By Vivien Goldman
PERFORMERS The Clash By Ira Bobbins — e j b — ITH THE SUDDEN the point of punk so hard that it death o f Joe stuck. Forever. Loads of young Strummer on toughs have professed them H jle c e m b e r 22, selves ready for whaddya-got re Wi t 02, the story of the Clash final bellion, but the Clash didn’t just ly came to an abrupt end. In fact, Sell and succumb to chaos; the the Last Gang in Town, as they Clash lived it. Full time. For sev called themselves in a song, had en years the band made huge cre packed it in some twenty years ative leaps, despite (more likely earlier, drained of the high ideals thanks to) the entropy, much of and united purpose that had fu it self-induced, of its existence. At eled some of the most fervent, a time when the record industry exhilarating and provocative was still dubious about, if not rock & roll ever made, No mat downright hostile to, punk, the ter. What the Clash consistent Clash - Joe Strum ly showed willful mer (vocals, gui disregard for the tar), Mick Jones Strangeness of its (guitar, vocals), position: Paul Simonon + The band’s (bass, vocals! and third British sin alternating drum gle, “Complete mers Nicky “Top Control,” was a vi per” Headon and tuperative 1977 Terry Chimes - achieved was far attack on CBS Records for releas greater than what it left on tape ing the Clash’s second 45. or burned in the memories of + A year later, the group those who saw the band on shelved punk for th|Ifingle stage.
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