Spring 2017 — God Edition
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Blessed Junípero Serra's Canonization Announced
NORTH COAST CATHOLIC The newspaper of the Diocese of Santa Rosa • www.srdiocese.org • FEBRUARY 2015 Pope Makes Landmark Visit to Sri Lanka, Philippines Noticias en español, p. 19 From CNA/EWTN and other news sources Vatican City—When Pope Francis landed on the small From 1983-2009, Sri Lanka experienced a devastating Mario Cuomo, 1932–2015: island nation of Sri Lanka for the start of a seven-day visit civil war between the Sinhalese majority and the Tamil here and to the Philippines, the reception that greeted him minority over Tamil desires for a separate nation in the His Controversial Legacy was one befitting a king. country’s northeastern region. Between 60,000-100,000 President Maithripala Sirisena and Malcolm Cardinal people died in the conflict. New York City (National Catholic Register)—Mario Cuomo, Ranjith as well as 40 elephants greeted him at the airport. After reaching Colombo, the Holy Father took part in an the former three-term governor of New York who sought The road from the airport to the capital of Colombo is 14 interreligious meeting with Buddhist leaders, who represent to justify Catholic lawmakers’ tolerance of abortion rights, miles long, the equivalent of 246 football fields. Except for the vast majority of Sri Lanka’s people (Christians account for died on January 1. He was 82. a handful of patches here and there, the route was packed just 8 percent of the 20.4 million citizens). This was historic Cuomo served as New York’s governor from 1983 to 1995 with onlookers and well-wishers, and His Holiness stopped because when Pope St. -
First Line of Title
MADE IN THE AMERICAS? DECIPHERING THE ENIGMA OF THE MANO PODEROSA by Karla Francheska Torres Avilés A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of Arts in Art History Spring 2011 Copyright 2011 Karla Francheska Torres Avilés All Rights Reserved MADE IN THE AMERICAS? DECIPHERING THE ENIGMA OF THE MANO PODEROSA by Karla Francheska Torres Avilés Approved: __________________________________________________________ Mónica Domínguez Torres, Ph.D. Professor in charge of thesis on behalf of the Advisory Committee Approved: __________________________________________________________ Nina M. Athanassoglou-Kallmyer, Ph.D. Chair of the Department of Art History Approved: __________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: __________________________________________________________ Charles G. Riordan, Ph.D. Vice Provost for Graduate and Professional Education ACKNOWLEDGMENTS I would like to dedicate this thesis to an exemplary human being, my Abuelo, Edwin Torres-Seda. Without his constant support and love, I would have never been able to fulfill my dreams of pursuing a graduate degree. He is truly an inspiration and I wish to express my deepest gratitude from the bottom of my heart. ¡Gracias Abuelo! I am personally indebted to everyone at the Department of Art History at the University of Delaware for providing the tools and knowledge required for me to excel in this field. My academic adviser, Dr. Mónica Domíguez Torres, has been instrumental in my professional growth. I wish to thank her for her academic support and for helping me overcome various hurdles in my graduate career. I am also extremely grateful to Dr. -
The Church Today, June 13, 2016
CHURCH TODAY Volume XLVII, No. 6 www.diocesealex.org Serving the Diocese of Alexandria, Louisiana Since 1970 June 13, 2016 O N T H E Cave Quest VBS: INSIDE Learning to follow Jesus Bishop Ronald Herzog announces clergy assignments New clergy assignments, effective June 29, have been announced by Bishop Ronald Herzog. See pages 6 and 7. Diocese celebrates ordinations and anniversaries With the ordination of Father John Wiltse this past weekend, and the upcoming ordination of three deacons, the diocese has a lot to celebrate. At the same time, several clergy and religious women in the diocese are cel- ebrating major anniversaries this year. See pages 8-10. What’s in Your Wallet? VACATION BIBLE SCHOOL participants As a Catholic, there is a very help good chance you have a Holy prepare the snacks for the 240 students who at- Card somewhere in your house, tended the Vacation Bible School at Our Lady of in your wallet, or maybe boxed Prompt Succor Church. Check your local Catho- away in some musty closet. lic church for a VBS nearest you. What is the story behind these beautiful works of art and why are you still holding on to them? Read all about it on pages 16-17. PAGE 2 CHURCH TODAY JUNE 13, 2016 2015 Annual Report on Charter for the Protection of Children: Charter requires proof that dioceses are implementing training programs, conducting background checks WASHINGTON—The U.S. Conference of Catholic Bishops’ (USCCB) Secretariat of Child • 4.3 million. children trained to identify the warning signs of abuse and Youth Protection and the • 2.4 million . -
My Thesis Argues That Ade Bethune's Illustrations for the Catholic Worker
ABSTRACT Title of thesis: “USEFUL TO THE MIND”: ADE BETHUNE’S ILLUSTRATIONS FOR THE CATHOLIC WORKER, 1934-1945 Rachel E. Norton, Master of Arts, 2006 Thesis directed by: Professor Sally M. Promey Department of Art History and Archaeology Ade Bethune made illustrations for The Catholic Worker newspaper, the publication of the Catholic Worker movement, from 1933 through 1945. These illustrations served multiple functions. Obvious, expected functions included increasing the publication’s appeal to potential readers, and reiterating the messages delivered in the text. However, the drawings’ more interesting and unique function was to serve as dual models of the kind of lifestyle Bethune espoused. The illustrations both demonstrated this lifestyle through the depicted images, and acted as witnesses or artifacts of Bethune’s own practice. Bethune caused her drawings to fulfill these functions by carefully and self-consciously selecting subjects and styles that most effectively communicated, either explicitly or through evocation. Her drawings, which blend modernist abstraction with a romanticized medievalism, are an historically significant example of the impact of the Liturgical Arts movement in America. “USEFUL TO THE MIND”: ADE BETHUNE’S ILLUSTRATIONS FOR THE CATHOLIC WORKER, 1934-1945 By Rachel E. Norton Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2006 Advisory Committee: Professor Sally M. Promey, Chair Professor Renée Ater Professor William Pressly The thesis document that follows has had referenced material removed in respect for the owner’s copyright. A complete version of this document, which includes said referenced material, resides in the University of Maryland, College Park’s library collection. -
Some Protestant and Catholic Images of Mary in Nineteenth- and Twentieth-Century Art Michael Morris
Marian Studies Volume 49 The Virgin Mary in Art Article 7 1998 Some Protestant and Catholic Images of Mary in Nineteenth- and Twentieth-Century Art Michael Morris Follow this and additional works at: https://ecommons.udayton.edu/marian_studies Part of the Religion Commons Recommended Citation Morris, Michael (1998) "Some Protestant and Catholic Images of Mary in Nineteenth- and Twentieth-Century Art," Marian Studies: Vol. 49, Article 7. Available at: https://ecommons.udayton.edu/marian_studies/vol49/iss1/7 This Article is brought to you for free and open access by the Marian Library Publications at eCommons. It has been accepted for inclusion in Marian Studies by an authorized editor of eCommons. For more information, please contact [email protected], [email protected]. Morris: Protestant and Catholic Marian Images SOME PROTESTANT AND CATHOLIC IMAGES OF MARY IN NINETEENTH- AND TWENTIETH-CENTURY ART Michael Morris, O.E* In 1810, a group of young painters in Vienna, who had found their art training at the Academy there meaningless, traveled to Rome with the intention of renewing religious art on their own. Occupying an abandoned monastery, they de liberately chose to imitate the works of Di.irer, Perugino, and the young Raphael. Fra Angelico, the painter monk, was also one of their artistic heroes, and their own "monkish" lifestyle within the walls of the abandoned monastery, along with their peculiar appearance, caused them to be mockingly nicknamed "The Nazarenes" by the Romans. The name stuck, and an artis tic movement was born. Several of the artists converted to Catholicism, and one of the founders of the movement, Johann Friedrich Overbeck, spent nearly a decade working on a can vas that came to be emblematic of their attitude toward art and religion. -
IN OUR TIME the Dorothy Day Guild
The Dorothy Day IN OUR TIME Guild Newsletter of the Dorothy Day Guild A Woman of Conscience Volume 4, Double Issue Winter 2019 A Saint for Our Time Dear Friends, Greetings from the Guild! Winter, in its stark beauty, is upon us. And faith, we’re told, is the seed beneath the snow. Even in these seemingly dark times. It was another winter in another dark time, following America’s entrance into World War I, when Dorothy Day was caught unawares by her “first beginning and last end.” In the smoke-filled backroom of a Greenwich Village bar, listening to a boo- zily rendered recitation of “The Hound of Heaven,” intoned from memory by her companion/fellow wanderer, the aspiring playwright, Eugene O’Neill, she began to find “direction rather than drift.” It led her in time to live but a short distance away, sheltering the homeless, speaking out against violence, and witnessing to a radical belief in a merciful God. At the time of her death in 1980, she was famously called by historian David O’Brien, “the most important, interesting, and influential figure in the history of American Catholicism.” Others simply called her a saint. Dorothy conveyed, however, in conversations with psychiatrist/author Robert Coles that really she wanted to be considered, “a humble person of faith who tried her best to live in accordance with the biblical teachings she kept pondering,” particu- larly, “the Sermon on the Mount.” The Church views faith as a virtue and its heroic practice as one of the critical measures of sainthood. -
Norman Castle Holy Card Collection 1870S-1950S (Bulk 1870S-1910S) MS.2005.054
Norman Castle Holy Card Collection 1870s-1950s (bulk 1870s-1910s) MS.2005.054 https://hdl.handle.net/2345.2/MS2005-054 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Historical note: holy cards ............................................................................................................................. 5 Biographical note ........................................................................................................................................... 6 Scope and Contents ........................................................................................................................................ 6 Arrangement ................................................................................................................................................... 7 Collection Inventory ....................................................................................................................................... 8 I: Jesus ........................................................................................................................................................ -
Contemplating the Word Made Flesh in Diverse Artwork
Contemplating the Word made flesh in diverse artwork Jesus, the Son of God, was born and lived in a particular time, place and culture. So the four evangelists were keen to trace the historical details of the earthly life of the Son of God as they wrote the Gospels. For instance, St. Luke tells of the precise circumstances of Jesus’ birth when he recounts that, “Joseph too went up from Galilee from the town of Nazareth to Judea, to the city of David that is called Bethlehem, because he was of the house and family of David, to be enrolled with Mary, his betrothed, who was with child. While they were there, the time came for her to have her child, and she gave birth to her firstborn son. She wrapped him in swaddling clothes and laid him in a manger, because there was no room for them in the inn” (Lk 2:4-7). While Jesus’s earthly life unfolded in time in a particular place and culture, his saving mission was universal. At the heart of Jesus’ preaching was the coming of God’s kingdom on earth with the divine invitation extended to all people transcending time, place and culture. It is this central truth of Christianity that painters, sculptors, musicians, poets and writers have sought to translate into artistic forms for over 2,000 years. Christian art from diverse cultures transcend the traditional imagery we are accustomed to seeing in churches, museums and online galleries. In such images we discover how artists across cultures and time bring to life in diverse visual forms the incarnation of God that stands at the heart of Christian faith. -
Spring 2021 Supplement Receive the Holy Spirit
SPRING 2021 SUPPLEMENT RECEIVE THE HOLY SPIRIT NEW J0115 SRP $42.95 NEW J0116 SRP $47.95 Receive the Holy Spirit Statue Receive the Holy Spirit Wall Cross Resin, 8.875" H Resin, 6.5" W x 10" H x 2" D 1 pc, Gift Boxed 1 pc, Gift Boxed NEW J0117 SRP $29.95 Heritage Collection NEW J0551 SRP $19.95 ea Receive the Holy Spirit Rosary Receive the Holy Spirit Rosary 8mm Austrian Crystal Bead 6mm Fire-Polished Crystal Bead 10mm Double-Capped 8mm Double-Capped Our Father Beads Our Father Beads Oxidized Silver, 23" L Oxidized Silver, 23" L 2" Crucifix, 1.25" Centerpiece 2" Crucifix, 1.25" Centerpiece 1 pc, Gift Boxed 2 pcs, Gift Boxed 2 Order Toll Free: 1-800-463-9804 © Michael Adams • Licensee Christian Brands Prices are Suggested Retail. Receive the Holy Spirit is a suitable line for Confirmation and everyday, reminding us to receive and reflect on the Holy Spirit living within us – immersing us in the power and freedom of God in our everyday lives. Detail shown NEW J0121 SRP $17.95 ea NEW J0119 SRP $59.95 Receive the Holy Spirit Arched Plaque Receive the Holy Spirit Cross Wood, 7" W x 12" H Maple Hardwood/Walnut Finish Cross 2 pcs, Gift Boxed Antique Silver Finish Figure 10" H, 1 pc, Gift Boxed AVALON GALLERY NEW J0118 SRP $1.95 ea NEW 800-1296 SRP 50¢ ea Receive the Holy Spirit Receive the Holy Spirit Holy Card Confirmation Prayer Book Prayer to Receive the Holy Spirit Paperback, 48 pages Laminated Cardstock 4" W x 6" H, 12 pcs 2.625" W x 4.375" H, 25 pcs Prices are Suggested Retail. -
A Generative Entanglement Word and Image in Roman Catholic Devotional Practice
DOI: 10.13154/er.11.2020.8443 Entangled Religions 11.3 (2020) License: Creative Commons Attribution 4.0 er.ceres.rub.de A Generative Entanglement Word and Image in Roman Catholic Devotional Practice David Morgan Duke University, United States abstract Devotional piety broadly depends on events that are not accessible for direct observation and commonly offer very little, if anything, in the way of historical documen- tation. Sometimes the experiences to which devotion is directed in the veneration of saints is based on visionary experience for which reports are contradictory. This essay explores ways in which word and image are brought together to anchor evanescent or ephemeral, or entirely uncertain, origins and provide devotion with stable objects. I develop the view that word and image are generatively entangled, meaning that their ambiguous connec- tions with one another are able to produce a medium in which devotion finds a footing. The discussion focuses on two case studies: Our Lady of Fátima and Saint Jude. Fátima is based on a series of apparitions to young children in 1917 and Jude is a historically shad- owy figure whose cult underwent a modern revival, in part assisted by new iconographic developments that allowed devotees to link their saint to very old traditions. Lore and imagery work together as forms of saying and seeing that bring elusive origins into focus. kewords Fátima, Saint Jude, image, entanglement, materiality Introduction The complex relations that entangle words and images have received a great deal of attention [1] from scholars over the last several decades, and for good reason (Brusati, Enenkel, and Melion 2012; Hunt 2010; Mitchell 1994). -
Holy Cards/Immaginette
Holy Cards/Immaginette: The Extraordinary Literacy of Vernacular Religion Author(s): Diana George and Mariolina Rizzi Salvatori Source: College Composition and Communication, Vol. 60, No. 2 (Dec., 2008), pp. 250-284 Published by: National Council of Teachers of English Stable URL: http://www.jstor.org/stable/20457060 . Accessed: 11/02/2014 15:03 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. National Council of Teachers of English is collaborating with JSTOR to digitize, preserve and extend access to College Composition and Communication. http://www.jstor.org This content downloaded from 128.173.125.76 on Tue, 11 Feb 2014 15:03:39 PM All use subject to JSTOR Terms and Conditions DianaGeorge andMariolina Rizzi Salvatori HolyCards/Immaginette: TheExtraordinary Literacyof Vernacular Religion Like other seeminglyordinary materials (cookbooks, street art, scrapbooks, etc.) the subject of our investigation-holy cards or (in Italian) immaginette-often functionas rich repositoriesof personal and culturalmemory as well as indicatorsof popular lit eracypractices. But to relegate them to the categoryof ephemera, as iscustomary with materials of this sort,diverts attention fromtheir significant cultural and pedagogical value. In our attempt to foregroundthe complex nature and functionof these artifacts, we have foundmuch of the scholarship on vernacular ormaterial religionand everyday culture particularlyhelpful.