The Ball and the Cross- G.K.Chesterton
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é 藤憲一 电影 串行 (大全) Visitor Q https://zh.listvote.com/lists/film/movies/visitor-q-2031745/actors Flower and Snake https://zh.listvote.com/lists/film/movies/flower-and-snake-16957593/actors Mari's Prey https://zh.listvote.com/lists/film/movies/mari%27s-prey-6760871/actors Family https://zh.listvote.com/lists/film/movies/family-3066229/actors The Guys from Paradise https://zh.listvote.com/lists/film/movies/the-guys-from-paradise-1536287/actors Deadly Outlaw: Rekka https://zh.listvote.com/lists/film/movies/deadly-outlaw%3A-rekka-913817/actors Cromartie High – The https://zh.listvote.com/lists/film/movies/cromartie-high-%E2%80%93-the-movie-3025926/actors Movie SS https://zh.listvote.com/lists/film/movies/ss-7393102/actors Agitator https://zh.listvote.com/lists/film/movies/agitator-2421466/actors The Man in White https://zh.listvote.com/lists/film/movies/the-man-in-white-3521742/actors Kikoku https://zh.listvote.com/lists/film/movies/kikoku-3571374/actors KÅs hÅn in https://zh.listvote.com/lists/film/movies/k%C5%8Dsh%C5%8Dnin-937293/actors 西鄉殿 https://zh.listvote.com/lists/film/movies/%E8%A5%BF%E9%84%89%E6%AE%BF-28359588/actors 20世紀少年 https://zh.listvote.com/lists/film/movies/20%E4%B8%96%E7%B4%80%E5%B0%91%E5%B9%B4-91458/actors 人ä¸ä ¹‹é¾ åŠ‡å ´ç‰ˆ https://zh.listvote.com/lists/film/movies/%E4%BA%BA%E4%B8%AD%E4%B9%8B%E9%BE%8D-%E5%8A%87%E5%A0%B4%E7%89%88-562135/actors 幫è€ç ˆ¸æ‹å ¼µç…§ https://zh.listvote.com/lists/film/movies/%E5%B9%AB%E8%80%81%E7%88%B8%E6%8B%8D%E5%BC%B5%E7%85%A7-11317940/actors 大å¸ä -
FOR ENGLAND August 2018
St GEORGE FOR ENGLAND DecemberAugust 20182017 In this edition The Murder of the Tsar The Royal Wedding Cenotaph Cadets Parade at Westminster Abbey The Importance of Archives THE ROYAL SOCIETY OF St. GEORGE – The Premier Patriotic Society of England Founded in 1894. Incorporated by Royal Charter. Patron: Her Majesty Queen Elizabeth II £3.50 Proud to be working with The Royal Society of St. George as the of cial printer of "St. George for England". One of the largest printing groups in the UK with six production sites. We offer the following to an extensive portfolio of clients and market sectors: • Our services: Printing, Finishing, Collation, Ful lment, Pick & Pack, Mailing. • Our products: Magazines, Brochures, Lea ets, Catalogues and Training Manuals. • Our commitment: ISO 14001, 18001, 9001, FSC & PEFC Accreditation. wyndehamgroup Call Trevor Stevens on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ontents Vol 16. No. 2 – August 2018 Front Cover: Tower Bridge, London 40 The Royal Wedding 42 Cenotaph Cadets Parade and Service at Westminster St George -
Art, Technology, Consciousness Mind@Large
Art, Technology, Consciousness mind@large Edited by Roy Ascott intellect Art, Technology, Consciousness mind@large Edited by Roy Ascott First Published in Hardback in 2000 in Great Britain by Intellect Books, PO Box 862, Bristol BS99 1DE, UK Intellect Books, ISBS, 5804 N.E. Hassalo St, Portland, Oregon 97213-3644, USA Copyright ©2000 Intellect Ltd All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopy- ing, recording, or otherwise, without written permission. Consulting Editor: Masoud Yazdani Copy Editor: Peter Young A catalogue record for this book is available from the British Library Electronic ISBN 1-84150-814-4 / Hardback ISBN 1-84150-041-0 Printed and bound in Great Britain by Cromwell Press, Wiltshire Acknowledgements There are many individuals to thank for their help in bringing this book into being. In addition to the authors themselves, my colleagues and students in CAiiA-STAR, the editorial support team at ACES, and the staff of Intellect, thanks are due to Professor Ken Overshott, Principal of the University of Wales College Newport, for his continuing support. Contents Preface Beyond Boundaries 2 Edge-Life: technoetic structures and moist media – Roy Ascott Towards a Third Culture | Being in Between – Victoria Vesna The Posthuman Conception of Consciousness: a 10-point guide – Robert Pepperell Genesis: a transgenic artwork – Eduardo Kac Techno-Darwinism: artificial selection in the Electronic age – Bill -
Out There: Our Post-War Public Art Elisabeth Frink, Boar, 1970, Harlow
CONTENTS 6 28—29 Foreword SOS – Save Our Sculpture 8—11 30—31 Brave Art For A Brave New World Out There Now 12—15 32—33 Harlow Sculpture Town Get Involved 16—17 34 Art For The People Acknowledgements 18—19 Private Public Art 20—21 City Sculpture Project All images and text are protected by copyright. No part of this book may be reprinted or reproduced 22—23 in any form or by any electronic means, without written permission of the publisher. © Historic England. Sculpitecture All images © Historic England except where stated. Inside covers: Nicholas Monro, King Kong for 24—27 the City Sculpture Project, 1972, the Bull Ring, Our Post-War Public Art Birmingham. © Arnolfini Archive 4 Out There: Our Post-War Public Art Elisabeth Frink, Boar, 1970, Harlow Out There: Our Post-War Public Art 5 FOREWORD Winston Churchill said: “We shape our buildings and afterwards our buildings shape us”. The generation that went to war against the Nazis lost a great many of their buildings – their homes and workplaces, as well as their monuments, sculptures and works of art. They had to rebuild and reshape their England. They did a remarkable job. They rebuilt ravaged cities and towns, and they built new institutions. From the National Health Service to the Arts Council, they wanted access-for-all to fundamental aspects of modern human life. And part of their vision was to create new public spaces that would raise the spirits. The wave of public art that emerged has shaped the England we live in, and it has shaped us. -
Baptist Quarterly 34.8 (October 1992): 363, 377
THE VULNERABILITY OF MISSION Maryknoll, NY, 1977, pp.8U. 42 N. P. Moritzen, Die Kirche als Missio (Das 27 cf. also Alan Neely, 'Mission as Kenosis: GesprlJch, No.66), Wuppertal-Bannen, 1966, Implications for our Times', The Princeton p.30 (my translation). Seminary Bulletin, 1989, vol.lO, pp.202-203. 43 lames W. Heisig, 'Christian Mislion: The 28 Kosuke Koyama, 'Christianity Suffers from Selfish War', Verbum SVD, 1981, vol.22, "Teacher Complex", Mission Trends no.2, ed. pp.363-386. Ch. H. Anderson & T. F. Stransky, Grand 44 Quoted in Lesslie Newbigin, The Gospel in a Rapids, 1975, p.73. Pluralist Society, Geneva, 1989, p.35. 29 Kosuke Koyama, Mount Fuji and Mount Sinai: 45 Boxer, The Christian Century in Japan. A Pilgrimage in Theology, Maryknoll, NY, 46 lohnslon, op.cit., p.5. 1984, p.243. 47 Palon, op.cit., p.23. 30 ibid., p.260. 48 References in I. P. C. Van 'T Hof, Op zoek 31 William Frazier MM, 'Where Mission Begins: naar het geheim van de zending: In dialoog met A Foundational Probe', Maryknoll Formation de wereldzendingsconferenties 1910-196.3, Journal, Summer 1987, p.46. Wageningen, 1972, pp.28f. 32 Book, op.cit., p.1l8. 49 Kosuke Koyama, 'What Makes a Missionary? 33 Dietrich Bonhoeffer, The Cost of Discipleship, Toward Crucified Mind not Crusading Mind', (1948), 1976, 197. Mission Trends no.l, ed. C. H. Anderson & T. 34 T. D. Verryn, 'What is Communicat.ion? F. Stransky, Grand Rapids, 1974, pp.1l7-32. Searching for a Missiological Model' , 50 Koyama, op. cit. 'Christianity Suffers . ' Missionalia vol.ll, 1983, p.23, drawing on. -
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Advances in Social Science, Education and Humanities Research, volume 469 Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020) Civilization and City Images in the Films of Georges Méliès Ekaterina Salnikova1,* 1The Media Art Department, the State Institute for Art Studies, Moscow, Russia *Corresponding author. Email: [email protected] ABSTRACT The very first images of civilization and city in Georges Méliès fiction films are described in the article. His vision of "islands" of a civilization in the middle of a stony landscape and active aircraft traffic were adopted by science-fiction cinema later. In his travel films, the director creates the image of civilization not so much with the help of the spatial environment, but with references to the world of science, entertainment and spectacular urban culture. Méliès became the author of the first images of city roofs, the Middle Age city screen myth, and the confrontation of traditional city and modern technical civilization. Keywords: silent cinema, Georges Méliès, An Adventurous Automobile Trip, the Legend of Rip van Winkle, Christmas Dream, city, civilization, distraction, locations In this case, however, an image of a city is even I. INTRODUCTION more directly related to cinema, since it exists on the Studies on city images in art are an important screen in most cases as an abstract city space or even component of a modern interdisciplinary science. At the "an illusion of a city". As a rule, it is created from a State Institute for Art Studies, this issue was developed number of fragments of an urban environment, whether as part of the study on popular culture and mass media, it be nature or scenery. -
What Is Charitable?
CHARITY LAW What is charitable? Simrun Garcha reports on the charitable status and disposal of assets of a now defunct religious sect he High Court’s recent (Prince), an Anglican clergyman decision in Buckley v Barlow who had become dissatisfed with T [2016] explored whether the mainstream doctrine. He was successful assets of a religious organisation that in establishing a community of had ceased to function by the middle followers in Spaxton, Somerset, who of the 20th century should be applied placed a considerable amount of faith in accordance with a cy-pres scheme in his teachings. for general charitable purposes or be While it was observed by the court treated as bona vacantia. that the description of the beliefs of The court considered an application the Agapemonite sect was a ‘litle for directions by the trustees of a trust rambling’, it is clear by references to relating to a plot of land in Stamford worshipping the Lord Jesus Christ and Simrun Garcha is a Hill upon which a church was built the Apostles Creed that their beliefs solicitor in the charities for the use of members of a religious were rooted in orthodox Christianity. and private client sect known as the Church of the Holy In assessing the sect’s religious department at Laytons Agapemony (the Agapemonites). The beliefs, the judge made reference to trust was declared by a document dated Prince’s pronouncements recorded 30 December 1892 (the trust deed). in the judgment of Notidge v Prince The Agapemonite sect ceased to exist [1860], which included Prince’s by the middle of the 20th century and declaration in 1845 that prayer was the church was leased to the Ancient unnecessary as well as a belief that Catholic Church before being sold to his spirit was extinct but his body the Georgian Orthodox Church in 2011. -
The Yakuza Movie Book
THE YAKUZA MOVIE BOOK A GUIDE TO JAPANESE GANGSTER FILMS MARK SCHILLING STONE BRIDGE PRESS • BERKELEY, CALIFORNIA CONTENTS 11 Foreword 126 Akira Kobayashi (1937-) 127 HirokiMatsukata(1942-) INTRODUCTION 128 JoShishido(1933-) 19 A Brief History of Japanese Yakuza Films 130 BuntaSugawara(1933-) Bunta Sugawara Interview 132 DIRECTOR PROFILES & INTERVIEWS 143 KenTakakura(1931-) 43 Kinji Fukasaku (1930-2003) 145 Riki Takeuchi (1964-) Kinji Fukasaku Interview 46 146 Koji Tsuruta (1924-87) 55 Teruolshii(1924-) 148 Tatsuo Umemiya (1938-) Term Isbii Interview 51 149 Tomisaburo Wakayama (1929-92) 70 Tai Kato (1916-85) 150 Tetsuya Watari (1941-) 73 Takeshi Kitano ("Beat" Takeshi; 1947-) 76 TakashiMiike(1960-) FILM REVIEWS Takashi Miike Interview 78 155 AHomansu(l986) 85 RokuroMochizuki(1957-) Rokuro Mochizuki Interview 87 156 Abashiri Bangaicbi (A Man from Abashiri Prison, 1965) 95 Seijun Suzuki (1923-) Seijun Suzuki Interview 98 156 Abashiri Bangaicbi: Bokyohen (A Man from Abashiri Prison: Going Home, 1965) ACTOR PROFILES & INTERVIEWS 157 Adrenaline Drive (1999) 109 ShowAikawa(1961-) Show Aikawa Interview 110 158 Akumyo (Tough Guy, 1961) 119 Noboru Ando (1926-) 159 American Yakuza (1994) Noboru Ando Interview 121 160 Ankokugai no Kaoyaku (The Big Boss, 123 Junko Fuji (1945-) 1959) 125 Shintaro Katsu (1931-97) 161 Asu Naki Machikado (End of Our Own Real, 1997) 162 Bakuchiuchi Socho Tobaku (Big Gambling 193 Gokudo no Onnatachi (Gang Wives, 1986) Ceremony, 1968) 197 Gokudo no Onnatachi: Kejime (Gang 164 Bakuto Gaijin Butai (Sympathy for the Wives: -
London's Urban Landscape
London’s Urban Landscape London’s London’s Urban Landscape is the first major study of a global city to adopt a materialist perspective and stress the significance of place and the built environment to the urban landscape. Edited by Christopher Tilley, the volume is inspired by phenomenological thinking and presents fine-grained ethnographies of the practices of everyday life in London. In doing so, it charts a unique perspective on the city that integrates ethnographies of daily life with an analysis of material culture. The first part of the volume considers the residential sphere of urban life, discussing in detailed case studies ordinary residential streets, housing estates, suburbia and London’s mobile ‘linear village’ of houseboats. The second part analyses the public sphere, including ethnographies of markets, a park, the social rhythms of a taxi rank, and graffiti and street art. London’s Urban Landscape returns us to the everyday lives of people and the manner in which they understand their lives. The deeply sensuous character of the embodied experience of the city is invoked in the thick descriptions of entangled relationships between people and places, and the paths of movement between them. What stories do door bells and house facades tell us about contemporary life in a Victorian terrace? How do antiques acquire value and significance in a market? How does living in a concrete megastructure relate to the lives of the people who dwell there? These and a host of other questions are addressed in this fascinating book that will London’s appeal widely to all readers interested in London or contemporary urban life. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
The European
THE EUROPEAN THE JOURNAL OF OPPOSITION Number Forty-two August 1956 CONTENTS AUGUST 1956 ANALYSIS by EUROPEAN ..................................... Page 3 Will the Soviets convince the Labour Party and others that the change of line is a change of heart ? The next move is the popular front : Was Stalin murdered, or can he still be alive ? The investment boom, and the end of it : The “ euphemism ” that was once an Empire. MARXISM AS PHILOSOPHY by A. JAMES GREGOR Page 11 LITERATURE AND POLITICS III: SPENDER SPENT by A LA N N EAM E Page 27 A D IA R Y ........................................................................ Page 41 THEATRE : THE FAMILY REUNION by MICHAEL HARALD Page 45 CINEMA : AN EXHIBITION AND FOUR RE MAKES ........................ by VINCENT MURRAY Page 48 NEW BOOKS : Citizens of Tomorrow A Private Volcano by Lance Sieveking G.O.G. 666 by John Taine A World o f Difference by Robert Conquest Anglo-Saxon Attitudes by Angus Wilson Page 56 KING LUDWIG’S PALACES by ROBERT AICKMAN Page 56 LETTERS : European Socialism : Father Huddleston and Apartheid : The Press and Mosley : Baghdad and Baldock Page 59 WASHBURN AND SONS LIMITED QUEENS ROAD. SOUTHEND-ON-SEA ANALYSIS HE oldest illusion in modern Europe is that the Communist Party is about to dissolve, and the Bolshevik state is about to break up. At regular intervals since 1917 this wet wash of idle hopes has sapped the stiffening will of the west. The usual combination of dreaming pinks and scheming reds is now at it again. The Kruschev speech has undoubtedly been a severe shock to the rank and file of the Communist Party ; so no doubt was the first revelation of the private lives of the Borgias to the faithful of the church. -
The Plumed Serpant
The Plumed Serpant D H Lawrence Chapter 1 - Beginnings Of A Bull-Fight It was the Sunday after Easter, and the last bull-fight of the season in Mexico City. Four special bulls had been brought over from Spain for the occasion, since Spanish bulls are more fiery than Mexican. Perhaps it is the altitude, perhaps just the spirit of the western Continent which is to blame for the lack of 'pep', as Owen put it, in the native animal. Although Owen, who was a great socialist, disapproved of bull- fights, 'We have never seen one. We shall have to go,' he said. 'Oh yes, I think we must see it,' said Kate. 'And it's our last chance,' said Owen. Away he rushed to the place where they sold tickets, to book seats, and Kate went with him. As she came into the street, her heart sank. It was as if some little person inside her were sulking and resisting. Neither she nor Owen spoke much Spanish, there was a fluster at the ticket place, and an unpleasant individual came forward to talk American for them. It was obvious they ought to buy tickets for the 'Shade.' But they wanted to economize, and Owen said he preferred to sit among the crowd, therefore, against the resistance of the ticket man and the onlookers, they bought reserved seats in the 'Sun.' The show was on Sunday afternoon. All the tram-cars and the frightful little Ford omnibuses called camions were labelled Torero, and were surging away towards Chapultepec. Kate felt that sudden dark feeling, that she didn't want to go.