By Mark Holyoake DAY 13: WEDNESDAY 8TH OCTOBER

Total Page:16

File Type:pdf, Size:1020Kb

By Mark Holyoake DAY 13: WEDNESDAY 8TH OCTOBER by Mark Holyoake DAY 13: WEDNESDAY 8TH OCTOBER This morning we assembled in St Peter’s Square with pilgrims from all around the world, to have an audience with the Holy Father. We had the opportunity to visit St Mary Major Basilica. Basilica of St. John in Lateran (First Papal residence) and the adjacent Holy Stairs brought from Jerusalem to Rome in 326AD by St Helena (as a favourite of pilgrims, these steps may only be ascended on the knees). Basilica of Santa Croce in Jerusalem with its extraordinary collection of relics from the Holy Land including a full size replica of the Shroud of Turin. St Clement’s Church where we celebrated Mass and had time to marvel at this wonderful holy site. DAY 14: THURSDAY 9TH OCTOBER After a private Mass at St Peter’s Basilica early this morning, we visited the nearby Vatican Museums for an unforgettable guided tour. Wandered the spectacular chambers leading to the Sistine Chapel to view Michelangelo’s masterpieces, including the magnificent fresco of the Last Judgment. Continued through to the awe inspiring St. Peter’s Basilica, the largest church in the world for an informative exploration that featured Michelangelo’s stunning Pieta, the tomb of St Pope John Paul II, the tomb of St John XXIII and the Crypt containing the tombs of several Popes. We then visited the excavations under St Peter’s Basilica – the Necropoli. We descended by foot down into the ruins of an ancient city under the Basilica. The 2 hour experience passing through the ancient excavations and catacombs of the early Christian Church and culminates at the site of the original tomb of St Peter. Also viewed Rome by night and discovered the city’s renowned monuments of the Colosseum alight, the Victor Emmanuel Monument, the Piazza Della Republica, St Peter’s Basilica and Capitol Hill. We also disembarked to throw a coin in the Trevi Fountain before strolling to the Piazza Navona to soak up the vibrant atmosphere. Archbasilica ofSt.JohnLateranisthecathedralchurchoftheDioceseofRomeandthe officialecclesiasticalseatoftheBishopofRome,whoisthePope. ThebasilicaofSaintJohnLateranwasbuiltunder PopeMelchiade (Miltiades)in(311314,it’sthe mostancientchurchintheworld. Thepalacebasilicawasconvertedandextended, becomingtheresidenceof PopeStSilvester I,eventuallybecomingthe cathedralofRome,theseatofthepopesas bishopsofRome. TheancientchurchwasresidenceofthePopes until1377whenitwasmovedtotheVatican. Thesestepsmayonlybeascendedontheknees. TheScala Sancta(HolyStairs),areasetof28whitemarble steps.ThestairsleadtotheSanctaSanctorum(Holyof Holies),thepersonalchapeloftheearlyPopesknownas thechapelofSt.Lawrence. AccordingtotheCatholictradition,theyarethesteps leadinguptothepraetorium ofPontiusPilateinJerusalem onwhichJesusChriststeppedonhiswaytotrialduring theeventsknownasthePassion. ThestairswerebroughttoRomebyStHelenamotherof EmperorConstantineIinthefourthcenturyin334A.D. In1589,PopeSixtus Vrelocatedthestepstotheirpresent locationinfrontoftheancientpalatinechapel(theSancta Sanctorum). PopePiusIX(18461878)restoredthestaircase,and promotedit'svenerationasoneofChristianity'sgreat relics.Thepopeclimbedthe28stepsonhiskneesmany times,anactofvenerationdonethatwasdone traditionallythen,andcontinuestothisday.Aprayer relatedtothepassionofJesusChristisreciteduponeach ofthe28steps. TheBasilicaoftheHolyCrossinJerusalemisaRoman CatholicparishchurchandminorbasilicainRome,Italy andoneofthe7PilgrimChurchesofRome. Accordingtotradition,thebasilicawasconsecrated around325tohousethePassionRelicsbroughttoRome fromtheHolyLandbySt.HelenaofConstantinople, motheroftheRomanEmperorConstantineI. Atthattime,thebasilicafloorwascoveredwithsoilfrom Jerusalem,thusacquiringthetitle itisnotdedicatedto theHolyCrosswhichisinJerusalem,butthechurchitself is"inJerusalem"inthesensethata"piece"ofJerusalem wasmovedtoRomeforitsfoundation. BasilicaStCroceinJerusalemhasanextraordinary collectionofrelicsfromtheHolyLandaswellasafull sizedreplicaoftheShroudofTurinwhichisbelievedtobe theburialshroudofJesusofNazareth,Theoriginalshroud iskeptintheroyalchapeloftheCathedralofSaintJohn theBaptistinTurin,northernItaly. TheBasilicaofSaintClementisaRomanCatholicminorbasilicadedicatedtoPopeClementI TraditionholdsthatSaintPeterwascrucifiedatthesiteoftheClementineChapel. Thestructureisathreetiered complexofbuildings: (1) presentbasilicabuiltjust beforetheyear1100during theheightoftheMiddle Ages; (2) beneaththepresent basilicaisa4thcentury basilicathathadbeen convertedoutofthehome ofaRomannobleman,part ofwhichhadinthe1st centurybrieflyservedasan earlychurch,andthe basementofwhichhadin the2ndcenturybriefly servedasamithraeum; (3) thehomeoftheRoman noblemanhadbeenbuilt onthefoundationsofa Thisancientchurchwastransformedoverthecenturiesfromaprivatehomethat republicanerabuildingthat wasthesiteofclandestineChristianworshipinthe1stcenturytoagrandpublic hadbeendestroyedinthe basilicabythe6thcentury,reflectinGtheemergingCatholicChurch'sgrowing GreatFireof64AD. legitimacyandpower. TheVaticanCityistheworld'ssmallestsovereignstateandissituatedentirelywithinthecityofRome Sprawlingoverahillwestof theRiverTiber,VaticanCityis famedforthesightsofSt Peter'sChurch,StPeter's Square,theVaticanitself,the VaticanGardenandofcourse themagnificentStPeter's Basilica. NearStPeter'sstandsthe VaticanPalace,thePope's residence.Amongtheprincipal featuresofthePalacearethe Stanze,theSistineChapeland theVaticanMuseum, containinGmajorworksofart andvaluablepictures. StPeter'sBasilicaisalate Renaissancechurchlocated withinVaticanCity. DesignedprincipallybyDonato Bramante,Michelangelo,Carlo Maderno andGian Lorenzo Bernini,St.Peter'sisthemost renownedworkofRenaissance architectureandremainsoneof thelarGestchurchesintheworld. Therehasbeenachurchonthis sitesincethetimeoftheRoman EmperorConstantinetheGreat. Constructionofthepresent basilica,replacinGtheOldSt. Peter'sBasilicaofthe4thcentury AD,beganon18April1506and wascompletedon18November 1626. PopeFrancis (borninBuenosAires,ArGentinaasJorGeMarioBerGoglio on17December1936)isthe popeoftheCatholicChurch,inwhichcapacityheisBishopofRomeandabsoluteSovereignoftheVaticanCityState. Atthecentre ofthesquareisan Egyptianobelisk,erectedatthecurrent sitein1586. Theobeliskisofredgranite,25.5 metres tall,supportedonbronzelions andsurmountedbytheChigi armsin bronze,inall41metres tothecrosson itstop. Theobeliskwasoriginallyerectedat Heliopolis,Egypt,byanunknown pharaohoftheFifthdynastyofEgypt (c.2494BC–2345BC).Duringits historyofc.4400years(atthestartof the2010s),theobeliskhasbeen successfullymovedthreetimes. Itwasmovedtoitscurrentsiteunder thedirectionofPopeSixtus V.The VaticanObeliskistheonlyobeliskin Romethathasnottoppledsince ancientRomantimes. TraditionholdsthatSaintPeterwascrucifiedatthesiteoftheClementineChapel. HismortalremainsarecontainedintheunderGroundConfessio ofSt.Peter'sBasilica,where PopePaulVIannouncedin1968theexcavateddiscoveryofafirstcenturyRomancemetery. SaintPeterwasoneoftheTwelveApostles ofJesusChrist,leadersoftheearlyChristian Church. Diedc.64ADalsoknownasSimonPeter. TheRomanCatholicChurchconsidershim tobethefirstpope,ordainedbyJesusin the"RockofMyChurch"dialoguein Matthew16:18. Originallyafisherman,heplayeda leadershiproleandwaswithJesusduring eventswitnessedbyonlyafewapostles, suchastheTransfiGuration.Accordingto thegospels,PeterconfessedJesusasthe Messiah,waspartofJesus'sinnercircle, thricedeniedJesus,andpreachedonthe dayofPentecost. AccordingtoChristiantradition,Peterwas crucifiedinRomeunderEmperorNero AugustusCaesar.Itistraditionallyheldthat hewascrucifiedupsidedownathisown request,sincehesawhimselfunworthyto becrucifiedinthesamewayasJesusChrist. Swisssoldiers(TheHelvetians)onguardatthegatesofVaticanCityare troopswhotakeanoathofloyaltytothePope Backintheperiodofthe Renaissanceie in1506 PopeJuliusIIinvitedtoRome theHelvetiansoldiers,who wererenownedfortheir couraGe,noblesentimentsand loyalty. TheSwissCantonsplayedan importantroleinthehistoryof Europeanpoliticsandinfactas alliesofPopeJuliusIIin1512 theyhelpedtoshapeItaly's destinyandweregrantedby thePopethetitleof "DefendersoftheChurch's freedom". TheArmenianSt.Gregoryisrememberedforhisrolein convertinGthenationtoChristianitybackintheyear301. Infact,Armeniabecamethefirstnationtoadopt ChristianityasitsofficialreliGion. ButgettinGtothatpointwasn’teasy.Duringapaganritual, thekingdiscoveredthatGregorywasChristian.As punishmenthewastorturedandsenttothisunderGround wellwherehelivedforoveradecade.Aftermiraculously healingtheking,hewassetfree. AfterhewasreleasedhebaptizedtheArmeniankingand turnedArmeniaChristian. AchurchwasbuiltnearMountAraratinArmenia,nearthe borderwithTurkey,onthesitewherehewasimprisoned. Nowit’soneofthemostpopularpilgrimagesites. The Sistine Chapel is a large and renowned chapel in the Apostolic Palace, the official residence of the Pope in the Vatican City. Originally known as the Cappella Magna, the chapel takes its name from Pope Sixtus IV, who restored it between 1477 and 1480. Since that time, the chapel has served as a place of both religious and functionary papal activity. Today it is the site of the Papal conclave, the process by which a new Pope is selected. The fame of the Sistine Chapel lies mainly in the frescos that decorate the interior, and most particularly the Sistine Chapel ceiling and The Last Judgment by Michelangelo. TheCreationofAdamisafrescopaintingbyMichelangelo,forminGpartofthe SistineChapelceiling,paintedcirca1511–1512 ItillustratestheBiblical creationnarrativefromthe BookofGenesisinwhich GodbreatheslifeintoAdam, thefirstman. Theimageofthenear touchinGhandsofGodand Adamhasbecomeiconicof
Recommended publications
  • VESPASIAN. AD 68, Though Not a Particularly Constructive Year For
    138 VESPASIAN. AD 68, though not a particularly constructive year for Nero, was to prove fertile ground for senators lion the make". Not that they were to have the time to build anything much other than to carve out a niche for themselves in the annals of history. It was not until the dust finally settled, leaving Vespasian as the last contender standing, that any major building projects were to be initiated under Imperial auspices. However, that does not mean that there is nothing in this period that is of interest to this study. Though Galba, Otho and Vitellius may have had little opportunity to indulge in any significant building activity, and probably given the length and nature of their reigns even less opportunity to consider the possibility of building for their future glory, they did however at the very least use the existing imperial buildings to their own ends, in their own ways continuing what were by now the deeply rooted traditions of the principate. Galba installed himself in what Suetonius terms the palatium (Suet. Galba. 18), which may not necessarily have been the Golden House of Nero, but was part at least of the by now agglomerated sprawl of Imperial residences in Rome that stretched from the summit of the Palatine hill across the valley where now stands the Colosseum to the slopes of the Oppian, and included the Golden House. Vitellius too is said to have used the palatium as his base in Rome (Suet. Vito 16), 139 and is shown by Suetonius to have actively allied himself with Nero's obviously still popular memory (Suet.
    [Show full text]
  • Spolia's Implications in the Early Christian Church
    BEYOND REUSE: SPOLIA’S IMPLICATIONS IN THE EARLY CHRISTIAN CHURCH by Larissa Grzesiak M.A., The University of British Columba, 2009 B.A. Hons., McMaster University, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Art History) THE UNVERSIT Y OF BRITISH COLUMBIA (Vancouver) April 2011 © Larissa Grzesiak, 2011 Abstract When Vasari used the term spoglie to denote marbles taken from pagan monuments for Rome’s Christian churches, he related the Christians to barbarians, but noted their good taste in exotic, foreign marbles.1 Interest in spolia and colourful heterogeneity reflects a new aesthetic interest in variation that emerged in Late Antiquity, but a lack of contemporary sources make it difficult to discuss the motives behind spolia. Some scholars have attributed its use to practicality, stating that it was more expedient and economical, but this study aims to demonstrate that just as Scripture became more powerful through multiple layers of meaning, so too could spolia be understood as having many connotations for the viewer. I will focus on two major areas in which spolia could communicate meaning within the context of the Church: power dynamics, and teachings. I will first explore the clear ecumenical hierarchy and discourses of power that spolia delineated through its careful arrangement within the church, before turning to ideological implications for the Christian viewer. Focusing on the Lateran and St. Peter’s, this study examines the religious messages that can be found within the spoliated columns of early Christian churches. By examining biblical literature and patristic works, I will argue that these vast coloured columns communicated ideas surrounding Christian doctrine.
    [Show full text]
  • 75. Sistine Chapel Ceiling and Altar Wall Frescoes Vatican City, Italy
    75. Sistine Chapel ceiling and altar wall frescoes Vatican City, Italy. Michelangelo. Ceiling frescoes: c. 1508-1510 C.E Altar frescoes: c. 1536-1541 C.E., Fresco (4 images) Video on Khan Academy Cornerstone of High Renaissance art Named for Pope Sixtus IV, commissioned by Pope Julius II Purpose: papal conclaves an many important services The Last Judgment, ceiling: Book of Genesis scenes Other art by Botticelli, others and tapestries by Raphael allowed Michelangelo to fully demonstrate his skill in creating a huge variety of poses for the human figure, and have provided an enormously influential pattern book of models for other artists ever since. Coincided with the rebuilding of St. Peters Basilica – potent symbol of papal power Original ceiling was much like the Arena Chapel – blue with stars The pope insisted that Michelangelo (primarily a sculpture) take on the commission Michelangelo negotiated to ‘do what he liked’ (debateable) 343 figures, 4 years to complete inspired by the reading of scriptures – not established traditions of sacred art designed his own scaffolding myth: painted while lying on his back. Truth: he painted standing up method: fresco . had to be restarted because of a problem with mold o a new formula created by one of his assistants resisted mold and created a new Italian building tradition o new plaster laid down every day – edges called giornate o confident – he drew directly onto the plaster or from a ‘grid’ o he drew on all the “finest workshop methods and best innovations” his assistant/biographer: the ceiling is "unfinished", that its unveiling occurred before it could be reworked with gold leaf and vivid blue lapis lazuli as was customary with frescoes and in order to better link the ceiling with the walls below it which were highlighted with a great deal of gold’ symbolism: Christian ideals, Renaissance humanism, classical literature, and philosophies of Plato, etc.
    [Show full text]
  • Falda's Map As a Work Of
    The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676.
    [Show full text]
  • EARLY CHURCH TRADITION POPE CLEMENT I You [Corinthians
    EARLY CHURCH TRADITION POPE CLEMENT I You [Corinthians], therefore, who laid the foundation of the rebellion [in your church], submit to the presbyters and be chastened to repentance, bending your knees in a spirit of humility (Letter to the Corinthians 57 [A.D. 80]). HERMAS [The old woman told me:] "Every prayer should be accompanied with humility: fast, therefore, and you will obtain from the Lord what you beg." I fasted therefore for one day (The Shepherd 1:3:10 [A.D. 80]). IGNATIUS OF ANTIOCH For as many as are of God and of Jesus Christ are also with the bishop. And as many as shall, in the exercise of penance, return into the unity of the Church, these, too, shall belong to God, that they may live according to Jesus Christ (Letter to the Philadelphians 3 [A.D. 110]). 1 POLYCARP Wherefore, forsaking the vanity of many, and their false doctrines, let us return to the word which has been handed down to us from the beginning; staying awake in prayer, and persevering in fasting; beseeching in our supplications the all-seeing God "not to lead us into temptation," as the Lord has said: "The spirit truly is willing, but the flesh is weak" [Matt. 26:41] (Letter to the Philippians 7 [A.D. 135]). JUSTIN MARTYR I will also relate the manner in which we dedicated ourselves to God when we had been made new through Christ; lest, if we omit this, we seem to be unfair in the explanation we are making. As many as are persuaded and believe that what we teach and say is true, and undertake to be able to live accordingly, are instructed to pray and to entreat God with fasting, for the remission of their sins that are past, we are praying and fasting with them.
    [Show full text]
  • G:\ADULT Quizaug 2, 2020.P65
    ‘TEST YOUR FAITH ’ QUIZ FOR ADULTS August 2, 2020 “ O F P O P E S A ND C A R D I N A L S” Msgr. Pat Stilla (Scroll down to pages 2 & 3 for the correct answers ) T F 1. “The Vatican ” is an Italian City under the jurisdiction of the City of Rome. T F 2. St. Peter is buried under the central Papal altar in St. Peter’s Basilica. T F 3. “Roman Pontiff”, which is one of the Pope’s titles literally means, “Roman Bridge Builder”. T F 4. The Pope, who is sometimes called, the “Vicar of Christ”, is always dressed in white, because Christ wore a white robe when He walked the earth. T F 5. When one is elected Pope, his new name is chosen by the Cardinals. T F 6. After St. Peter, the name, “Peter” has never been chosen as a Pope’s name. T F 7. The name most frequently chosen by a Pope after his election, has been “Benedict”, used 16 times. T F 8. Since the Pope is not only the “Holy Father” of the entire world but also the Bishop of Rome, it is his obligation to care for the Parishioners, Bishops, Diocesan Priests and Parish Churches of the Diocese of Rome. T F 9. The Pope’s Cathedral as Bishop of Rome is St. Peter’s Basilica. T F 10. One little known title of the Pope is, “Servant of the servants of God”. T F 11. “Cardinal“ comes from a Greek word which means, a “Prince of the Church”.
    [Show full text]
  • NORTHWESTERN UNIVERSITY the Roman Inquisition and the Crypto
    NORTHWESTERN UNIVERSITY The Roman Inquisition and the Crypto-Jews of Spanish Naples, 1569-1582 A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of History By Peter Akawie Mazur EVANSTON, ILLINOIS June 2008 2 ABSTRACT The Roman Inquisition and the Crypto-Jews of Spanish Naples, 1569-1582 Peter Akawie Mazur Between 1569 and 1582, the inquisitorial court of the Cardinal Archbishop of Naples undertook a series of trials against a powerful and wealthy group of Spanish immigrants in Naples for judaizing, the practice of Jewish rituals. The immense scale of this campaign and the many complications that resulted render it an exception in comparison to the rest of the judicial activity of the Roman Inquisition during this period. In Naples, judges employed some of the most violent and arbitrary procedures during the very years in which the Roman Inquisition was being remodeled into a more precise judicial system and exchanging the heavy handed methods used to eradicate Protestantism from Italy for more subtle techniques of control. The history of the Neapolitan campaign sheds new light on the history of the Roman Inquisition during the period of its greatest influence over Italian life. Though the tribunal took a place among the premier judicial institutions operating in sixteenth century Europe for its ability to dispense disinterested and objective justice, the chaotic Neapolitan campaign shows that not even a tribunal bearing all of the hallmarks of a modern judicial system-- a professionalized corps of officials, a standardized code of practice, a centralized structure of command, and attention to the rights of defendants-- could remain immune to the strong privatizing tendencies that undermined its ideals.
    [Show full text]
  • Ministry to Families Must Meet Their Real Needs, Pope Says
    Ministry to families must meet their real needs, pope says VATICAN CITY (CNS) — The Catholic Church cannot claim to safeguard marriage and family life if it simply repeats its traditional teaching without supporting, encouraging and caring for real families, especially when they struggle to live up to that teaching, Pope Francis said. “It’s not enough to repeat the value and importance of doctrine if we don’t safeguard the beauty of the family and if we don’t compassionately take care of its fragility and its wounds,” the pope said March 19 in a message to a Rome conference marking the fifth anniversary of Amoris Laetitia, his 2016 exhortation of marriage and family life. The conference, sponsored by the Dicastery for Laity, the Family and Life, the Diocese of Rome and the Pontifical John Paul II Theological Institute for the Sciences of Marriage and Family, kicked off celebrations of the “Amoris Laetitia Family Year,” which will conclude June 26, 2022, at the World Meeting of Families in Rome. Pope Francis told conference participants, most of whom were watching online, that his exhortation was meant to give a starting point for a “journey encouraging a new pastoral approach to the family reality.” “The frankness of the Gospel proclamation and the tenderness of accompaniment,” he said, must go hand in hand in the Church’s pastoral approach. The task of the Church, the pope said, is to help couples and families understand “the authentic meaning of their union and their love” as a “sign and image of Trinitarian love and the alliance between Christ and his church.” The Church’s message, he said, “is a demanding word that aims to free human relationships from the slaveries that often disfigure them and render them instable: the dictatorship of emotions; the exaltation of the provisional, which discourages lifelong commitments; the predominance of individualism; (and) fear of the future.” Marriage is a part of God’s plan for individuals, is the fruit of God’s grace and is a call “to be lived with totality, fidelity and gratuity,” the pope said.
    [Show full text]
  • Mustang Daily, April 6, 2007
    ANGD ig\6 C A L I F C ■ POLYTECHNIC STATE UNIVERSITY 2007 Today’s weather Poly drops Big West home opener The Mustang Daily asks students what V to CSUN, 8-7 Easter means to them Partly sunny IN SPO RTS, 8 Low 50° High 69‘ IN SPOTLIGHT, 4 Volume LXX, Number 113 Friday, April 6, 2007 w w w .m ustan3daiiy.com MEXA m arches in Vv. m em oiy Wq o f Chavez ■ / rfifi „ ■ -. i ■ *. » ■ PATRICK TRAUTFIELD MUSTANG DAILY To celebrate the Cesar Chavez V Honorary March, students from V Cal Poly’s Movimiento Estudiantil Xicana/o de Azdan (MEXA) walked from Dexter Lawn to the University Union on Thursday. The marchers held signs and chanted in support of immigration reform and set up a display in the UU. Scooters, motoicydes a means of saving California Senate leader seeks Taylor Moore $6,(XK) and runs approximately 70 miles to the gallon. out-of-Iraq voter initiative MUSTANG DAILY Many used cars can have the same price as a new Vespa, but Wilmore said the typical car only gets 20 miles Marcus Wohlsen With gas prices now over $3 per gallon and campus to the gallon. ASStX:iATEI) PRESS parking lots crowded, many students are now looking at ”1 save roughly $180 a month on gas using my bike,” [f else alternate modes of transporution like motorcycles and Cuesta College junior Gene Daik said. BERKELEY, Calif.— The state motor scooters. Baik owns both a sport utility vehicle and a motorcy­ Senate leader on Thursday worlcs, then Students who ride their motorcycles to campus ben­ cle and drives roughly 200 miles a week for work and announced plans for an advisory efit with closer parking spaces and $90 annual parking school.
    [Show full text]
  • Janson. History of Art. Chapter 16: The
    16_CH16_P556-589.qxp 12/10/09 09:16 Page 556 16_CH16_P556-589.qxp 12/10/09 09:16 Page 557 CHAPTER 16 CHAPTER The High Renaissance in Italy, 1495 1520 OOKINGBACKATTHEARTISTSOFTHEFIFTEENTHCENTURY , THE artist and art historian Giorgio Vasari wrote in 1550, Truly great was the advancement conferred on the arts of architecture, painting, and L sculpture by those excellent masters. From Vasari s perspective, the earlier generation had provided the groundwork that enabled sixteenth-century artists to surpass the age of the ancients. Later artists and critics agreed Leonardo, Bramante, Michelangelo, Raphael, Giorgione, and with Vasari s judgment that the artists who worked in the decades Titian were all sought after in early sixteenth-century Italy, and just before and after 1500 attained a perfection in their art worthy the two who lived beyond 1520, Michelangelo and Titian, were of admiration and emulation. internationally celebrated during their lifetimes. This fame was For Vasari, the artists of this generation were paragons of their part of a wholesale change in the status of artists that had been profession. Following Vasari, artists and art teachers of subse- occurring gradually during the course of the fifteenth century and quent centuries have used the works of this 25-year period which gained strength with these artists. Despite the qualities of between 1495 and 1520, known as the High Renaissance, as a their births, or the differences in their styles and personalities, benchmark against which to measure their own. Yet the idea of a these artists were given the respect due to intellectuals and High Renaissance presupposes that it follows something humanists.
    [Show full text]
  • Rome of the Pilgrims and Pilgrimage to Rome
    58 CHAPTER 2 Rome of the pilgrims and pilgrimage to Rome 2.1 Introduction As noted, the sacred topography of early Christian Rome focused on different sites: the official Constantinian foundations and the more private intra-mural churches, the tituli, often developed and enlarged under the patronage of wealthy Roman families or popes. A third, essential category is that of the extra- mural places of worship, almost always associated with catacombs or sites of martyrdom. It is these that will be examined here, with a particular attention paid to the documented interaction with Anglo-Saxon pilgrims, providing insight to their visual experience of Rome. The phenomenon of pilgrims and pilgrimage to Rome was caused and constantly influenced by the attitude of the early-Christian faithful and the Church hierarchies towards the cult of saints and martyrs. Rome became the focal point of this tendency for a number of reasons, not least of which was the actual presence of so many shrines of the Apostles and martyrs of the early Church. Also important was the architectural manipulation of these tombs, sepulchres and relics by the early popes: obviously and in the first place this was a direct consequence of the increasing number of pilgrims interested in visiting the sites, but it seems also to have been an act of intentional propaganda to focus attention on certain shrines, at least from the time of Pope Damasus (366-84).1 The topographic and architectonic centre of the mass of early Christian Rome kept shifting and moving, shaped by the needs of visitors and ‒ at the same time ‒ directing these same needs towards specific monuments; the monuments themselves were often built or renovated following a programme rich in liturgical and political sub-text.
    [Show full text]
  • Roman Architecture with Professor Diana EE Kleiner Lecture 13
    HSAR 252 - Roman Architecture with Professor Diana E. E. Kleiner Lecture 13 – The Prince and the Palace: Human Made Divine on the Palatine Hill 1. Title page with course logo. 2. Domus Aurea, Rome, sketch plan of park. Reproduced from Roman Imperial Architecture by John B. Ward-Perkins (1981), fig. 26. Courtesy of Yale University Press. 3. Portrait of Titus, from Herculaneum, now Naples, Archaeological Museum. Reproduced from Roman Sculpture by Diana E. E. Kleiner (1992), fig. 141. Portrait of Vespasian, Copenhagen. Reproduced from A History of Roman Art by Fred S. Kleiner (2007), fig. 9-4. 4. Roman Forum and Palatine Hill, aerial view. Credit: Google Earth. 5. Via Sacra, Rome. Image Credit: Diana E. E. Kleiner. Arch of Titus, Rome, Via Sacra. Reproduced from Rome of the Caesars by Leonardo B. Dal Maso (1977), p. 45. 6. Arch of Titus, Rome, from side facing Roman Forum [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:RomeArchofTitus02.jpg (Accessed February 24, 2009). 7. Arch of Titus, Rome, 18th-century painting [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:7_Rome_View_of_the_Arch_of_Titus.jpg (Accessed February 24, 2009). Arch of Titus, Rome, from side facing Colosseum. Image Credit: Diana E. E. Kleiner. 8. Arch of Titus, Rome, attic inscription and triumphal frieze. Image Credit: Diana E. E. Kleiner. 9. Arch of Titus, Rome, triumphal frieze, victory spandrels, and keystone. Image Credit: Diana E. E. Kleiner. 10. Arch of Titus, Rome, composite capital. Image Credit: Diana E. E. Kleiner. 11. Arch of Titus, Rome, triumph panel. Image Credit: Diana E. E.
    [Show full text]