DOCSLIB.ORG

Of 2 Madonna to Perform February 5 During the Bridgestone Super

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Of 2 Madonna to Perform February 5 During the Bridgestone Super BRIDGESTONE AMERICAS TIRE OPERATIONS, LLC Community & Corporate Relations For Immediate Release 535 Marriott Drive Nashville, TN 37214-2373 Contact: Media Center Phone ：877-201-2373 877-201-2373 Fax ：615-937-1414 Madonna To Perform February 5 During The Bridgestone Super Bowl XLVI Halftime Show On NBC NASHVILLE, Tenn. (December 5, 2011) – MADONNA, a multi Grammy Award- winning Universal Records recording artist, will perform in the BRIDGESTONE SUPER BOWL XLVI HALFTIME SHOW on NBC at Lucas Oil Stadium in Indianapolis on Sunday, February 5, the NFL and NBC announced during last night’s Sunday Night Football game between the New Orleans Saints and Detroit Lions. Madonna’s performance will be imagined by CIRQUE DU SOLEIL and JAMIE KING. The Bridgestone Super Bowl halftime show is the most-watched musical event of the year. More than 162 million viewers in the U.S. watched last year’s show. The Super Bowl and halftime show will be broadcast worldwide. Madonna joins an esteemed list of recent halftime acts that includes The Black Eyed Peas, The Who, Bruce Springsteen & The E Street Band, Tom Petty and the Heartbreakers, Prince, the Rolling Stones, Paul McCartney and U2. A world class entertainer, singer, songwriter, producer, director and video visionary, Madonna has sold more than 300 million records in the course of her three decade career as The Material Girl. She is a Rock & Roll Hall of Fame Inductee and the most successful female touring act in history. Madonna is currently in the recording studio working on a new album scheduled to be released next year. Her new film W.E. which she directed, wrote and produced is opening in a limited one week release December 9 in Los Angeles and will open nationally on February 3, two days prior to Super Bowl XLVI. Madonna has partnered with a creative team from Cirque du Soleil, Jamie King, and multimedia artists from Moment Factory, to create a signature performance for the BRIDGESTONE SUPER BOWL XLVI HALFTIME SHOW. This year marks the fifth time Bridgestone Americas has sponsored the Super Bowl halftime show. The tire company's new brand campaign, fittingly titled "Time to Perform," will debut during the game. Page 1 of 2 The BRIDGESTONE SUPER BOWL XLVI HALFTIME SHOW is an NFL NETWORK PRODUCTION and will be executive produced by RICKY KIRSHNER and directed by HAMISH HAMILTON. About Bridgestone Americas Tire Operations: Nashville, Tenn.-based Bridgestone Americas Tire Operations (BATO) is a business unit of Bridgestone Americas, Inc., whose parent company, Bridgestone Corporation, is the world's largest tire and rubber company. Reporting into the BATO business unit are the company's Latin American tire operations; the U.S. and Canadian consumer tire businesses; the U.S. and Canadian commercial tire businesses; and Bridgestone Retail Operations, LLC, which operates the largest network of company- owned automotive service providers in the world. BATO develops, manufactures and markets Bridgestone, Firestone and associate brand tires. The business unit is focused on retail, wholesale and original equipment markets, supplying passenger, light truck, commercial vehicle, off road, motorcycle, agricultural and other tires to its customers in the Americas. In addition, through its Bridgestone Bandag Tire Solutions unit, retreading customers have access to industry-leading research and development, manufacturing, marketing and sales expertise, providing them with a total tire solution. # # # CONTACTS: NFL Brian McCarthy, NFL; [email protected] NBC Chris McCloskey, NBC; [email protected] BRIDGESTONE Dan MacDonald, Bridgestone Americas Community and Corporate Relations, 877-201-2373; [email protected] Darla Elkins, Bridgestone Americas Community and Corporate Relations, 877-201-2373; [email protected] MADONNA Liz Rosenberg, Liz Rosenberg Media, 212-991-4290; [email protected] CIRQUE DU SOLEIL Renée-Claude Ménard, 514-723-7646 ext. 7366 [email protected] MOMENT FACTORY Julie Armstrong-Boileau, 514 843-8433 ext. 120 [email protected] Page 2 of 2 .
Load more

Recommended publications
  • A Fine, Fine Balancing Act Circus Creativity and Medicine
    COVER STORY A fine, fine balancing act Circus creativity and medicine Story by Sarah de Leeuw Legs swung up. Over. Stretching, bending. Behind the head. A torso curving so gracefully it’s almost more than human. The contortion, highlighted with deep red backlighting, is made all the more surreal by the strange clown figure (a nurse? a resident?) resting, prone, behind the arching “circused” body—a circused body adorned, it should be added, with a golden cupcake-like wig and, yes, oversized frilly knickers. What a show! Happiness somehow pours off the stage! La traduction en français de cet article se trouve à www.cfp.ca dans la table des matières du numéro de novembre 2016 à la page e705. 922 Canadian Family Physician • Le Médecin de famille canadien | VOL 62: NOVEMBER • NOVEMBRE 2016 No wonder the circus-infused performance received 2 standing ovations at the 2014 Family Medicine Forum from almost 3000 family physicians who were being asked to reflect on the lofty question of whether or not art can save the world. For the record, the answer is a firm yes. Both from family physician and Laval University’s Research Chair in Emergency Medicine Dr Richard Fleet and from Julie Théberge, coordinator with the Cirque du Soleil’s Cirque du Monde (Social Circus)1: yes, yes art can save the world and yes, yes art and creativity have a role to play in sav- ing medicine and doctors. Maybe only in small steps, but any long journey has to begin somewhere. “For me,” reflects Dr Fleet, “it is a question of sur- vival.
    [Show full text]
  • Arts + Entertainment Engineering Mclaren Engineering Group Ph
    Sentosa Cranes Arts + Entertainment Engineering McLaren Engineering Group Ph. 1-800-420-6401 About Us McLaren Engineering Group is a leading full-service engineering firm renowned for its trusted, high quality, and innovative approach to solving complex challenges. With industry experts in multiple technical disciplines, our team has provided customized solutions for over 20,000 projects through consultation, design, inspection, and William B. Gorlin, PE, SE construction management. With over four decades of VP Entertainment Engineering experience, a staff of 250+, and 11 offices worldwide, [email protected] McLaren addresses every project’s specific needs with technical excellence and creative innovation. CORE TECHNICAL SERVICES STRUCTURAL | CIVIL + SITE | MARINE + COASTAL | BRIDGE, HIGHWAY + RAIL ENTERTAINMENT | GEOTECHNICAL | FACADE + BUILDING ENVELOPE CONSTRUCTION ENGINEERING | FORENSICS | SURVEY + MAPPING Winds Mohegan Sun Casino ENTERTAINMENT ENGINEERING Live Entertainment With a reputation for visionary entertainment engineering and Entertainment Facility design, McLaren offers a unique blend of imaginative artistry and cutting-edge technical capabilities. For over 40 years, Structural Engineering our firm has been leading the entertainment industry with expert structural engineers, mechanical engineers and Rigging, Staging & Show entertainment specialists. Action Machinery We have helped create some of the top productions, events, Architectural Theming concerts, displays, staging and entertainment facilities worldwide. Working with the biggest names in the business, Theme Park Engineering our iconic work has revolutionized the audience experience with never-before-seen feats of engineering. Signage and Displays |www.mgmclaren.com Concert + Tour Staging & Rigging Temporary & Pop-up Live Event LIVE ENTERTAINMENT Structures ENGINEERING Theatrical Production Engineering Television & Film Production McLaren is behind some of the most epic concert Support stages, Broadway shows, aerial performances and pop-up events.
    [Show full text]
  • 1994 Categories Spotlight Finalist High School Career
    1994 Categories Spotlight Finalist High School Career University of Miami, PhD in Physical Therapy; Columbia University, BA, Neuroscience and Behavior. Board Certified Neurological Clinical Specialist Louisville High Ballet Darlene Dirstine for Physical Therapy working in Southern California. Former Alvin Ailey School instructor; Eglevsky Ballet; videotaped dancer for Nickelodeon’s Backyardigans. Houston Ballet, former member, BalletMet Columbus, Ohio Endowment Ballet Hiromi Ushino Novato High School Foundation Scholarship San Francisco Ballet School; Encouragement Award Kwangju International Ballet Concourse South Korea. The Juilliard School; UCLA; First Prize, 2001 Concert Artists Guild; Santa Fe Symphony Award; Performances: Korean Broadcast Symphony, Music Classical Alpin Hong Crossroads School Center, Alice Tully and Avery Fisher Halls, Carnegie Hall, Santa Fe Symphony, Instrumental Indian Hill Symphony, Orchestra X; Records with Channel Classics; 1990 Soviet‐American Piano Institute in Moscow; martial arts champion. Presidential Scholar; USC; 1997 Gilmore Young Artist Award in piano; Classical Esperanza High Brenda Jones Performance: Los Angeles Chamber Orchestra, Kalamazoo Symphony, music Instrumental School festivals in Aspen, Sarasota, Santa Barbara and New York. National Tour: Light in the Piazza (Fabrizio's sister); Columbia University; Performances: Craig Lucas/Adam Guettel musical, A Light in the Piazza at Classical Lincoln Center, Sweet Smell Of Success with John Lithgow, Trevor Nunn/ Laura Griffith Chadwick School Voice Susan Stroman revival of Oklahoma!, European tour, West Side Story (Maria); Beauty and the Beast (Belle); Rocky Horror Show (Janet); A Little Night Music (Anne). Classical Choir Teacher, Archer High School; 2007 New York Metropolitan Opera National Council Grand Finals competition; Santa Fe Opera Young Artist Voice Ryan Smith Hamilton Academy program; Performances: Parpignol in La Bohème at the Santa Fe Opera; Ohio University; Morehouse College.
    [Show full text]
  • Bruce Springsteen & the E Street Band Beyoncé Coldplay Guns N
    Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 268.3 Bruce Springsteen & The E Street Band 111.48 36,464 2,406,591 4,064,939 66/76 BPB Consulting / Creative Artists Agency 2 256.2 Beyoncé 114.59 48,642 2,237,542 5,573,702 46/49 Creative Artists Agency 3 241.0 Coldplay 90.05 60,828 2,676,425 5,477,701 44/60 Paradigm Talent Agency / X-ray Touring 4 188.4 Guns N’ Roses 111.00 48,490 1,697,164 5,382,317 35/44 United Talent Agency / Int’l Talent Booking 5 167.7 Adele 109.59 34,777 1,530,196 3,811,364 44/107 WME / International Talent Booking 6 163.3 Justin Bieber 92.70 20,484 1,761,642 1,898,837 86/115 Creative Artists Agency 7 110.6 Paul McCartney 127.43 28,924 867,712 3,685,852 30/36 Marshall Arts / MPL Communications 8 97.0 Garth Brooks 69.29 56,000 1,400,000 3,880,000 25/102 WME 9 90.9 The Rolling Stones 122.33 74,343 743,425 9,094,136 10/14 AEG Live 10 85.5 Celine Dion 146.26 30,766 584,560 4,500,000 19/78 ICM Partners / CDA Productions / Solo Agency 11 84.3 Drake 112.08 19,793 752,141 2,218,421 38/56 WME 12 84.1 Luke Bryan 59.00 21,597 1,425,423 1,274,242 66/81 WME 13 82.2 Madonna 216.01 19,033 380,669 4,111,410 20/33 Live Nation Global Touring 14 76.6 Billy Joel 109.67 41,086 698,459 4,505,882 17/28 Artist Group International 15 73.9 Black Sabbath 77.29 14,940 956,139 1,154,688 64/65 CAA / International Talent Booking 16 69.5 Kenny Chesney 76.32 32,512 910,330 2,481,195 28/30 Dale Morris & Associates 17 66.6 Cirque du Soleil - “Toruk - The First Flight” 69.56 21,760 957,446 1,513,636 44/293 Cirque du Soleil 18 65.5 Muse 69.18 24,916 946,805 1,723,684 38/64 United Talent Agency 19 62.9 Iron Maiden 66.00 17,018 953,030 1,123,214 56/59 Creative Artists Agency / K2 Agency 20 61.4 Rihanna 85.63 12,153 717,038 1,040,678 59/64 WME 21 60.1 Maroon 5 68.88 22,373 872,531 1,541,026 39/42 WME / International Talent Booking / CAA 22 58.5 Elton John 110.61 8,530 528,885 943,548 62/92 Howard Rose Agency / Rocket Music Ent.
    [Show full text]
  • Fedec Fédération Européenne Des Écoles De Cirque Professionnelles the Fedec 3
    THE CIRCUS ARTIST TODAY ANALYSIS OF THE KEY COMPETENCES WHAT TYPE OF TRAINING IS NEEDED TODAY FOR WHAT TYPE OF ARTIST AND IN WHAT FIELD OF ACTIVITY? PASCAL JACOB FEDEC FÉDÉRATION EUROPÉENNE DES ÉCOLES DE CIRQUE PROFESSIONNELLES THE FEDEC 3 PREAMBLE 4 OBJECTIVES AND FINDINGS OF SURVEY 6 INTRODUCTION 7 The landscape – requirements and resources 7 Sources? 8 Methodological issues 9 FIRST PART 10 SOME REFERENCE POINTS 11 QUESTIONS OF PRINCIPLE 15 SECOND PART 18 TYPOLOGIES OF SETTINGS 19 QUESTIONNAIRE 25 - Inventory 25 - Objectives 26 - Analysis 26 - Expectations 27 THIRD PART 34 Transmission and validation 35 CONCLUSION 39 RECOMMENDATIONS 41 APPENDIX 45 Questionnaire used in survey 45 Students from the schools of the European Federation under contract in classic or contemporary circus businesses 47 ACKNOWLEDGEMENTS 49 This project has been funded with support from the European Commission. This publication refl ects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein. THE CIRCUS ARTIST TODAY ANALYSIS OF THE KEY COMPETENCES PERFORMANCE WITHOUT SPIRIT OR SPIRIT WITHOUT PERFORMANCE? WHAT TYPE OF TRAINING IS NEEDED TODAY FOR WHAT TYPE OF ARTIST AND IN WHAT FIELD OF ACTIVITY? PASCAL JACOB 1 2 THE FEDEC Created in 1998, the European Federation of Professional Circus Schools (FEDEC) is a network that is comprised of 38 professional circus schools located in 20 different countries (Albania, Australia, Belgium, Canada, Chile, Colombia, Denmark, Finland, France,
    [Show full text]
  • Download The
    RANKING THE BEST THE FUTURE LOOKS MARCIA MOFFAT YOUR EMPLOYEES BUSINESS-TO-BUSINESS BRIGHT FOR OLD-SCHOOL ON BLACKROCK’S BIG LOVE MESSAGING APPS— BRANDS IN CANADA NEWSLETTERS CLIMATE PUSH WHY DON’T YOU? DEATH-DEFYING FEATS OF FINANCIALFINANCIAL ACRO∂BATICS! MIND-BOGGLING LOGISTICAL∑ LEAPS! CLOWNS, PPOLOLAR BEARS AND AN UNLIKELY NEW RINGMASTER INSIDE THE YEAR THAT NEARLY KILLED CIRQUE DU SOLEIL AND ITS PLAN FOR A POST-PANDEMIC COMEBACK JUNE 2021 VISIONARIES Fancygoggles aside, the reality before our eyesisthat Calgary is an opportunity-rich city.Weare home to innovators, dreamers and problem solvers whose signatureentrepreneurial spirit allowthem to see opportunity whereothers might not. These visionaries are turning heads across all of our sectors each and every day. They embody the vision forour city and arehelping put Calgary and our innovation ecosystem on the global map as aplace wherepeople come to solvesome of the world’sgreatest challenges. With the breadth of our talented people and thestrength of our community,the opportunities in Calgary arelimitless. Take acloser look at Calgary’svisionaries at livetechlovelife.com/stories Calgary: Canada’smostadventurous tech city.TM Contents 2 EDITOR’S NOTE THE SHOW WILL GO ON When the world shut down, so did Cirque du Soleil. We followed it 4 SEVEN THINGS 16 through the logistical nightmare the followed, its filing for creditor Want to save the planet? protection, the dramatic battle for ownership and how it’s preparing Get a mascot. Plus, why to return to the stage. /By Jason Kirby banking jobs still rule and professional wrestling rocks STRIKE UP THE BRANDS Our first annual ranking of 25 companies that define what business- 7 NEED TO KNOW 30 Researchers are working on to-business excellence looks like right now.
    [Show full text]
  • Acrobatics Acts, Continued
    Spring Circus Session Juventas Guide 2019 A nonprofit, 501(c)3 performing arts circus school for youth dedicated to inspiring artistry and self-confidence through a multicultural circus arts experience www.circusjuventas.org Current Announcements Upcoming Visiting Artists This February, we have THREE visiting artists coming to the big top. During the week of February 4, hip hop dancer and choreographer Bosco will be returning for the second year to choreograph the Teeterboard 0200 spring show performance along with a fun scene for this summer's upcoming production. Also arriving that week will be flying trapeze expert Rob Dawson, who will attend all flying trapeze classes along with holding workshops the following week. Finally, during our session break in February, ESAC Brussels instructor Roman Fedin will be here running Hoops, Mexican Cloud Swing, Silks, Static, Swinging Trapeze, Triple Trapeze, and Spanish Web workshops for our intermediate-advanced level students. Read more about these visiting artists below: BOSCO Bosco is an internationally renowned hip hop dancer, instructor, and choreographer with over fifteen years of experience in the performance industry. His credits include P!nk, Missy Elliott, Chris Brown, 50 Cent, So You Think You Can Dance, The Voice, American Idol, Shake It Up, and the MTV Movie Awards. Through Bosco Dance Tour, he’s had the privilege of teaching at over 170 wonderful schools & studios. In addition to dance, he is constantly creating new items for BDT Clothing, and he loves honing his photo & video skills through Look Fly Productions. Bosco choreographed scenes in STEAM and is returning for his 2nd year choreographing spring and summer show scenes! ROB DAWSON As an aerial choreographer, acrobatic equipment designer, and renowned rigger, Rob Dawson has worked with entertainment companies such as Cirque du Soleil, Universal Studios, and Sea World.
    [Show full text]
  • U2 Metallica Red Hot Chili Peppers Eric Church Garth Brooks
    Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 118.1 U2 119.12 61,973 991,565 7,382,401 16/19 Live Nation Global Touring 2 68.7 Metallica 101.08 52,251 679,266 5,281,339 13/15 Artist Group International 3 60.5 Red Hot Chili Peppers 84.96 14,533 712,099 1,234,694 49/55 WME 4 54.5 Eric Church 60.90 14,671 894,909 893,443 61/63 WME 5 48.0 Garth Brooks 65.02 61,588 739,056 4,004,674 12/48 WME 6 39.1 Bon Jovi 84.86 16,456 460,758 1,396,429 28/30 Creative Artists Agency 7 36.3 Tim McGraw / Faith Hill 86.92 12,656 417,633 1,100,000 33/36 Creative Artists Agency 8 35.1 The Weeknd 93.75 15,585 374,040 1,461,061 24/27 WME 9 31.2 Cirque du Soleil - "Kurios" 88.73 15,273 351,282 1,355,247 23/182 Cirque du Soleil 10 31.0 Dead & Company 75.27 27,457 411,850 2,066,667 15/19 Creative Artists Agency 11 30.6 Tom Petty & The Heartbreakers 86.61 14,721 353,307 1,275,000 24/25 WME 12 29.9 Ariana Grande 76.08 10,930 393,475 831,532 36/37 Creative Artists Agency 13 29.7 Neil Diamond 93.59 12,710 317,739 1,189,498 25/26 WME 14 28.6 Def Leppard 73.96 11,733 387,192 867,759 33/33 Artist Group International 15 26.8 Celine Dion 168.29 4,087 159,409 687,890 1/39 ICM Partners 16 25.5 Cirque du Soleil - "Lúzia" 91.31 16,432 279,349 1,500,511 17/145 Cirque du Soleil 17 24.7 The Chainsmokers 59.40 12,230 415,824 726,471 34/36 Creative Artists Agency 18 24.6 Roger Waters 124.12 14,134 197,878 1,754,393 14/16 WME 19 24.4 Billy Joel 113.05 26,979 215,833 3,050,000 8/13 Artist Group International 20 23.0
    [Show full text]
  • Taylor Swift Jay-Z / Beyoncé Eagles Kenny Chesney Justin
    Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 277.3 Taylor Swift 124.99 80,322 2,168,706 10,271,531 27/40 Messina Touring Group 2 166.4 Jay-Z / Beyoncé 128.23 54,085 1,298,038 6,935,409 24/30 Live Nation 3 166.0 Eagles 172.13 21,428 964,245 3,688,308 45/53 Creative Artists Agency 4 114.4 Kenny Chesney 88.15 32,443 1,297,731 2,860,007 40/42 Dale Morris & Associates 5 110.0 Justin Timberlake 138.87 19,795 791,780 2,748,832 40/50 WME 6 105.0 Ed Sheeran 92.42 54,119 1,136,497 5,001,537 21/24 Paradigm Talent Agency 7 97.8 Journey / Def Leppard 97.79 17,246 1,000,272 1,686,460 58/60 CAA / Artist Group International 8 95.3 Pink 138.46 18,120 688,558 2,508,798 38/46 Marshall Arts 9 88.3 “Springsteen On Broadway” 508.93 4,231 173,461 2,153,146 41/183 Thrill Hill Productions 10 79.0 Drake 116.46 35,706 678,410 4,158,145 19/43 WME 11 73.3 Luke Bryan 73.66 19,893 994,648 1,465,269 50/51 WME 12 61.5 U2 140.39 25,768 438,059 3,617,680 17/27 Live Nation Global Touring 13 60.6 Bruno Mars 133.41 26,730 454,415 3,566,036 17/31 WME 14 59.4 Luis Miguel 110.28 11,976 538,901 1,320,654 45/64 WME 15 58.7 Billy Joel 120.94 23,121 485,533 2,796,155 21/21 Artist Group International 16 53.7 Trans-Siberian Orchestra 58.04 16,234 925,345 942,297 57/94 WME 17 48.5 Kevin Hart 73.48 11,185 659,908 821,856 59/62 WME 18 47.7 Dave Matthews Band 66.53 19,365 716,489 1,288,333 37/46 Paradigm Talent Agency 19 46.3 Dead & Company 76.82 20,801 603,225 1,597,977 29/34 WME 20 45.6 Shania Twain 85.80 12,642 530,979
    [Show full text]
  • Member Motion City Council MM22.37
    Member Motion City Council Notice of Motion MM22.37 ACTION Ward: All Appointment of Public Member to the TO Live Board of Directors to fill a vacancy - by Councillor Gary Crawford, seconded by Councillor Paula Fletcher * Notice of this Motion has been given. * This Motion is subject to referral to the Civic Appointments Committee. A two-thirds vote is required to waive referral. Recommendations Councillor Gary Crawford, seconded by Councillor Paula Fletcher, recommends that: 1. City Council appoint Clarence Ford to the TO Live Board of Directors at pleasure of Council, for a term of office ending on April 16, 2023, and until a successor is appointed. Summary Due to the TOLive Board being down a member and also due to COVID-19, the Board would like to have a full Board going forward and thus is in need to appoint someone at this Council meeting. Clarence Ford is a sought-after visionary who has worked with Cirque du Soleil, global celebrities, sports franchises and Fortune 500 brands to produce live shows, TV productions, films and commercials. This Toronto-based director, choreographer, producer and teacher knows what it takes to entertain and exceeds audience expectations on stage, screen, ice and water. Clarence’s innovative expertise led him to work on concerts for the late James Brown, Alanis Morissette, Arrested Development, Del La Soul, and Canadian pop stars Sugar Jones. He has also worked on corporate and not-for-profit events, featuring various renowned talents, such as Lenny Kravitz, David Foster, Stevie Wonder, Wyclef Jean, Avril LaVigne, Sarah McLachlan, John Mayer and the Barenaked Ladies.
    [Show full text]
  • “Flowers in the Desert”: Cirque Du Soleil in Las Vegas, 1993
    “FLOWERS IN THE DESERT”: CIRQUE DU SOLEIL IN LAS VEGAS, 1993-2012 by ANNE MARGARET TOEWE B.S., The College of William and Mary, 1987 M.F.A., Tulane University, 1991 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre & Dance 2013 This thesis entitled: “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 written by Anne Margaret Toewe has been approved for the Department of Theatre & Dance ______________________________________________ Dr. Oliver Gerland (Committee Chair) ______________________________________________ Dr. Bud Coleman (Committee Member) Date_______________________________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Toewe, Anne Margaret (Ph.D., Department of Theatre & Dance) “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 Dissertation directed by Professor Oliver Gerland This dissertation examines Cirque du Soleil from its inception as a small band of street performers to the global entertainment machine it is today. The study focuses most closely on the years 1993 – 2012 and the shows that Cirque has produced in Las Vegas. Driven by Las Vegas’s culture of spectacle, Cirque uses elaborate stage technology to support the wordless acrobatics for which it is renowned. By so doing, the company has raised the bar for spectacular entertainment in Las Vegas I explore the beginning of Cirque du Soleil in Québec and the development of its world-tours.
    [Show full text]
  • Program Content
    PROGRAM CONTENT BIOS: CREATIVE TEAM Chris Lashua, Creative Director / Founder Company founder, Chris Lashua, hails from Boston, Massachusetts, where he spent most of his youth riding on a BMX bike. He was discovered by Cirque du Soleil and created/performed a BMX bike act that was entirely his own. He was then commissioned to build a “German Wheel” piece for the company, cementing his reputation as a visionary of circus gadgetry. His engineering chops and creative energy led him to 'run away' with his own circus company, Cirque Mechanics. Chris believes that innovative mechanical apparatus and the relationship between performer and machine sets his company apart and is at the heart of what makes Cirque Mechanics unique. Chris has delivered on this unique relationship in Birdhouse Factory and Boom Town the company’s two theatrical productions and in Cirque Mechanics for the Orchestra, Chris explored the performer machine relationship with the Gantry Bike, a self-contained, pedal driven mechanical stage, worthy of the grand classical music featured in that show. Once again, Chris continues to build on the might of the Gantry Bike, in Pedal Punk, by adding newly designed, inventive pedal driven devices that interact with the performers. In Pedal Punk, Chris masterfully merges his passion for cycling, circus and all things mechanical in an exceptionally playful and artful way. Aloysia Gavre, Co-Director / Choreographer An original co-director and choreographer of Birdhouse Factory, Boom Town and Cirque Mechanics for the Orchestra, also an early member of the San Francisco based Pickle Family Circus, Aloysia has been a movement, dance and circus enthusiast most of her life.
    [Show full text]