Film Streams Programming Calendar Film Streams Supporters Want To
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University of South Carolina Scholar Commons February 2012 2-28-2012 The aiD ly Gamecock, TUESDAY, FEBRUARY 28, 2012 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2012_feb Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, TUESDAY, FEBRUARY 28, 2012" (2012). February. 2. https://scholarcommons.sc.edu/gamecock_2012_feb/2 This Newspaper is brought to you by the 2012 at Scholar Commons. It has been accepted for inclusion in February by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com UNIVERSITY OF SOUTH CAROLINA TUESDAY, FEBRUARY 28, 2012 VOL. 108, NO. 34 ● SINCE 1908 USC prepares for federal cuts Carolina Cab sees University spends $280k USC spent $260,000. now, he asks them “to make increased ridership for national lobbying In recent years, the face of strategic cuts, rather than basic, that lobbying has also changed, across-the-board cuts,” he said. High demand leaves some Thad Moore according to Steven Beckham, Regardless, he expects that [email protected] the university’s director of departments throughout the students without ride home federal relations. government will see smaller USC slashed its spending on As politicians and the public budgets, and that will affect Kathryn Kranjc lobbying the federal government focus increasingly on shrinking USC. [email protected] during the Great Recession , but the federal budget, Beckham “I think everyone’s going to The Carolina Cab program may be a step up since 2009 those levels have and the Podesta Group, a have to be prepared for cuts in from the rarely-used Cocky’s Caravan service, more than doubled, according high-profi le Washington, D.C. -
Film Streams Programming Calendar the Ruth Sokolof Theater
Film Streams Programming Calendar The Ruth Sokolof Theater . July – September 2010 v4.1 El violin 2005 New Program! Local Filmmakers Showcase August 6 – 12, 2010 The Program (14 films, 120 mins): Azure Ray - We are Mice (Dir. Nik Fackler); F Word Pizza (Dir. Max Mentzer); Fantasia in Clay (NET); Hump (Dir. Lindsay Trapnell); Illusions (Dir. Jorge Gomez); One Good Turn (Dir. Ryle Smith); Paper Dolls (Dir. Allison Smoler); Pioneers (Dir. Charles Fairbanks); Recalling Trinity (Dir. Tim Guthrie); Sink or Swim (Dir. The Animutts: Rebecca Hermann, Peggy Reinecke, Tom Sain); The Bedroom Wall (Dir. Tony Costello); Valentine, Nebraska (Dir. Patrick Geske); Vanity (Dir. Josh France); Wrestling with My Father (Dir. Charles Fairbanks) We take pride in showing films from around the world and throughout the makers you’ll see, but the remarkable work being history of film, but there’s always something to be said for the here and now. produced in our region overall. Join us opening And that’s what this new program is all about. Led by an independent jury night for a special screening and premiere party of local artists and film enthusiasts, our first Local Filmmakers Showcase with the filmmakers, or any day that week to expe- was curated with two specific goals in mind: to present an entertaining, ar- rience the Showcase in its entirety. tistically interesting program for audiences while celebrating and providing Film Streams’ First Local Filmmakers Showcase is area filmmakers with an opportunity for a full theatrical run. It’s worth noting: curated by jurors Sara Adkisson Joyner, Jody and This is not a festival. -
Film Streams Programming Calendar Film Streams Supporters Want To
Film Streams Programming Calendar The Ruth Sokolof Theater . July – September 2013 v7.1 Devdas 2002 Bollywood and Beyond July 26 – October 3, 2013 Devdas 2002 3 Idiots 2009 Sholay 1975 Nishabd 2007 Om Shanti Om 2007 Jalsaghar Dilwale Dulhania (The Music Room) 1958 Le Jayenge 1995 Patang 2011 Omkara 2006 Monsoon Wedding 2001 Generously supported by Sam Walker. A comprehensive overview of India’s prolific film- “Curry Western” tradition through its unforgettable assortment of action, musi- making traditions would be impossible to offer in a cal, melodrama, and comedy—and you’ll find its influence in the more recent year, much less a season. Even a ten-film spotlight DEVDAS, with its grandiosity, opulence, music, and timeless story of tragedy. focused on classics from a given era of Bollywood— But we’ve gone beyond masala film to include PATANG, whose cinematogra- Mumbai-made, Hindi-language films—would phy blends the lines between documentary and fiction, and we’ve gone beyond leave glaring omissions. So for our Bollywood and Bollywood with the classic JALSAGHAR (THE MUSIC ROOM) by the master Beyond series, we’ve put together a small sampling Bengali filmmaker Satyajit Ray. What all of these films have in common is one of cinema that’s a bit like a masala—a mixture thing: They are captivating, beautifully rendered experiences whose sights and of spices that in Indian cinema refers to a genre sounds are truly intended to be experienced on the big screen. that combines conventions into a feast. You’ll find that mix in films like SHOLAY, which birthed the See reverse side for more information and dates. -
Bright Eyes a Christmas Album
1 / 2 Bright Eyes A Christmas Album Only you can make oh this world seem right Only you can make the darkness bright Only you and ... Jagged Edge & Diddy 19. zip Rat Pack - The Christmas Album. ... This is a blog site which has a watchful eyes stalking in the shade to spot .... Summary: Originally released in 2002 as an exclusive, the album of Christmas standards featuring guest appearances from friends including .... CD, Released by Bright Eyes, on 11/05/2013.. Sweat Records (est. 2005) in an independent record shop and event space located in the Little Haiti neighborhood of Miami, Florida. Our web store is filled with.. Originally released in 2002 as a Saddle Creek Online Store exclusive with all proceeds benefiting the Nebraska AIDS Project, Bright Eyes' A Christmas Album is .... Bright Eyes: "A Christmas Album" (Saddle Creek). There's much to enjoy about this album initially released online in 2002 to benefit a .... Nov 18, 2016 - Find many great new & used options and get the best deals for A Christmas Album by Bright Eyes (Vinyl, Nov-2013, Saddle Creek Records) at .... Bright Eyes - A Christmas Album. Buy / Listen: Play · Play · Play · Play · Play · Play. Powered by. By using this service you agree to our Privacy Policy and Terms .... Bright Eyes - Christmas Album - Vinyl LP - 2013 - US - Original kaufen im Online Music Store von HHV - Neuheiten & Topseller auf Vinyl, CD & Tape .... A Christmas Album: Bright Eyes: Amazon.de: MP3-Downloads. ... Kaufen Sie die CD für €5,99, um die MP3-Version kostenlos in Ihrer Musikbibliothek zu ... "A Christmas Album," a holiday record Conor Oberst recorded and released on a limited basis through Saddle Creek Records' website in 2002, is getting a wide ... -
God Loves Uganda | the Hooping Life | Tim’S Vermeer | the Address | Life According to Sam | the Story of the Jews Scene & He D
July-August 2014 VOL. 29 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 4 IN THIS ISSUE God Loves Uganda | The Hooping Life | Tim’s Vermeer | The Address | Life According to Sam | The Story of the Jews scene & he d LET BAKER & TAYLOR’S SCENE & HEARD TEAM HELP MAKE BUILDING AND MAINTAINING YOUR A/V COLLECTION EASIER WITH OUR PROFESSIONAL DIGITAL MEDIA PROCESSING (DMP) SERVICES! DMP off s a v iety of key benefi ts and feat es including: ■ Digitally reproduced original cover artwork ■ Personalized library contact information ■ Detailed content checklists and messaging ■ Circulation-tough polyvinyl CD and DVD cases ■ Single, double, multiple and locking security cases available ■ Large assortment of customized, embedded labels — genre, spine and more! To learn about DMP and other A/V products and services, contact your Sales Consultant today to discuss a custom-tailored solution for all your needs! 800-775-2600 x2050 [email protected] www.baker-taylor.com STAY CONNECTED: Spotlight Review God Loves Uganda streets, LGBT activists identified in newspa- HHH1/2 pers, and finally to a killing. Williams seems (2013) 83 min. DVD: to be everywhere with his camera (although $24.95. First Run he also makes assiduous use of archival and Publisher/Editor: Randy Pitman Features (avail. from other material): on buses with young Ameri- most distributors). Closed can ministers in Uganda, in parliamentary Associate Editor: Jazza Williams-Wood captioned. session, and at town hall-like meetings where Copy Editor: Kathleen L. Florio Stunning in its rev- gay pornography is shown (even to children) elations about the ways Editorial Assistant: Chris Pitman with the intent of fomenting intolerance. -
Demy Texte Anglais Complet
'Demy and the Marvellous' Once upon a time… 'My life is a long childhood,' sang the young women of Rochefort in a working version of their famous song. This is also what Jacques Demy thought about his own life. His wonderment before the puppet shows to which his mother took him led to the vocation, at a very young age, of cinema seen as a dream or magical toy… For the little 'Jacquot of Nantes', everything started from childhood and all his art contributed to prolonging it. In the family attic, fitted out as a 'studio', he painted stories on strips of celluloid, also shooting frame by frame with an amateur movie camera to animate his cardboard characters. Alone and like a craftsman, he invented worlds for himself, small-scale models of the fantasies to come. Once he had grown up, Demy would like the sequence-length shot whose duration helped in creating a seamless world… He would imagine bringing back characters and actors from film to film, thus dreaming his oeuvre like a village and a world, a great uninterrupted fiction, constantly run through with influences and returns. He would shoot in the street, but as a painter of reality, would also intervene on the motif: the large flats of colours on the façades of the houses in Rochefort, the macadam smoothed expressly for Gene Kelly's dance… The Marvellous, from the Latin mirabilia ('astonishing, admirable things'), meets an intimate need to transfigure reality: doubtless to protect himself from it and to substitute a desirable world for it. Demy liked to bring back his characters from one film to the next, thus dreaming of a truly marvellous world ruled by his own laws. -
The Saga of Jacques Demy: Paul Auster’S the Book of Illusions
THE SAGA OF JACQUES DEMY: PAUL AUSTER’S THE BOOK OF ILLUSIONS Copyright © 2010 by James Clark Of all the Paul Auster novels, the title for the text, The Book of Illusions , carries us farthest into the heart of its discernment. Whereas a cursory reading (utterly pointless, when it comes to that most nuanced of projects) would settle upon the “illusions” dished up by a set of films under the auspices of one “Hector Mann,” a more fertile line of initial engagement would twig on to the name of the narrator/protagonist, “David Zimmer .” Zimmer denotes an enclosed space, a room. The Zimmer in question would thereby fall in line with a horde of Auster players the centripetal energies of whom render them, as extirpated from a wide, cogently sensuous dynamic, ascetic (illusory and delusory) figures whose compensatory bids on behalf of carnal frappe sour to the level of bathetic insistence, the interpersonal range of which would tend to hectoring , harassment of others for the sake of bending them to its will. Woven into the illusory exploits, thus structured, of Zimmer, the locked room, and Hector, the loose cannon, is a very familiar motif (chimaeric, illusory in its location as overtone to banal events) drawn from the 1955 film noir, Kiss Me Deadly , namely, Pandora’s Box, a fountain of dynamic power to master or misplay with destructive, and sometimes deadly, consequences. As it happens, the silent movies from 1928, which Hector directed and in which he starred as a comedian, come with titles imparting another crucial vein, in the form of overtone of illusory vigor deriving from the work of another filmmaker, namely, Jacques Demy (1931-1990). -
University of Missouri
UNIVERSITY THE INDEPENDENT STUDENT NEWS OF UMKC April 4, 2011 Vol. 78, Issue 27 Graffiti Grill brightens 11Broadway 2 Debunking myths 9 Reviving ‘Cabaret’16 Player of the about Kansas week: Alex City crime Pena-Lopez Photo by Sam Towns 2 NEWS Vol. 78, Issue 27 CRIME IN KANSAS CITY Photo Illustration by Nathan Zoschke Facts, myths and student perceptions Nathan Zoschke victimized by crime, especially homicide and ag- kids in gangs? Personally, no, but I knew who they She said it was dark after her night classes in Asst. Production Manager/Copy Editor gravated assault. were. I tried to not follow that crowd.” the winter, and that several girls in her class would Eighty of Kansas City’s 106 homicide victims Herring said he expects violence in the city. carpool to the residence halls. Crime can be a problem in most major cities, in 2010 were Black, yet African-Americans only “I feel like we are in the city, so there’s going Lighting on the quad, she said, is poor, and and Kansas City is no exception. represent 30 percent of Kansas City’s population. to be violence,” Herring said, “but I feel like Reierson, like many UMKC students, has taken In 2010, homicides occurred, on average, once In contrast, Non-Hispanic Whites, who com- sometimes kids who aren’t from the city play it up. precautions. every three and a half days in Kansas City, Mo., prise 60 percent of Kansas City’s population, and Living here all my life, I’ve never been mugged or “I carry pepper spray, but obviously that only and aggravated assaults averaged nearly 10 per represented only 13 homicide victims. -
When the President Talks to God: a Rhetorical Criticism of Anti-Bush Protest Music
WHEN THE PRESIDENT TALKS TO GOD: A RHETORICAL CRITICISM OF ANTI-BUSH PROTEST MUSIC Megan O'Byrne A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2008 Committee: Michael L. Butterworth, Advisor Lara Martin Lengel Ellen W. Gorsevski ii ABSTRACT Michael L. Butterworth, Advisor Anti-war protest music has re-emerged onto the American songscape since the terrorist attacks of September 11, 2001 and the resulting military conflicts in Iraq and Afghanistan. This study works to explicate the ways in which protest music functions in the resultant culture of war. Protest music, as it reflects and creates culture, represents one possible site of productive change. Chapter 1 examines Ani DiFranco’s song “Self Evident” which was written as an immediate reaction to 9/11. Throughout this chapter I argue that protest music has the potential to work as a vehicle for consciousness raising. In Chapter 2 I consider the constitutive elements in the Bright Eyes song “When the President Talks to God.” Performed on The Tonight Show in May 2005, this song represents one of the first performances of dissent on national television after 9/11. This chapter also examines the limitations of Charland’s conception of the constituted public as it pertains to diverse and heterogeneous audiences. Ultimately, I argue that consciousness raising through music has the potential to bring listeners into the constituted subject position of those who dissent against war. iii Dedicated to the memory of Dr. Lewis (Lee) Snyder in whose shadow I will always walk. -
A Quick Guide to All Things Omaha. to Make Your Trip SHORT and SWEET
Just a few miles A Quick Guide To All Things Omaha. to make your trip SHORT AND SWEET. KANSAS CITY 184 MI Quick Facts CHICAGO Population: Omaha Metro Area: 952,018 469 MI Nebraska’s largest city • 41st largest city in the United States Located in Douglas County, NE History Founded in 1854 by land speculators, Omaha was incorporated as a city in 1897. Omaha, named after an American Indian tribe, means “those going against the wind or current.” Historic Sites Fort Omaha is best known for its role in the 1879 landmark trial of Ponca Chief Standing Bear. Standing Bear was arrested while trying to bury his son near the tribe’s homeland along the Niobrara River. At the trial Civil War General George Crook, in his full military regalia, spoke on behalf of the Ponca chief. The court ruled in favor of Standing Bear, which DENVER 540 MI represented the first time an Indian was recognized as a person under the law. ST. LOUIS 436 MI Boys Town This well-known landmark is a national treasure and historic children’s home founded in 1917 by Father Flanagan. Boys Town welcomes over 100,000 visitors each year. DALLAS 663 MI Omaha’s Old Market Entertainment District is the city’s historic art, shopping and dining district. In the 1880s it served as a manufacturing, DES MOINES 135 MI industrial warehouse and wholesale jobbing area. The Gerald R. Ford Birth Site and Gardens is a memorial to our country’s MINNEAPOLIS 379 MI 38th President. The Malcolm X Birth Site is a memorial to the civil rights leader and his INDIANAPOLIS contributions to our country. -
The Queer Cinema of Jacques Demy
A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/107760 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications The Queer Cinema of Jacques Demy Georgia Mulligan A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Film and Television Studies Department of Film and Television Studies University of Warwick September 2017 1 Table of contents Acknowledgements 5 Abstract 6 List of illustrations 7 Note about references 14 Introduction 15 Chapter 1: New critical approaches to the Demy problem 26 Authorship 28 Genre 32 Stardom 34 Emotion and style 37 Queer and feminist methodologies 40 Feminism against the canon 40 Queer studies 45 Chapter 2: Demy and the New Wave 52 What is the New Wave? 55 Demy disappears from the New Wave canon 59 Is Demy New Wave? 63 La Luxure 65 Lola 69 Emotional realism and subjective time 71 The wrong kind of cinephilia 75 Queering the New Wave gaze and the New Wave man 81 La Baie des Anges 86 2 Paratext and publicity 87 The heterosexual couple 90 Denauralising Jeanne Moreau 96 Conclusion 101 Chapter 3: Demy’s failed films 103 Model Shop 108 New Hollywood and queer -
Who Stole the Music?
WHO STOLE THE MUSIC? Due to space limitations in the September/October issue of Clamor, we weren’t able to print any of the tons of music reviews that we had slated for the issue. In an effort to bring them to you in a timely fashion, we’re providing them for you here. We hope you find something you like. If you’d like to write reviews for Clamor, visit www.clamormagazine.org/freestuff.html to see our list of available material. 16/Today Is The Day and not really be cornered into categories. a great survey of the style, and plenty of variety. Zodiac Dreaming split CD I think that this band deserves recognition for Getting to know Bhangra Beatz, I approached Trash Art sticking to instrumental and because of their it in many ways. I put it on while my housemates www.trashart.com perseverance and sincere sound. Check them out if and I made dinner. It was perfect; an unobtrusive your older brother was into Rush or into Joe Satriani beat, different from our usual (funk-related) Two of the longest running and you couldn’t stand the virtuoso cockiness. selections. indy metal acts team up to The CD layout is pretty basic and not very The liner notes provide a history of bhangra show that they still have what it takes to unleash modern or fashionable which is very representative music, and a summary of the subject matter of each some powerful songs. 16 start off this record with of the band. Its clean and is a sound that’s familiar song’s lyrics.