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Trampoline Parks by Akrobat a New Trampoline Park Opens Nearly Every Day Somewhere Around the World
European production , worldwide presence 22 AKROBAT, d.o.o. Črmošnjice 5b 8000 Novo Mesto Slovenia T: +386 7 30 800 60 F: +386 7 30 893 62 E: [email protected] Trampoline Parks www.akrobat.com by Akrobat www.trampoline-park.eu A new trampoline park opens nearly every day somewhere around the world. They’re exciting, extremely profitable and appeal to a multigenerational market. These entirely custom- made projects can be fully adapted to different target groups by including a mix of different attractions. Akrobat converts empty halls into exciting and profitable family entertainment destinations. With experience since 2003, AKROBAT is one of the leading European manufacturers of trampolines and trampoline parks, focused on bringing real value to our customers. European manufacturer Our strong global track record of with vast projects tailored to individual customer preferences is the result of extensive experience knowledge and experience with materials and functionality of trampolines and other park components. We deliver to more than 45 conutries across 4 continets to individual investors and known franchises. In-house production ensures our customers a faster project realisation and spare parts delivery, which at the same time minimises stock requirements and reduces the maintenance cost for the investor. Member of: Turn - key service Our service includes turn-key delivery of the trampoline park including design, manufacturing, installation and maintenance. Top-quality materials Materials used are 100% top-quality material from European and US manufacturers, non-toxic, very durable and in line with REACH standard. We continuously test all the materials with independent institutions and with our own engineering team. -
Monday Tuesday Wednesday Thursday Friday
Monday Tuesday Wednesday Thursday Friday Saturday Swinging Trapeze 1000-01 2:30-3:30PM Swinging Trapeze 1000-02 2:00-3:00PM Hammock 0200-02 3:00-3:30PM Swinging Trapeze 1000-02 2:45-3:30PM Swinging Trapeze 1000-01 2:15-3:15PM 9:00 AM Wings 0000-01 2:30-3:45PM Cloud Swing 1000-01 2:30-3:00PM Revolving Ladder 1000-01 3:15-4:00PM Double Trapeze 0100-04 3:30-4:15PM Duo Trapeze 0100-01 3:15-4:00PM Flying Trapeze 0000-02 3:00 PM 3:00 Mexican Cloud Swing 0100-02 3:30-4:15PM Pas de Deux 0000-01 3:00-4:00PM Swinging Trapeze 0100-02 3:15-4:00PM Handstands 1000-01 3:30-4:15PM Duo Trapeze 0100-03 3:15-4:00PM Globes 0000-01 Swinging Trapeze 0100-01 3:30-4:15PM Double Trapeze 0100-02 3:15-4:00PM Triangle Trapeze 1000-01 3:30-4:15PM Chair Stacking 1000-01 Triangle Trapeze 0100-02 3:15-4:00PM Low Casting Fun 0000-04 4-Girl Spinning Cube 1000-01 3:45-4:30PM Duo Trapeze 0100-02 3:30-4:15PM Static Trapeze 1000-01 4-Girl Spinning Cube 0000-01 3:30-4:00PM Mini Hammock 0000-02 Handstands 1000-01 Manipulation Cube 0000-01 3:30-4:00PM Star 0100-01 High Wire 1000-01 Stilt Walking 1000-01 3:30-4:25PM Toddlers 0200-03 ages 3-4 Mexican Cloud Swing 0100-02 3:30-4:15PM Acrobatics 0205-01 ages 10+ Triangle Trapeze 1000-01 3:30-4:15PM Double Trapeze 0100-04 3:30-4:15PM Stilt Walking 1000-01 3:30-4:25PM Trampoline 0000-04 ages 6-9 Swinging Trapeze 0100-01 3:30-4:15PM Bungee Trapeze 0300-01 Cloud Swing 0100-02 4:00-4:30PM Handstands 1000-01 3:30-4:15PM Duo Hoops 1000-01 4:00-4:30PM 4:00 PM 4:00 4-Girl Spinning Cube 1000-01 3:45-4:30PM Circus Spectacle 0100-01 Pas de Deux -
Spring 2016 Circus Harmony Classes Monday Tuesday Wednesday Thursday Friday Saturday Sunday Fees: the Following Classes Are $175
Spring 2016 Circus Harmony Classes Spring 2016 Session Details Circus Harmony Winter Break Classes th rd (at City Museum 701 N. 15th, 3rd flr., St. Louis, 63103) Monday, February 1 – Sunday, May 15, 2016 (at City Museum 701 N. 15 , 3 flr., St. Louis, 63103) Monday (NO Class Sunday, March 27, 2016) 10:00–11:00 AM Preschool Circus (ages 3-5) Culmination Shows will be held: Learn a variety of circus arts including balancing, 1:00-2:30 PM Homeschool Circus Arts May 13, 14, 15, 2016 (times to be announced) acrobatics, object manipulation, aerial and more! 4:30-6:00 PM Intermediate Mini-trampoline & Sign up for morning, afternoon, or both! Tumbling (must have back handspring) Register at www.circusharmony.org December 21, 22, 23, 24 6:00-7:30 PM Youth Combo Aerial w/Copper Youth Classes for ages 5-17 Circus Arts Level 1.5 & 2 need instructor permission Session 1 A: 9:00 AM – 12:00 PM Tuesday Session 11 B: 1:00 PM – 4:00 PM 6:30-8:00 PM Adult Combo Aerial w/Copper Fees: December 28, 29, 30, 31 The following classes are $175: Session 2A: 9:00 AM – 12:00 PM Session 2B: 1:00 PM – 4:00 PM Wednesday Preschool Circus 4:30-5:30 PM Hula Hoops Intro to Circus Arts Cost $90 per session 4:30-5:30 PM Beginning Tumbling (ages 7-14) Tumbling 5:30-7:00 PM Balancing (wire, globe, unicycle,stilts, rolla) Hula Hoops Juggling & Unicycling Clubs 7:00-8:30 PM Adult Basic Circus Arts Juggling Club All ages & skill levels welcome to join! Unicycle Club Friday Winter Break Juggling Club: Thursday The following classes are $250 Classes held Fridays 6:00 – 7:00 PM Dates: -
Circus Report, January 14, 1974, Vol. 3, No. 2
America's Favorite Cirrui Weekly Volume 3 January 14, 1974 Number 2 shows get ready A ROUGH ROAD Three shows - Baatty-Cole, with the prospect of King Bros, and Sells & Cray - are having to make a $32 million in- wintering at Oe Land Fla. A consi- terest psyment in April, Mattel derable amount of work, painting Inc., must wait until next month and practice is underway at the before the proposed sale of Ring- show quarters in preparation for ling Bros, it Barnum & Bailey will the 1974 tour. be confirmed. Mattel has signed a Both King Bros, and Sells & letter of intent to sell and is Cray will open their new tour on awaiting action by the board of march 9th, in Florida. The Beatty- directors of an un-named CO!B Circus will start its tour "industrial corpora- at Commack, L.I., N.Y. on Apr. 6th tion" who will meet in February* SHOW OPENS Because of heavy los- *," see over the past few The new Circus Varga» open* years Mattel has found itself in this week (Jan. 19) at Arlington, financial difficulties. A long- Texae, on a tour that is expected term loan from wells Fargo Bank is to last some 50 weeks. The show in 8XCB98 of $100 million. As a is scheduled to move east into result the company has aold some Florida before heading towards its of its subsidiaries and is now en* west coast dates. deavoring to dispose of the circul Featured on the new shorn as well as its Audio magnetic Corp will be two wild animal acts -- and Turco Co. -
A Fine, Fine Balancing Act Circus Creativity and Medicine
COVER STORY A fine, fine balancing act Circus creativity and medicine Story by Sarah de Leeuw Legs swung up. Over. Stretching, bending. Behind the head. A torso curving so gracefully it’s almost more than human. The contortion, highlighted with deep red backlighting, is made all the more surreal by the strange clown figure (a nurse? a resident?) resting, prone, behind the arching “circused” body—a circused body adorned, it should be added, with a golden cupcake-like wig and, yes, oversized frilly knickers. What a show! Happiness somehow pours off the stage! La traduction en français de cet article se trouve à www.cfp.ca dans la table des matières du numéro de novembre 2016 à la page e705. 922 Canadian Family Physician • Le Médecin de famille canadien | VOL 62: NOVEMBER • NOVEMBRE 2016 No wonder the circus-infused performance received 2 standing ovations at the 2014 Family Medicine Forum from almost 3000 family physicians who were being asked to reflect on the lofty question of whether or not art can save the world. For the record, the answer is a firm yes. Both from family physician and Laval University’s Research Chair in Emergency Medicine Dr Richard Fleet and from Julie Théberge, coordinator with the Cirque du Soleil’s Cirque du Monde (Social Circus)1: yes, yes art can save the world and yes, yes art and creativity have a role to play in sav- ing medicine and doctors. Maybe only in small steps, but any long journey has to begin somewhere. “For me,” reflects Dr Fleet, “it is a question of sur- vival. -
From Technical Movement to Artistic Gesture the Trampoline, Training Support for Propulsion
PEDAGOGICAL GUIDE FROM TECHNICAL MOVEMENT TO ARTISTIC GESTURE THE TRAMPOLINE, TRAINING SUPPORT FOR PROPULSION 01 TEACHING PROPULSION DISCIPLINES 1 02 A BRIEF SUMMARY OF THE INTENTS PROJECT 05 FOREWORD 07 INTRODUCTION 01 09 TEACHING PROPULSION DISCIPLINES MODALITIES AND TRANSFERS 11 A review of the trampoline’s place in the teaching of circus disciplines 15 Methodology of technical progression on the trampoline 19 The technical movement: mastery and safety 27 Transfers from one discipline to another 31 Observing the body moving through the air 02 39 FROM A SPORT TO AN ARTISTIC GESTURE WHEN LEARNING DISCIPLINES WITH PROPULSION 41 From an athletic to an artistic jump: questions of intent A detour by gesture analysis 47 Defining and developing an acrobatic presence 53 Artistic research on propulsion pieces of equipment From improvisation to staging 62 CONCLUSION 64 BIBLIOGRAPHY 66 ANNEXES TEACHING MANUAL FROM TECHNICAL MOVEMENT TO ARTISTIC GESTURE THE TRAMPOLINE, TRAINING SUPPORT FOR PROPULSION ASSOCIATED AUTHOR : AGATHE DUMONT Published by the Fédération Française des Écoles de Cirque and the European Federation of Professional Circus Schools 1 A brief summary of the INTENTS project The INTENTS project was born out of the necessity and desire to give structure to the professional circus arts training, to harmonise it, and to increase its professionalism and credibility; the INTENTS project specifically addresses the training of circus arts’ teachers. BACKGROUND A teachers’ consultation launched by FEDEC in 2011 The teachers’ continuing professional development is (SAVOIRS00) highlighted the lack of teaching tools and key to ensuring a richer and evolving training method common methodologies with regards to initial and continu- for their students. -
Arts + Entertainment Engineering Mclaren Engineering Group Ph
Sentosa Cranes Arts + Entertainment Engineering McLaren Engineering Group Ph. 1-800-420-6401 About Us McLaren Engineering Group is a leading full-service engineering firm renowned for its trusted, high quality, and innovative approach to solving complex challenges. With industry experts in multiple technical disciplines, our team has provided customized solutions for over 20,000 projects through consultation, design, inspection, and William B. Gorlin, PE, SE construction management. With over four decades of VP Entertainment Engineering experience, a staff of 250+, and 11 offices worldwide, [email protected] McLaren addresses every project’s specific needs with technical excellence and creative innovation. CORE TECHNICAL SERVICES STRUCTURAL | CIVIL + SITE | MARINE + COASTAL | BRIDGE, HIGHWAY + RAIL ENTERTAINMENT | GEOTECHNICAL | FACADE + BUILDING ENVELOPE CONSTRUCTION ENGINEERING | FORENSICS | SURVEY + MAPPING Winds Mohegan Sun Casino ENTERTAINMENT ENGINEERING Live Entertainment With a reputation for visionary entertainment engineering and Entertainment Facility design, McLaren offers a unique blend of imaginative artistry and cutting-edge technical capabilities. For over 40 years, Structural Engineering our firm has been leading the entertainment industry with expert structural engineers, mechanical engineers and Rigging, Staging & Show entertainment specialists. Action Machinery We have helped create some of the top productions, events, Architectural Theming concerts, displays, staging and entertainment facilities worldwide. Working with the biggest names in the business, Theme Park Engineering our iconic work has revolutionized the audience experience with never-before-seen feats of engineering. Signage and Displays |www.mgmclaren.com Concert + Tour Staging & Rigging Temporary & Pop-up Live Event LIVE ENTERTAINMENT Structures ENGINEERING Theatrical Production Engineering Television & Film Production McLaren is behind some of the most epic concert Support stages, Broadway shows, aerial performances and pop-up events. -
Cirque Du Soleil Shows and Destinations in 2008-2009
Case study: Tour Planning at Cirque du Soleil Cirque du Soleil is a Canadian entertainment company. It is the largest theatrical producer in the world. Its theatrical, character-driven approach and the absence of performing animals helped define Cirque du Soleil as the contemporary circus ("nouveau cirque") that it remains today. The case is about the opportunity for Cirque du Soleil management, to include in the tour a new destination, Istambul, in the summer 2010. The decision must be done before the end of 2008. 61 Case study: data and information Louise Murray, Vice-President, Tour Planning and Partnerships at Cirque du Soleil received on 23th December 2008 a proposal to include Istanbul, as destination, in the 2010 tour. “A wide range of administrative formalities and tasks must be accomplished to ensure the transfer of material and people to a new show site. The tearing down, repacking, shipping and setting up must all be done in a very precise order. And because each move is to a new site, often in a new country, the experience is unique every time. A technical problem, customs difficulties, a breakdown or bad weather conditions can all lead to costly delays, sometimes even forcing the cancellation of shows.” 62 Case study: data and information “Our shows are not produced independently of each other. A synergy must emerge between these different cultural works. We can see them as a strategic portfolio of cultural products. Ideally, we would be able to present several touring shows in succession in a large city in order to establish our reputation, build an audience and open the way for the establishment of a permanent show. -
1994 Categories Spotlight Finalist High School Career
1994 Categories Spotlight Finalist High School Career University of Miami, PhD in Physical Therapy; Columbia University, BA, Neuroscience and Behavior. Board Certified Neurological Clinical Specialist Louisville High Ballet Darlene Dirstine for Physical Therapy working in Southern California. Former Alvin Ailey School instructor; Eglevsky Ballet; videotaped dancer for Nickelodeon’s Backyardigans. Houston Ballet, former member, BalletMet Columbus, Ohio Endowment Ballet Hiromi Ushino Novato High School Foundation Scholarship San Francisco Ballet School; Encouragement Award Kwangju International Ballet Concourse South Korea. The Juilliard School; UCLA; First Prize, 2001 Concert Artists Guild; Santa Fe Symphony Award; Performances: Korean Broadcast Symphony, Music Classical Alpin Hong Crossroads School Center, Alice Tully and Avery Fisher Halls, Carnegie Hall, Santa Fe Symphony, Instrumental Indian Hill Symphony, Orchestra X; Records with Channel Classics; 1990 Soviet‐American Piano Institute in Moscow; martial arts champion. Presidential Scholar; USC; 1997 Gilmore Young Artist Award in piano; Classical Esperanza High Brenda Jones Performance: Los Angeles Chamber Orchestra, Kalamazoo Symphony, music Instrumental School festivals in Aspen, Sarasota, Santa Barbara and New York. National Tour: Light in the Piazza (Fabrizio's sister); Columbia University; Performances: Craig Lucas/Adam Guettel musical, A Light in the Piazza at Classical Lincoln Center, Sweet Smell Of Success with John Lithgow, Trevor Nunn/ Laura Griffith Chadwick School Voice Susan Stroman revival of Oklahoma!, European tour, West Side Story (Maria); Beauty and the Beast (Belle); Rocky Horror Show (Janet); A Little Night Music (Anne). Classical Choir Teacher, Archer High School; 2007 New York Metropolitan Opera National Council Grand Finals competition; Santa Fe Opera Young Artist Voice Ryan Smith Hamilton Academy program; Performances: Parpignol in La Bohème at the Santa Fe Opera; Ohio University; Morehouse College. -
Bruce Springsteen & the E Street Band Beyoncé Coldplay Guns N
Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 268.3 Bruce Springsteen & The E Street Band 111.48 36,464 2,406,591 4,064,939 66/76 BPB Consulting / Creative Artists Agency 2 256.2 Beyoncé 114.59 48,642 2,237,542 5,573,702 46/49 Creative Artists Agency 3 241.0 Coldplay 90.05 60,828 2,676,425 5,477,701 44/60 Paradigm Talent Agency / X-ray Touring 4 188.4 Guns N’ Roses 111.00 48,490 1,697,164 5,382,317 35/44 United Talent Agency / Int’l Talent Booking 5 167.7 Adele 109.59 34,777 1,530,196 3,811,364 44/107 WME / International Talent Booking 6 163.3 Justin Bieber 92.70 20,484 1,761,642 1,898,837 86/115 Creative Artists Agency 7 110.6 Paul McCartney 127.43 28,924 867,712 3,685,852 30/36 Marshall Arts / MPL Communications 8 97.0 Garth Brooks 69.29 56,000 1,400,000 3,880,000 25/102 WME 9 90.9 The Rolling Stones 122.33 74,343 743,425 9,094,136 10/14 AEG Live 10 85.5 Celine Dion 146.26 30,766 584,560 4,500,000 19/78 ICM Partners / CDA Productions / Solo Agency 11 84.3 Drake 112.08 19,793 752,141 2,218,421 38/56 WME 12 84.1 Luke Bryan 59.00 21,597 1,425,423 1,274,242 66/81 WME 13 82.2 Madonna 216.01 19,033 380,669 4,111,410 20/33 Live Nation Global Touring 14 76.6 Billy Joel 109.67 41,086 698,459 4,505,882 17/28 Artist Group International 15 73.9 Black Sabbath 77.29 14,940 956,139 1,154,688 64/65 CAA / International Talent Booking 16 69.5 Kenny Chesney 76.32 32,512 910,330 2,481,195 28/30 Dale Morris & Associates 17 66.6 Cirque du Soleil - “Toruk - The First Flight” 69.56 21,760 957,446 1,513,636 44/293 Cirque du Soleil 18 65.5 Muse 69.18 24,916 946,805 1,723,684 38/64 United Talent Agency 19 62.9 Iron Maiden 66.00 17,018 953,030 1,123,214 56/59 Creative Artists Agency / K2 Agency 20 61.4 Rihanna 85.63 12,153 717,038 1,040,678 59/64 WME 21 60.1 Maroon 5 68.88 22,373 872,531 1,541,026 39/42 WME / International Talent Booking / CAA 22 58.5 Elton John 110.61 8,530 528,885 943,548 62/92 Howard Rose Agency / Rocket Music Ent. -
Yamaha – Pianosoft Solo 29
YAMAHA – PIANOSOFT SOLO 29 SOLO COLLECTIONS ARTIST SERIES JOHN ARPIN – SARA DAVIS “A TIME FOR LOVE” BUECHNER – MY PHILIP AABERG – 1. A Time for Love 2. My Foolish FAVORITE ENCORES “MONTANA HALF LIGHT” Heart 3. As Time Goes By 4.The 1. Jesu, Joy Of Man’s Desiring 1. Going to the Sun 2. Montana Half Light 3. Slow Dance More I See You 5. Georgia On 2. “Bach Goes to Town” 4.Theme for Naomi 5. Marias River Breakdown 6.The Big My Mind 6. Embraceable You 3. Chanson 4. Golliwog’s Cake Open 7. Madame Sosthene from Belizaire the Cajun 8. 7. Sophisticated Lady 8. I Got It Walk 5. Contradance Diva 9. Before Barbed Wire 10. Upright 11. The Gift Bad and That Ain’t Good 9. 6. La Fille Aux Cheveux De Lin 12. Out of the Frame 13. Swoop Make Believe 10.An Affair to Remember (Our Love Affair) 7. A Giddy Girl 8. La Danse Des Demoiselles 00501169 .................................................................................$34.95 11. Somewhere Along the Way 12. All the Things You Are 9. Serenade Op. 29 10. Melodie Op. 8 No. 3 11. Let’s Call 13.Watch What Happens 14. Unchained Melody the Whole Thing Off A STEVE ALLEN 00501194 .................................................................................$34.95 00501230 .................................................................................$34.95 INTERLUDE 1. The Song Is You 2. These DAVID BENOIT – “SEATTLE MORNING” SARA DAVIS Foolish Things (Remind Me of 1. Waiting for Spring 2. Kei’s Song 3. Strange Meadowlard BUECHNER PLAYS You) 3. Lover Man (Oh Where 4. Linus and Lucy 5. Waltz for Debbie 6. Blue Rondo a la BRAHMS Can You Be) 4. -
Galley of Legends & Honoree Banquet
WORLD ACROBATICS SOCIETY CONGRESS GALLEY OF LEGENDS & HONOREE BANQUET The World Acrobatic Society (WAS) is an exciting, growing world-wide organization whose members share a love of acrobatics. Our mission is to advance the education, communication and cooperation among all individuals and organizations interested in SUNDAY EVENING fostering the growth, development and safety of the various acrobatic disciplines along with preserving their histories. SEPTEMBER 11, 2016 The major acrobatic disciplines recognized by WAS include: Acrobatic Gymnastics & Cheerleading, Diving, Extreme Sports, Olympic Artistic Gymnastics, Professional Acrobat- ics, Trampoline & Tumbling, in addition to Contributors and Lifetime Achievement. We are a 501(c)(3) non profit organization. TUSCANY SUITES & CASINO LAS VEGAS, NEVADA www.Worldacro.com THE WORLD ACROBATICS SOCIETY EXECUTIVE COMMITTEE PRESIDENT: DAVID JACOBS FIRST VICE PRESIDENT: GEORGE HERY SECOND VICE PRESIDENT: LARRY LINDAUER SECRETARY: JOHN DEARY TREASURER: PAUL SWAFFORD PAST PRESIDENT: JOHN DEININGER PAST PRESIDENT: BRUCE DAVIS PAST PRESIDENT: DON LEAS BOARD OF DIRECTORS WHITEY ANSON SCOTT BARCLAY JON CULBERTSON ABIE GROSSFELD PAT HENDERSON HAL HOLMES MIKE JACKI BRUN KLAUS DONNA KRAMER WAYNE MILLER DIAN NISSEN RAMIREZ KARL SCHIER NANCY THURSTON-HIGGINS INTERNATIONAL MEMBERS ROB BOLLINGER: CANADA BOBBY DIXON: NETHERLANDS TITO GAONA: MEXICO ELDON GODFREY: CANADA PEDRO REIS: SOUTH AFRICIA WORLD ACROBATICS SOCIETY BANQUET AND AWARD CEREMONY 6pm COCKTAIL RECEPTION; 7pm DINNER MASTERS OF CEREMONY Presented by: MS. DOLLY JACOBS & MR. STEVE MCFARLAND CHARLIE POND SERVICE AWARD Presented by: Ms. Pamela Pond & Dian Nissen Ramirez MR. HAL FREY & MR. KARL SCHIER GOLDEN ACHIEVEMENT AWARD Presented by Mr. Don Leas MS. BETTY PERKINS CARPENTER, PhD & MR. ROBERT W. EMERY, JR., MD The World Acrobatics Society Honorees and Gallery of Legends Tammy Blalock Rivers Chuck Hardy (Eileen Hardy Macias) Ryan.