor rock concert, and it attracts crowds of more than 100,000 people. It has six separate stages for musicians to play on. It has eighteen markets where fans can buy things. It has its own daily newspaper and is even broadcast live on television. It also raises large amounts of money for several charities, including Greenpeace and the Campaign for Nuclear Disarmament. Glastonbury is just one of many events on the international music festival calendar each year. For dance music fans, there's Creamfields, the Essential Festival and Homelands - all in the UK. Rock fans have Roskilde Festival in Denmark, Fuji Rock and Summer Sonic in Japan, and the Livid Festival and the Big Day Out in Australia. And the crowds just keep getting bigger. In fact, the size of some of these festivals is causing problems. Since the deaths of nine people at Roskiide in 2000 and the death of a young woman at the 2001 Big Day Out, festival organisers and local police have been working together to make sure festival-goers stay safe. Despite these tragic events, festivals are more popular than ever. And it's not just about the music. It's about making new friends and partying non-stop for days at a time. It's about dancing till you can't stand up anymore and then crashing in someone else's tent. -
Dossierdelio2019-2020-EN.Pdf
La Delio Valdez is an orchestra born in Buenos Aires, Argentina, in 2009. It is a group of musicians who has developed an original proposal rooted in cumbia, a genre that has spread throughout Latin America like a common musical language. La Delio Valdez (from now on: LDV) takes up the continent’s rich orchestral tra- dition. It mirrors certain aspects of Argentina’s national tango orchestras, namely their cooperative organization, their excellence and their theatricality on stage. It also emulates the great Caribbean orchestras of the past in that it counts dance and potent and overwhelming sound among the essential features of its style. LDV reappropria- tes those languages in its own way and renders them in a more modern format, where the electric and the acoustic blend. LDV’s music has a varied quality which fusions features from other genres: the Andean tradition, salsa, rock, jazz and reggae, to yield a style that is both traditional and modern. An international and contemporary sound which reflects the region’s mestizo identities. LDV’s repertoire includes both original works by the orchestra and arrangements of pieces belonging to the Latin American songbook. To these ends, the orchestra counts on a rhythm section made up of six musicians: Pedro Rodriguez in vocals, timpani with bass drums, and tambora; Sebastían Ague- ro in conga drums; Tomás Arístide in guiro and/or maracas; Marcos “Pollo” Díaz in bongoes and conical drums (“tambor alegre” in Spanish); Manuel Cibrian in vo- cals and guitar, and León Podolsky in electric bass. Plus, a section made up of seven winds: Agustina Massara, Pablo Broide in alto and tenor saxophones; Santiago Mol- dovan in the clarinet; Milton Rodriguez and Damian Chavarria in trombones; Pa- blo Vazquez Reyna and Agustin Zuanigh in trumpets. -
Human Rights for Musicians Freemuse
HUMAN RIGHTS FOR MUSICIANS FREEMUSE – The World Forum on Music and Censorship Freemuse is an international organisation advocating freedom of expression for musicians and composers worldwide. OUR MAIN OBJECTIVES ARE TO: • Document violations • Inform media and the public • Describe the mechanisms of censorship • Support censored musicians and composers • Develop a global support network FREEMUSE Freemuse Tel: +45 33 32 10 27 Nytorv 17, 3rd floor Fax: +45 33 32 10 45 DK-1450 Copenhagen K Denmark [email protected] www.freemuse.org HUMAN RIGHTS FOR MUSICIANS HUMAN RIGHTS FOR MUSICIANS Ten Years with Freemuse Human Rights for Musicians: Ten Years with Freemuse Edited by Krister Malm ISBN 978-87-988163-2-4 Published by Freemuse, Nytorv 17, 1450 Copenhagen, Denmark www.freemuse.org Printed by Handy-Print, Denmark © Freemuse, 2008 Layout by Kristina Funkeson Photos courtesy of Anna Schori (p. 26), Ole Reitov (p. 28 & p. 64), Andy Rice (p. 32), Marie Korpe (p. 40) & Mik Aidt (p. 66). The remaining photos are artist press photos. Proofreading by Julian Isherwood Supervision of production by Marie Korpe All rights reserved CONTENTS INTRODUCTION Human rights for musicians – The Freemuse story Marie Korpe 9 Ten years of Freemuse – A view from the chair Martin Cloonan 13 PART I Impressions & Descriptions Deeyah 21 Marcel Khalife 25 Roger Lucey 27 Ferhat Tunç 29 Farhad Darya 31 Gorki Aguila 33 Mahsa Vahdat 35 Stephan Said 37 Salman Ahmad 41 PART II Interactions & Reactions Introducing Freemuse Krister Malm 45 The organisation that was missing Morten -
Tin Pan American Roots Music
Tin Pan american roots music Band Members: CD Sales Jesse Selengut vocals / trumpet / piano Early Jazz and Americana (2007) 11,808 Steve Wood vocals / acoustic bass Alice McNulty (2008) 2,850 Hound’s Tooth (2009) 8,134 Pete Smith vocals / resophonic guitar Underdogs and Thundercats (2011) 8,875 Anders Zelinski drums The Home Bartender’s Songbook (2011) 6,640 Yes Yes Yes (2015) 1,562 City Life (2017) 432 Musical Style: TOTAL CD SALES 40,301 American roots music featuring elements of jazz, blues, county and rock. Distribution: City of Origin: • Regional Distribution through BEST BUY Tin Pan is based out New York City and Izmir, • Online distribution with through CDbaby, Turkey iTunes, and Digstation.com Performances Highlights: Additional Data: • US Open at Arthur Ashe Stadium - opening • Over 150 live performances per year. ceremonies for men’s final match • Member of Music Under New York Arts for • Appearances at Joe’s Pub for SOLD OUT crowds. Transit Program • Two performances at the Guggenheim Museum, • Festival Performances include the HOWL one of them in the Main Rotunda festival, the Williamsburg Jazz Festival, the • Michael Bloomberg’s Musical Guest MUNY Jazz Festival, The Cape Cod Jazz • Host band for the Shorty Awards, performance Festical with MC Hammer • Television appearances on The Today Show, • Performance at the Louis Armstrong House NY1, Fox News, ABC News, ESPN Museum • Radio appearances on WOR FM, WKCR (The • Performacne at Teatro Nuovo in Milan, Italy musician’s show) and WVBR (Ithaca, NY) • Corporate clients include Google, and Time Warner Contact Information: TIN PAN 718.913.9755 [email protected] www.tinpanband.com Like Ray Charles and Tom Waits hanging out in New Orleans TIN PAN • 47-50 41st Street #5a • Sunnyside, NY 11104 CONTACT: 718.913.9755 • [email protected] • tinpanband.com Tin Pan american roots music PRESS CLIPS: The New York Times: “I love this music! I love the dancing! I love it! [...} A strong, bluesy voice full of heart. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Jazz & World Music New Releases
JAZZ & WORLD MUSIC NEW RELEASES RELEASE DATE 2nd JUNE + 16th JUNE 2014 CALL OFF: 23rd MAY + 6th JUNE 2014 HARMONIA MUNDI LABELS WORLD VILLAGE, JAZZ VILLAGE, LE CHANT DU MONDE, DISCOGRAPH DISTRIBUTED LABELS ACCORDS CROISÉS, AIRMAIL, ACT, AMARRASS, AMERICAN JAZZ CLASSICS, ANZIC, ARCHIEBALL, ASPHALT TANGO, AUM FIDELITY, BEE JAZZ, BLACK SAINT, BLUES BEACON, BONSAI, CADILLAC, CAMJAZZ, CAMOCI, CASEQUARTER, CONTRE JOUR, CRISTAL, EAST MEETS WEST, EDITION, ELLIPSIS ARTS, EMANEM, ENJA, EVIDENCE, FOGHORN, HATOLOGY, HI 4 HEAD, HIGHNOTE, HIGH TWO, HOWE, INNACOR, INSTITUT DU MONDE ARABE, IRIS MUSIC, ITM, JARO MEDIEN, JAZZ DOOR, JAZZ WAX, JAZZWERKSTATT, JELLYMOULD, KAMIYAD, KONIMUSIC, LONG DISTANCE, MAIK MAIER, MI’STER, MORGENLAND, NAÏVE, NO FORMAT, OCORA RADIO FRANCE, OGUN, PI RECORDINGS, PLUS LOIN, POLL WINNERS, PSI, Q-RIOUS, RARE MUSIC, REGARDLESS, RITI, SAVANT, SOULBEATS, SOUL NOTE, SUNNYSIDE, TIPTOE, TOTOLO, UNITED ARCHIVES, WERGO, MESHELL NDEGEOCELLO WINTER & WINTER, YELLOWBIRD contact: [email protected] / 020 8709 9500 [email protected] 020 8709 9500 RELEASE DATE 2ND JUNE 2014 Comet, Come To Me MESHELL NDEGEOCELLO Mercurial and masterful, Meshell Ndegeocello has survived the best and worst of what a career in music has to offer. She has eschewed genre for originality, celebrity for longevity, and musicals trends for musical truths. She has lived through the boom and bust of the industry and emerged just as she entered - unequivocally herself. Fans have come to expect the unexpected from Meshell, and faithfully followed her on sojourns into soul, spoken word, R&B, jazz, hip-hop, rock, all bound by a lyrical, spiritual search for love, justice, respect, resolution, and happiness. Groove driven, infectiously melodic and lyrically meditative, Meshell’s latest album, Comet, Come To Me, finds her returning to the same well of creativity that launched her career. -
The Independent
“The Quartet’s immaculate musicianship shines like an illuminated manuscript” - The Independent "Mozart, Chopin and Bizet as you’ve never heard them before – classical music become theatre." - The Scotsman "Unveiling all the potential of their instruments, using their innate musical instincts, these Musicians perform in such a way that the heavens seem to open up before you." - Leidsch Dagblad "Love, hatred, irony, more philosophical feelings, all of these are mixed in Russian music, it’s very spiritual!" - The Independent All these quotes from the Russian and foreign press are dedicated to a single ensemble – St.Petersburg’s Terem Quartet. A pioneer ensemble, a trailblazer, the world’s first composer- ensemble, the Terem Quartet will celebrate its 30th anniversary in 2016! Much of what the Terem Quartet has accomplished over its 30-year history was never done before. The Terem Quartet was the first Russian ensemble, together with the PoKrovsKy Ensemble, to perform for a foreign audience at Peter Gabriel’s world-famous WOMAD festival. The Terem Quartet was the first Russian folK instrument ensemble to win the hearts of Russian Philharmonic halls. [email protected] The Terem Quartet was the first ensemble bacK in the 1980s that tried to combine what seemed at that time unimaginable – academic music, folK and rocK, thus creating its own “Folk-RocK-Fantasy”. The Terem Quartet became the first ensemble to combine music on folK instruments with symphonic music through its ambitious “MasKed Ball” program with a symphonic orchestra. Artists Management The Terem Quartet was a pioneer of the Russian crossover-style: a style born at the intersection of unique crossroads of the times. -
Jmi Global Highlights 2019-2020
Celebrating 75 Years 1945-2020 JMI GLOBAL HIGHLIGHTS 2019-2020Page 1 GLOBAL HIGHLIGHTS 2019-2020 TABLE OF CONTENTS ABOUT JMI................................................................................................................................................................ 04 JMI CAMPAIGNS A YEAR IN REVIEW............................................................................................................................................. 06 FAIR PLAY......................................................................................................................................................................... 36 GET INVOLVED....................................................................................................................................................... 08 MUSIC AGAINST CHILD LABOUR.................................................................................................................... 38 VOLUNTEER............................................................................................................................................ 08 SPREAD THE WORD.......................................................................................................................... 08 MUBAZAR.......................................................................................................................................................................................... 40 MAKE A DONATION..........................................................................................................................