Short Title Listing of the Pollard Collection of Children's Books
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Selected Tales 1St Edition Pdf Free Download
SELECTED TALES 1ST EDITION PDF, EPUB, EBOOK Jacob Ludwig Carl Grimm | 9780199555581 | | | | | Selected Tales 1st edition PDF Book We are constantly adding new works to our collection, and have The first edition of this instructional juvenile book. A very bright first edition copy of this anthology from Andrew Lang's immensely popular collection of sweet and moralistic fairy tales for children. First Person Singular. I could not read these in one sitting. The only thing I disliked was his verbosity, his pseudo-sophistry and his language, which was sometimes really trying and exasperating. A children's work about When I had read The Black Cat, I was couldn't understand it well but it certainly had intensified my fear for cats. Add to Basket Used Hardcover. Beyond the Black Stump. Between, and connecting, the Romantics and the Symbolists, there was Poe. But it looks like that impression was partly created by omission. The prologue and six of the stories had previously appeared in the 'National Observer'. There are three orang-utan stories in the Oxford collection, and only one, 'Hop-Frog', in Raven. William Shakespeare William Shakespeare is a man who generally needs no introduction More information about this seller Contact this seller 3. The Adventures of Don Quixote de la Mancha. The first edition of Mrs Sherwood's popular novel. Topic see all. This is the Poe of legend. With full-colour illustration to front board and four further colour plates, as well as three black and white drawings in-text. During this time, we have made some of our learning resources freely accessible. -
Antiquarian & Modern
Blackwell’s Rare Books Blackwell’S rare books ANTIQUARIAN & MODERN Blackwell’s Rare Books 48-51 Broad Street, Oxford, OX1 3BQ Direct Telephone: +44 (0) 1865 333555 Switchboard: +44 (0) 1865 792792 Email: [email protected] Fax: +44 (0) 1865 794143 www.blackwell.co.uk/ rarebooks Our premises are in the main Blackwell’s bookstore at 48-51 Broad Street, one of the largest and best known in the world, housing over 200,000 new book titles, covering every subject, discipline and interest, as well as a large secondhand books department. There is lift access to each floor. The bookstore is in the centre of the city, opposite the Bodleian Library and Sheldonian Theatre, and close to several of the colleges and other university buildings, with on street parking close by. Oxford is at the centre of an excellent road and rail network, close to the London - Birmingham (M40) motorway and is served by a frequent train service from London (Paddington). Hours: Monday–Saturday 9am to 6pm. (Tuesday 9:30am to 6pm.) Purchases: We are always keen to purchase books, whether single works or in quantity, and will be pleased to make arrangements to view them. Auction commissions: We attend a number of auction sales and will be happy to execute commissions on your behalf. Blackwell’s online bookshop www.blackwell.co.uk Our extensive online catalogue of new books caters for every speciality, with the latest releases and editor’s recommendations. We have something for everyone. Select from our subject areas, reviews, highlights, promotions and more. Orders and correspondence should in every case be sent to our Broad Street address (all books subject to prior sale). -
Making Amusement the Vehicle of Instruction’: Key Developments in the Nursery Reading Market 1783-1900
1 ‘Making amusement the vehicle of instruction’: Key Developments in the Nursery Reading Market 1783-1900 PhD Thesis submitted by Lesley Jane Delaney UCL Department of English Literature and Language 2012 SIGNED DECLARATION 2 I, Lesley Jane Delaney confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ––––––––––––––––––––––––––––––––––––––– ABSTRACT 3 ABSTRACT During the course of the nineteenth century children’s early reading experience was radically transformed; late eighteenth-century children were expected to cut their teeth on morally improving texts, while Victorian children learned to read more playfully through colourful picturebooks. This thesis explores the reasons for this paradigm change through a study of the key developments in children’s publishing from 1783 to 1900. Successively examining an amateur author, a commercial publisher, an innovative editor, and a brilliant illustrator with a strong interest in progressive theories of education, the thesis is alive to the multiplicity of influences on children’s reading over the century. Chapter One outlines the scope of the study. Chapter Two focuses on Ellenor Fenn’s graded dialogues, Cobwebs to catch flies (1783), initially marketed as part of a reading scheme, which remained in print for more than 120 years. Fenn’s highly original method of teaching reading through real stories, with its emphasis on simple words, large type, and high-quality pictures, laid the foundations for modern nursery books. Chapter Three examines John Harris, who issued a ground- breaking series of colour-illustrated rhyming stories and educational books in the 1810s, marketed as ‘Harris’s Cabinet of Amusement and Instruction’. -
The Owl and the Pussy-Cat the Owl and the Pussy-Cat Went
The Owl and the Pussy-Cat The Owl and the Pussy-Cat went to sea In a beautiful pea-green boat, They took some honey, and plenty of money, Wrapped up in a five pound-note. The Owl looked up to the stars above, And sang to a small guitar, 'O lovely Pussy! O Pussy, my love, What a beautiful Pussy you are, You are, You are! What a beautiful Pussy you are.' Pussy said to the Owl, 'You elegant fowl, How charmingly sweet you sing. O let us be married, too long have we tarried, But what shall we do for a ring?' They sailed away for a year and a day, To the land where the Bong-tree grows, And there in the wood a Piggy-wig stood, With a ring in the end of his nose, His nose, His nose! With a ring in the end of his nose. 'Dear Pig, are you willing, to sell for one shilling Your ring?' Said the Piggy, 'I will.' So they took it away, and were married next day, By the Turkey who lives on the hill. They dined on mince, and slices of quince, Which they ate with a runcible spoon; And hand in hand, on the edge of the sand, They danced by the light of the moon, The moon, The moon, They danced by the light of the moon. Edward Lear (1812-1888) 15 Gramercy Park New York, NY 10003 (212) 254-9628 / www.poetrysociety.org Sympathy I know what the caged bird feels, alas! When the sun is bright on the upland slopes; When the wind stirs soft through the springing grass, And the river flows like a stream of glass; When the first bird sings and the first bud opens, And the faint perfume from its chalice steals— I know what the caged bird feels! I know why the caged -
Fudge the Elf
1 Fudge The Elf Ken Reid The Laura Maguire collection Published October 2019 All Rights Reserved Sometime in the late nineteen nineties, my daughter Laura, started collecting Fudge books, the creation of the highly individual Ken Reid. The books, the daily strip in 'The Manchester Evening News, had been a part of my childhood. Laura and her brother Adam avidly read the few dog eared volumes I had managed to retain over the years. In 2004 I created a 'Fudge The Elf' website. This brought in many contacts, collectors, individuals trying to find copies of the books, Ken's Son, the illustrator and colourist John Ridgeway, et al. For various reasons I have decided to take the existing website off-line. The PDF faithfully reflects the entire contents of the original website. Should you wish to get in touch with me: [email protected] Best Regards, Peter Maguire, Brussels 2019 2 CONTENTS 4. Ken Reid (1919–1987) 5. Why This Website - Introduction 2004 6. Adventures of Fudge 8. Frolics With Fudge 10. Fudge's Trip To The Moon 12. Fudge And The Dragon 14. Fudge In Bubbleville 16. Fudge In Toffee Town 18. Fudge Turns Detective Savoy Books Editions 20. Fudge And The Dragon 22. Fudge In Bubbleville The Brockhampton Press Ltd 24. The Adventures Of Dilly Duckling Collectors 25. Arthur Gilbert 35. Peter Hansen 36. Anne Wilikinson 37. Les Speakman Colourist And Illustrator 38. John Ridgeway Appendix 39. Ken Reid-The Comic Genius 3 Ken Reid (1919–1987) Ken Reid enjoyed a career as a children's illustrator for more than forty years. -
149 44583960-16E7-404F-A82c
Penguin Readers Factsheets l e v e l E T e a c h e r’s n o t e s 1 2 3 Black Beauty 4 5 by Anna Sewell 6 ELEMENTARY S U M M A R Y ublished in 1877, Black Beauty is one of literature’s for those in less fortunate circumstances. This also included P best-loved classics and is the only book that Anna the animals that shared their lives. In Victorian England, Sewell ever wrote. Four films of the book have been horses were used in industry, and were often treated badly. made, the most recent in 1994. Anna and her mother were appalled if they saw a horse being In the book, Black Beauty, a horse, tells the story of his life mistreated and often showed their disapproval to the horse’s in his own words. It is a story of how he was treated with owner. kindness and love when he was young, but how his When she was fourteen, Anna suffered a fall in which she treatment changed at the hands of different owners: some injured her knee. This never healed and left her unable to were kind and cared for him properly, but others were walk without the help of a crutch. Over the following years, careless or unkind, and this led to illness and injury. Black she became increasingly disabled. However, she learnt to Beauty spent his young life with his mother on Farmer Grey’s drive a horse-drawn carriage and took great pleasure in farm. -
Thje Story Jpajpjer Cojljljector N:.��1�:1�:�.4
THJE STORY JPAJPJER COJLJLJECTOR N:.��1�:1�:�.4 ···················································································· ···················································································· Research on Modern "Comics" HERE Is Buying Guidance investigators compared the num on almost everything today ber of beats of a comic on a T and the "comic paper" is window sill, before the paper no exception. The boys of became useless. One of the boys Form 2J at Wakefield Cathedral had the use of a fish and chip Secondary School in England shop, where resistance to grease, have put the modern "comic" salt, and vinegar was measured. under the microscope. Their At first I thought that these findings have been published in tests were something entirely Mitre, the school magazine. new, but on examining some of Five boys of thirteen years did the old comics in my collection the research out of school hours, I see that these, too, have ap and most thoroughly did they parently been used for fly-swat go to work. They nominated as ting, and from the food-stains the best comic one which they on some of them they have also found not only best to read, but been tested as table-cloths! also the best for holding fish and I still have in my possession a chips, for fly-swatting, and for frantic letter from a postal mem fire-lighting! ber of the Northern Section The winning comic-unfortu [Old Boys' Book Club] library nately the name is not given in telling me that his wife had lit the report-took 66 minutes, 38 the fire with a Magnet from the seconds to read, against 9 min Secret Society series. -
BLACK BEAUTY by Anna SEWELL Illustrated by ^>:*00^^- CECIL ALDIN T
BLACK BEAUTY By anna SEWELL Illustrated by ^>:*00^^- CECIL ALDIN t ,>%, ^'^^^^::?-.. ^1 -I .^-- //I) jy^lA ^/// 7^/- JOHNA.SEAVERNS nrwHi /QJd ; f- BLACK BEAUTY As the sun was going down ... we stopped at the " principal hotel in the market place BLACK BEAUTY THE AUTOBIOGRAPHY OF A HORSE By ANNA SEWELL Illustrated by Eighteen Plates in Colour, specially drawn for this edition by CECIL ALDIN BOOTS THE CHEMISTS BRANCHES EVERYWHERE RECOMMENDED BY THE ROYAL SOCIETY FOR THE PREVENTION OF CRUELTY TO ANIMALS Published by Jarrolds, Publishers^ London, Ltd. for Boots Pure Drug Co., Ltd., Nottingham and Printed by William Brendon & Son, Ltd. Plymouth CONTENTS CHAPTER vi CONTENTS CHAPTER PAGE XXIV. Lady Anne, or a Runaway Horse 135 XXV. Reuben Smith 144 XXVI. How IT Ended 150 XXVII. Ruined, and going Downhill 154 XXVIII. A Job Horse and his Drivers 158 XXIX. Cockneys 164 XXX. A Thief 173 XXXI. A Humbug 177 XXXII. A Horse Fair 182 XXXIII. A London Cab Horse 188 XXXIV. An Old War Horse 194 XXXV. Jerry Barker 202 XXXVI. The Sunday Cab 211 XXXVII. The Golden Rule 218 XXXVIII. Dolly and a Real Gentleman 223 XXXIX. Seedy Sam 229 XL. Poor Ginger 235 XLI. The Butcher 238 XLII. The Election 243 XLIII. A Friend in Need 246 XLIV. Old Captain and His Successor 252 XLV. Jerry's New Year 259 XLVI. Jakes and the Lady 268 XLVII. Hard Times 274 XLVIII. Farmer Thoroughgood and His Grandson Willie . 281 XLIX. My Last Home 287 " LIST OF ILLUSTRATIONS BY CECIL ALDIN "As THE SUN WAS GOING DOWN ... WE STOPPED AT THE PRINCIPAL HOTEL IN THE MARKET PLACE " Frontispiece PAGR " The first place that I can well remember, was a large pleasant MEADOW with A POND OF CLEAR WATER IN IT . -
Introduction to the Feminist Judgments: Rewritten Trusts and Estates Opinions Project
Cambridge University Press 978-1-108-49511-0 — Feminist Judgments Edited by Deborah S. Gordon , Browne C. Lewis , Carla Spivack Excerpt More Information 1 Introduction to the Feminist Judgments: Rewritten Trusts and Estates Opinions Project deborah s. gordon, browne c. lewis, and carla spivack How would judicial opinions change if the judges were to use feminist methods and perspectives when deciding cases? That is the question that various groups of scholars, working around the globe and mostly inde- pendently of each other, have taken up in a series of books of “shadow opinions”–literally, rewritten judicial decisions – using precedents, authorities, theories, and approaches that were in existence at the time of the original decision to reach radically different outcomes and often using saliently different reasoning. This global sociolegal movement toward critical opinion writing originated when a group of lawyers and law professors who called themselves the Women’s Court of Canada published a series of six rewritten decisions in 2008 in the Canadian Journal of Women and the Law. Inspired by that project, scholars have produced similar projects in the United Kingdom,1 Australia,2 the United States,3 Ireland,4 and New Zealand/Aotearoa.5 There is an 1 See FEMINIST JUDGMENTS:FROM THEORY TO PRACTICE (Rosemary Hunter et al. eds., 2010). 2 See AUSTRALIAN FEMINIST JUDGMENTS:RIGHTING AND REWRITING LAW (Heather Douglas et al. eds., 2015). 3 See FEMINIST JUDGMENTS:REWRITTEN OPINIONS OF THE UNITED STATES SUPREME COURT (Kathryn M. Stanchi, Linda L. Berger, & Bridget J. Crawford eds., 2016); FEMINIST JUDGMENTS: REWRITTEN TAX OPINIONS (Bridget J. Crawford & Anthony C. -
The Dwarfing of Men in Victorian Fairy-Tale Literature Heather Victoria Vermeulen
University of Richmond UR Scholarship Repository Honors Theses Student Research 4-1-2007 The dwarfing of men in Victorian fairy-tale literature Heather Victoria Vermeulen Follow this and additional works at: http://scholarship.richmond.edu/honors-theses Recommended Citation Vermeulen, Heather Victoria, "The dwarfing of men in Victorian fairy-tale literature" (2007). Honors Theses. Paper 199. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Honors Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. The Dwarfing of Men in Victorian Fairy-Tale Literature Heather Victoria Vermeulen Honors Thesis Department of English University of Richmond Dr. Elisabeth Rose Gruner, Thesis Director Spring 2007 The signatures below certify that with this essay Heather Victoria Vermeulen has satisfied the thesis requirement for Honors in English. = J (dr. Thomas ~onfi~lib,outsfhe departmental reader) 4</ (Dr. Te I Givens, honors coordinator) The Dwarfing ofMen in Victorian Fai~y-TaleLiterature Heather Victoria Vermeulen I. Introduction: The Dwarfing of Men in Victorian Fairy-Tale Literature 11. Dwarfs in the Grirnm Brothers' Tales: Establishing a (Grimm) Precedent 111. Christina Rossetti's "Goblin Market": Dwarfing, Defeating, and 17 Banishing Men IV. George MacDonald's The Princess and the Goblin: Masculinity 30 as Immaturity V. Juliana Horatia Ewing's "Amelia and the Dwarfs": -
Going/Or Eternity: a Child's Garden of Verses
Going/or Eternity: A Child's Garden of Verses • Elizabeth Waterston • Resume: Dans cet article, Elizabeth Waterston tente d'expliquer la fortune litteraire du recueil de poemes de Robert Louis Stevenson, A Child's Garden of Verses, dont Ie succes reste encore tres vifde nos jours. D'apres elle, plusieurs auteurs ont tout simplement oublie I'influence marquante que ces poemes ont exerce sur leur premiere jeunesse. Summary: Elizabeth Waterston discusses the reasons for the continued popularity of Robert Louis Stevenson's A Child's Garden of Verses, and suggests that many writers have forgotten the strength of the poems' influence on their pre-school days. TA T hen Robert Louis Stevenson rhymed "children" with "bewildering" r V in the trial edition of his verses for children, his friend Sidney Colvin objected. "A Cockney rhyme," he jotted into the margin of the little book titled Penny Whistles.1 Stevenson responded with his own marginal jotting, "Good enough for me.... These are rhymes, jingles; I don't go for eternity." Whether or not he thought he was in the race for immortality when he published his little rhymes, A Child's Garden of Verses, first published in 1885, has proved to have great survival power. It is still available in all sorts of editions, vari- ously illustrated, and is still a preeminent choice of educators as well as of parents and care-givers. It is a book for children too young to express an opinion of its charms; but many of us re-open it as adults to discover just how deeply it has sunk into our pores. -
Select Bibliography
SELECT BIbLIOGRAPHY Aesop. Aesop’s Fables. With instructive morals and refections, abstracted from all party considerations, adapted to all capacities; and design’d to promote religion, morality, and universal benevolence (London: J. F. and C. Rivington, T. Longman, B. Law, W. Nicol, G. G. J. and J. Robinson, T. Cadell, R. Balwin, S. Hayes, W. Goldsmith, W. Lowndes, and Power and Co., ?1775). Aesop. Bewick’s Select Fables, In Three Parts (Newcastle: Thomas Saint, 1784). Aesop. Old Friends in a New Dress; or, Select Fables of Aesop, in verse (London: Darton & Harvey, 1809). Aikin, John, and Anna Laetitia Barbauld. Evenings at Home; or, the Juvenile Budget Opened. Consisting of a Variety of Miscellaneous Pieces, for the Instruction and Amusement of Young Persons (London: J. Johnson, 1792). Alberti, Samuel J. M. M. ‘The Museum Affect: Visiting Collections of Anatomy and Natural History’, in Aileen Fyfe and Bernard Lightman (eds), Science in the Marketplace: Nineteenth-Century Sites and Experiences (Chicago and London: The University of Chicago Press, 2007), pp. 371–403. Allen, David Elliston. The Naturalist in Britain: A Social History (Princeton: Princeton University Press, [1976] 1994). Allman, George James. ‘Critical Notes on the New Zealand Hydroida’, Proceedings of the New Zealand Institute, 8 (1875): 298–302. Allman, George James. ‘Description of Australian, Cape and other Hydroida, mostly new, from the collection of Miss H. Gatty’, Journal of the Linnean Society, 19 (1885): 132–61. © The Author(s), under exclusive license to Springer Nature 277 Switzerland AG 2021 L. Talairach, Animals, Museum Culture and Children’s Literature in Nineteenth-Century Britain, Palgrave Studies in Animals and Literature, https://doi.org/10.1007/978-3-030-72527-3 278 SELECT BIBLIOGRAPHY Allman, George James.