A Generative Entanglement Word and Image in Roman Catholic Devotional Practice
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Blessed Junípero Serra's Canonization Announced
NORTH COAST CATHOLIC The newspaper of the Diocese of Santa Rosa • www.srdiocese.org • FEBRUARY 2015 Pope Makes Landmark Visit to Sri Lanka, Philippines Noticias en español, p. 19 From CNA/EWTN and other news sources Vatican City—When Pope Francis landed on the small From 1983-2009, Sri Lanka experienced a devastating Mario Cuomo, 1932–2015: island nation of Sri Lanka for the start of a seven-day visit civil war between the Sinhalese majority and the Tamil here and to the Philippines, the reception that greeted him minority over Tamil desires for a separate nation in the His Controversial Legacy was one befitting a king. country’s northeastern region. Between 60,000-100,000 President Maithripala Sirisena and Malcolm Cardinal people died in the conflict. New York City (National Catholic Register)—Mario Cuomo, Ranjith as well as 40 elephants greeted him at the airport. After reaching Colombo, the Holy Father took part in an the former three-term governor of New York who sought The road from the airport to the capital of Colombo is 14 interreligious meeting with Buddhist leaders, who represent to justify Catholic lawmakers’ tolerance of abortion rights, miles long, the equivalent of 246 football fields. Except for the vast majority of Sri Lanka’s people (Christians account for died on January 1. He was 82. a handful of patches here and there, the route was packed just 8 percent of the 20.4 million citizens). This was historic Cuomo served as New York’s governor from 1983 to 1995 with onlookers and well-wishers, and His Holiness stopped because when Pope St. -
New Testament Canon.” the Word “Canon” Is Actually a Greek Word That Means “Rule” Or “Measure.”
How We Got Our New Testament Greg Stiekes, Pastor, Bethany Bible Church, 2014 Introduction We call the 27 books that comprise our New Testament the “New Testament Canon.” The word “canon” is actually a Greek word that means “rule” or “measure.” For example, the word “canon” is used in Galatians 6:16—“As for all who walk by this rule, peace and mercy be upon them.” In the overall context of the letter to the Galatians, Paul is saying that there is a standard by which he wanted the church to measure up, and whoever was not walking according to that standard was not living out the true Gospel of Jesus Christ. Notice, then, that a canon is a standard that limits or confines. When applied to the New Testament, the word canon means those original, Greek writings which measure up to or meet the standard of being the Word of God. And the canon limits those writings to 27 “books”—no greater, no fewer; 27 books which are believed to comprise the authoritative writings divinely given by God to the church. Yet a 27-book New Testament canon raises several questions which God’s people should be able to answer, especially when skeptics attack the accuracy and authority of the Bible: 1. How do we know that these and these only 27 Greek documents are the writings God gave to the church? 2. Are the present Greek copies of these books accurate? 3. Do we have confident English translations of the original Greek? 4. Why are other early writings rejected from the canon, even though they claim to be from God or his apostles? Question 1: Why these and these only 27 New Testament Books? The Attack: The New Testament canon was formed by the followers of one version of Christianity which dominated in the first centuries A.D. -
First Line of Title
MADE IN THE AMERICAS? DECIPHERING THE ENIGMA OF THE MANO PODEROSA by Karla Francheska Torres Avilés A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of Arts in Art History Spring 2011 Copyright 2011 Karla Francheska Torres Avilés All Rights Reserved MADE IN THE AMERICAS? DECIPHERING THE ENIGMA OF THE MANO PODEROSA by Karla Francheska Torres Avilés Approved: __________________________________________________________ Mónica Domínguez Torres, Ph.D. Professor in charge of thesis on behalf of the Advisory Committee Approved: __________________________________________________________ Nina M. Athanassoglou-Kallmyer, Ph.D. Chair of the Department of Art History Approved: __________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: __________________________________________________________ Charles G. Riordan, Ph.D. Vice Provost for Graduate and Professional Education ACKNOWLEDGMENTS I would like to dedicate this thesis to an exemplary human being, my Abuelo, Edwin Torres-Seda. Without his constant support and love, I would have never been able to fulfill my dreams of pursuing a graduate degree. He is truly an inspiration and I wish to express my deepest gratitude from the bottom of my heart. ¡Gracias Abuelo! I am personally indebted to everyone at the Department of Art History at the University of Delaware for providing the tools and knowledge required for me to excel in this field. My academic adviser, Dr. Mónica Domíguez Torres, has been instrumental in my professional growth. I wish to thank her for her academic support and for helping me overcome various hurdles in my graduate career. I am also extremely grateful to Dr. -
2 Argumentative Christian Story and the Bible
2 Argumentative Christian Story and the Bible Literary Poetics from the Hebrew Bible to the Quran Literary Poetics in the Hebrew Bible The perspective that drives the analysis, research, and interpretation for this book and the series in which it appears concerns the persuasive na- ture of religious discourse from the Hebrew Bible through the New Testament to the Quran in the seventh century CE. Paul Ricoeur helped to inaugurate the approach in this book and in this series with his essay in 1980 entitled “Toward a Hermeneutic of the Idea of Revelation.”1 In this essay, he discusses five discourses in the Hebrew Bible: prophetic, narrative, prescriptive, wisdom, and hymnic discourse.2 Ricoeur’s ap- proach helped to move biblical interpretation beyond historical and theological issues into an appreciation of the Hebrew Bible from the perspective of the literary poetics it made conventional in Jewish tradi- tion. This means, for Ricoeur, that there are five conventional “poetics” in the Hebrew Bible. In each instance there are two or more entire books in the Hebrew Bible that contain a conventional poetics. Ricoeur does not list them, but it is easy to see the literary home of prophetic poetics in the major and minor prophets; the literary home of narrative poetics in Genesis through Exodus 19, Joshua through 2 Kings, Ezra-Nehemiah through 1-2 Chronicles, and perhaps Ruth; the literary home of pre- scriptive poetics in Exodus 20-40, Leviticus, and Deuteronomy; the liter- 1 Paul Ricoeur, Essays on Biblical Interpretation (Philadelphia: Fortress, 1980) 75-85. Subsequently, David Tracy built on Ricoeur’s insights in Plurality and Ambiguity: Herme- neutics, Religion, Hope (San Francisco: Harper & Row, 1987). -
Religious Printed Images in Elizabethan England
Picturing the Invisible: Religious Printed Images in Elizabethan England Submitted by David Jonathan Davis to the University of Exeter as a thesis for the degree of DOCTOR OF PHILOSOPHY in HISTORY This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis/thesis* which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signature) ......................................................................................... 2 Abstract This thesis analyses the culture of printed images during the Elizabethan period, particularly those images of a religious nature. Focusing on images which depict invisible beings (i.e. angels, God, demons etc.), the thesis addresses the assumption that Protestant England all but completely eradicated religious visual imagery from society. Examining images that were first created and printed in Elizabethan England as well as older images which had been recycled from earlier texts and others imported from Europe, the research offers an analysis of Protestant printed imagery between 1558 and 1603. Questions of how images were read, altered, augmented, copied and transmitted across time and space have been posed. What was depicted and how? How were religious images used? What was their understood role in early modern print culture? How did Protestants distinguish between church images to be destroyed and printed images to be read? In this, the images have been historically contextualised within both the theological and cultural milieu of Calvinist theology, the growing international marketplace of print and early modern English society. -
MARK GUSCIN Phd THESIS 04.02.15
The Tradition of the Image of Edessa MARK GUSCIN A thesis submitted for the degree of Doctor of Philosophy at the University of London (Royal Holloway and Bedford New College) August 2014 1 Candidate’s declaration: I confirm that this PhD thesis is entirely my own work. All sources and quotations have been acknowledged. The main works consulted are listed in the bibliography. Candidate’s signature: Date: 4 March 2015 2 Acknowledgements First and foremost, I would like to thank my supervisor, Dr Charalambos Dendrinos, and my advisor Dr David Gwynn, without whose support, suggestions and advice I would never have been able to finish this thesis. Sincere thanks are also due to my two examiners, Professor Miri Rubin and Professor Andrew Louth, for their valuable insight and excellent advice. I would also like to thank Professor Justin Champion for his help. Thanks are owed to the following persons and institutions for studentships, grants and bursaries awarded towards my research and field trips: Hellenic Institute, Royal Holloway, University of London for The Nikolaos Oikonomides and the Ecumanical Patriarch Bartholomaios I fees-only Studentships in Byzantine Studies (2009-2014). Thanks are also due to Brother Ioannis of the Monastery of Saint John on the island of Patmos, the staff at the Patriarchal Institute for Patristic Studies in Thessalonike for their extra efforts on my behalf, and the monks of Mount Athos for granting access to their libraries and manuscripts. Special thanks in this regard are due to Father Theologos of the Holy Monastery of Iveron, Father Chrysostomos of the Holy Monastery of Koutloumousiou, Father Kallistos of the Holy Monastery of Grigoriou, and all the monks at the Protaton. -
Yaacov Shavit an Imaginary Trio
Yaacov Shavit An Imaginary Trio Yaacov Shavit An Imaginary Trio King Solomon, Jesus, and Aristotle Die freie Verfügbarkeit der E-Book-Ausgabe dieser Publikation wurde ermöglicht durch den Fachinformationsdienst Jüdische Studien an der Universitätsbibliothek J. C. Senckenberg Frankfurt am Main und 18 wissenschaftliche Bibliotheken, die die Open-Access-Transformation in den Jüdischen Studien unterstützen. ISBN 978-3-11-067718-8 e-ISBN (PDF) 978-3-11-067726-3 e-ISBN (EPUB) 978-3-11-067730-0 This work is licensed under the Creative Commons Attribution 4.0 International Licence. For details go to http://creativecommons.org/licenses/by/4.0/. Das E-Book ist als Open-Access-Publikation verfügbar über www.degruyter.com, https://www.doabooks.org und https://www.oapen.org Library of Congress Control Number: 2020909307 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2020 Yaacov Shavit, published by Walter de Gruyter GmbH, Berlin/Boston Cover image: Statue of King Solomon and Christ in the center of the southern portal of the cathedral Notre-Dame of Strasbourg (Bas-Rhin, France), Wikimedia Commons, Public Domain. Printing and binding: CPI books GmbH, Leck www.degruyter.com Open-Access-Transformation in den Jüdischen Studien Open Access für exzellente Publikationen aus den Jüdischen Studien: Dies ist das Ziel der gemeinsamen Initiative des Fachinformationsdiensts Jüdische Studien an der Universitäts- bibliothek J. C. Senckenberg Frankfurt am Main und des Verlags Walter De Gruyter. Unterstützt von 18 Konsortialpartnern können 2020 insgesamt acht Neuerscheinungen im Open Access Goldstandard veröffentlicht werden, darunter auch diese Publikation. -
Spring 2017 — God Edition
SPRING 2017 — GOD EDITION featured artist: karen cassidy society of northern alberta print-artists message from 10123–121 Street, Edmonton, Alberta, Canada, t5n 3w9 the board But I am not here to proselytize the 780.423.1492 | [email protected] | snapartists.com relationship of printmaking and religion The history of printmaking from a pulpit — or am I? From SNAP’s is steeped in the history of board of directors, I welcome you to the 2017 BOARD OF DIRECTORS message from the executive director God edition of SNAPLine! [email protected] religion. From early woodblock To those indoctrinated into the cult of Welcome to the Spring 2017 edition of SNAPline; the GOD Edition. president rubbings of the Buddha SNAP, I say thank you. To those hesitating Our 2016 shift to thematic publications has allowed us to develop on taking a leap of faith (to Sponsor Brenda Malkinson rich editorial content, when selecting our 2017 SNAPline themes, to the Gutenberg Bible — Membership) I say — do so and you shall vice president (shared) producing a print culture publication on GOD seemed potentially printmaking technology Megan Bertagnolli risky and also too exciting and rewarding to not do. Exploring this be rewarded with four limited edition fine theme through the long historied relationship between the printed translated the mystical and art prints. vice president (shared) word or image and religion has allowed our writers and artists to Some might ask, “How else can one Mark Dutton make some profound connections. SNAPline featured artist Karen unknown into tangible form. support SNAP?” As a charitable organization, Cassidy, a long time member and SNAP printshop renter, explores It provided thousands of treasurer the relationship between spiritual consciousness and creation in we rely on the goodwill of those who Elliot Kerr her limited edition series Spiritus in the Ovarium. -
The Apocryphal and Legendary Life of Christ
Full text of "The Apocryphal and legendary life of Christ; being the whole body of the Apocryphal gospels and other extra canonical literature which pretends to tell of the life and words of Jesus Christ, including much matter which has not before appeared in English. In continuous narrative form, with notes, Scriptural references, prolegomena, and indices" View the book: http://archive.org/details/theapocryphaland00doneuoft THE APOCRYPHAL AND LEGENDARY LIFE OF CHRIST "H. & 5." DOLLAR LIBRARY Similar to this Volume THE TRAINING OF THE TWELVE. By Prof. A. B. Bruce, D.D. THE PARABOLIC TEACHING OF CHRIST. By Prof. A. B. Bruce, D.D. THE MIRACULOUS ELEMENT IN THE GOS PELS. By Prof. A. B. Bruce, D.D. THE HUMILIATION OF CHRIST. By Prof. A. B. Bruce, D.D. THE LIFE OF HENRY DRUMMOND. By Principal George Adam Smith. GESTA CHRISTI. By Charles Loring Brace. THE APOCRYPHAL AND LEGENDARY LIFE OF CHRIST. By J. DeQuincy Donehoo. INDIA: ITS LIFE AND THOUGHT. By John P. Jones, D.D. THE PHILOSOPHY OF THE CHRISTIAN RE LIGION. By Principal A. M. Fairbairn. PULPIT PRAYERS. By Alexander Maclaren, D.D. LECTURES ON THE HISTORY OF PREACH ING. By John Ker, D.D. RELIGIONS OF AUTHORITY AND THE RELI GION OF THE SPIRIT. By Auguste Sabatier. THE LIFE OF CHRIST AS REPRESENTED IN ART. By Dean Frederick W. Farrar. THE APOCRYPHAL AND LEGENDARY LIFE OF CHRIST BEING THE WHOLE BODY OF THE APOCRYPHAL GOSPELS AND OTHER EXTRA CANONICAL LITERATURE WHICH PRETENDS TO TELL OF THE LIFE AND WORDS OF JESUS CHRIST, INCLUDING MUCH MATTER WHICH HAS NOT BEFORE APPEARED IN ENGLISH. -
The Divine Comedy Paradiso
THE DIVINE COMEDY OF DANTE ALIGHIERI TRANSLA TED BY HENRY WADSWORTH LONGFELLOW I follow here the footing of thy fecte That with thy meaning so I may the rather meete S p e n s e r . BOSTON TICKNOR AND FIELDS 1867 Entered according to Act of Congress, in the year 1867, by HENRY WADSWORTH LONGFELLOW, the Clerk’s Office of the District Court of the District of Massachusetts. jt -s rjzsr University Press: W elch, Bigelow, & Co., C a m b r id g e . ( ! ■ i CONTENTS OF V O L . I I I . P A R A D I S O. CANTO I. Page The Ascent to the First H e a v e n ...................................................................................i CANTO II. The First Heaven, or that of the Moon, in which are seen the Spirits of those who, having taken Monastic Vows, were forced to violate them . 8 CANTO III. Piccarda and C o n s t a n c e .............................................................................................15 CANTO IV. Questionings of the Soul and of Broken V o w s ....................................................... 21 CANTO V. Compensations. Ascent to the Second Heaven, or that of Mercury, where are seen the Spirits of those who for the Love of Fame achieved great Deeds. 28 CANTO VI. Justinian. — The Roman Eagle. — R o m e o ....................................................... 34 CANTO VII. Beatrice’s Discourse of the Incarnation, the Immortality of the Soul, and the Resurrection of the B o d y ...................................................................................41 iv Contents CANTO VIII. Ascent to the Third Heaven, or that of Venus, where are ^seen the Spirits of Lovers. — Charles M a r t e l ...................................................................................48 CANTO IX. -
The Church Today, June 13, 2016
CHURCH TODAY Volume XLVII, No. 6 www.diocesealex.org Serving the Diocese of Alexandria, Louisiana Since 1970 June 13, 2016 O N T H E Cave Quest VBS: INSIDE Learning to follow Jesus Bishop Ronald Herzog announces clergy assignments New clergy assignments, effective June 29, have been announced by Bishop Ronald Herzog. See pages 6 and 7. Diocese celebrates ordinations and anniversaries With the ordination of Father John Wiltse this past weekend, and the upcoming ordination of three deacons, the diocese has a lot to celebrate. At the same time, several clergy and religious women in the diocese are cel- ebrating major anniversaries this year. See pages 8-10. What’s in Your Wallet? VACATION BIBLE SCHOOL participants As a Catholic, there is a very help good chance you have a Holy prepare the snacks for the 240 students who at- Card somewhere in your house, tended the Vacation Bible School at Our Lady of in your wallet, or maybe boxed Prompt Succor Church. Check your local Catho- away in some musty closet. lic church for a VBS nearest you. What is the story behind these beautiful works of art and why are you still holding on to them? Read all about it on pages 16-17. PAGE 2 CHURCH TODAY JUNE 13, 2016 2015 Annual Report on Charter for the Protection of Children: Charter requires proof that dioceses are implementing training programs, conducting background checks WASHINGTON—The U.S. Conference of Catholic Bishops’ (USCCB) Secretariat of Child • 4.3 million. children trained to identify the warning signs of abuse and Youth Protection and the • 2.4 million . -
Archaeological Journal the Emerald Vernicle of the Vatican
This article was downloaded by: [Northwestern University] On: 26 January 2015, At: 19:02 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Archaeological Journal Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/raij20 The Emerald Vernicle of the Vatican C. W. King M.A. Published online: 11 Jul 2014. To cite this article: C. W. King M.A. (1870) The Emerald Vernicle of the Vatican, Archaeological Journal, 27:1, 181-190, DOI: 10.1080/00665983.1870.10851483 To link to this article: http:// dx.doi.org/10.1080/00665983.1870.10851483 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. This article may be used for research, teaching, and private study purposes.