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Are We Cool Now Study Guide.Pdf
Thank you for participating in Western Canada Theatre’s matinee programming! We would like you and your students to get the most out of your experience with us. Included in this package is some inside information exclusive to teachers and students, discussion questions, classroom activities, and online resources. We hope you find them useful Before and after seeing the show. Please take a few minutes to review appropriate theatre etiquette with your students. While clapping and laughing are most appropriate for the theatre, whispering, talking, and excessive movement during the show is distracting to others in the audience and our actors on stage. Audience members are encouraged to get comfortable, remove coats, use the washroom and turn all electronic devices OFF Before a show Begins. Please remind your students that texting is not allowed during the show. Remembering theatre etiquette makes the show more enjoyable for everyone! 1 Are We Cool Now? A Study Guide Production Personnel ............................................................................................................. 3 Western Canada Theatre Staff ................................................................................................ 4 Behind the Scenes ....................................................................... Error! Bookmark not defined. Playwright: Amiel Gladstone………………………………………………………………………………………………………………….……5 Musician: Dan Mangan……………………………………………………………………………………………………………………………….6 Synopsis……….….………………………………………………………………………………………………………………………………….……..7 -
2014 Winner Press Release Tanya
! ! ! ! FOR IMMEDIATE RELEASE ANIMISM BY TANYA TAGAQ NAMED WINNER AT THE 2014 POLARIS MUSIC PRIZE GALA TONIGHT ! ! ! !TORONTO, ON – Monday, September 22, 2014. Animism by Tanya Tagaq was voted as the winner of the 2014 Polaris Music Prize tonight at The Carlu in Toronto. The winner was decided and announced during the 9th annual gala event. Tanya Tagaq was awarded a cash prize of $30,000. The winner was !announced by the gala host, actor Jay Baruchel. “We've been doing it our own way without backing down artistically or conforming, so to be recognized in this way and have so many people latch on makes me feel the world is tolerable. There's so much hurt in the world and within indigenous cultures with colonialism,” said Tanya Tagaq. “Canada is in a desperate need for repair and I think a lot of people are tired of living this way and just to have people understand where we're coming from makes me have hope that we can move forward and expose the true history !of Canada.” Animism was produced by Jesse Zubot (Dan Mangan, Fond of Tigers) with additional production by Juan Hernandez. The record features Michael Red (Low Indigo), a live programmer whose wild northern field recordings often serve as Tagaq’s de facto backing !band, percussionist Jean Martin and opera singer Anna Pardo Canedo. Slaight Music awarded $2,000.00 to each of the runners up – Arcade Fire, Basia Bulat, Drake, Mac DeMarco, Jessy Lanza, Owen Pallett, Shad, Timber Timbre and YAMANTAKA // SONIC TITAN. The gala was webcast live on AUX.tv and broadcast !live on SiriusXM channels The Verge XM 173 and The Iceberg Sirius 161. -
Transcription of Proceedings Before the Canadian Radio-‐Television and Telecommunications
TRANSCRIPTION OF PROCEEDINGS BEFORE THE CANADIAN RADIO-TELEVISION AND TELECOMMUNICATIONS COMMISSION SUBJECT: To consider the Broadcasting applications listed in Broadcasting Notice of Consultation CRTC 2012-126, 2012-126-1, 2012-126-2 and 2012-126-3 HELD AT: Room 200 ABC, Allstream Centre , 105 Princes' Boulevard, Toronto, Ontario 14 May 2012 (Volume 6) Transcription In order to meet the requirements of the Official Languages Act, transcripts of proceedings before the Commission will be bilingual as to their covers, the listing of the CRTC members and staff attending the public hearings, and the Table of Contents. However, the aforementioned publication is the recorded verbatim transcript and, as such, is taped and transcriBed in either of the official languages, depending on the language spoken By the participant at the puBlic hearing. Excerpt PHASE I PRESENTATIONS APPEARING INDIVIDUALLY 21. Radio Ryerson Inc. (line 8866) PHASE II INTERVENTIONS PANEL OF INTERVENERS 1. The National Campus and Community Radio Association (line 8968) 2. SioBhan Ozege (line 8982) 3. Aven Hoffarth (line 8998) --- Upon resuming at 1347 8865 MR. Sheldon Levy will lead this panel. I would ask that you please introduce your colleagues for the record to start with. You will then have 8862 THE CHAIRPERSON: Madam Secretary, we will Begin. 20 minutes for your presentation. 8863 THE SECRETARY: Yes, thank you. PRESENTATION 8864 We will now hear item 21 on the Agenda which is an application by 8866 MR. LEVY: Well, thank you, Madam Secretary. Radio Ryerson Inc. for a broadcasting licence to operate an English- language FM community-based campus radio programming undertaking in 8867 My name is Sheldon Levy. -
Apollo Ghosts Caribou / Babe Rainbow / Ryan Walter Wagner / the New Pornographers / Sxsw / Bison B.C
FREE! MAY 2010 // THAT EAZY-DUZ-IT MAGAZINE FROM CiTR 101.9 FM // SUPPORTING VANCOUVER'S INDEPENDENT MUSIC COMMUNITY FOR OVER 25 YEARS APOLLO GHOSTS CARIBOU / BABE RAINBOW / RYAN WALTER WAGNER / THE NEW PORNOGRAPHERS / SXSW / BISON B.C. / HOW TO BE A DJ PT. 2 EDITOR EDITOR'S NOTE Jordie Yow ART DIRECTOR Dear Discorder: Lindsey Hampton With spring just around the corner, this is time to Now, getting back to this issue: We've got some of make plans for summer. This is the time of year when Vancouver's heaviest hitters talking to us: Carl Newman PRODUCTION MANAGER all the planning for local festivals and concerts are hap- from the New Pornographers dropped Dan Fumano a line Debby Reis pening and I have a challenge for them. Over the last few to chat about his new album on page 14, James Farwell COPY EDITORS years members of Discorder and CiTR have been playing from Bison B.C., who's music is heavy in a different sense Alison Atkinson, Liz Brant, Debby a number of friendly softball games against groups like of the word, discusses the maturation of their music with Reis, Miné Salkin Megaphone, Adbusters and CBC Radio 3. This year we Scott Lyon on page 18, Polaris award winner Dan Snaith would like to extend the challenge to the entire Vancouver of Caribou talked with our Jackie Wong about his newest AD MANAGER music community. This is a personal challenge, but it is on endeavour on page 12, Sancho McCann met with some David Stansfield behalf of Discorder and CiTR. -
Td Vancouver International Jazz Festival
Music is where we all belong. TD is a proud sponsor of over 90 music festivals and 100 community programs from coast to coast. #MusicMatters The TD logo and other trade-marks are the property of The Toronto-Dominion Bank. TDCT-0396_FestivalPrograms_Vancouver_5.25x8_v1.indd 1 2018-03-06 11:27 AM CHAN CENTRE PRESENTS SERIES SEP 22 Aida Cuevas: Totalmente Juan Gabriel SEP 30 I’m With Her OCT 21 Goran Bregović and His Wedding and Funeral Band NOV 13 Joshua Redman: Still Dreaming FEB 17 Bobby McFerrin: Circlesongs MAR 2 Ladysmith Black Mambazo with Habib Koité and Bassekou Kouyate APR 11 Cristina Pato Quartet APR 27 Anoushka Shankar BEYOND WORDS SERIES OCT 3 Kealoha FEB 24 No Blue Memories: The Life of Gwendolyn Brooks SUBSCRIPTIONS ON SALE NOW! Cristina Pato Joshua Redman I’m With Her Bobby McFerrin chancentre.com Welcome to the 33rd Annual TD Vancouver International Jazz Festival As a committed and long-standing supporter of Canadian music and artists, TD is thrilled to support the 2018 TD Vancouver International Jazz Festival, a world- class event celebrating the diversity of music across Canada and beyond. For 10 straight days the festival will erupt with the best jazz, blues and world music and has become a passport to a music-loving community where one can feel truly connected. From up-and-coming talent to acclaimed headliners, join us at the many events taking place around the city as we celebrate the love of music. At TD, we see music as a conversation-starter, something that has the power to bring communities together and give us all somewhere to belong. -
2012 Program Guide
"# && # " $ % $ " " " !' TD Sponsor.indd 1 4/17/12 2:36:06 PM .0& ,&, 22 ',0 .0& )()//&0 #-% 1 #-% ,&, 22', && 33" #% 1 #% !& 3# - )() % 1 % & -* - , 33" $1$ 01091705.ad 1 4/23/12 9:00:16 AM Welcome to the 27th Annual TD Vancouver International Jazz Festival @ek_\nfi[jf]aXqqdlj`Z`Xe?\iY`\?XeZfZb1Èdlj`Z`jXeXik]fidk_Xk kiXejZ\e[jcXe^lX^\%É@ek_Xkjg`i`k#K;9Xeb>iflg`jgc\Xj\[kfYi`e^pfl# ]fik_\k\ek_Zfej\Zlk`m\p\Xi#k_\)'()K;MXeZflm\i@ek\ieXk`feXcAXqq =\jk`mXc#Xe\m\ekk_XkZ\c\YiXk\jk_\[`m\ij`kpXe[\ek\ikX`ed\ekf]dlj`ZYp kXc\ek\[Xik`jkj]ifd:XeX[XXe[Xifle[k_\nfic[% K;jki`m\jkf\e_XeZ\k_\Zfddle`k`\j`en_`Z_n\j\im\#Xe[n_XkY\kk\i nXpkfYi`e^g\fgc\kf^\k_\ik_Xekfj_Xi\`ek_\cfm\f]^i\Xkdlj`ZK_XkËj n_pK;`jgifl[kfjgfejfik\edXafidlj`Z]\jk`mXcj]ifdM`Zkfi`Xkf?Xc`]Xo% >i\Xk]\jk`mXcj[feËk_Xgg\en`k_flk^i\Xkg\fgc\kffi^Xe`q\Xe[ilek_\d%N\Ë[c`b\kfk_Xeb \m\ipfe\n_f`j`emfcm\[n`k_dXb`e^k_\)'()K;MXeZflm\i@ek\ieXk`feXcAXqq=\jk`mXcX_`k Æ]ifdmfclek\\ijXe[fi^Xe`q\ij#kfk_\kXc\ek\[]\Xkli\[Xik`jkjXe[k_fljXe[jf]dlj`Zcfm\ij n_faf`elj\m\ipp\Xi%PflijlggfikdXb\jk_`j`eZi\[`Yc\\m\ekgfjj`Yc\% =fik_\cfm\f]dlj`Z#k_Xebpfl% AXe\Iljj\cc J\e`fiM`Z\Gi\j`[\ek#GXZ`ÔZI\^`fe 8D<JJ8><=IFDK?<:F8JK8CA8QQ9CL<JJF:@<KP 9:ËjcXi^\jkdlj`Zgi\j\ek\i#:fXjkXcAXqq`j MXeZflm\i8ik>Xcc\ip]fik_\`ijlggfik`e n\ccbefne]fi`kj[Xi`e^Xik`jk`Zm`j`fek_Xk _\cg`e^ljdXb\k_`jdfm\% Z\c\YiXk\j`eefmXk`fe#[`m\ij`kpXe[`eZclj`m`kp K_\]\jk`mXcËjjk\ccXic`e\lgY\^`ejn`k_X `edlj`Z#n`k_`eXm`YiXekXe[\m\i$\mfcm`e^ i`^_k\fljE\nFic\XejY`cc]\Xkli`e^k_\ -
Download the Music Market Access Report Canada
CAAMA PRESENTS canada MARKET ACCESS GUIDE PREPARED BY PREPARED FOR Martin Melhuish Canadian Association for the Advancement of Music and the Arts The Canadian Landscape - Market Overview PAGE 03 01 Geography 03 Population 04 Cultural Diversity 04 Canadian Recorded Music Market PAGE 06 02 Canada’s Heritage 06 Canada’s Wide-Open Spaces 07 The 30 Per Cent Solution 08 Music Culture in Canadian Life 08 The Music of Canada’s First Nations 10 The Birth of the Recording Industry – Canada’s Role 10 LIST: SELECT RECORDING STUDIOS 14 The Indies Emerge 30 Interview: Stuart Johnston, President – CIMA 31 List: SELECT Indie Record Companies & Labels 33 List: Multinational Distributors 42 Canada’s Star System: Juno Canadian Music Hall of Fame Inductees 42 List: SELECT Canadian MUSIC Funding Agencies 43 Media: Radio & Television in Canada PAGE 47 03 List: SELECT Radio Stations IN KEY MARKETS 51 Internet Music Sites in Canada 66 State of the canadian industry 67 LIST: SELECT PUBLICITY & PROMOTION SERVICES 68 MUSIC RETAIL PAGE 73 04 List: SELECT RETAIL CHAIN STORES 74 Interview: Paul Tuch, Director, Nielsen Music Canada 84 2017 Billboard Top Canadian Albums Year-End Chart 86 Copyright and Music Publishing in Canada PAGE 87 05 The Collectors – A History 89 Interview: Vince Degiorgio, BOARD, MUSIC PUBLISHERS CANADA 92 List: SELECT Music Publishers / Rights Management Companies 94 List: Artist / Songwriter Showcases 96 List: Licensing, Lyrics 96 LIST: MUSIC SUPERVISORS / MUSIC CLEARANCE 97 INTERVIEW: ERIC BAPTISTE, SOCAN 98 List: Collection Societies, Performing -
2015 Juno Award Nominees
2015 JUNO AWARD NOMINEES JUNO FAN CHOICE AWARD (PRESENTED BY TD) Arcade Fire Arcade Fire Music*Universal Bobby Bazini Universal Drake Cash Money*Universal Hedley Universal Leonard Cohen Columbia*Sony Magic! Sony Michael Bublé Reprise*Warner Nickelback Nickelback II Productions*Universal Serge Fiori GSI*eOne You+Me RCA*Sony SINGLE OF THE YEAR Hold On, We’re Going Home Drake ft. Majid Jordan Cash Money*Universal Crazy for You Hedley Universal Hideaway Kiesza Island*Universal Rude Magic! Sony We’re All in This Together Sam Roberts Band Secret Brain*Universal INTERNATIONAL ALBUM OF THE YEAR PRISM Katy Perry Capitol*Universal Pure Heroine Lorde Universal Midnight Memories One Direction Sony In the Lonely Hour Sam Smith Capitol*Universal 1989 Taylor Swift Big Machine*Universal ALBUM OF THE YEAR (SPONSORED BY MUSIC CANADA) Where I Belong Bobby Bazini Universal Wild Life Hedley Universal Popular Problems Leonard Cohen Columbia*Sony No Fixed Address Nickelback Nickelback II Productions*Universal Serge Fiori Serge Fiori GSI*eOne ARTIST OF THE YEAR Bryan Adams Badman*Universal Deadmau5 Mau5trap*Universal Leonard Cohen Columbia*Sony Sarah McLachlan Verve*Universal The Weeknd The Weeknd XO*Universal GROUP OF THE YEAR Arkells Arkells Music*Universal Chromeo Last Gang*Universal Mother Mother Mother Mother Music*Universal Nickelback Nickelback II Productions*Universal You+Me RCA*Sony BREAKTHROUGH ARTIST OF THE YEAR (SPONSORED BY FACTOR AND RADIO STARMAKER FUND) Glenn Morrison Robbins Entertainment*Sony Jess Moskaluke MDM*Universal Kiesza Island*Universal -
Tyson Naylor 3-3709 Main Street Telephone: +1 604 355 5710 Tysonnaylor.Com 1 Vancouver, Bc [email protected] V5v 3N8 Canada
TYSON NAYLOR 3-3709 MAIN STREET TELEPHONE: +1 604 355 5710 TYSONNAYLOR.COM 1 VANCOUVER, BC [email protected] V5V 3N8 CANADA TYSON NAYLOR EDUCATION 2005 Bachelor of Applied Music, Vancouver Community College, Vancouver, BC 2001 Associate Liberal Arts, University of British Columbia, Vancouver, B.C. 2000 Liberal Arts, Capilano University, North Vancouver, B.C. HAS WORKED WITH Vancouver Symphony Orchestra, Turning Point Ensemble, Warsaw Improvisers’ Orchestra, Wayne Horvitz, François Houle, Aram Bajakian, Peggy Lee, Destroyer, Dan Mangan, Frazey Ford, Mother Mother, Tobias Delius, Axel Dörner, Mats Äleklint, Nils Berg, Christopher Cantillo, Jesse Zubot, Josh Zubot, Luca Benedetti, Elizabeth Fischer, Rick Maddocks, Steve Dawson, and the Crackling. SELECTED PERFORMANCES 2016 Hard Rubber Orchestra, SFU Woodwards, Vancouver “Tyson Naylor’s Tribute to Paul Bley”, TD Vancouver Jazz Festival, Performance Works, Vancouver Vancouver Symphony Orchestra: “The Godfather, Live!” at the Orpheum Theatre, Vancouver Ron Samworth’s “Dogs Do Dream”, TD Vancouver Jazz Festival, Roundhouse Community Centre, Vancouver Tony Wilson’s Longhand Quartet, Vancouver Jazz Festival, Robson Street Stage, Vancouver “Khari Wendel McClelland: Freedom Singer Live”, CBC Toque Sessions, Vancouver, BC, Broadcast January 19th on CBC Radio 2015 Naylor/Äleklint/Sholberg/Berg/Cantillo, Glenn Miller Café, Stockholm, Sweden Warsaw Improvisers’ Orchestra, Chmura, Warsaw, Poland Naylor/Krispel/Kern, Celeste, Vienna, Austria Frazey Ford, Vogue Theatre, Vancouver Dalava, TD Vancouver -
Some Mind-Photos in No Particular Order Seeing Barcelona Pavilion
Thursday Confidential never encountered demand for any of our records like we did for that first Final Fantasy record. The original The first time Betty Burke played the Thursday Confiden- packaging for Final Fantasy “Has A Good Home” was tial, all sorts of mayhem broke out. hand-folded and had a large collaged insert that Owen It was a crisp fall night, and we were warming up the made. We had to keep shipping CDs to Owen on tour as crowd for our Blocks comrades Tomboyfriend. The drum- he kept selling out of them. No one else involved with mer (Roland 880 beats trapped in an iPod) was chugging Blocks had been able to sell anywhere near as many re- along relentlessly, and we were in the middle of a fever- cords so quickly. I realized that we couldn’t possibly hope ish testimony, when a man in a suit brought a round of to keep folding these things as fast as these people wanted drinks to the stage. We’re not big drinkers, but we love to buy them. We gave in and got the packaging mass-pro- free things, so it was appreciated. Tomboyfriend were also duced. Around this time Liisa faded out her involvement, treated to a round. mass-producing things meant that there were fewer inter- esting craft problems to solve. As the gifts were sipped, the man came to the front of the stage and shouted in my ear, “I’m a drummer. I play with To try and cut off our organizational problems as they Bruce Springsteen. -
“To Bring a Little Bit of the Land”: Tanya Tagaq Performing at the Intersection of Decolonization and Ecocriticism
“To Bring a Little Bit of the Land”: Tanya Tagaq Performing at the Intersection of Decolonization and Ecocriticism by Meredith Boerchers A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2019 Meredith Boerchers i Abstract Two needs that have grown increasingly critical in Canada throughout the twenty-first century are the reduction of global warming and the decolonization of lands, social institutions, and collectivities. Rather than operating independently, decolonization and environmentalism intersect as Indigenous actors contest Western assumptions about “nature” by asserting their own ecological frameworks. In this thesis, I explore Inuk vocalist Tanya Tagaq’s artistic contributions to these efforts by analysing her musical commentaries on “nature” in light of Indigenous scholarship on “decolonization.” I argue that Tanya Tagaq performs decolonized environmental values by sonically evoking Inuit ecology and embodying Inuit ecologically-rooted ontology on stage. I further contend that Tagaq’s musical practices demonstrate a decolonized approach to eco-activism by foregrounding Inuit experiences, strategies, and discourses, and advocating for environmental issues by mobilizing Inuit worldviews. Throughout this thesis, I demonstrate that Tagaq’s environmentally-themed output challenges Western constructions of Inuit and the Arctic while asserting Inuit perspectives in public spaces. ii Acknowledgements First, I would like to thank my supervisor Dr. Anna Hoefnagels for her assistance throughout this project. Her expertise and guidance have been invaluable to my growth as a researcher and writer, and I am very grateful for her endless patience and encouragement. -
Tanya Tagaq ANIMISM
Tanya Tagaq ANIMISM Canadian scientists recently found the so-called “lost” Franklin expedition in the Arctic. Turns out, it was exactly where the Inuit have been saying it was, all along. Who would have thought? Who would have thought that, if we had only listened to these ingenious navigators and survivors, we could have saved ourselves a whole lot of foolishness? If you would like to know how our culture needs to find its way in the 21st century, I would suggest that you save yourself a lot of trouble, and listen to Tanya Tagaq’s album Animism. Animism is a masterpiece because it transcends opposites. Dizzyingly complex and sophisticated in structure, it also completely hits you in your guts, in your soul. It takes traditions that are tens of thousands of years old, and makes truly innovative music, music that could not have existed without Tagaq and her brilliant collaborators, violinist Jesse Zubot, drummer Jean Martin and DJ Michael Red. The innovation on Animism is an argument not for moving beyond, but for putting more emphasis on the value and necessity of the traditions. The rootedness is where the newness of the record comes from. That will not be a contradiction for you, if you listen properly. Animism seamlessly uses the technology of the digital recording studio to make an encyclopedic argument for the natural world. In fact, it will erase from your mind the notion of human artifice and nature as opposites. If you listen. If you listen, you will careen through a panorama of the contradictions of existence.