Morad, Moshe (2012) 'Fiesta De Diez Pesos': Music As a Space for Identity, Interaction, and Escapism, Among Gay Men in Special Periodhavana
Morad, Moshe (2012) 'Fiesta de Diez Pesos': music as a space for identity, interaction, and escapism, among gay men in Special PeriodHavana. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/15638 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. School of Oriental and African Studies University of London “Fiesta de Diez Pesos”: Music as a Space for Identity, Interaction, and Escapism, among Gay Men in Special Period Havana Moshe Morad Thesis submitted to the University of London for the degree of Doctor of Philosophy July 12, 2012 1 2 Abstract This thesis explores the relationship between music and gay identity in Havana during the período especial, an extended period of economic depression starting in the early 1990s, characterised by a collapse of revolutionary values and social norms, and a way of life conducted by improvised solutions for survival, including hustling and sex-work. A thriving, though constantly harassed and destabilised, clandestine gay “scene” has developed in Havana.
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