SINGING GRADES: Requirements and Information
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The Soft Goodbye
The Soft Goodbye Chloë Agnew, Lisa Kelly, Méav Ní Mhaolchatha - Celtic Woman CD + DVD Živě: The Original Show (2005, 2006 - po většinu tour (oba roky) s Deirdre Shannon místo Méav), A New Journey (2007 - Chloë, Lisa K., Méav / Hayley Westenra (jaro) => Lynn Hilary (podzim), 2008 - Chloë, Alex Sharpe, Lynn) Hudba & Text: David Downes, Barry McCrea, David Agnew, Caitriona Nidhubhghaill Text: When the light begins to fade Překlad: And shadows fall across the sea One bright star in the evening sky Když se světlo začne ztrácet Your love’s light leads me on my way A stíny padnou na moře Jedna jasná hvězda na večerní obloze There’s a dream that will not sleep Světlo tvé lásky mne vede na cestě A burning hope that will not die So I must go now with the wind Je tu sen, co nebude spát And leave you waiting on the tide Hořící naděje, co nezahyne Proto teď musím jet s větrem Time to fly, time to touch the sky A nechat tě čekat u přílivu One voice alone – a haunting cry One song, one star burning bright Čas letět, čas se dotknout oblohy Let it carry me through darkest night Jeden osamělý hlas - vtíravý pláč Jedna píseň, jedna jasně zářící hvězda Rain comes over the grey hills Nechť mne převezou nejtmavší nocí And on the air, a soft goodbye Hear the song that I sing to you Déšť přichází přes šedé kopce When the time has come to fly A ve vzduchu je něžné sbohem Slyš píseň, kterou ti zpívám When I leave and take the wing Když nadešel čas letět And find the land that faith will bring The brightest star in the evening sky Až odejdu a naberu kurs Is your love waiting far for me A najdu zem, co přinese víru Is your love waiting far for me Ta nejjasnější hvězda na večerní obloze Je tvoje láska, co na mne tam daleko čeká Je tvoje láska, co na mne tam daleko čeká Zdroj informací: http://www.celticwomanforum.com/index.php?topic=9541.0. -
THIS DOCUMENT IS COMPILED by ROBERT JOHANNESSON, Fader
THIS DOCUMENT IS COMPILED BY ROBERT JOHANNESSON, Fader Gunnars väg 11, S-291 65 Kristianstad, Sweden and published on my website www.78opera.com It is a very hard work for me to compile it (as a hobby), so if you take information from it, mention my website, please! The discographies will be updated about four times a year. Additions and completitions are always welcome! Contact me: [email protected] SAABYE, Christian F. 1875, 13/8 – 1954, 18/5. Baritone. Pathé, 1905/1906 17264 Nærmere Gud til dig (Mason) 17264 17265 Vi vil os et land (Sinding) (?) 17265 17266 Sønner af Norge (?) 17266 17267 Jeg vil værge mit land (Tischendorf) 17267 17268 Husmandssang 17268 17269 Eg elskar dei voggande toner (Lepsøe) 17269 17270 Millom bakkar og berg utmed havet (Lindeman) 17270 17271 Jerusalem (Adams) 17271 17272 Lover den Herre 17272 17273 Kirken den er et gammelt hus 17273 Pathé, 1909? (many remakes) 17264 Nærmere Gud til dig (Mason) 17264 17265 Vi vil os et land (Sinding) 17265 17266 Sønner af Norge 17266 17267 Jeg vil værge mit land (Tischendorf) 17267 17268 Ja vi elsker (Nordraak) 17268 17269 Eg elskar dei voggande toner (Lepsøe) 17269 17270 Millom bakkar og berg utmed havet (Lindeman) 17270 17272 Lover den Herre 17272 17273 Kirken den er et gammelt hus 17273 17274 Glade jul (Gruber) 17274 17275 Jeg synger julekvad (In dulci jubilo) 17275 17276 Vor Gud har er saa fast en borg (Luther) 17276 17277 Mens Nordhavet bruser 17277 17278 Hvor herligt er mit fødeland 17278 17298 Gluntarne (Wennerberg): Här är gudagodt att vara (w. -
The Christchurch Earthquake Appeal
Westminster Abbey CHRISTCHURCH EARTHQUAKE MEMORIAL SERVICE Sunday 27 March 2011 Noon 2 Diocese of Christchurch, New Zealand A MESSAGE FROM THE BISHOP OF CHRISTCHURCH On 22 February at 12.51 pm, many people in Christchurch were busy at work or having lunch. Schools had closed early that day so a large number of children were on their way home. Very quickly, the enormity of the earthquake became apparent; as buildings collapsed people rushed to save themselves and others with examples of spontaneous, selfless courage—often to total strangers. Now, almost a month later and in the aftermath of the Christchurch Memorial Service, people are still grieving. News of Japan’s disaster sent a chill through Christchurch again. There is thankfulness to be alive and a desire to help others. There is also overwhelming gratitude for the outpouring of love, support, and assistance from other nations. Thank you to the people of London and beyond who have such heart for Kiwis, particularly the strong expatriate community. Thank you for your care and compassion, and please continue to pray for New Zealand and the people of Christchurch. To all those who have lost loved ones our prayers of consolation, compassion, and intercession are offered. ‘Rest eternal grant unto them, O Lord. And let light perpetual shine upon them.’ May they rest in peace and rise in glory. May those who remain honour the memory of the departed. They will not be forgotten and the future Christchurch will be shaped by their memory. In the compassionate love of Christ, + Victoria Bishop of Christchurch Christchurch, New Zealand 3 Members of the congregation are kindly requested to refrain from using private cameras, video, or sound recording equipment. -
Sarah Class Biography
SARAH CLASS BIOGRAPHY “ Sarah Class is one of Britain’s brightest musical stars. Her style is both hauntingly ethereal and sensual, mingling folky influences and a powerfully romantic blend of orchestral and electronic sonorities…..” HMV Classical Reviews Magazine Emmy and Brit nominated Sarah Class has become one of Britains most sought after composers and is described as having ‘the midas touch’ when it comes to creating music. An award winning, accomplished musician, scoring for films, television and the concert arena, producer, songwriter, and singer, Sarah brings a special array of talents to every commission. A classically trained pianist from an early age, Sarah developed a huge love of jazz and improvisation. At 18 she started in the recording studio at Chichester University creating her own compositions and studying jazz piano. She gained a high (B,A Hons.) degree in Music with Related Arts. After graduating she went straight into the music business travelling extensively through Europe and the USA writing and performing with other artists developing her own unique style. Her ability as a composer was soon recognised, and as the attached credits show she quickly started to make her mark in the world of television and subsequently the film in- dustry.Sarah’s first major break was when she was asked to compose the score for an in- dependent feature film titled ‘The Weekend’ starring Gina Rowlands and Brooke Shields. This production brought Sarah to the attention of legendary producer Sir George Martin who subsequently took her under the wing of George Martin Music to help and guide her career. -
CPIT Appendices 2009
External Programme Advisory Committees and Consultation Networks CPIT is committed to working with the Lee Retimana Clare Cosson industries, professions and communities Marketing Consultant, Muritai Marketing Hydraulics we serve. One way of achieving this is Ian Smith Dave Ritchie through Programme Advisory Committees Christchurch Manager, Arrow International Hydraulics or Consultation Networks, listed below. Each programme is supported by a group, of varying Baden Ewart Grant Davidson sizes and composition depending on the needs Director, Mitchell Notley & Associates Sir Edmund Hillary Outdoor Pursuit Centre of New Zealand of that programme. The Chair appointed by Computing Paul Chaplow the group, is usually external to the Institution. Craig Kerr Outdoors New Zealand Most groups include student or former student Business Information Solution Manager representation, as well as staff representatives Orion NZ Ltd Bill Gibson (whose names are not included). Fiordland Wilderness Experiences Greg Rossiter The members listed have given their permission Chief Information Offi cer, CIO Dynamic Control Rosco Gaudin to publish their names in the CPIT Annual Milford Sound Sea Kayaks Report. We are grateful for their support and Kerry Glynn Dave Watson appreciate their input throughout the year. Systems Software & Instrumentation Ltd Marlborough Sounds Adventure Richard Green Anthony Norris Faculty of Commerce Human Interface Technology Laboratory University of Canterbury Tamarillo Tropical Expedition Business Administration Chris Dever Rich Campbell -
Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue. -
Download 2015 Lending Library (PDF)
AETN Foundation Ambassadors Circle Lending Library The Lending Library is open only to Ambassadors Circle members and can be accessed by calling Karen Cooper at 1-800-662-2386, or 1-501-730-9310, or by emailing [email protected]. Each program listed is available on a first-come, first-served basis and has a two-week loan period. AETN Productions - DVD AETN Presents: Front Row with Trout Fishing in America – My Best Day (2006) – DVD There is no better way to experience Trout Fishing in America than LIVE in concert. My Best Day is just that . A live family concert with Grammy- nominated recording artists Keith Grimwood (bass), Ezra Idlet (guitar) with special guest, multi-instrumentalist Fred Bogert. Intelligent, witty and fun, their music cuts across the generations from toddlers to grandparents bringing them together with songs full of the extraordinary as well as the everyday things that make life great! Arkansas Nature Trilogy (2003) – DVD This DVD contains three special programs featuring the scenic beauty of the Natural State: Arkansas Serenade, Arkansas’ Natural Wonders, and An Arkansas Autumn. With no narration, only inspiring music and the symphony of nature, these three programs celebrate Arkansas’ diversity of landscapes and the majesty of the seasons. 90 minutes. Bayou Bartholomew – World’s Longest Bayou (2013) DVD From its meager beginnings in a fern-laden area near Pine Bluff, Arkansas – Bayou Bartholomew has the unique distinction of being the longest bayou in the world. It stretches for 359 miles before emptying in the Ouachita River near Sterlington, LA. It’s one of the most diverse streams in North America, containing 117 species of fish and 197 birds. -
The Singer's Guide to German Diction: Supplements
The Singer’s Guide to German Diction Supplements Valentin Lanzrein and Richard Cross The Singer's Guide to German Diction: Supplements Contents LYRIC DICTION IN MUSICAL CONTEXT Vowels in Singing The Glottal Separation in Singing Diphthongs in Singing Schwa and Vocalic-R in Singing Word Stress in Singing Consonants in Singing Initial Consonant Anticipation Final Consonant Suspension Consonant Clusters Consonant Assimilation: Merges and Implosions Anticipation of Sustainable Consonants for Expressiveness SUPPLEMENTAL EXERCISES AND WORKSHEETS Musical Exercises Musical Exercises for [iː], [i], [i̯], and [ɪ] Musical Exercises for [eː], [ɛː], [ɛ], and [ə] Musical Exercises for [ɑː] and [a] Musical Exercises for [oː] and [ɔ] Musical Exercises for [uː] and [ʊ] Musical Exercises for [øː] and [œ] Musical Exercises for [yː] and [ʏ] Musical Exercises for [a͡e], [ɑ͡o], and [ɔ͡ø] Musical Exercises for [f] and [v] Musical Exercises for [s] and [z] Musical Exercises for [ʃ] and [ʒ] Musical Exercises for [ʝ], [ç], and [x] Musical Exercises for [h] and [ǀ] Musical Exercises for [p] and [b] Musical Exercises for [t] and [d] Musical Exercises for [k] and [ɡ] Musical Exercises for [m], [n], and [ŋ] Musical Exercises for [l] Musical Exercises for [r], [ɾ], and [ɐ] Musical Exercises for [p͡s], [p͡f], [ts],͡ [tʃ͡ ], [k͡s], and [k͡v] Worksheets Worksheet 2.5: Word Structure Worksheet 2.6: Word Stress Worksheet 4.1: [iː], [i], [i̯], and [ɪ] Worksheet 4.2: [eː], [e], [ɛː], [ɛ], and [ə] Worksheet 4.3: [ɑː] and [a] The Singer's Guide to German Diction: Supplements Worksheet 5.1: [oː], [o], and [ɔ] Worksheet 5.2: [uː], [u], and [ʊ] Worksheet 6.1: [øː] and [œ] Worksheet 6.2: [yː], [y], and [ʏ] Worksheet 7.1: [a͡e], [ɑ͡o], and [ɔ͡ø] Worksheet 9.1: [f] and [v] Worksheet 9.3: [s], [z], [ʃ], and [ʒ] Worksheet 9.4: [ʝ], [ç], and [x] Worksheet 9.6: [h] and [ǀ] Worksheet 10.3: [p], [b], [t], [d], [k], and [ɡ] Worksheet 11.3: [m], [n], and [ŋ] Worksheet 12.2: [l], [r], [ɾ], and [ɐ] Worksheet 13.1: [p͡s], [p͡f], [ts],͡ [tʃ͡ ], [k͡s], and [k͡v] Worksheet: Review Section II. -
Interview with Toni Gibson
Interview with Toni Gibson Interview with Toni Gibson By Natasha Barbieri What inspires you to make music? impressed because he asked me if I would want to sign to his Fanfare Record There isn’t any particular ‘thing’ that Label. Fanfare record Label is another inspired me to sing. I Just love to sing part of the Ambition Entertainment label. and always have ever since I was little. It just comes naturally to me, it is part of Once I was signed to the Label, Robert me. suggested some more songs for the album and possibly replacing the new Your debut album, “Echo in my Soul” songs with some previous ones. I really is out now. What was the song selection liked his suggestions and was happy to process like? scratch a few songs that didn’t quite work and flow alongside the rest of the We started working on my album over a songs on the album. couple of years ago. I had a big input with what songs I wanted to have on the I wanted to create something that hasn’t album because the album started out as really been done in the classical- our own project. I have been working crossover world before. I wanted to add with Gray Bartlett (he started Hayley not just light elements to the music, but Westenra’s career) over the last 3-4 also darker elements. To mix them years, and he also suggested some together in such a way and create a songs that would be suitable for the spiritual atmosphere within the music. -
Wfrs Triennial Report 2012
WFRS TRIENNIAL REPORT 2012 WFRS TRIENNIAL REPORT 2012 WFRS TRIENNIAL REPORT 2012 Published for the World Federation of Rose Societies By the Federation of Rose Societies of South Africa EDITOR Sheenagh Harris Assisted by Di Girdwood WORLD FEDERATION OF ROSE SOCIETIES Founded 1968 www.worldrose.org The World Federation of Rose Societies is registered in Great Britain as a company limited by guarantee and as a charity under the number 1063582. The objectives of the Society, as stated in the constitution, are: To encourage and facilitate the interchange of information about and knowledge of the rose between national rose societies. To coordinate the holding of international conventions and exhibitions. To encourage, and where appropriate, sponsor research into problems concerning the rose. To establish common standards for judging new rose seedlings. To assist in coordinating the registration of new rose names. To establish a uniform system of rose classification. To grant international honours and/or awards. To encourage and advance international cooperation in all other matters concerning the rose. Gérald Meylan - Immediate Past President, Sheenagh Harris - President, Helga Brichet - Past President, Ken Grapes - Past President in attendance at the 60th Anniversary of the Baden Baden Rose Trials - 2012 1 CONTENTS 2 Foreword – Ken Grapes 3 Preface – Helga Brichet 4 President’s Report 7 Official Visits of the President 10 Immediate Past President’s Message 15 WFRS Vice Presidents Reports 34 WFRS Officers 36 WFRS Standing Committees -
Yulia.Co.Nz Russian Cinderella Story
Sings in 10 Languages: English, Russian, Ukrainian, Maori, French, German, Italian, Spanish, Latin & Hebrew. 4.5 Octave Vocal Range Rare Mezzo Soprano Coloratura (Contralto, Mezzo Soprano & Soprano) with mastery of Pop, Folk, Classical, Opera & Chanson technique. 2013 USA Career launch Divinas Live at Chambord Castle on PBS TV 100m + audience reach Divinas Live at Chambord Castle CD & DVD sold nationwide by DECCA records USA Solo Album Recording with Grammy Award Winning Music Producer Craig Leon Divinas CD & DVD Launch Worldwide and USA tour in the fall 2011/2012 Recording Divinas Live at Chambord Castle, France Album Pre Production 2010 Winner Best Nationwide Entertainment, NZ 2010 Live Concert Series Albums (4 Album Boxed Set limited Edition - Direct to fans) 2007 - 2010 Sold out shows across NZ $1.4 million raised for NZ charities Total Immersion Italian/Russian Opera Training 2006 ‘Montage’ debuts at #1, Top 40 Radio Hit “We’re All Alone”, 2 x Platinum Sales Breaks NZ record for first NZ female artist to sell two back to back #1 albums. Live performances including performances with Englebert Humperdinck 2005 NZ Music Awards for Best Female Solo Vocal Album & Highest Selling Album of the Year Award. Out sells Finn Brothers & Brooke Fraser. 4 x Platinum Sales, 2 x Top 40 Radio Hits: “Angel” and “Into the West”. 2004 ‘Into the West’ debuts at #1 on NZ Charts for four weeks. Tours Japan with Russell Watson, Live shows with Ivan Rebroff www.yulia.co.nz Russian Cinderella story Humble beginnings A self taught singer with a naturally prodigious 4.5 octave Coloratura Mezzo Soprano range, Yulia came from a poor background, learning to sing in her Grandmothers kitchen in Volgograd, Russia. -
Download Program Notes
Select Songs Franz Schubert and Richard Strauss n the refined, jewel-like genre of the Lied, bert’s lifetime a few composers were creat - Ithe German art song, the name of Franz ing symphonic arrangements of songs orig - Schubert stands indisputably at the top of a inally written for voice and piano. Most of list that would wend through the 19th cen - these early arrangers are little known today, tury and into the 20th, encompassing such but by the 1860s famous names such as eminences as Schumann, Mendelssohn, Berlioz, Liszt, and Brahms were adding to Brahms, Wolf, Mahler, and Richard Strauss. the repertoire. The set of songs heard in this Matthias Goerne has assembled a set of songs concert affords a glimpse of how gifted by the first and last of those figures, who, in composers paid tribute to Schubert and the classic tradition of the Lied, originally Strauss by adapting their songs to the evolv - crafted their songs for voice with piano. ing orchestral aesthetics of their own Songs with full orchestral accompani - times, as well as to how Strauss crafted ment flourished in the later 19th century, symphonic versions of some songs he had the contributions of Strauss and Mahler originally composed with accompaniments being exemplary — but already in Schu - by piano alone. An Silvia, D.891 Des Fischers Liebesglück, D.933 Greisengesang, D.788 Franz Schubert Born: January 31, 1797, in Liechten thal, then a suburb of Vienna, Austria, now part of the city Died: November 19, 1828, in Vienna Works composed and premiered: An Silvia was composed in early July 1826, and Des Fischers Liebesglück in November 1827; premieres unknown, as Schubert songs were typically unveiled at private gatherings in Vienna, with the composer as piano accompanist to solo vocalists; Alexan - der Schmalcz’s orchestrations were introduced on April 25, 2015, at the Great Hall of the Vienna Musikverein, by the Vienna Symphony Orchestra, Philippe Jordan, conductor, Matthias Goerne, baritone .