DOCSLIB.ORG

Anahí Berneri • Argentina• Nuevos Directores • 93 M

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Anahí Berneri • Argentina• Nuevos Directores • 93 M 2 / PROGRAMAZIOA PROGRAMACIÓN PROGRAMME Zinemaldiaren egunkaria • Asteartea, 2007ko irailaren 25a GAURHOYTODA25Y SECCIÓN OFICIAL …ZABALTEGI …ZABALTEGI …HOR. LATINOS …HENRY KING …FIEBRE HELADA 9:00 KURSAAL, 1 …PERLAS …NUEVOS DIRECTORES MADE IN SPAIN 20:30 PRINCIPE, 6 20:30 ANTIGUO BERRI, 6 SIETE MESAS DE BILLAR FRANCÉS THE BLACK SWAN KUNSTEN AT GRÆDE I KOR / GRACIA QUEREJETA• ESPAÑA• 113 M. 16:30 KURSAAL, 2 19:00 KURSAAL, 2 HENRYKING • EE.UU. • 1942 • 85 M. THE ART OF CRYING 16:30 ANTIGUO BERRI, 4 PETER SCHØNAU FOG • DINAMARCA • 2006 • 100 M. 9:30 TEATRO VICTORIA EUGENIA HELP! THE BIRD CAN’T FLY UNA MUJER INVISIBLE 20:30 ANTIGUO BERRI, 5 CEOT OI KAP GEI / EXODUS RICHARD LESTER • GRAN BRETAÑA• 1965 • (VERSIÓN THREES ANNA • SUDÁFRICA - HOLANDA - IRLANDA • 89 M. GERARDO HERRERO • ESPAÑA• V.O. SUBTÍTULOS EN A BELL FOR ADANO 21:00 ANTIGUO BERRI, 4 INGLÉS • 106 M. PANG HO-CHEUNG • HONG KONG • V.O. SUBTÍTULOS EN RESTAURADA. PELÍCULA FUERA DE CONCURSO) • 92 M. HENRYKING • EE.UU. • 1945 • 104 M. Á KÖLDUM KLAKA / COLD FEVER 22:00 PRINCIPAL FRIDRIKTHOR FRIDRIKSSON • ISLANDIA • 1995 • 85 M. CASTELLANO, ELECTRÓNICOS EN INGLÉS • 94 M. 18:15 TEATRO VICTORIA EUGENIA SOUL CARRIAGE 18:30 ANTIGUO BERRI, 4 20:30 ANTIGUO BERRI, 8 12:00 KURSAAL, 1 UAHAN SEGYE / CONRAD CLARK • CHINA - GRAN BRETAÑA• V.O. SUBTÍTU- LA SOLEDAD THIS EARTH IS MINE 23:00 PRINCIPE, 9 CEOT OI KAP GEI / EXODUS THE SHOW MUST GO ON LOS EN CASTELLANO, ELECTRÓNICOS EN INGLÉS • SÓLO JAIME ROSALES • ESPAÑA• V.O. SUBTÍTULOS EN INGLÉS • HENRYKING • EE.UU. • 1959 • 125 M. OFFSCREEN PRENSAYACREDITADOS. PRIORIDAD PRENSA • 88 M. 130 M. PANG HO-CHEUNG • HONG KONG • V.O. SUBTÍTULOS EN HAN JAE-RIM • COREA DELSUR • SESIÓN DE VOTACIÓN 22:30 PRINCIPE, 2 CHRISTOFFER BOE • DINAMARCA • 2006 • 93 M. CASTELLANO, ELECTRÓNICOS EN INGLÉS • 94 M. PARA ELPREMIO • 110 M. 20:30 PRINCIPE, 10 ESPECIALES ZABALTEGI TOL’ABLE DAVID 23:30 ANTIGUO BERRI, 7 16:00 TEATRO VICTORIAEUGENIA 20:45 TEATRO VICTORIAEUGENIA INVISIBLES HENRYKING • EE.UU. • 1921 • (PELÍCULA MUDA CON ACOM- SÅNGER FRÅN ANDRA VÅNINGEN / CARAMEL MARIANO BARROSO, ISABELCOIXET,JAVIER CORCUERA, PAÑAMIENTO MUSICALEN DIRECTO) • 118 M. SONGS FROM THE SECOND FLOOR ENCARNACIÓN 20:30 PRINCIPE, 9 FERNANDO LEÓN DE ARANOA,WIM WENDERS • ESPAÑA• NADINE LABAKI • LÍBANO - FRANCIA • SESIÓN DE VOTA- ROYANDERSSON • SUECIA • 2000 • 97 M. ANAHÍ BERNERI • ARGENTINA• NUEVOS DIRECTORES • 93 M. LUCIO V.O. SUBTÍTULOS EN INGLÉS • 108 M. 22:30 PRINCIPE, 6 CIÓN PARA ELPREMIO • 96 M. 19:00 KURSAAL, 1 AITOR ARREGI,JOSE MARI GOENAGA • ESPAÑA• 93 M. THE SONG OF BERNADETTE 22:45 PRINCIPE, 3 HENRYKING • EE.UU. • 1943 • 156 M. CEOT OI KAP GEI / EXODUS 21:00 PRINCIPE, 7 20:30 ANTIGUO BERRI, 2 UNO DE LOS DOS NO PUEDE ESTAR PHILIPPE GARREL PANG HO-CHEUNG • HONG KONG • V.O. SUBTÍTULOS EN L’AVOCAT DE LA TERREUR MADRES EQUIVOCADO 22:45 PRINCIPE, 10 BARBET SCHROEDER • FRANCIA • V.O. SUBTÍTULOS IN- CASTELLANO, ELECTRÓNICOS EN INGLÉS • 94 M. EDUARDO FÉLIXWALGER • ARGENTINA • 117 M. PABLO LLORCA • ESPAÑA• V.O. SUBTÍTULOS EN INGLÉS • WILSON 16:00 ANTIGUO BERRI, 7 GLÉS, ELECTRÓNICOS EN CASTELLANO • 135 M. 19:30 PRINCIPAL 82 M. HENRYKING • EE.UU. • 1944 • 154 M. ELLE A PASSÉ TANT D’HEURES SOUS 23:00 ANTIGUO BERRI, 6 21:30 KURSAAL, 2 LES SUNLIGHTS A THOUSAND YEARS OF GOOD EL AÑO DE TODOS LOS DEMONIOS 23:00 ANTIGUO BERRI, 8 PHILIPPE GARREL• FRANCIA • 1984 • 130 M. PRAYERS LADY CHATTERLEY ANGELAMIGO • ESPAÑA• V.O. SUBTÍTULOS ELECTRÓNI- HENRY KING… TENDER IS THE NIGHT WAYNE WANG • EE.UU. • V.O. SUBTÍTULOS EN CASTELLANO, PASCALE FERRAN • FRANCIA • 158 M. COS EN INGLÉS • 70 M. HENRYKING • EE.UU. • 1961 • 142 M. 16:30 PRINCIPE, 10 ELECTRÓNICOS EN INGLÉS • SÓLO PRENSAYACREDITA- 16:00 PRINCIPE, 2 J’ENTENDS PLUS LA GUITARE DOS. PRIORIDAD PRENSA • 83 M. 23:30 PRINCIPE, 7 24:00 PRINCIPAL PHILIPPE GARREL• FRANCIA • 1991 • 98 M. THE HOAX LITTLE MARY SUNSHINE 22:00 KURSAAL, 1 EL AÑO DE TODOS LOS DEMONIOS HENRYKING • EE.UU. • 1915 • (PELÍCULA MUDA CON ACOM- LASSE HALLSTRÖM • EE.UU. • 115 M. ANGELAMIGO • ESPAÑA• V.O. SUBTÍTULOS ELECTRÓNI- FIEBRE HELADA… 18:30 ANTIGUO BERRI, 7 SIETE MESAS DE BILLAR FRANCÉS PAÑAMIENTO MUSICALEN DIRECTO) • 46 M. 24:00 KURSAAL, 2 COS EN INGLÉS • SÓLO PRENSAYACREDITADOS. PRIORI- LES BAISERS DE SECOURS GRACIA QUEREJETA• ESPAÑA• 113 M. DAD PRENSA • 70 M. 16:00 PRINCIPE, 2 16:00 ANTIGUO BERRI, 6 PHILIPPE GARREL• FRANCIA • 1988 • 83 M. CARAMEL FUCKING ÅMÅL / SHOW ME LOVE 23:00 TEATRO VICTORIAEUGENIA TWIN KIDDIES 18:30 PRINCIPE, 10 NADINE LABAKI • LÍBANO - FRANCIA • 96 M. HENRYKING • EE.UU. • 1916 • (PELÍCULA MUDA CON ACOM- LUKAS MOODYSSON • SUECIA • 1998 • 89 M. EMOTIONAL ARITHMETIC PAÑAMIENTO MUSICALEN DIRECTO) • 43 M. LA NAISSANCE DE L’AMOUR PAOLO BARZMAN • CANADÁ • NUEVOS DIRECTORES • 95 M. HOR. LATINOS… 16:00 PRINCIPE, 9 PHILIPPE GARREL• FRANCIA • 1993 • 94 M. NUEVOS DIRECTORES… EN SOAP / A SOAP 23:30 ANTIGUO BERRI, 2 16:00 ANTIGUO BERRI, 8 9:30 KURSAAL, 2 SELECCIÓN HORIZONTES THE BRAVADOS PERNILLE FISCHER CHRISTENSEN • DINAMARCA • 2006 • THE INNER LIFE OF MARTIN FROST HENRYKING • EE.UU. • 1958 • 99 M. 104 M. PAULAUSTER • FRANCIA - ESPAÑA- PORTUGAL• (PELÍCU- THE BLUE HOUR LIV ULLMANN LA FUERA DE CONCURSO) • 93 M. ERIC NAZARIAN • EE.UU. • 93 M. 16:00 ANTIGUO BERRI, 5 16:30 PRINCIPE, 6 16:00 ANTIGUO BERRI, 2 SATANÁS LITTLE OLD NEW YORK DAG OG NAT / DAY AND NIGHT 20:30 ANTIGUO BERRI, 7 9:30 PRINCIPAL ANDRÉS BAIZ • COLOMBIA • V.O. SUBTÍTULOS EN INGLÉS • HENRYKING • EE.UU. • 1940 • 100 M. SIMON STAHO • SUECIA - DINAMARCA • 2004 • 95 M. SOFIE THE BIRD CAN’T FLY 95 M. LIV ULLMANN • SUECIA - DINAMARCA • 1992 • V.O. SUBTÍTU- ZABALTEGI… 18:00 ANTIGUO BERRI, 8 18:00 PRINCIPE, 9 LOS ELECTRÓNICOS EN EUSKARA • 150 M. THREES ANNA • SUDÁFRICA - HOLANDA - IRLANDA • SÓLO 16:00 PRINCIPE, 3 PRENSAYACREDITADOS. PRIORIDAD PRENSA • 89 M. BELOVED INFIDEL FORELDRAR / PARENTS PERLAS… EL BAÑO DEL PAPA HENRYKING • EE.UU. • 1959 • 123 M. RAGNAR BRAGASON • ISLANDIA • 2007 • 120 M. 12:00 KURSAAL, 2 ENRIQUE FERNÁNDEZ, CÉSAR CHARLONE • URUGUAY- NUEVAS PROYECCIONES DÍA 27 BRASIL- FRANCIA • V.O. SUBTÍTULOS EN INGLÉS • 97 M. 18:30 PRINCIPE, 2 18:15 PRINCIPE, 3 12:00 TEATRO VICTORIA EUGENIA SOUL CARRIAGE IDIOTERNE / THE IDIOTS CONRAD CLARK • CHINA - GRAN BRETAÑA• V.O. SUBTÍTU- REMEMBER THE DAY UAHAN SEGYE / 18:30 ANTIGUO BERRI, 5 HENRYKING • EE.UU. • 1941 • 91 M. LARS VON TRIER • DINAMARCA • 1998 • 117 M. FIEBRE HELADA THE SHOW MUST GO ON LOS EN CASTELLANO, ELECTRÓNICOS EN INGLÉS • 88 M. BAIXIO DAS BESTAS / 18:30 ANTIGUO BERRI, 6 21:00 ANTIGUO BERRI, 1 HAN JAE-RIM • COREADELSUR • O.V.SUBTITLES IN SPA- 16:00 PRINCIPE, 7 BOG OF BEASTS 18:30 PRINCIPE, 6 NISH,SIMULTANEOUS TRANSLATION INTO ENGLISH • SÓLO CLÁUDIO ASSIS • BRASIL• V.O. SUBTÍTULOS EN CASTELLA- A YANK IN THE R.A.F. BÖRN / CHILDREN Á KÖLDUM KLAKA / COLD FEVER PRENSAYACREDITADOS.PRIORIDAD PRENSA• 110 M. L’HOMME QUI MARCHE NO • 82 M. HENRYKING • EE.UU. • 1941 • 93 M. RAGNAR BRAGASON • ISLANDIA • 2006 • 93 M. FRIDRIKTHOR FRIDRIKSSON • ISLANDIA • 1995 • 85 M. AURÉLIA GEORGES • FRANCIA • 82 M. 16:30 PRINCIPAL 20:30 PRINCIPE, 3 20:30 PRINCIPE, 2 18:30 ANTIGUO BERRI, 2 21:00 ANTIGUO BERRI, 3 CARAMEL 18:30 PRINCIPE, 7 FIESTAPATRIA A SPORTING CHANCE SALMER FRA KJØKKENET / SALMER FRA KJØKKENET / NADINE LABAKI • LÍBANO - FRANCIA • SÓLO PRENSAY BRICK LANE LUIS R.VERA • CHILE - PERÚ • V.O. SUBTÍTULOS EN INGLÉS • HENRYKING • EE.UU. • 1919 • (PELÍCULA MUDA CON ACOM- KITCHEN STORIES KITCHEN STORIES ACREDITADOS. PRIORIDAD PRENSA • 96 M. SARAH GAVRON • GRAN BRETAÑA• 102 M. 102 M. PAÑAMIENTO MUSICALEN DIRECTO) • 60 M. BENT HAMER • NORUEGA • 2003 • 95 M. BENT HAMER • NORUEGA • 2003 • 95 M. LAS PELÍCULAS EN ROJO CORRESPONDEN A ÚLTIMOS PASES. BIHARMAÑANATOMORROW26 SECCIÓN OFICIAL …ZABALTEGI …ZABALTEGI …HOR. LATINOS …DÍA CINE VASCO FIEBRE HELADA 9:00 KURSAAL, 1 …PERLAS …NUEVOS DIRECTORES …SELECCIÓN HORIZONTES 20:00 PRINCIPE, 6 16:00 ANTIGUO BERRI, 6 A THOUSAND YEARS OF GOOD KIMUAK 10 URTE (2) - EN SOAP / A SOAP PRAYERS 16:00 PRINCIPE, 7 12:00 KURSAAL, 2 21:00 ANTIGUO BERRI, 6 LOS 12 MEJORES CORTOS PERNILLE FISCHER CHRISTENSEN • DINAMARCA • 2006 • WAYNE WANG • EE.UU. • V.O. SUBTÍTULOS EN CASTELLANO, MEDUZOT DARLING DE LA HISTORIA DE KIMUAK 104 M. ELECTRÓNICOS EN INGLÉS • 83 M. LA ANTENA 80 M. ETGAR KERET,SHIRA GEFFEN • ISRAEL- FRANCIA • V.O. JOHAN KLING • SUECIA • V.O. SUBTÍTULOS EN CASTELLA- ESTEBAN SAPIR • ARGENTINA • V.O. SUBTÍTULOS EN 16:00 ANTIGUO BERRI, 4 9:30 TEATRO VICTORIA EUGENIA SUBTÍTULOS ELECTRÓNICOS EN EUSKARA • 78 M. NO, ELECTRÓNICOS EN INGLÉS • 93 M. INGLÉS • 90 M. 21:45 PRINCIPE, 3 PRINCESS MATAR A TODOS 16:30 KURSAAL, 2 16:00 PRINCIPE, 9 LA SOMBRA DE NADIE ANDERS MORGENTHALER • DINAMARCA • 2006 • V.O. ESTEBAN SCHROEDER • URUGUAY- CHILE - ARGENTINA • MADE IN SPAIN PABLO MALO • • 2006 • 105 M. SUBTÍTULOS ELECTRÓNICOS EN EUSKARA • 80 M. NUEVOS DIRECTORES • 97 M. UAHAN SEGYE / THE BLUE HOUR THE SHOW MUST GO ON ERIC NAZARIAN • EE.UU. • PROYECCIÓN EN VÍDEO • 93 M. 18:30 PRINCIPE, 9 21:45 PRINCIPE, 6 18:00 ANTIGUO BERRI, 4 12:00 KURSAAL, 1 HAN JAE-RIM • COREA DELSUR • 110 M. CAÓTICA ANA FYRA NYANSER AV BRUNT / MATAR A TODOS 18:30 ANTIGUO BERRI, 2 LA INFLUENCIA PEDRO AGUILERA • ESPAÑA- MÉXICO • 2007 • V.O. SUBTÍ- JULIO MEDEM • • 2007 • 119 M. FOUR SHADES OF BROWN ESTEBAN SCHROEDER • URUGUAY- CHILE - ARGENTINA • 18:00 PRINCIPE, 7 THE BIRD CAN’T FLY TULOS EN INGLÉS • 83 M. TOMAS ALFREDSON • SUECIA • 2004 • V.O. SUBTÍTULOS NUEVOS DIRECTORES • 97 M. IN THE VALLEY OF ELAH THREES ANNA • SUDÁFRICA - HOLANDA - IRLANDA • 89 M. ELECTRÓNICOS EN EUSKARA • 192 M. PAULHAGGIS • EE.UU. • 124 M. 16:00 TEATRO VICTORIAEUGENIA 19:00 KURSAAL, 2 HENRY KING 18:15 TEATRO VICTORIA EUGENIA 18:30 ANTIGUO BERRI, 6 CEOT OI KAP GEI / EXODUS LA TORRE DE SUSO DÍA CINE VASCO… PAHA MAA / FROZEN LAND PANG HO-CHEUNG • HONG KONG • 94 M.
Load more

Recommended publications
  • Notas Sobre El Estilo El Último Entuerto Que Conviene Desfacer Es El Que Habla De King Como De Un Cineasta “Sin Estilo”
    Notas sobre el estilo El último entuerto que conviene desfacer es el que habla de King como de un cineasta “sin estilo”. Si por estilo se entiende llamar la atención sobre la cámara, forzar los ángulos, montar aparatosos encuadres y hacer notar el trabajo del director, King es, en efecto, un director sin estilo. Algunas de sus películas, como Deep Waters, adoptan además una forma visual aparentemente anodina, que puede pasar por impersonal si a la carencia de atractivos externos se une una extrema funcionalidad narrativa, como sucede en dos de sus obras fundamentales, I’d Climb the Highest Mountain y Wait Till the Sun Shines, Nellie. Un examen detallado de estas y otras películas revela la existencia de una personalidad cinematográfica muy acusada, aunque no llamativa ni evidente. Más que afanarse en la búsqueda de un estilo propio, King intentó desarrollar a lo largo de su carrera un lenguaje que se correspondiese, visual y narrativamente, con los modos de sus personajes, por lo general inteligentes y discretos, observadores y dinámicos, inconformistas y sensibles a los cambios que se producen en su entorno. Conforme avanzaba su obra, películas y personajes fueron haciéndose progresivamente más complejos, sin que King violentara por ello su estilo, cada vez más refinado y transparente, permeable a los avances técnicos (el sonido, el color, la pantalla ancha) pero no a las modas ni a retóricas pasajeras. Tal vez por ello, o por una fidelidad a su propia visión, las bases del estilo visual de King apenas experimentaron variaciones significativas a lo largo del tiempo, de hecho Tol’able David podría haberse rodado en 1951 y I’d Climb the Highest Mountain treinta años antes sin que el espectador hubiera notado el menor desajuste.
    [Show full text]
  • A Transcultural Perspective on the Casting of the Rose Tattoo
    RSA JOU R N A L 25/2014 GIULIANA MUS C IO A Transcultural Perspective on the Casting of The Rose Tattoo A transcultural perspective on the film The Rose Tattoo (Daniel Mann, 1955), written by Tennessee Williams, is motivated by its setting in an Italian-American community (specifically Sicilian) in Louisiana, and by its cast, which includes relevant Italian participation. A re-examination of its production and textuality illuminates not only Williams’ work but also the cultural interactions between Italy and the U.S. On the background, the popularity and critical appreciation of neorealist cinema.1 The production of the film The Rose Tattoo has a complicated history, which is worth recalling, in order to capture its peculiar transcultural implications in Williams’ own work, moving from some biographical elements. In the late 1940s Tennessee Williams was often traveling in Italy, and visited Sicily, invited by Luchino Visconti (who had directed The Glass Managerie in Rome, in 1946) for the shooting of La terra trema (1948), where he went with his partner Frank Merlo, an occasional actor of Sicilian origins (Williams, Notebooks 472). Thus his Italian experiences involved both his professional life, putting him in touch with the lively world of Italian postwar theater and film, and his affections, with new encounters and new friends. In the early 1950s Williams wrote The Rose Tattoo as a play for Anna Magnani, protagonist of the neorealist masterpiece Rome Open City (Roberto Rossellini, 1945). However, the Italian actress was not yet comfortable with acting in English and therefore the American stage version (1951) starred Maureen Stapleton instead and Method actor Eli Wallach.
    [Show full text]
  • Borders and Beyond Crossings and Transitions in Modern Arabic Literature Edited by Kerstin Eksell and Stephan Guth
    Borders and Beyond Crossings and Transitions in Modern Arabic Literature Edited by Kerstin Eksell and Stephan Guth 2011 Harrassowitz Verlag · Wiesbaden ISSN 0938-9024 ISBN 978-3-447-06645-7 Contents KERSTIN EKSELL Introduction ...................................................................................................................... 7 MAHER JARRAR Lebanon as a Borderland: Prolegomena to a Study of Liminality as Experience and Metaphor in the Post Civil-War Novel ................................................ 15 JUMANA BAYEH Borders and Hybridity: Subjectivity in Rabih Alameddine’s I, the Divine ............................................................ 35 SUNE HAUGBOLLE Emotional Archives and the Lebanese Migrant Experience: An Analysis of the Feature Film Zozo ............................................................................... 51 ASTRID OTTOSSON AL-BITAR A Challenging of Boundaries: The Use of Magical Realist Techniques in Three Iraqi Novels of Exile ........................... 63 TANIA AL SAADI Utopia/Dystopia through the Theme of Immigration in Two Arabic Short Stories .............................................................................................. 83 KERSTIN EKSELL The Legend of Al-Andalus: A trajectory across generic borders .................................................................................. 103 TETZ ROOKE Arabic World Literature: New Names, Old Games? ........................................................ 127 STEPHAN GUTH From Water-Carrying Camels to Modern Story-Tellers,
    [Show full text]
  • ISSUE 30 | JULY 26-AUGUST 1, 2018 | FREE [ 2] WEEKLY ALIBI JULY 26-AUGUST 1, 2018 JULY 26-AUGUST 1, 2018 WEEKLY ALIBI [3] Alibi
    OH MY GOD, THAT WAS RAIN SINCE 1992 PHOTO BY ERIC WILLIAMS PHOTOGRAPHY VOLUME 27 | ISSUE 30 | JULY 26-AUGUST 1, 2018 | FREE [ 2] WEEKLY ALIBI JULY 26-AUGUST 1, 2018 JULY 26-AUGUST 1, 2018 WEEKLY ALIBI [3] alibi VOLUME 27 | ISSUE 30 | JULY 26-AUGUST 1, 2018 EDITORIAL MANAGING AND FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] MUSIC AND NEWS EDITOR: August March (ext. 245) [email protected] ARTS AND LIT.EDITOR: Maggie Grimason (ext. 239) [email protected] FOOD EDITOR: Robin Babb [email protected] COPY EDITOR: Taylor Grabowsky [email protected] CALENDARS EDITOR: Ashli Mayo [email protected] STAFF WRITER: Joshua Lee (ext. 243) [email protected] SOCIAL MEDIA COORDINATOR: Samantha Carrillo (ext. 223) [email protected] EDITORIAL INTERN: Adam Wood [email protected] CONTRIBUTING WRITERS: Cecil Adams, Rob Brezsny, Carolyn Carlson, Zabrina Chavez, Desmond Fox, Taylor Grabowsky, Hosho McCreesh, Mayo Lua de Frenchie, Adam Wood PRODUCTION PRODUCTION MANAGER/EDITORIAL DESIGNER: Valerie Serna (ext. 254) [email protected] GRAPHIC DESIGNERS: Corey Yazzie [email protected] Ramona Chavez [email protected] STAFF PHOTOGRAPHER: Eric Williams [email protected] CONTRIBUTING ARTISTS: Max Cannon, Michael Ellis, Ryan North, Mike Organisciak, Jen Sorensen SALES SALES DIRECTOR: Tierna Unruh-Enos (ext. 248) [email protected] ACCOUNT EXECUTIVES: Kittie Blackwell (ext. 224) [email protected] John Hankinson (ext. 235) [email protected] Shane Boyd (ext. 223) [email protected] Sarah Shipman (ext. 210) [email protected] STREET TEAM: Alexis Al Omari [email protected] ADMINISTRATION PUBLISHER: Constance Moss (ext. 222) [email protected] CONTROLLER: Courtney Foster (ext. 257) [email protected] SYSTEMS MANAGER: Kyle Silfer (ext.
    [Show full text]
  • Click to Download
    v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures.
    [Show full text]
  • FILM#63 / CANNES SPECIAL ISSUE L1l FILM#63/ CANNES Issue INSIDE
    WW2 rEsistAncE drAmA rEALitY BOrEs mE sEmAinE dE LA critiQUE With more than half a million tickets sold since its Henrik Ruben Genz brings the grotesque tale of his Young Man Falling, an experimental film with a release on March 28, Ole Christian Madsen’s Flame Terribly Happy to life in stark, carefully composed captivating visual style directed by Martin de Thurah, & Citron has proven to be one of Danish cinema’s images, recalling the American provinces of Edward is in the official selection of the 47th International greatest successes in recent years. Hopper’s lonesome tableaux or classic westerns. Critics’ Week. PAGE 3 PAGE 6 PAGE 18 l1l FiLm IS PUBLISHEd# BY tHE dANISH63 FiLm INSTITUtE / may 2008 PAGE 2 / FILM#63 / CANNES SPECIAL ISSUE l1l FILM#63/ CANNES ISSUE INSIDE 77ô2%3)34!.#%ô$2!-!ô 2%!,)49ô"/2%3ô-% 3%-!).%ô$%ô,!ô#2)4)15% 7ITHôMOREôTHANôHALFôAôMILLIONôTICKETSôSOLDôSINCEôITSô (ENRIKô2UBENô'ENZôBRINGSôTHEôGROTESQUEôTALEôOFôHISô 9OUNGô-ANô&ALLING ôANôEXPERIMENTALôkLMôWITHôAô RELEASEôONô-ARCHô ô/LEô#HRISTIANô-ADSENSô&LAMEô 4ERRIBLYô(APPYôTOôLIFEôINôSTARK ôCAREFULLYôCOMPOSEDô CAPTIVATINGôVISUALôSTYLEôDIRECTEDôBYô-ARTINôDEô4HURAH ô ô#ITRONôHASôPROVENôTOôBEôONEôOFô$ANISHôCINEMASô IMAGES ôRECALLINGôTHEô!MERICANôPROVINCESôOFô%DWARDô ISôINôTHEôOFkCIALôSELECTIONôOFôTHEôTHô)NTERNATIONALô GREATESTôSUCCESSESôINôRECENTôYEARSô (OPPERSôLONESOMEôTABLEAUXôORôCLASSICôWESTERNSô #RITICSô7EEKô FICTIOn IN tHE sErVICE OF TRUtH ô 0!'%ô 0!'%ô 0!'%ô Ole Christian Madsen’s Flame & Citron merges history-writing with psychological l1l portraits, adding new facets to the story of the Danish WW2 resistance. PAGE 3 &),-ô)3ô05",)3(%$#ô"9ô4(%ô$!.)3(ô&63),-ô).34)454%ôô-!9ô rEALITY BOrEs mE Henrik Ruben Genz’ new film Terribly Happy is another adaptation of an Erling Jepsen novel, following up last year’s big hit, The Art of Crying directed by Peter Schønau Fog — although Genz’ film is all its own.
    [Show full text]
  • Feature Films for Education Collection
    COMINGSOON! in partnership with FEATURE FILMS FOR EDUCATION COLLECTION Hundreds of full-length feature films for classroom use! This high-interest collection focuses on both current • Unlimited 24/7 access with and hard-to-find titles for educational instructional no hidden fees purposes, including literary adaptations, blockbusters, • Easy-to-use search feature classics, environmental titles, foreign films, social issues, • MARC records available animation studies, Academy Award® winners, and • Same-language subtitles more. The platform is easy to use and offers full public performance rights and copyright protection • Public performance rights for curriculum classroom screenings. • Full technical support Email us—we’ll let you know when it’s available! CALL: (800) 322-8755 [email protected] FAX: (646) 349-9687 www.Infobase.com • www.Films.com 0617 in partnership with COMING SOON! FEATURE FILMS FOR EDUCATION COLLECTION Here’s a sampling of the collection highlights: 12 Rounds Cocoon A Good Year Like Mike The Other Street Kings 12 Years a Slave The Comebacks The Grand Budapest Little Miss Sunshine Our Family Wedding Stuck on You 127 Hours Commando Hotel The Lodger (1944) Out to Sea The Sun Also Rises 28 Days Later Conviction (2010) Grand Canyon Lola Versus The Ox-Bow Incident Sunrise The Grapes of Wrath 500 Days of Summer Cool Dry Place The Longest Day The Paper Chase Sunshine Great Expectations The Abyss Courage under Fire Looking for Richard Parental Guidance Suspiria The Great White Hope Adam Crazy Heart Lucas Pathfinder Taken
    [Show full text]
  • The Bates Student
    Bates College SCARAB The aB tes Student Archives and Special Collections 2-26-1947 The aB tes Student - volume 73 number 15 - February 26, 1947 Bates College Follow this and additional works at: http://scarab.bates.edu/bates_student Recommended Citation Bates College, "The aB tes Student - volume 73 number 15 - February 26, 1947" (1947). The Bates Student. 945. http://scarab.bates.edu/bates_student/945 This Newspaper is brought to you for free and open access by the Archives and Special Collections at SCARAB. It has been accepted for inclusion in The aB tes Student by an authorized administrator of SCARAB. For more information, please contact [email protected]. 51 She ■ Vol. LXII. No. 39. BATES COLLEGE, LEWISTON, MAINE, FEBRUARY 26, 1947 Price: Fifteen Cents Varsity, Jayvees Sweep State Series; Capture Third Sports Title In Past Married Set Plans Calendar Science Groups Plan Wednesday, Feb. 26—Physical Basketball Title ex Ball And Chain Education Ski Trip at North Con- Exhibit March 13, 14 way, 7 a. m. to 5:30 p. m. May be For Ed Petro, Team Friday night, February 21, the the 27th or 28th depending on wea- ['he Jordan-Ramsdell scientific young married veteran set on cam- ther. Turning on a jet propelled offensive in the second half of ■iety and the Lawrence Chemi- pus met in Chas; Hall and organ- ; society will present a science U. Of Life Program ized the "Ball and Caain" Club Thursday, Feb. 27—Debating last night's game, the Bobcats swept to their third State xiiibit in Hedge Laboratory and with Mr.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Swedish Film Magazine #2 2010
    Swedish Film #2 2010 • A magazine from the Swedish Film Institute P UMP UP THE NOISE Johannes Stjärne Nilsson and Ola Simonsson want the Sound of Noise to ring all over Cannes Bill Skarsgård Another shining son BATHING MICKY In Competition in Cannes A SILENT CHILD In Directors’ Fortnight ... BUT FILM IS MY MISTRESS Bergman revisited www.sfi.se “Brighton Rock” © 2010 Optimum Releasing “Centurion” © 2010 Celador Films / Pathe Productions “Antichrist” © 2009 Zentropa “Dear Alice” © 2009 One Tired Brother “Eden Lake” © 2008 Rollercoaster Films “The Descent: Part 2” © 2009 Celador Films / Pathe Productions “Arn - The Kingdom at Road’s End” © 2008 AB Svensk Filmindustri “Mammoth” © 2009 Memfis Film “The Cottage” © 2008 Steel Mill Yorkshire / UKFC “Hush” © 2009 Warp X / Fear Factory (Hush) SWEDEN’S BEST KEPT SECRET In less than four years Filmgate have supplied high end cost effective visual effects and DI solutions for over 30 feature films in 9 countries. Since the introduction of our 2k grading and conform services we have graded three feature films and several short films as well as TV commercials. In 2009, with the aid of regional funding, we have expanded our services into co-production. Looking forward to 2010 not only do we have exciting and challenging visual effects projects ahead, such as the eagerly anticipated UK features “Centurion” and “Brighton Rock”, we are also involved with a slate of US, UK and French projects as co-producers. www.filmivast.se www.filmgate.se CEO’S LETTER Director, International Department Pia Lundberg Phone +46 70 692 79 80 Unforgettable surprises [email protected] SOME THINGS JUST refuse to go away, no autumn, and Andreas Öhman with Simple matter how hard you try to shake them off.
    [Show full text]
  • Vampire in the Stockholm Suburbs: Let the Right One in and Genre Hybridity
    JSCA 1 (1) pp. 55–70 Intellect Limited 2010 Journal of Scandinavian Cinema Volume 1 Number 1 © 2010 Intellect Ltd Article. English language. doi: 10.1386/jsca.1.1.55_1 feature article ROCHELLE WRIGHT University of Illinois Vampire in the Stockholm suburbs: Let the Right One In and genre hybridity ABSTRACT KEYWORDS The article argues that one crucial factor in the success of the Swedish vampire vampire films film Låt den rätte komma in/Let the Right One In (Alfredson, 2008) is that it genre seamlessly merges several apparently disparate genres to create a hybrid form that hybridity appeals to widely divergent audiences. A detailed analysis of the film demonstrates gender identity how it simultaneously draws on and departs from common themes and motifs of the Other indigenous Swedish film as well as vampire film tradition, combining elements of Sweden the horror film, the coming-of-age story and the realistic socio-psychological drama to create a unique mix of the innovative and the familiar. A comparison of critical responses in Sweden with those in the English-speaking world sheds further light on genre-specific expectations and ways the film transcends them. When John Ajvide Lindqvist’s Låt den rätte komma in/Let the Right One In was published in 2004, he declared it to be the first Swedish vampire novel since Victor Rydberg’s Vampyren/‘The Vampire’, published in 1848 (Ordfront 2004). Though this claim may be hyperbole, the horror genre, as opposed to crime fiction, has hardly been a staple of recent Scandinavian popular literature. 55 JSCA 1.1_Art_Wright_55-70.indd 55 11/1/10 11:53:53 AM Rochelle Wright Let the Right One In received almost universally positive reviews and was hugely popular with readers as well.
    [Show full text]
  • October 4, 2016 (XXXIII:6) Joseph L. Mankiewicz: ALL ABOUT EVE (1950), 138 Min
    October 4, 2016 (XXXIII:6) Joseph L. Mankiewicz: ALL ABOUT EVE (1950), 138 min All About Eve received 14 Academy Award nominations and won 6 of them: picture, director, supporting actor, sound, screenplay, costume design. It probably would have won two more if four members of the cast hasn’t been in direct competition with one another: Davis and Baxter for Best Actress and Celeste Holm and Thelma Ritter for Best Supporting Actress. The story is that the studio tried to get Baxter to go for Supporting but she refused because she already had one of those and wanted to move up. Years later, the same story goes, she allowed as maybe she made a bad career move there and Bette David allowed as she was finally right about something. Directed by Joseph L. Mankiewicz Written by Joseph L. Mankiewicz (screenplay) Mary Orr (story "The Wisdom of Eve", uncredited) Produced by Darryl F. Zanuck Music Alfred Newman Cinematography Milton R. Krasner Film Editing Barbara McLean Art Direction George W. Davis and Lyle R. Wheeler Eddie Fisher…Stage Manager Set Decoration Thomas Little and Walter M. Scott William Pullen…Clerk Claude Stroud…Pianist Cast Eugene Borden…Frenchman Bette Davis…Margo Channing Helen Mowery…Reporter Anne Baxter…Eve Harrington Steven Geray…Captain of Waiters George Sanders…Addison DeWitt Celeste Holm…Karen Richards Joseph L. Mankiewicz (b. February 11, 1909 in Wilkes- Gary Merrill…Bill Simpson Barre, Pennsylvania—d. February 5, 1993, age 83, in Hugh Marlowe…Lloyd Richards Bedford, New York) started in the film industry Gregory Ratoff…Max Fabian translating intertitle cards for Paramount in Berlin.
    [Show full text]