20 April 2017:Korean Treasures in Southeast Asia for the First Time
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Seoul Yangnyeongsi Herb Medicine Museum - Jangsu Maeul(Village) - Course10 52 Cheongwadae Sarangchae Korean Food Experience Center - Gwangjang Market
Table of Contents ★ [Seoul Tour+ Itineraries for the Five Senses] Starting with the May issue, ten itineraries designed to allow participants to experience the charm of Seoul to the fullest (40 different locations) will be created with a new theme every month. These itineraries will be provided as product information that is customized to your needs under the title “Seoul Tour+ Itineraries for the Five Senses”. We ask that you make active use of them when planning high-quality Seoul tour products for foreign tourist groups. Tradition 1 Visiting every corner of Seoul of 600-year-old Seoul history Course1 Seoul History Museum - Seochon Village - Yejibang - Noshi 5 Course2 Yangcheon Hyanggyo - Heojun Museum - Horim Museum - Sillim Sundae Town 10 Eunpyeong History Hanok Museum - Hongje-dong Gaemi Maeul(Village) - Course3 15 Donglim knot Workshop - GaGa Training Center for Important Intangible Cultural Properties - Hyundai Motor Studio Course4 20 - Kukkiwon - KAYDEE Course5 Dokdo Museum Seoul - Seodaemun Prison History Hall - Haneul Mulbit - Gaon gil 25 Tradition 2 Living in Seoul of 600 years ago National Hangul Museum - Namsan Hanok Village - Asian Art Museum - Course6 32 Gareheon Old Palace Trail - Bukchon Hanok Village Guest House Information Center Course7 37 Hanbok Experience - Hwanghakjeong National Archery Experience - Mingadaheon Dongdaemun Hanbok Cafe - Ikseon-dong Hanok Village - Sulwhasoo Spa - Course8 42 Makgeolli Salon Rice-Museum - Seongbuk-dong Alley - chokyunghwa Dakpaper Artdoll Lab - Course9 47 Hankki, Korean Traditional -
Air Force Base
GANGJEONG VILLAGE September / October / November Bimonthly news on the struggle against Published at Gangjeong Village in Jeju, 2019 STORY the Jeju Naval base South Korea Photo by Ceicill Han 1 Seoul 2 Sejong Photo by Jeong Jae-ho 3 Photo by Kwon Ina 4 Photo by Ye Jeha, Gwangju Dream Gwangju 5 Photo by People Doing All Things to Save the Bijarim-ro Photo by Oh Young Chul 6 7 Jeju Photo by Pang Eun-mi (Graphic by Grace Kim) 1 1 Jeju Fights Back: An Overview of the Latest Struggle By Choi Sung-hee October was critical. The Ministry of Land, Infrastructure, and Transport (MOLIT) repeatedly announced that it would make a notification on the Basic Plan of the Jeju 2nd airport project within October. If it is notified, the project becomes legally effective. It was the most critical task for people to stop such a MOLIT notification. Further, despite denial by MOLIT and the Jeju Island government, it is quite clear that the 2nd airport would be an air force base. Therefore, one of the urgent tasks at hand was for people to pressure the Ministry of Environment (MOE) to disagree with the Strategic Environmental Assessment (SEA) made by the MOLIT, which is full of lies and omissions. The Jeju islanders also pressured the Island Council to create a special committee to gather public opinion on the project, as demanded by more than 80% of islanders. People concentrated their protest in front of the Island government & Council buildings in Jeju City, as well as in front of the central government complex in Sejong City & the Presidential House in Seoul. -
Text and Image Studies: Theory of East Asian Cultural Diffusion
43 Text and Image Studies: Theory of East Asian Cultural Diffusion I Lo-fen* Abstract The word ‘Text’ in Text and Image Studies encompasses sound/ language text, textual body, word/ literary text and image text. ‘Image’ represents not only pictorial illustrations, but also symbols, icons, logos/ trademarks and other forms of visual rhetoric, as well as videos, lines and printed material. Text and Image Studies offers valuable approaches in the investigation and analysis of the complexity of the interplay, interrelations and disjunctions between text and image in various forms of visual media. Chief subjects of interest include creativity and innovation, distribution and dissemination, sociopolitical implications, impact on consumerism, psychological effects on human cognition, etc. The theoretical application of Text and Image Studies in the East Asian cultural exchange discussed in this article is the fruit of almost two decades of research. The article uses a seven-pronged approach – canonization, politi- cization, conceptualization, abstraction, localization, standardization, modular- ization– in the study of East Asian cultural exchange in variety of regions, time periods, and genre in an attempt to explore new research ideologies and theories. 1. Prologue The word ‘Text’ in Text and Image Studies encompasses sound/ language text, textual body, word/ literary text and image text. ‘Text’ is presented in limitless forms and pique interpretive questions from readers and observers. Text references could be words, images, or audio and videos, as well as other media of communication. ‘Image’ represents not only pictorial illustrations, but also symbols, icons, * I Lo fen 衣若芬 is an Associate Professor in the School of Humanities at Nanyang Technological University in Singapore 44 Journal of Cultural Interaction in East Asia Vol. -
The Cultural Production and Consumption of the Fit Body in South Korea: Focus on Established – Outsider Figuration of the Body in the Fitness Field
THE CULTURAL PRODUCTION AND CONSUMPTION OF THE FIT BODY IN SOUTH KOREA: FOCUS ON ESTABLISHED – OUTSIDER FIGURATION OF THE BODY IN THE FITNESS FIELD Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester by Hye Won Choo Department of Media and Communication University of Leicester 2015 The Cultural Production and Consumption of the Fit Body in South Korea: Focus on Established - Outsider Figuration of the Body in the Fitness Field ABSTRACT This thesis examines the ways in which the fit body has acted as an established form of capital in Korea. In addressing this question, this research explores the theoretical and methodological links between Bourdieu‘s and Elias‘s perspectives. In particular, using the fitness field as the context, this study examines specific types of valued capital and assesses the ways in which figurations between actors are produced and reproduced in ways that reinforce and sometimes disrupt ‗established-outsider‘ (E- O) figurations in other fields (such as the academic field). In working toward its findings, this work makes use of multiple methods, including historical media analysis, media production study, interviews, and comparison of Gangnam and Gangbuk, to name but a few. This diverse array of approaches allows for a more robust and nuanced look at the E-O figuration of the body (Elias & Scotson, 1994) that grounded the production and reproduction of body capital and habitus in the fitness field. The findings also reveal that fit bodies are pivotal to the formation of symbolic power in Korean socio-historical contexts. E-O figuration of fitness media production teams influences media texts. -
Lee Lawrence, "Climbing to New Peaks of Creativity"
DOW JONES, A NEWS CORP COMPANY DJIA 23707.35 -0.64% ▼ S&P 500 2557.86 -0.90% ▼ Nasdaq 6708.78 -1.01% ▼ U.S. 10 Yr 432 Yield 2.814% ▲ Crude Oil 59.57 -2.58% ▼ Euro 1.2222 -0.22% ▼ This copy is for your personal, non-commercial use only. To order presentation-ready copies for distribution to your colleagues, clients or customers visit http://www.djreprints.com. https://www.wsj.com/articles/climbing-to-new-peaks-of-creativity-1518044362 ART REVIEW Climbing to New Peaks of Creativity A pair of exhibitions oer artists’ varied responses to the grandeur of mountains: from the personal and interpretive to the more documentary. Jeong Seon’s ‘Album of Mount Geumgang (Pungak-docheop): Baecheon Bridge’ (1711) PHOTO: NATIONAL MUSEUM OF KOREA By Lee Lawrence Feb. 7, 2018 559 p.m. ET New York In 1711 Jeong Seon, a low-ranking Korean official with an aristocratic background and a scholar’s education, sparked a new, enduring genre of Korean landscape painting when he walked into the sprawling Mount Geumgang—or Diamond Mountains—equipped with paper, ink and brushes. Six of the 13 views Jeong (1676-1759) produced form the starting point of “Diamond Mountains: Travel and Nostalgia in Korean Art” at the Metropolitan Museum of Art. About 50 miles within today’s North Korean southern border, the mountain has been in the news as North and South Korea negotiate whether and where to host joint celebrations during the Olympics. Visit the show, and you will understand why this site is such a big deal. -
Documentation Art and Korean Bunche Painting
Documentation Art and Korean Bunche Painting: An Investigation of Deleuze’s Transcendental Realism through the Painting Process Hyeyoung Maeng December 2017 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Contemporary Arts Lancaster University – Faculty of Arts and Social Sciences Lancaster Institute for the Contemporary Arts Documentation Art and Korean Bunche Painting: An Investigation of Deleuze’s Transcendental Realism through the Painting Process Hyeyoung Maeng December 2017 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Contemporary Arts The complementary component of the submission is in the form of an exhibition of Documentation Art installed at the Peter Scott Gallery. The exhibition will be documented through photographs compiled on a DVD included in the permanent binding of this thesis. Lancaster University – Faculty of Arts and Social Sciences Lancaster Institute for the Contemporary Arts i Declaration of Authorship I declare that the thesis is my own work, and has not been submitted in substantially the same form for the award of a higher degree elsewhere. Hyeyoung Maeng December 2017 ii Acknowledgements I would like to express my deep gratitude to my supervisors, Professor Beth Harland and Dr Richard Rushton, for their constant emotional and academic support throughout my PhD research. I also would like to express thanks to my academic advisor, Dr Linda O Keeffe, for her valuable advice, and to the LICA technicians who have always been helpful and supportive. I also very much appreciate the valuable feedback from my PhD examiners Professor John Ó Maoilearca and Professor Charlie Gere. -
Eco–Art History in East and Southeast Asia
Eco–Art History in East and Southeast Asia Eco–Art History in East and Southeast Asia Edited by De-nin D. Lee Eco–Art History in East and Southeast Asia Edited by De-nin D. Lee This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by De-nin D. Lee and contributors Cover image by Jang Hanjong (1768-1815) Image from The National Museum of Korea All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2217-2 ISBN (13): 978-1-5275-2217-6 For 三俠: Sebastien, Ronan, and Kieran. TABLE OF CONTENTS List of Illustrations ..................................................................................... ix Acknowledgements ................................................................................. xvii Introduction .............................................................................................. xix De-nin D. Lee Chapter One ................................................................................................. 1 Re-Reading Imagery of Tilling and Weaving in the Context of the Little Ice Age Sooa Im McCormick Chapter Two ............................................................................................. -
Travel and Painting As Antiquarianism in Joseon Korea Karwin Cheung S1487043 Universiteit Leiden 2016/2017
Journeys to the past: travel and painting as antiquarianism in Joseon Korea Karwin Cheung s1487043 Universiteit Leiden 2016/2017 abstract This study analyzes the transnational interaction of Korean art during the early modern period. By examining practices of collecting and travel I aim to explore how cultural and visual patterns from Chinese antiquity are re-contextualized in Joseon Korean art. In this process not only a specific Korean understanding of Chinese antiquity was developed, but Chinese antiquity was in turn also projected upon the Korean landscape. I further argue that artistic developments during the early modern period in Korea, such as true-view painting, should be understood from this transnational perspective, rather than from sino- centric or nativist views. Supervisor: prof. Oliver Moore 2nd Reader: prof. Anne Gerritsen wordcount: 17940 1 Contents Introduction 3 Chapter 1: Antiquarianism and travel 8 Chapter 2: Imagined travel and collections 23 Chapter 3: Constructed landscapes 35 Conclusion 50 Bibliography 51 Plates 55 Note: Korean words and names have been transcribed using Revised Romanization. An exception to this is the bibliography, where names are romanized following the given romanization in the original publication. In some cases this means that authors are found under two different names. Chinese words and names have been romanized in Pinyin. Where I have quoted translations of others I have taken the liberty of changing the romanizations to Pinyin and Revised Romanization. Unless otherwise noted, translations and any mistakes found in them are my own. 2 Introduction This study investigates the relationship between travel, antiquarianism, and painting in Joseon Korea during its early modern period, roughly 1400 to 1800. -
Suki Seokyeong Kang PHOTOGRAPHS and TEXT by HG MASTERS
Where I Work Suki Seokyeong Kang PHOTOGRAPHS AND TEXT BY HG MASTERS Drawing on Korean cultural traditions to assemble a mise-en-scène of today traditional buildings—and several large trees, with the high-rises of central Seoul in the distance. An ofce area of desktop computers and bookshelves occupies the window-side of the space. Kang’s thin-framed painted sculptures, towers of paintings, wool-wrapped forms and woven mats are stacked, hanging and arrayed around the rest of the space, like the backstage of a theater. Over cofee, Kang began our conversation by proposing that she and I see the practice of painting in a diferent manner, based on our cultural heritages. She was trained in Korean painting at Ewha Womans University, where she still teaches, and explained that the way she learned to think about painting was that everything had to be channeled or “poured out” onto the confines of paper in the form of highly controlled brushstrokes. She referenced Jeong Seon, who developed a “true view” Suki Seokyeong Kang standing inside the Well into my conversation with pale-colored bricks in Seochon, a way of depicting the landscape frames of a “Jeong” sculpture, with woven Suki Seokyeong Kang at her Seoul residential neighborhood west of the that separated his art-making mat works hanging on the wall behind her. studio, as she was explaining the Gyeongbok Palace. It sits at the base from the Chinese-influenced style many components of her projects of the 338-meter-high Inwangsan that dominated Korean art up (paintings, mats, mora, jeong), and Mountain, whose craggy granite to that time. -
UNIVERSITY of CALIFORNIA Santa Barbara Through the Eyes of A
UNIVERSITY OF CALIFORNIA Santa Barbara Through the Eyes of a Painter: Re-visioning Eighteenth-century Traditional Korean Paintings by Jeong Seon in Virtual Environments A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Media Arts and Technology by Intae Hwang Committee in charge: Professor Marko Peljhan, Co-Chair Professor Alenda Chang, Co-Chair Professor George Legrady June 2019 The dissertation of Intae Hwang is approved. _____________________________________________ George Legrady _____________________________________________ Marko Peljhan, Committee Co-Chair _____________________________________________ Alenda Chang, Committee Co-Chair June 2019 Through the Eyes of a Painter: Re-visioning Eighteenth-century Traditional Korean Paintings by Jeong Seon in Virtual Environments Copyright © 2019 by Intae Hwang iii ACKNOWLEDGEMENTS I am grateful to my academic committees. Professor George Legrady guided me on this topic. Professor Marko Peljhan was always supporting and encouraging this research during my five years of academic life with his generosity. Lots of discussion and revision with Professor Alenda Chang strengthened and broadened this research. I was happy to work with Professor Laila Sakr in the Wireframe Lab. With a special mention to my mentors in Chicago, Professor Jin Soo Kim gave me the courage to attend this program. I learned all the fundamental methodologies of this research from Professor Christopher Baker, Professor Sung Jang, Professor Jessica Westbrook, and Professor Adam Trowbridge. Very special gratitude goes out to Envisible members, Hyunwoo Bang, and Yunsil Heo who have provided me moral, emotional support. Keehong Youn is my MAT colleague and my roommate, we got over all the difficulties in the life in here Santa Barbara together. -
Seon Poems Selected Works Seon Poems 詩選集詩選集 Seonseon Poemspoems Selectedselected Worksworks Young-Eui Park Roderick Whitfield Young-Eui Park Roderick Whitfield
9 COLLECTED WORKS OF KOREAN BUDDHISM 9 SELECTED WORKS SEON POEMS SELECTED WORKS SEON POEMS 詩選集詩選集 SEONSEON POEMSPOEMS SELECTEDSELECTED WORKSWORKS YOUNG-EUI PARK YOUNG-EUI WHITFIELD RODERICK YOUNG-EUI PARK YOUNG-EUI WHITFIELD RODERICK COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 9 詩選集 SEON POEMS SELECTED WORKS Collected Works of Korean Buddhism, Vol. 9 Seon Poems: Selected Works Edited by Roderick Whitfield Translated by Roderick Whitfield, Young-Eui Park Published by the Jogye Order of Korean Buddhism Distributed by the Compilation Committee of Korean Buddhist Thought 45 Gyeonji-dong, Jongno-gu, Seoul, 110-170, Korea / T. 82-2-725-0364 / F. 82-2-725-0365 First printed on June 25, 2012 Designed by ahn graphics ltd. Printed by Chun-il Munhwasa, Paju, Korea © 2012 by the Compilation Committee of Korean Buddhist Thought, Jogye Order of Korean Buddhism This project has been supported by the Ministry of Culture, Sports and Tourism, Republic of Korea. ISBN: 978-89-94117-13-3 ISBN: 978-89-94117-17-1 (Set) Printed in Korea COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 9 詩選集 SEON POEMS SELECTED WORKS FINAL TRANSLATION AND EDITING BY RODERICK WHITFIELD DRAFT TRANSLATION AND ANNOTATION BY YOUNG-EUI PARK i Preface to The Collected Works of Korean Buddhism At the start of the twenty-first century, humanity looked with hope on the dawning of a new millennium. A decade later, however, the global village still faces the continued reality of suffering, whether it is the slaughter of innocents in politically volatile regions, the ongoing economic crisis that currently roils the world financial system, or repeated natural disasters. -
Influence and Sustainability of the Concept of Landscape Seen
sustainability Article Article Article Influence and Sustainability of the Concept of Influence and SustainabilityInfluence andof the Sustainability Concept of of the ConceptLandscape of Seen in Cheonggye Stream and Landscape Seen inLandscape Cheonggye Seen Stream in Cheonggye and StreamSuseongdong and Valley Restoration Projects Suseongdong ValleySuseongdong Restoration ValleyProjects Restoration Projects Dai Whan An 1,* and Jae-Young Lee 2,* 1, 2, Dai Whan An 1,* and Jae-Young LeeDai 2,* Whan An * and Jae-Young Lee * 1 Department of Architecture, Chungbuk National University, Cheongju 28644, Korea 1 Department of Architecture, Chungbuk National University, Cheongju 28644,2 Institute Korea of Engineering Research, Yonsei University, Seoul 03722, Korea 1 Department of Architecture, Chungbuk National University, Cheongju 28644, Korea 2 Institute of Engineering Research, Yonsei University, Seoul 03722, Korea* Correspondence: [email protected] (D.W.A.); [email protected] (J-Y. L.) 2 Institute of Engineering Research, Yonsei University, Seoul 03722, Korea * Correspondence: [email protected] (D.W.A.); [email protected] (J.-Y.L.);Tel.: +82-43-261-2434 (D.W.A.); +82-2-2123-8064 (J.-Y.L.) * Correspondence: [email protected] (D.W.A.); [email protected] (J-Y. L.) Tel.: +82-43-261-2434 (D.W.A.); +82-2-2123-8064 (J.-Y.L.) Tel.: +82-43-261-2434 (D.W.A.); +82-2-2123-8064 (J.-Y.L.) Received: 31 January 2019; Accepted: 18 February 2019; Published: date Received: 31 January 2019; Accepted: 18Received: February 31 2019 January; Published: 2019;