Sixteen Illustrated Books from the Sixteenth Century
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Das Buch Vom Buch
Einband_komplett_dtp3.qxd 24.10.2006 7:14 Uhr Seite 1 „Eine opulente Geschichte des Buches. [...] Die Neuedition Beginnend bei den ersten Schriftzeichen, bei Tontafel und Papyrusrolle, verfolgen die Marion Janzin Marion Janzin Joachim Güntner Das Buch vom Buch vergegenwärtigt 5000 Jahre in wurde mit einer Vielzahl sorgfältig reproduzierter Abbil- Autoren den Wandel des Buches bis zu den digitalen Publikationen unserer Tage. Sie führen Joachim Güntner einer Gesamtschau, die vielfältige Aspekte umgreift: dungen versehen, die teilweise doppelseitig herausragende den Leser in die Welt der illuminierten Handschriften des Mittelalters, erläutern die Tech- den Wandel nicht nur der Buchformen und Materialien, Buchpublikationen der letzten Jahrtausende vorstellen. [...] niken von Holzschnitt und Kupferstich, Gutenbergs Druckkunst und die wundersamen der Herstellung, des Schmucks und der Verbreitung, Man ist als Leser dankbar, wenn sich aus der Flut der Pub- Erfindungen seiner Nachfolger, die Rotationspresse ebenso wie den Computersatz. Typo- Das Buch sondern auch den Wandel unserer Einstellung zum Buch. likationen überhaupt noch einzelne Inseln erheben, deren Träger der Überlieferung, Gegenstand von Verehrung graphie, Einbandkunst und Buchformen werden im Detail beschrieben. Buchgeschichte ist Das Buch vom Buch Aufmachung wie Inhalt zur näheren Betrachtung reizt. Das vom Buch und Verfolgung, Mittel der Unterhaltung, Belehrung und Kulturgeschichte. Von Buchverehrung und Bibliotheken ist zu lesen, von der Last des Buch vom Buch zählt zweifellos zu diesen verführerischen 5000 Jahre Aufklärung, politische Waffe, Ratgeber und Kunstwerk — Eilanden.“ Raubdrucks und der Zensur, von Honoraren, Schriftstellerei und »Lesesucht«. Die reich all dies ist das Buch gewesen oder ist es noch. Andreas Platthaus in „Frankfurter Allgemeine Zeitung“ (Juli 1996) illustrierte Darstellung bietet eine allgemeine und umfassende Geschichte des Buches. -
Abstract Hodnet, Andrew Arthur
ABSTRACT HODNET, ANDREW ARTHUR. The Othering of the Landsknechte. (Under the direction of Dr. Verena Kasper-Marienberg). This thesis offers a socio-cultural analysis of early modern German media to explore the public perception of the Landsknechte, mercenaries that were both valued and feared for their viciousness, and their indifference displayed towards the political motivations of their clients. Despite their ubiquity on European battlefields, and their role in repulsing the 1529 Ottoman invasion of Austria, by 1530 the Landsknechte and their families were perceived as thoroughly dishonorable by central Reformation society and were legally excluded from most urban centers. This study engages with a critical assessment of contemporary songs, religious pamphlets, broadsheets, political treatises, autobiographic sources, and belletristic representations of the Landsknechte to explore the paradoxical relationship that they maintained with the state actors that relied on their employment. Through engaging with the cultural genres present in these depictions, the othering of the Landsknechte stems from their origin as the militaristic arm of Emperor Maximilian I’s attempted centralization of the Holy Roman Empire, continuing with the economic challenge the mercenary lifestyle posed to traditional social structures, and ending with their inextricable association between with the increasingly destructive and intrusive military-fiscal state. © Copyright 2018 by Andrew Arthur Hodnet All Rights Reserved The Othering of the Landsknechte by Andrew Arthur Hodnet A thesis submitted to the Graduate Faculty of North Carolina State University in partial fulfillment of the requirements for the degree of Master of Arts History Raleigh, North Carolina 2018 APPROVED BY: _______________________________ _______________________________ Dr. Verena Kasper-Marienberg Dr. -
Introduction – the Transformation of the Classics
INTRODUCTION – THE TRANSFORMATION OF THE CLASSICS. PRACTICES, FORMS, AND FUNCTIONS OF EARLY MODERN COMMENTING Karl A.E. Enenkel Recently, a vivid interest in commentaries came into being, as did a sense of the important role commentaries have played in the transmission of the classical heritage, especially in the early modern period.1 Early mod- ern intellectuals rarely read classical authors in a simple and “direct” form, but generally via intermediary paratexts: dedications, prefaces, and other introductory texts; argumenta; indices; illustrations; and above all, all kinds of commentaries – annotationes, notae, commenta, commentaria, com- mentariola, animadversiones, paraphrases, etc. These intermediary texts presented the classical text to modern readers in certain ways that deter- mined and guided the reader’s perception of the text being commented upon. After all, the classical texts were composed in ages so very different from the period ca. 1450–1700. They were not only 1,000–2,000 years old, but they were written in a culture that in many respects had become alien to early modern readers. It was not self-evident to readers from 1450–1700 in what way these texts should be read, interpreted, and used. Take, for example, Martial’s Epigrams, which are full of explicit, partly homoerotic sexuality; they describe sexual practices and positions of lovemaking; they describe oral and anal sex, both heterosexual and homosexual; and many times they address pederasty. As Martial says in the first book of his Epi- grams, his ‘verses cannot please without a cock’ (‘non possunt sine mentula placere’).2 In 1450–1700, however, sexual culture was directed on the one hand by Catholic Church, which – via a long tradition – had restricted not only the representations of sexual practices but the practices themselves 1 Cf. -
Continental Books
CONTINENTAL BOOKS CATA LOGU E 1448 MAGGS BROS LTD 1 continental books & manuscriPts MAGGS BROS ltd 2 1 ALBERTUS MAGNUS, ST De laudibus beatae virginis Mariae. [Cologne, Ulrich Zell, not after 1473]. Folio (274 x 200mm) 165 leaves (of 166, lacking final Sacramentum mundi, ed Karl Rahner, 1975, p 903.) blank). Gothic type, 36 lines, double column. 2-4 line Only relatively recently has Albertus Magnus’ Maggs Bros Ltd, 50 Berkeley Square, London W1J 5BA initial spaces, alternating spaces filled in red, red authorship been challenged, see A Fries, Die unter Tel 020 7493 7160 paragraph marks, underlining and capital strokes. Single dem Namen des Albertus Magnus überlieferten Fax 020 7499 2007 pinhole visible in the lower margins. Early 19th-century mariologischen Schriften (1954) pp5-80, 130-131, Email [email protected] ochre paper boards, red spine label lettered in gilt, red and A Kolping, in Recherches de théologie ancienne Opening hours Monday to Friday 9.30am–5pm edges (spine darkened, a little soiled and marked). £15,000 et médiévale 25 (1958) pp 285-328 (Sack Freiburg). By 1473, it was rare for a pinhole to still be Bank account Allied Irish (GB), 10 Berkeley Square, London FIRST EDITION. A fine wide-margined copy with visible in the lower inner margin as found here. In W1J 6AA deep impressions of the types on remarkably 1466 and 1467 all of Zell’s books had four Sort code 23-83-97 fresh paper, printed by the prototypographer of pinholes on each page but this was soon reduced Account no 47777070 Cologne, Ulrich Zell. -
Horses As Love Objects: Shaping Social and Moral Identities in Hans Baldung Grien's Bewitched Groom (Circa 1544) and in Sixteenth-Century Hippology
7 Horses as Love Objects: Shaping Social and Moral Identities in Hans Baldung Grien's Bewitched Groom (circa 1544) and in Sixteenth-Century Hippology Pia F. Cuneo Just outside a stall, a groom lies supine near the rear hooves of a horse who turns to glower at the viewer while a bare-breasted hag brandishing a torch leans in through the stable's window. Felled by mysterious forces, the groom is further victimized by a perspective that violently foreshortens his body. The horse too is strategically posed for visual consumption but the awkward yet vigorous turn of its head, the open, down-turned mouth, and the manner in which it fixes the viewer with its gaze signal the animal's smoldering resistance to the imposed perspectival constraints and to any hermeneutic certainties. The woodcut illustrating this bizarre scene bears the prominent mark of its maker; the hapless groom's fallen pitchfork leads the viewer's eye to the simple tablet in the right foreground bearing Hans Baldung's monogram. A preparatory drawing in Basel of the figure of the groom dated 1544 indicates that the woodcut was produced at approximately this time.1 The artist died in the following year, 1545. Hans Baldung Grien's woodcut, known as the Bewitched Groom (Fig. 7.1), remains one of the most tantalizing and puzzling images in the history of early modern art. One of the reasons for its interpretive intransigence is that the image runs roughshod over the venerable tradition of equestrian iconography. Titian's portrait of the emperor Charles V at Schmalkalden, painted in 15482 and thus almost exactly contemporaneously to Baldung's Bewitched Groom, depicts the very essence of that iconography. -
Illustrations As Commentary and Readers' Guidance. the Transformation of Cicero's De Officiis Into a German Emblem Book By
ILLUSTRATIONS AS COMMENTARY AND READERS’ GUIDANCE. THE TRANSFORMATION OF CICERO’S DE OFFICIIS INTO A GERMAN EMBLEM BOOK BY JOHANN VON SCHWARZENBERG, HEINRICH STEINER, AND CHRISTIAN EGENOLFF (1517–1520; 1530/1531; 1550) Karl A.E. Enenkel Summary The contribution analyzes the ways in which woodcut illustrations – in combi- nation with other paratexts – are used in Heinrich Steiner’s edition of Johann Neuber’s and Freiherr Johann von Schwarzenberg’s (+1528) German translation of Cicero’s De officiis (1530). The article demonstrates that Heinrich Steiner and Johann von Schwarzenberg have transformed Cicero’s treatise into a (proto) emblem book, On virtue and civil service. This is especially interesting since – according to the communis opinio – the first emblem book appeared only a year later, in 1531: Alciato’s Emblematum libellus, from the same Augsburg publisher (Steiner). In Alciato’s Emblematum libellus – different from On virtue and civil service – the images were neither invented nor intended by its author. In On vir- tue and civil service as a standard, each “emblem” has (1) introductory German verses composed by Johann von Schwarzenberg, usually between two and six lines, (2) a woodcut pictura invented by either Johann von Schwarzenberg or Heinrich Steiner, and (3) a prose text consisting of a certain short, well-chosen passage of Cicero’s translated De officiis, singled out by Johann von Schwarzen- berg and consisting mostly of two or three paragraphs of the modern Cicero edition (i.e. approximately one or one and a half page of Steiner’s folio edi- tion). Johann von Schwarzenberg did his best to present the emblematic prose passages of Cicero’s De officiis as textual units. -
Bruce Mckittrick Rare Books
Above: For Italian eyes only. Nos. , & . Outside front cover: The International Style. No. . Title: Graceful invention. No. . BRUCE M CKITTRICK RARE BOOKS Catalog 51 Sabine Avenue • Narberth, Pennsylvania Tel. -- • Fax -- mckrare @voicenet.com Member ABAA, SLAM & ILAB • Visa and Mastercard Work books. Nos. , & . . Aristotle. Logica . Paris, Michel Vascosan . to. [r. ] leaves. Italic type (Roman for majuscules), floriated woodcut initials. Contemporary dark calf (restored), panels alike with triple blind rule outer & inner frames, gilt lilies in corners, gilt central vine & foliage arabesque, gilt fleurons on spine. With: Aristotle. Categoriæ . Paris, M. Vascosan . to. [ ]p. With: Aristotle. De Interpretatione Liber . Paris, M. Vascosan . to. [ ]p. With: Aristotle. Priorvm Analyticorum . Paris, M. Vascosan . to. , [ bl.] ff. With: Aristotle. de demonstratione . Paris, M. Vascosan . to. [iix], leaves. With: Aristotle. Topicorvm Libri VIII . Paris, M. Vascosan . to. leaves. With: Aristotle. De Reprehensionibvs Sophistarvm Liber Vnvs . Paris, M. Vas - cosan . to. [r. ] leaves. See facing page .$ . Ad I-VII: Collected volume of university texts — all in unrecorded printings and all edited by Nicolaus Grouchy ( - ). He taught Montaigne logic at Bor - deaux -, helped found the College of Arts at Coimbra ( ) and lectured at Paris. Two of the present translations are his (V, VII), with the others by Périon (I-III, VI) and Durius (IV). The printer/publisher marketed this set under a general title to students attending the logic course of a speci fic Parisian professor. Whether Vascosan approached the scholar with the proposal or the reverse, the project succeeded, as iterations survive at the Bodleian dated (individual titles dated - and ordered as here) and at the University of Pennsylvania dated (contents - , same order; Shaaber ). -
Bulletin of the DANISH SHORTWAVE CLUB INTERNATIONAL for Short Wave Listeners and DX'ers
Bulletin of the DANISH SHORTWAVE CLUB INTERNATIONAL for short wave listeners and DX'ers No. 3 June/July 2003 Volume 47 Attendants of the 2003 DSWCI AGM and DX Camp Editorial Staff: ISSN 0106-3731 Danish Short Wave Club International Shortwave Tips: Tavleager 31, DK-2670 Greve, Denmark Klaus-Dieter Scholz, Home page: http://www.dswci.org Postfach 10 17 05, D-99017 Erfurt, Germany Board: Tel.: +49 (0) 361 – 4212769, Fax: +49 (0)361 – 4212298 Chairman and representative to the EDXC: E-mail: [email protected], - http://www.dxing.de/ Anker Petersen, The Utility Shack: Udbyvej 11, DK-2740 Skovlunde, Denmark Tor-Henrik Ekblom, E-mail: [email protected] Kastevuorenkuja 4C44 FIN-02360 Espoo, Finland Deputy Chairman: E-mail: [email protected] Christopher Siboni World News: Skolevænget 37, DK-4470 Svebølle, Denmark Noel R. Green, E-mail: [email protected] .dk 14 Marsden Road, Blackpool, Treasurer: Lancashire FY4 3BZ, England. Tel.: +44 1253 – 40 21 47 Bent Nielsen, E-mail: [email protected] Egekrogen 14, DK-3500 Vaerloese, Denmark Unofficial Radio: E-mail: [email protected] Ken Baird, Postal Giro Account: Copenhagen 710-3409 (add DKR 30, -) 24 Main Street, Sorn, Ayrshire KA5 6HU, Scotland Bank: Danske Bank, Account No.: 3001 4001-528459 E-mail: : [email protected] Editor-in-Chief and Distribution: Tel. & Fax: +44 1290-55 14 91 Kaj Bredahl Jørgensen, QSL Corner: Tavleager 31, DK-2670 Greve, Denmark Andreas Schmid, E-mail: [email protected] P. O. Box 1, D-97715 Euerdorf, Germany General Directors: E-mail: [email protected] U. -
Crossing Gender Boundaries: Women As Drunkards in Early Modern German B
Bucknell University Bucknell Digital Commons Faculty Contributions to Books Faculty Scholarship 1998 Crossing Gender Boundaries: Women as Drunkards in Early Modern German B. Ann Tlusty Bucknell University, [email protected] Follow this and additional works at: https://digitalcommons.bucknell.edu/fac_books Recommended Citation Tlusty, B. Ann, "Crossing Gender Boundaries: Women as Drunkards in Early Modern German" (1998). Faculty Contributions to Books. 77. https://digitalcommons.bucknell.edu/fac_books/77 This Contribution to Book is brought to you for free and open access by the Faculty Scholarship at Bucknell Digital Commons. It has been accepted for inclusion in Faculty Contributions to Books by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. Crossing Gender Boundaries: Women as Drunkards in Early Modern Augsburg B. Ann Tlusty Although drunkenness brings honor to none, it sha- mes a woman more than a man .1 I. According to currently accepted theories of gender relations during the early mo- dern period in Europe, honor for women was primarily defined as sexual honor, and was closely tied to the body – or as Susanna Burghartz put it, to "the use of women's bodies by men." 2 Another, more archaic model of female honor existed, however, that was clearly still a part of early modern mentalities. I refer to a no- tion of honorable behavior that was associated not just with sexual relations, but with the related functions of reproduction and the provision of nourishment. The most organic vision of this concept appeared in the popular medieval image of the lactating mother, both form and symbol of the eternal provider. -
The Kermis Woodcuts of Sebald Beham in Reformation Nuremberg
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications and Creative Activity, School of Art, Art History and Design Art, Art History and Design, School of 1993 The Kermis Woodcuts of Sebald Beham in Reformation Nuremberg Alison Stewart University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/artfacpub Part of the History of Art, Architecture, and Archaeology Commons Stewart, Alison, "The Kermis Woodcuts of Sebald Beham in Reformation Nuremberg" (1993). Faculty Publications and Creative Activity, School of Art, Art History and Design. 1. https://digitalcommons.unl.edu/artfacpub/1 This Article is brought to you for free and open access by the Art, Art History and Design, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications and Creative Activity, School of Art, Art History and Design by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in The Sixteenth Century Journal, Vol. 24, No. 2 (Summer, 1993), pp. 301-350. SixteenthCentury Journal Copyright © 1993 by Sixteenth Century Journal. XXIV/2(1993) Paper Festivals and Popular Entertainment The Kermis Woodcuts of Sebald Beham in Reformation Nuremberg Alison Stewart* University of Nebraska-Lincoln Sebald Beham's kermis prints, published in Nuremberg from 1528 to the mid-1530s, are discussed within the context of kermis as a popular festival in Nuremberg. The kermis images, created at the time the Lutheran Refor- mation was taking hold in Nuremberg, are shown to be both extensions of that festival celebrated throughout Nuremberg's countryside and of the town council's attempts to control or halt most of the celebration. -
University Micrdfilms International 300 N
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This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Geography and Enlightenment in the German states, c.1690 – c.1815 Luise Fischer Doctor of Philosophy The University of Edinburgh 2014 Abstract This thesis is concerned with the science of geography in the German states during the ‘long’ eighteenth century, c.1690 – c.1815. It speaks to recent scholarly debates in historical geography, the history of science, book history, and Enlightenment studies. The thesis investigates the forms taken by eighteenth-century German geography, its meanings, and practices. This is of particular interest, since this topic is understudied. The thesis is based upon an analysis of geographical print (books and periodicals) and manuscript correspondence. The thesis proposes that geography’s definition was understood as ‘description of the earth’. The interpretative meaning of this definition, geography’s purpose in print, and its educational practice (content and methods) were, in contrast, debated.