BEATLES BLAST OWN HIT DISC! 3-Year-Old Record 'Terrible Could Be Anybody the Beatles Have Another Disc in the Pop SO —And They Are Hopping Mad About It

eAJ11111111111111111111111witililiiiiilliniiiiii Iiili Melody BUCK KENNY E- CLAYTON BALL- Aotaker -jazz soul annoyed

Jon 22, 1863 Friday 611 ci1111111111111111111111111111Illim' . BEATLES BLAST OWN HIT DISC! 3-year-old record 'terrible could be anybody THE Beatles have another disc in the Pop SO —and they are hopping mad about it. tots Bonn,' credited to Inn, Sheridan :end the IteMI,. on tn., 1.131.1110ft label and ta turrontl, at rtumher Ni In thr it ha.. recorded in German, tem. Ira, then called the Brat tto,. h t. mould 1,,,r little I., tnd lho Heath, don't llhe It hla•trd oft to Ihr thh, wee hherldno •Ith u• handle.. the bat I. ln». 011 . *

Ile Sold Use Tony Sheridan is arinnthe and It Still unitise In on, or the nee. ..e=ld hat, the credit for thr Beagle. their lira, recurd.g. Our Anil nun tootted them and Ironed iis with Tone. - At the tome lino ne tried to g. them going over here but ne

rut= " C Nob., •Intril to Itnon

un Jul, I I, .erld

andaroma material LP. tor them • Angry Beatles—George Harrison, Paul McCartney and John Lennon

iftidblililthiti.‘11,4.4444444"411,1hWhiAbiaINIe‘Whqh4.4

• e • e • e It you want • e • VOTE! VOTE! • •

,u• v OTE NOW! This is yin tut thane • to choose the tops in pops fer 1963. MM pop poll.• to get ahead 0 The second, and final, voting coupon ter • .... the 1963 MM Pep Poll is on page 2. And don't forget to nominate the Brightest • it you w oo l &each, s ee, in pe,,, Hope el the coming year—the artist ; you think will climb the ladder to pop • selection, fill op the coupon and post lame in the nest 12 months. • • it le - Pell," Melody Maker , 161-6, t Fleet Strut, Leona, E.C.4. This year, for the loot time, the MM Pop : get fin uccent! • Ail «tried aunt reach the BB by hest Pell includes an International Section uo • se that you cal vote fer your world - e pen ea %May, Mee 27. • Lint yegy's tog moms sees Am wide f ilea as well as Britain's : pintarnei eApgie • Rickard, Into. Husks mil Acker Bilk. Illie • O It's op le yea to semen peer Weenie TM wend el pop awaits poor verdict. se BERT WEEDON'S : sippers, iostrawnotalists, 'Wins, So till up the coups. en page 1 and 0 os discs, radio aid TV shears. seed it elf today! •0 BLIND DATE 01111,411,111VIANNIAK****************1111.4•1111,111% t•t> • • MELODY MAKER • • • !Look • 1 and e 1963 Pop Poll Ilisten= e ,certify that this is my only entry „ . e Name $ • e ,...1_,„.,, :::: Address

' • Send to: POLL, Melody Maker, 161-6, Fleet Street, London, EC4 • o • • • o DISC JOCKEY -.-TAc tc races° $

• MALE SINGER Cu-1F

1 FEMALE SINGER SusAiv VOCAL GROUP '0

INSTRUMENTALIST

INST. DISC OF THE YEAR 'PfMtDe)..55' —Jer

MALE TV ARTIST

FEMALE TV ARTIST

I= /,ry my • 27,Yty : • t' ' • RADIO SHOW ce op S PeX) • •

BRIGHTEST HOPE FOR 1963 ee-Arizs. em=13 • •'' ' • e • , MALE SINGER ets/ Oe.b.SE1 ie FEMALE SINGER CONea. F544,Va-S • oe

VOCAL GROUP • oe Tile- cAscA --

INSTRUMENTALIST o'se r"a ear VOCAL DISC OF THE YEAR l'e DReArrS' — PoV omisoA./. so: - eeos e • o INST. DISC OF THE YEAR • 'igd-5 7A/Z i-- ne -MeAffk-Y-1S. a"s •' • BRIGHTEST HOPE FOR 1963 -77.i.e a4,(stesrAt_s es.a.vskavei..t.-tvo.44-te ______------22 19eS OYllAKCA-1,•• g Gospel Train to tour Britain? lie. Orr A.«, SASS• US pop stars in autumn invasion

* To back Gene

1 I 1 1 1111111 =1 Sin BRIEF * US digs Cliff

lef10 MAO f_ MIKE BERRY JUDD PROCTOR ••••••• KIN uell O. :MATES THE OUTLAWS

" 2-7'.F`" 7"7:e;r:.Y4.1,41:F.:7.7" • “ = THE TED THE DAVE ...... TAYLOR CLARK F-.I ettreee M.21;:4.er e,,k 4 FOUR FIVE THE HEDLEY WARD T"L`•• L em -2 TRIO I E E CHAD CARSON & THE SENATORS

" jelreenee-e4e2f:›7:,..e:i"..rgeg- E THE RED PRICE ••• ••••••• Ate ISAVC CO.Clerezol

—2ene Mk" COMBO

VAS Ere « • lad Is• «MUG. SI All these Artistes use Equipment by • et VASsrAt•• Isss featom

AOR EIS., S LE •DaIG MUSIC INSIPU•IfIII RUA. FRANK NASKY LTD. 92 kris, Same limped 1. Pima: COL 1559 WATHINS SUPPLIERS TO ALI ,NE LEAD,. GROUPS OM* SIOCKS ARE ed.,* OUI I¡RIPS ARE EA: f Mena*, so• ••••••••• AAA. ••• ELECTRIC MUSIC LTD FROM MF TO ,OU DO YOU WANT TO esew A SUGHIV TA," THESE LHA .NS 11-7em , MY HEART USmusic scene

. ANOTHtv Ile r LOSING YOU

a Ia ITIBACIOW. TO UT «ORLO •Jew ee Pc

IAMB , MO! LEM Mt The xelhee. 1,11.11u1 , 34. TO PM UMW MOO Mash Braeen. 11Nroar • nnn Pow wow 0.64 lepien

ïribt iiï it HIGH!

LITTLE O.RL. G 'MAT HAMMER • i.NT THAT A SHAME . •• OONT TRY TO CHANCE ME SUMMER NoLIOAY

Mr BONNIE

TO.; GAN ' NFVFH STOP MS ,..EOVI ci:Fic+te'«

He. , THE ONE EPOWN•EYFO HANDSOME MAN

GO .57(.1, ACL1N •THE INKSPOTS

12 LP KV- 11 20/6

VIPMV,VVVVV,V,VVVVVV

,“ PLOY RUCHANS PUBLICATIONS LTD AMERICA'S TOP TEN vrer, ww 3 Feez4.41 s,..t+st Cole on colour crisis T I segreuation li, Umerli -A's south ha, involved a number ut Negro slam VIAIIAI.IA JACKSON is to hold a benefit shun. In Chieago, to mine funds for the Southern Christian Leadership Conference led by Dr Martin Luther King. At HIBBLER. EARTHS KITT . Sod DINAH WASHING- NAT COLE— 1f Ithought it would do any good. TON are giving their ser- I would cancel some of my performances' vim, for the show. eza treef"'e [

* We're not!

* Hooray! oun;rriee ;.;ceo' " loom to ua * Crushing * Welshed? ttt. tt..t"t a rum senMrea at awaut redoes to materea MM. LAM wee* a made, age. • rbEsm P338303. bile• nnuneu tum * p.s.

•••d ••.• •ina•; my:qt.-reor -• • r, ,•rr . ir mud MS' ier the Mel: ,,„er oeumuo

* Spooks WHY DO THEY ALL

lsrecAS INMES rme MAC . Paella CHOOSE oelme0 emln several a.m.. .

Itli0 ileEECAM went nom • ..'y.„ .

„,...entervr-v— .hz:r-eg •xlr ISMOelt . annual Jere., T m Sum. ARV MUDD el Me lall• lop r UTLEO eIrrn: -M fdsol co 10 u ern on geoup.rerrenit=enir's1

Now that there is achoice BUDDY RICH chooses .1 1.11Ime,

FORMULA 602 cymbals ,r,or llem •• r /proponent. nn« Ice your sr, mcl b, &I A , I, n owning the ron best

W ouPecu II we. SEE THE 1,1211 IIMIU Of VAIN surely toe lemurs,. pan, WI on JONE BOA Olin T. • MIMIC. ELECTRIC ONO COLIC Celina

MATTRÍ.O,000I MONPO Our,,was lumina Clin 11 201111 12.11.2IM or seed Mr emcee. le 1141 C.22 16 DERRAMO STRUT III MIAIIMG 010S5 k2 t6,40. 6, 1GEM 9176 •Can I nave your aulparepn, 1.100.1 W Me Wise, Selmer P.O. 6-1.1LLOOT BARER, June 11 'eel SEX in songs DATE BLINDFOLD STARS REVIEW THE LATEST POP DISCS

Ills firs, guitar m1,4.111111 • Irw. down half Petticoat w ith Lane — and - a - BERT WEEDON I crown was the royal ke Bert Weedon collected fur a performance In Smile East Elam Labour 10.11.. Today he earns an aver- age of MO a week. a t• ` MO Guild guitar under his capable Before Ftert's Blind date . Ant under wwe. lie mildewto.d to the worles wend memory. "1 Ruow eezz 'mutes IOW% Joe Prawn, than names.. be ml Apart Trani ..... cm Iwo jeeers.,v1..e.. Impressive

- Surest 1/ by hit-writer Mitch Murray

Falsetto done,Ackee

Coneralulaeons on yore phenomenal success as a

record., Oar, and as leader of Belrads larrourde Traddonal Jazz Band.

MR . ACKER BILK,

OF COURSE

PLAYS A JOE MOREI108, Kenny Clare CLARINET agree -they both play

fw rie ao and can, planer M1e reco,c, o ,perc O G H. EDGWARE CLARINET . rucara foe full AS,,, SEE THE LUDWIG DRUMS RANGE OF e The 400 snare drum is the To ROOMY ',erne d char, brochure of Car ea II & H most expensive you can buy ! HAWRES. , CLARINETS EDGWARE. for cr„,L °a, Del. RE A 3 S . AT TOUR it ,f1 AUDOUSEX LOCAL re me Bel •o GERRARD STREET MUSIC STORE ,ser GUI 9176 Jew Et IOU HOWDY IBAELW Pooe WITH 'RONDO' IN THE POP FIFTY... THEIRS'S IN TIMM CLASSICS

O JAZZINC THE CLASSICS is a., old gante — .00 o the heads of those who consider themselves — serious" rnusic lovers. w1:71.."Zn "

BEE B1,101 F redered

Fallow nerrre: Mr..= zre,t:e WHARFEDALE Electric Guitar SPEA

Follow-up '1 Beet Sweatt, awe that an tlr..d. could take eweption 1/111G ,,I,Arou.lreigla '211 SPEC.FICATIOM «Iwo ..,to aa" tW'te' eettOrier: er: PRICE f10.10.0 EGO CW•ennor.‘e'n'n' geumit: a/.

Vile»

I/t•ifee'AII f17.10.0

EGIS NEWS from the TOP! Wog. watt ,•apetz laj

Fra. (41aw. only) EC 12 GIS ET gKINS plays Whdeweed 00 .130 £12 M. 0 fen. G., £10. 0.0 SI.. Oded Verde Ell. 0.0 (II to 0 CRETSCH Cebu. Caoid,e ten SF. I'm on replan WHARFEDALE WIRELESS WORKS LTD ,f1,1.t.ED STREET Velutrietiale IDLL .11ADI ,111, /,11•N 'AP 91 16 yeee

THE WAY How to TO SUCCESS R& succeed IN THE POP WORLD in the for the trad masses business GO DUTCH! ACCENT OVER the yearn. •Inte they made thMr Brit. debut In Ire.. the men says MAX JONES

my. CHRIS ROBERTS

APPLAUSE

SUCCESS HOARSE Hioaomenal

"" ecembon ^:eTre.e."..rTre YOKEL A USSI,

066.19 euie9on Iwon't record trash! COMEDY

SI= toil: n:C:r STUDENT KETTY LESTER r::;:;;;;;',:n7::",:•••'• CLARINET Con gratulations THE SHOP yot anolher Jim Morahan Slor Pupil DEREK SKINNER FOR THE

SPOTNICKS CROUP SWEDEN S TOP ROCK GROUP LONDON'S LEADING Religiou STOCKISTS DRUM TUITION

JIM MARSHALL FREE & T. MARSHALL LTD. 1693 Uxbridge Road Loncloo W 7 VIATE.11q EAL., 0782 too. 8--MELODY MAKI.11 Juno 22 19b3 III THE WAY IHow to TO SUCCESS !succeed IN THE VOP WORLD Ein the • »nu twee« Etrad Ebusiness It you wunl E

*THE SWINGING DUTCHMEN—'phenomenal!' E end g ATYPICAL BBC news announcer does not have one. • E Neither do many Government minister:, and others DUTC in high places. Which explains why es have been GO denied singing MPs in the hit parade—though the last P:r O VER the years, since E — they made their British straw of publicity might have broken the patient camel s back. They might be top, but they II never be pop Edebut in 1949, the men says MAX JONES =of the DUTCH SWING ThPee'hPaiverinots are Irl the rn, .t. - .,an.r., 1,- ...y. ' P.- ' =COLLEGE band have . L. Eplayed in this country ne. and did the best badness ever at "but not entirely. I expected so — W ‘12:i'e siilshaan' eicer.,f,"ne • •..,.., ,. ..r. E often enough to build up a success where we were known, but n — If b iree - "er,ie foe this the little towns I didn't expeCt this, = re, ?,°4.w.-:• :,- . E body of faithful followers. " At one or two places I enquired = E DSC records. too, appear with the " es'n' e:grec .!•e,:‘ and discovered that people knew all = .....,1•te;c:err:orer,.. revirri-Trirr the 11,11 aecente, you realise , tat neIther 00 nith first time they have done such our LPs. They know our records E ▪ better than I do myself, and that= part the smoothly plee -i • ad ;Mean. transatlantic tnnee plt”.eu - Ont outstanding business the Dutch resV rwilirBel" Ilnir Vcriearrie. must help. = seam doing on Its present tour. and I think the p.ublic apprecialeS a "As to why they like US, that's g- change or lace. hard for me to answer because = Anfte Ws Il ri youy ht mtorl' éleeh' iel 'ilétbeix.•' -,• - ,,, I, - i...-., BEN', F_ Everywhere haS PlayMe. ',hen I was talkin to some of usuaily the people know that better E •,,, , MeasfLint .." ' *""et the tans •t Bath, and a lot of them than we do. But pert ol the reeson = Aftlfshg and American' i: •,.," ',stoned to the le d . . aition.nhoNve,,deoryyoujoxple,jnnj • • t •`- = .,,,,,...,,I,,,,ree.,.,,I,, :teersee Pk.,„!...,. Luxe/Incur, That m ant help." ere I saw the DSC at Manchester— • g ,_ Wie..reggy je'—rWi hàlpelt'Fi:' ' = hns 'or us tHt , t“,te ,e OMY mativele. where they had pretty large midi- _. Joe , otutto •rut .osto ‘...,“,... •,,,, ences botn times, end very friendly Popular = laft,• • wonderful success at east, eaction.. Pffl - ltrio drawl thi .i .

= — rake Norwich, • typicel jazz club. f concluded t.t t ey Impressed " Whet we trY to do is PlitY ea Reed = . 'he la. a We had a enervellous crowd, peopfe traditional fans with combination jazz es posotole hut In our ,.. , WIV = crook a• ao = standing man to man. couldn't dance of technical proficiency and ...non —. anttatIons. Speak.. tor myself.= ,rnedy-- = any more. Os, it was nice to play to tried and true New Orfeans l get Mspirstion from every Reed = HOARSE prectice. musician I hear, but I Ming it back = ate 'wee, E Their policy is, well, Die same as it to the audience in my own wer. — = been. - What of the cOmmerclal _ = Phenomenal SLLine.up. repertoire, In II...Mallon Sometimes we m.e a more corm= tot tor a lour .‘ eNr• CO( i and approach are te damns', and mercial record like 'William Tell • or = ,...,% ,,i; ,Buijii.,,,,,;. Jack Wiggins, who is promoting the E Mough there may be s me emphaMs 'Set amt . and when these sell well = = tour jointly with Jim Codbolt, it hops us. = to scratch thoir i.• = tells me: "The results have been r: see.eree. eeercez; Inert "BIM I always give them a real = And It sill go = phenomenal. and Jazz treatment, and they must take = longer. until tom , = - They drew 900 at Jitzashows last P ried. Schileero r he had • mMor part In our perlormitncei at E Up Nith a bet, any theories 'thou the band's most, in • concert of two hours = Making romance ;ere% repene..z.vee increased acceptance is time. —one in each half. = soft sell for teetth YOKEL nit ht st Inc tsth pasIllo; Onto nest "Many times we have been mlied = Pont Vocals as hi ,.: here r Paler 'Your why we play these popularjazz tunes.= rusty nall Set, First, we cannot lour all over E .asbestos. . lliiiiiiliiilliiiilliiiilill HIE • the world without the close = a uttnnerful " , ce.operation of our record = 11050ters Or .• oo. company, Philips. Philips do • lot for us. "Now, these companies sell E so many more of these records = than they do of jazz numbers = —ten to twenty UM. RS many = of William Tell' as of any F_ other we made—so when they = ask us to inske one we cannot = refuSe to co.operatc. And the second reason, = r en we , othave , recoil Iwon't record • 0,11 000,500' ger many more come to a concert = -Says HE slowly tapped a I. "SowneilaMri 'et sn e,become fans, and that = canteen table and se STUDENT way you get new follow. mode the hit parade over F_ LESTER because Iwon't re ord trc CLARINET E do try to build up • tell = contact between us and = the audience based on trash = loe fact thet we need The • only = rev, i 'h ere s'ucceedI0,1,Z 1 as'1“ Vrt't — that is' ourw aim. Congratulations In Biz HIGHEST ScIonS VALUE 17 GNS 'Swine' to yet another Jim Marshall Star Pupil— stare

FOR —- " All the band believe "‘le'exdi = In friendly reletions Love MONEY = with the public. when DEREK SKINNER = • musician feels too — important for that, I TODAY who hos lust tooled the ate. , don't want to Play with , ^tS ettt Do el Schilperoort Lore ise sty difference nol sadilnose SPOTNICKS Itrten = enetdw ,st.r.r, hAnOI SWEDEN'S TOP ROCK GROUP record " Yes, people here are lens eh meets both the V. ,e eod — much more used 00 I = Jazz, to listening and O Otter modtt the For all enquiries for Britain's best dencing to it. In 1.1. Share ei thon, = land, the public is re. DRUM TUITION The '.".incies and Serophoncs. ea 'rn'ters. 0ind 'asóonh,i" - Here, It depends on 'Phone, write or call mend,

▪ efr:tei‘ " h'o r.,Tom no, = sound, and if you play JIM MARSHALL anuro = like e swine Mey d = appleud so w ell.'on't J. & T. MARSHALL LTD. *heft • TMs is•n import., I non E rrumrire.;:e 76-93 Uxbridge Road, London, W 7 EALing 0792 setts:, ▪ver:•fic,ev".r.?¡ so tut 41110•1•11.P.N. =a.m.., their public: . • LU SSA'S, r or enquiries al night—'phone EALing OISI hiIIIIIIIIIIIIIIIIIIIIIIIIIIIIIUUIIUIIIIIIIIIIIIIIU 1111111 bec•ii • otnns • •11.1.1. «RAMA' B el/KE Sedetd • e

T " fa.: " U ns•le n t „ pretty oneurruonole ,r

ou wont to get ag fe .on'eors.. g to genuine blue Pert , •

—

Indnews announcer does -not have one. get; an any Governrnent minister,. end others I ACCENT Which explains why we have been PAPs in the hit parade—though the last y might have broken the patient camel s Olt be top but they II never be pop

• Toe BEATS unmistakably Mere', • 4E1,111Y ,L1 PACI. MAI,1

daMo a be, I1,111 —not to two top coin., says CHRIS ROBERTS The latest so,

• , has been BENNY HILL. now back In thd chartgroove honour Is 1.1v.• . . hke the chart WIth .. liarVest. of love.' NETO COPE. APPLAUSE ,se .5:ng that has SaiSelled to hLs favourite stop muelo,, er.ran. cockney- .cent —country-yokel (oh haSn't made . Intent one arre, and all) which comes e so far. Could io slno, •the other. close second to Cockney In are tiring ol 'COI I. ..versal loo- the ha-ha. votre range il formula/ I'. 04, • rICna-class. Wonder what ACKER PICK oontodo . :Ile last- would navel° say about the. eklablit.hinfit• amyl the ,. C Anterieet-. k oo tio,nt

!•°' n'sei„'o'rt, SUC CESS

n''' Werolortio:ófea Away .

..cated actor- COCKNEY donned a 1-1' cd' BERNARD CRIBISINC, an 1,I 1.1111 l'‘)?;;;;; i, -eliers. - Hole In and . 12,011 hic eloso YOKEL •ELLS •11 , AUSSIE k von't record trash! COMEDY

SHE slowly tapped a long, lean finger on the canteen table and said "I probably haven't LESTER mode the hit porode over here since 'Love Letters' because I won't re ord trash. Even the disc jockeys / tell me 'Don't put out I trash.' And I just don't."

al the Alpha Telenslon Sturhos iz-atulations in dtrinIngbatn during a break in rehearsals tor the selerecordIng cl THE SHOP ier Jim Marshall Star Pupil— ..zenkd.rron loche second Brotish tour.

L'eretee I ra. :ttrine '', 7e: EK SKINNER P. 60 record. I was melons it because FOR THE the 'allows felt that I was • good at t. time the I_ could ho has mot tamed the unser. H `7.0* tt,:rrn.ree: zee: Love letters' was accident. POTNICKS • I Platte no theor as GROUP hasn't been r. eatedy at all.vihY My records in America arc played all the ,. rs TOP ROCK GROUP time. So they are turntable hits. And LONDON'S LEADING I sell, too. - enquiries for Britain s best Religious STOCKISTS )11IIII TUITION T. ....tr. singer expressed her ediniration tor Ray Charles -" lies tre- SUPPLIERS OF DRUIES.GUITARS mendous un record bea.use he completely •Ph000, voile or call mentoeleme and chansme the record business in America - anal described her rIM MARSHALL •Partrach tu pup real. I am PesiLelly on tbe a,t,e an. «ben I du • Pup son• on • tem.* , lock MARSHALL LTD. I don't mint to take ot tm tar because rim • ral Ia... person. I don't bridge Road London, W .7 belnure •.nnd completelyth.nk the . whrmsenre.,. WATKINS EAlang 0792 26 Balhem Mir h Road '07 baaheond Cs et night- , Phone EAlett 90151 to the to gore nm • °M... 11:1=ESME=M because t can sing se Muth .tter ID- NELODY MAUR June 22 IMO NEW Les 12.1•4111•Wk•Wi Hawk Imeets

• EYDI • CLOOMET # Duke 1.nn * HAWK arid DUKE—few, it any, nerterriiec,

A MEETING of Ellington and Hawkins, for the first time In their Exciting ^ long careers, must be eventful. So "DUKE ELLINGTON meets

• COLEMAN HAWKINS - (HMV CLP1644) is an LP to note whatever ie! your tastes may he.

Eyd 11117711r."" 1M e • • • • • • •BACKGROUND • • •BLAKEY working for atone tame . saa • • , , ,a N Verm. ea, te: .`,17,7,,;•.;; 1= -gr sr,1r-o-, • eóiieW;Se: entotionàlly un• , ,

.1.71.1:rm 1..1., tr. A reeterefle., "

•

• •KINSEY

orz.vz 11ART. -

ptm,11 .vat under-set:ea a larirs aUt est.

• •

• '" • " oft, • • • ,

\Jai • • ou_soo

• "Zrd',,t'.. le

' Brubecic •it c.te«.etr,:m.‘u—e,creu "^.;, ,-" e coming out el 24

* -et LEARN TO PLAY WITH STAR QUALITY arteximmestgi. t

Selmer III CRA1ItteG CROSS RD . W C 2_1 I., ., 21 IA1 NCIADT MAKER Pop. ,," 1...... or •0 0 4. e • • ,read ,• 1 BEAUTY •, ...... ______,

I ANYONE who hos read much obout BUCK 1 C thatM UCLAYTONI Rhe Corey was Intaughtwall Califorma have to comeplay about trumpetacross 1930 theorby toPol.SRO., 0#

:.,. peû, Ken .f, elver .1,, • . •

nutle. e.lp%rafeer. 4.1 (MI earllor one, la a,

te=VICeercIa "'" TIRE FOITITT. /MAO

Ila. Bill spleyin

dazzling

CHARLES

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