DOCSLIB.ORG

Barbizon Distributes 16 X 9 Inc

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Barbizon Distributes 16 X 9 Inc Barbizon Distributes 16 X 9 Inc. Cooper Crouse-Hinds KW2/PrimeTime Lighting Profoto 3M Creative Stage LaMar Lighting Prolyte Products AAdynTech Crescent Software Lastolite Pro Cyc ABC Products Crestron Electronics Leatherman ProPlex AC Power Distribution, Inc. Crown LED Effects Pro-Tapes & Specialties Advanced Devices Cyber Case LEDz Pulsar Advantage Gripwear Da-Lite Le Maitre Rapco Cables Airstar Dazian Lee Filters Reel EFX Alan Gordon Enterprises, Inc. DCS Labs Lenzcap Reflecmedia Alcorn McBride Dedotec Leprecon Rigging Innovators Alkalite DeSisti Lighting Leviton/Eagle Electric Ripoff Allied Electronics Diversitronics Leviton/NSI/Colortran Riptie Altman Stage Lighting Doug Fleenor Design Lex Products Robe USA Amco Engineering Doughty Engineering The Light Source Robert Juliat American DJ Dove Systems Lighting and Electronic Design Rololight American Grip Inc. Dracast LED Lightline Electronics Rosco Ampex Draper, Inc. Lightolier Controls Rosebrand Amprobe Instrument Duracell Lightronics Sachtler Anchor Audio Eagle Electric Lightware Cases Schneider Optics Antari Elation Lighting Litepanels, Inc. Sculptural Arts Coatings Anton Bauer E:Cue Littlite Sea Changer Anvil Cases Electralite Lowel Light Sekonic Meters Apollo Design Technology Electronics Diversified Lowepro Cases Sennheiser Applied Electronics Electronic Theatre Controls LTM Setwear Aquarii Enttec Lumenpulse SGM - US Arriflex Eveready Battery Lumenyte Fiber Optics Show Solutions Artistic License Extron Lutron Electronics Sound Associates Aspen Electronics Fehr Brothers Luxtrol Span Set Audio-Technica Field Template Lycian Special FX Lighting Avenger Grip Fiilex Lighting Lyntec SOG Avolites Flexfill Magic Gadgets Source Shop Automatic Devices Company Focal Press Maglite Space Cannon Backstage Equipment Formatt Filters Manfrotto Spectra Meters Barco Frezzi Energy Systems Marinco Speedotron Barger Baglite Gaff Tech (Gaff Gun) Martin Professional Spider Support Systems Bates Connectors Gantom Lighting & Controls Matthews Spyderco Knives Baxter Controls General Electric MDG Fog SSRC Black Bag Company Genie Industries Middle Atlantic Products Staging Concepts Blues System Gerber Tools Miller Tripods Stage Decoration & Supplies Brightline Gerriets International Minolta Stage Right Broadway Press GAM Products (Via Rosco) Mole Richardson Steadicam Bron Kobold GDS (Global Design Solutions) Morpheus Lighting Storm Case Brother, Brother & Sons (BB&S) Gitzo Motion Laboratories Strong Lighting Bryant Glidecam Industries Nalpak Superior Specialties Buck Knives Goddard Design Company National Specialty Lighting Supervision Buhl Electric Great Performance Products Neutrik USA Swisson Buss Fuses Hall Stage Nexxus Lighting TecNec CAE/Littlite H&H Specialties Nila Telex California Sunbounce High End Systems Northeast Stage Tempest Calzone Case Hollaender NSI Tenba Camera Essentials Hoodman NuDelta Digital Theatre Effects Camera Turret Hubbell NY Fire Shield Thern Cartoni Ikan O’Connor Tiffen Case Technology I-Light Optikinetics Times Square Lighting Cast Software Intelligent Lighting Controls Osram Sylvania Tomcat Century Optics Interactive Technologies Pag USA Total Structures Chauvet DJ I-Weiss and Sons Pathway Connectivity Tripp Lite Chauvet Professional James Thomas Engineering Pelican Case Ultimate Support Checkers Industrial Jands Permacel Union Connector Chimera JBL Peterson U.S. Case Chroma Q JLG Philips Lighting Ushio Cinebags JL Cooper Philips/Color Kinetics Videssence Cineo JR Clancy Philips / Showline Vinten CITC Effects JTL Studio Systems Philips / Strand - Selecon Vocas Matte Boxes City Theatrical Robert Juliat Philips / Vari*Lite Vue-More Clay Paky Kartmasters Photek Wescott Clear-Com K5600 Lighting Photoflex Wildfire CM Rigging Ketra Lighting Pixel Range Wireworks Coemar Kino Flo Portabrace Wenger Colortran Klein Tools Powersmiths Zero 88 Compulite Klipsch Prime Time Lighting Zylight Cool-Lux Kryolan Pro Intercom Barbizon Stocks AV Lamps Electronic Flash Polarizing Filters Batteries Ellipsoidals Reflectors Battery Packs Flags and Cutters Rigging Equipment Books & Videos Flashlights Sandbags Cables Fog Machines Sash Cord/Chain Cable Adapters Followspots Seamless Paper Cable Assemblies Foamcore Showcards Camera Accessories Fresnels Slates Camera Filters Gaffer Tape Softlights Clothespins Gel Special Effects Color-Correction Media Gloves Specialty Tape Fluorescent Lamps Grip Equipment Stage and Studio Lamps Commando Cloth HID/HMI/CID Sources Strobe Lights Connectors Intercom Systems Theatrical Hardware Consoles Lamp Sockets Tools Chroma-Key Material LCD Projector Lamps Transport Carts and Cases Curtains and track Lighting Kits Trickline/Tieline Dance Floors Light Meters Tripods Dichroic Glass Matte Boxes Video Batteries Diffusion Media Moving Lights Video Kits Dimmers On-Camera Lighting Video Tapes Drafting Templates Open Face fixtures Video Test Chart Dulling Spray Paint Viewfinders Duvetyne Par Cans Xenon Lamps Electrical Distribution Patterns/Gobos AND MORE! Barbizon Offices Atlanta Denver Washington, D.C. 1483 Chattahoochee Ave NW Suite D 8269 East 23rd Avenue 6437G General Green Way Atlanta, GA 30318 Suite #111 Alexandria, VA 22312 Tel. (404) 681-5124 Denver, CO 80238 Tel. (703) 750-3900 Fax. (404) 681-5315 Tel. (303) 394-9875 Fax (703) 750-1448 [email protected] Fax (303) 355-5996 [email protected] [email protected] Boston National Telesales 3 Draper Street Miami Tel. (877) 811-1147 Woburn, MA 01801 11551 Interchange Circle South Fax. (336) 722-4885 Tel. (781) 935-3920 Miramar, FL 33025 [email protected] Fax (781) 935-9273 Tel. (954) 919-6495 [email protected] Fax (954) 919-6606 London [email protected] The Saracen Industrial Estate Charlotte Unit 12 Mark Road, 1016 McClelland Ct. New York Hemel Hempstead Charlotte, NC 28206 456 West 55TH Street United Kingdom HP1 3AA Tel. (704) 372-2122 New York, NY 10019 +44 1442 260600 Fax (704) 372-7422 Tel. (212) 586-1620 Fax: +44 1442 243457 [email protected] Fax (212) 247-8818 [email protected] [email protected] Chicago Australia (main) 2525 N. Elston Ave. Suite D220 Orlando Barbizon Australia Pty Ltd Chicago, IL 60647 3309 Bartlett Blvd. 652 Botany Road Tel. (773) 276-8500 Orlando, FL 32811 Alexandria, NSW 2015 Australia Fax (773) 276-8504 Tel. (407) 999-2647 +612 9700 9590 [email protected] Fax (407) 999-7685 [email protected] [email protected] Dallas Bangalore, India 2225 E. Beltline Rd., Suite 201 Phoenix +91 9008628028 Carrollton, TX 75006 1320 S. Priest Drive, Suite 105 [email protected] Tel. (972) 416-9930 Tempe, AZ 85281 Fax (972) 416-9924 Tel. (480) 237-0470 [email protected] Fax (480) 237-0475 [email protected] Download this or other Barbizon documents by scanning this code 866-502-2724 [email protected] REV April 2017.
Load more

Recommended publications
  • Productionproduction ////// B.F.A.B.F.A
    ProductionProduction ////// B.F.A.B.F.A. Animal Farm. Photo/Pin Lim We train for the profession with the profession. Houston has a large arts community that gives our students access to internships, observerships and overhire possibilities with such organizations as the Houston Grand Opera, Houston Ballet, Alley Theatre, Stages Repertory Theatre and IATSE PRODUCTION Local 51. Students graduate from the Production Program with the skills, confidence and experience necessary to launch a technical career or pursue an advanced degree in production or design. PROGRAM FEATURES PROGRAM OVERVIEW Our students learn in intimate, collaborative ensemble- Students spend their first two years learning and honing foundational based classes skills in technical production, stage management, design, graphic communication, play reading and analysis, and architectural and costume One-on-one mentoring and career consultations from history. Their training includes both classroom work and hands-on faculty and professional artists experience on at least one show per semester. Professional artists and guests allow our students to As upperclassmen, students are introduced to costume, lighting and network and gain practical experience scenic design. They can either continue to broaden their training in Extensive cross-collaboration with the Stage various areas or specialize in advanced training in scenery, costuming, Management Program lighting or sound. As they continue to develop their practical skills, students have the opportunity to take on technical leadership
    [Show full text]
  • Barbizon Distributes 16 X 9 Inc
    Systems Integration ▾ Sales ▾ Technical Services Barbizon Distributes 16 X 9 Inc. Crown Lightline Electronics Rosco Labs 3M Da-Lite Lightolier Controls Rosebrand AAdynTech Dazian Lightronics Rotolight ABC Products Dedotec Lightware Cases Sachtler AC Lighting DeSisti Lighting LiteGear Schneider Optics AC Power Distribution, Inc. Digital Sputnik Litepanels, Inc. Sculptural Arts Coatings Advanced Devices Doug Fleenor Design Littlite Sekonic Meters Advantage Gripwear Doughty Engineering Look Solutions Sennheiser Airstar Dove Systems Lou Marks Setwear Alan Gordon Enterprises, Inc. Draper, Inc. Lowel Light SGM - US Alkalite DSC Labs Lowepro Cases Show Solutions Allied Electronics DTS Lighting LTM SixEye Altman Stage Lighting Duracell Lumenpulse SKB Cases Amco Engineering Eagle Electric Lumen Radio Sound Associates American DJ Elation Lighting Luminex Span Set American Grip Inc. elektraLite Lumos Special FX Lighting American Harlequin Electronics Diversified Lutron Electronics SOG Amprobe Instrument Electronic Theatre Controls Luxtrol Spectra Meters Anchor Audio Enttec Luxam Speedotron Antari Eveready Battery Lycian Spider Support Systems Anton Bauer Falcon Safety Lyntec Spyderco Knives Anvil Cases Fehr Brothers Magic Gadgets SSRC Apollo Design Technology Field Template Maglite Staging Concepts Applied Electronics Fiilex Lighting Manfrotto Stage Decoration & Supplies Aquarii Flexfill Marinco Stagejunk Arri Focal Press Martin Professional Stagemaker Artistic License Formatt Filters Matthews Studio Equipment Stage Right Aspen Electronics Frezzi
    [Show full text]
  • Theater Arts
    Program Overivew Program: Theatre Arts Does this program have a Yes CTE component? Academic Year: 2020/2021 Review Period: 6 Year A. Description and Goals 1. Describe the program and/or service area under review and how the program supports the mission of Santa Monica College. The Theatre Arts Department offers courses in Instructional as well as Career Education (CE) categories. We offer the following Degrees and Certificates: • AA Theatre • AA-T Theatre Arts • AS- Technical Theatre • Certificate of Achievement- Technical Theatre • Department Certificate: Scenic Design and Construction • Department Certificate: Stage Lighting, Sound and Projection Our Instructional areas include courses in Acting Techniques- Theory and Practice, Theatre Production, Introduction to Theatre and Theatre History. They lead to the completion of an Associate of Arts degree and also prepare students for transfer to four-year institutions. We have created a transfer degree (AA-T Theatre Arts) for students planning to transfer into CSUs. We have a CE Program in Technical Theatre. Areas of study include Stagecraft, Stage Lighting, Stage Costuming, Stage Sound, Stage Make-Up, Projection and Advanced Lighting, Stage Management, Scenic Design, Scenic Painting Techniques and Technical Theatre Production. The CE program offers a 19-unit Certificate of Achievement, leads to an Associate of Science degree, transfer to four-year institutions and/or employment in various areas in Technical Theatre. Our Acting courses consist of scene study in Modern Realism and Historical Styles ranging from Greek to Post-Modern. We also offer multiple levels of courses in Voice Development for the Stage, Stage Movement, Musical Theatre and an Advanced Audition Workshop.
    [Show full text]
  • Theatre (THEA)
    Kent State University Catalog 2021-2022 1 THEA 11724 FUNDAMENTALS OF PRODUCTION LABORATORY II: THEATRE (THEA) PROPS AND SCENIC ART 1 Credit Hour Practice in theatre production techniques in the area of properties and THEA 11000 THE ART OF THE THEATRE (DIVG) (KFA) 3 Credit Hours scenic art. Using the life-centered nature of theatre as a medium of analysis, this Prerequisite: Special approval. course is designed to develop critically engaged audience members Corequisite: THEA 11722. who are aware of the impact, significance and historical relevance of the Schedule Type: Laboratory interconnection between culture and theatre performance. Contact Hours: 2 lab Prerequisite: None. Grade Mode: Standard Letter Schedule Type: Lecture Attributes: CTAG Performing Arts, TAG Arts and Humanities Contact Hours: 3 lecture THEA 11732 FUNDAMENTALS OF PRODUCTION II: COSTUMES, Grade Mode: Standard Letter LIGHTING AND PROJECTIONS 2 Credit Hours Attributes: Diversity Global, Kent Core Fine Arts, Transfer Module Fine An introduction to professional theatre production principles and Arts practices in the areas of costumes, lighting and projections. THEA 11100 MAKING THEATRE: CULTURE AND PRACTICE 2 Credit Prerequisite: Special approval. Hours Schedule Type: Lecture Overview of theatre practices through creative experiential learning. The Contact Hours: 2 lecture focus and course content combines practical and cultural experiences Grade Mode: Standard Letter and culminates with a performance event that provides a solid foundation Attributes: CTAG Performing Arts in the artistic process and an identity for the first-year theatre student. THEA 11733 FUNDAMENTALS OF PRODUCTION LABORATORY III: Prerequisite: Special approval. COSTUMES 1 Credit Hour Schedule Type: Lecture Practice in theatre production techniques in the area of costumes.
    [Show full text]
  • Intelligent Lighting Design Spot
    INTELLIGENT LIGHTING www.ElationLighting.com INTELLIGENT LIGHTING DESIGN SPOT 250 CONTROL FEATURES RDMX - Remote DMX Addressing USITT DMX-512 (16-bit resoultion) 16 DMX Channels 4 Digit L.E.D. Display On board menu settings 3-pin XLR serial input/output Sound active mode OPTICAL SYSTEM High output luminous-parabolic dichroic refl ector Beam Angle 17° Replacable Beam 14°, 20° angles (included) All lenses are anti-refl ection coated COLORS 8 Dichroic fi lters, 7 color, UV + White Continuous, variable speed, color scrolling in both directions (rainbow effect) More color combinations possible by overlaying the multi- color dichroic gobo and the colors on the color wheel GOBOS 2 gobo wheels, 14 total gobos, 11 metal, 3 glass 7 interchangeable, indexable, rotating gobos plus open 7 interchangeable, static gobos plus open 26.9mm outside diameter, 23mm image diameter Gobo Overlay (Gobo Morphing) SHUTTER/DIMMER Variable speed strobe effect (1-13) Flashes per second Pre-set variable/random strobe and dimming pulse effect Dual Flag mechanical dimming system MOUNTING BRACKETS Each Design Spot 250 comes IRIS with 2 mounting brackets Beam narrow to wide (5% - 100%) Variable speed iris macros Small to large and large to small FROST 3 FACET PRISM FROST Variable Frost Control Hard edge to soft edge PRISM Hard Edge Soft Edge (Wash Effect) 3-facet rotating/Indexing Prism (Spot Effect) Both directions at variable speeds Macro-function for rotating gobos/rotating prisim 14° Beam Angle 17° Beam Angle GOBO WHEEL 1 687 198 75 482 172 54 7402 2132 810 5190 1858 586
    [Show full text]
  • Bulletin 0002-2018 Division 11 00 00 Theater Lighting, Sound and A/V Equipment April 2018
    FACILITIES SERVICES 1631 LAFRANCE STREET ATLANTA, GEORGIA 30307 JERE J. SMITH III, AIA DIRECTOR OF CAPITAL IMPROVEMENTS (404) 802-3736 FAX (404) 802-3897 [email protected] BULLETIN TO DESIGN AND CONSTRUCTION PROFESSIONALS Date: April 2, 2018 Bulletin: 0002 – 2018 Division: 11 00 00 – Theater Lighting, Sound and A/V Equipment Re: APS Design Guidelines and Standard Specifications Update Item 1: This is a clarification, change or addition to the existing Atlanta Public Schools (APS) Design Guidelines and Standard Specifications dated December 1, 2010 and any previous Bulletins. Item 2: This set of requirements and specifications should be implemented IMMEDIATELY on all projects that are in the “Construction Document” phase of the project delivery process. On projects where the “Construction” has begun, these requirements and specifications should be implemented IMMEDIATELY, WHERE PRACTICAL as to not adversely impact the schedule, budget or overall delivery of the project. Item 3: The existing APS Design Guidelines, Division 11 00 00, Theatrical and Stage Equipment should be amended and supplemented by the attached Standards for Theater Lighting, Sound and A/V Equipment (dated April 2, 2018). ___________________________ Jere J. Smith III, AIA Director of Capital Improvements For school system directory information, dial 404-802-3500. The Atlanta Public School System does not discriminate on the basis of race, color, religion, sex, age, national origin, disability, veteran status, marital status, or sexual orientation in any of its employment practices, educational programs, services or activities. For additional information about nondiscrimination provisions, please contact the Office of Internal Resolution, 130 Trinty Avenue, S.W., Atlanta, Georgia, 404-802-2362.
    [Show full text]
  • Controller User Manual
    Intelligent Lighting Systems Multifunction Digital RGBW LED controller Comprehensive User Manual Table of Contents Table Rev 2/4/2018 2 Table of Contents Table of Contents ...............................................................................................................................................3 1.0 – Specifications ........................................................................................................................................6 Controller (General): ................................................................................................................................................... 6 1.1 - DRL Specifications .......................................................................................................................................8 Yamaha: ....................................................................................................................................................................... 8 2.0 - Introduction ..............................................................................................................................................10 2.1 - The Controller: ..........................................................................................................................................14 3.0 - Modes ......................................................................................................................................................16 3.1 – Modes: Road ............................................................................................................................................19
    [Show full text]
  • Lights and Lasers May Be Used As a Visual Effect
    PURPOSE 1 Stage lighting has multiple functions, including: • Selective visibility: The ability to see what is occurring on stage. Any lighting design will be ineffective if the viewers cannot see the characters, unless this is the explicit intent. • Revelation of form: Altering the perception of shapes onstage, particularly three- dimensional stage elements. • Focus: Directing the audience's attention to an area of the stage or distracting them from another. • Mood: Setting the tone of a scene. Harsh red light has a different effect than soft lavender light. • Location and time of day: Establishing or altering position in time and space. Blues can suggest night time while orange and red can suggest a sunrise or sunset. Use of mechanical filters ("gobos") to project sky scenes, the Moon, etc. • Projection/stage elements: Lighting may be used to project scenery or to act as scenery onstage. • Plot (script): A lighting event may trigger or advance the action onstage and off. • Composition: Lighting may be used to show only the areas of the stage which the designer wants the audience to see, and to "paint a picture".[4][5] • Effect: In pop and rock concerts or DJ shows or raves, colored lights and lasers may be used as a visual effect. Lighting design is an art form, and thus no one way is the "correct" way. There is a modern movement that states that the lighting design helps to create the environment in which the action takes place while supporting the style of the piece. "Mood" is arguable while the environment is essential. 1) Selective visiblity: The #1 function of light is to see, to illuminate, to make visible to the nake human eye.
    [Show full text]
  • Lighting for Live Streams
    WHITE PAPER LIGHTING FOR LIVE STREAMS Good Lighting Makes Better Video...Better Video Connects the Viewer by Jeff Ravitz, Mike Baldassari, & Greg Scott Published: August 2020 CONTENTS INTRODUCTION ……………………………………………………………………………………………………………………………3 UNDERSTANDING THE CHALLENGES …………………………………………………………………………………………3 BASIC PRINCIPLES OF LIGHTING FOR THE CAMERA ……………………………………………………………………4 Intensity and Balance ……………………………………………………………………………………………………………4 Color and Color Temperature ………………………………………………………………………………………………5 Aesthetics ……………………………………………………………………………………………………………………………7 EQUIPMENT CHOICES …………………………………………………………………………………………………………………8 Demystifying Hard Edge vs Soft Light ……………………………………………………………………………………8 LED Technology ……………………………………………………………………………………………………………………8 Fixtures ………………………………………………………………………………………………………………………………9 Types ………………………………………………………………………………………………………………………………9 Features …………………………………………………………………………………………………………………………9 Control …………………………………………………………………………………………………………………………………10 THE APPROACH TO MAKING IT WORK …………………………………………………………………………………………10 Evaluation Checklist ……………………………………………………………………………………………………………10 LAST THOUGHTS …………………………………………………………………………………………………………………………12 ABOUT THE AUTHORS …………………………………………………………………………………………………………………13 ABOUT MARTIN BY HARMAN ………………………………………………………………………………………………………14 MARTIN BY HARMAN LIGHTING FOR LIVE STREAMS | WHITE PAPER | © 2020 HARMAN | v.08.2020 Page 2 of 14 INTRODUCTION Video cameras are everywhere, including in our pockets. Due to the vast expansion of television as a communication tool from
    [Show full text]
  • LED Lighting Semiconductors for Power Conversion and Smart Lighting
    LED lighting Semiconductors for power conversion and smart lighting www.infineon.com/lighting Contents Introduction 3 LED strips and signage 30 Linear LED driver ICs 31 LED drivers 5 Very low-cost LED driver ICs 32 Mixed-signal PFC and flyback controllers 6 BCR401W/BCR402W 32 ICL8800/ ICL8810/ ICL8820 6 Low-voltage-drop LED driver ICs 33 BSS126I 7 BCR430U/BCR431U 33 IRS2982S 8 Robust LED driver ICs 34 IRS2505L 9 BCR320U/BCR420U 34 ICE2PCS0XG/ICE3PCS0XG 10 BCR401U/BCR402U/BCR405U 35 SiC diodes for high-power applications 11 Digital flyback controllers 12 Radar sensors for smart lighting 36 XDPL8105 12 Radar partner ecosystem at a glance 36 XDPL8210 13 including design house partners XDPL8219 14 Radar sensors for presence detection and more 37 XDPL8221 15 Radar motion and presence sensor 38 PFC plus half-bridge resonant controllers 16 Our partners 39 ICL5102 16 ICL5102HV 17 Wi-Fi module partner solutions 41 DC-DC buck converters and smart controllers 18 Bluetooth Mesh 42 ILD8150 18 Bluetooth Mesh integrated module solutions 43 BCR601/BCR602 19 Bluetooth Mesh Internet gateway 43 BCR601 20 Wi-Fi 44 IRS2982 for high-voltage buck 21 Wi-Fi module partner solutions 45 CoolMOS™ – high-voltage MOSFETs 22 OPTIGA™ Trust M 46 950 V CoolMOS™ P7 23 Turnkey security solution optimized 46 800 V CoolMOS™ P7 24 for connected devices 700 V CoolMOS™ P7 25 600 V CoolMOS™ P7 26 OptiMOS™ 5 – medium-voltage MOSFETs 27 150 V OptiMOS™ 5 for synchronous rectification 27 NFC IC for configuration 28 NLM0010/NLM0011 28 0–10 V dimming interface IC 29 CDM10V 29 2 Introduction Get ready for the next big thing in LED lighting LED lights have become part of our daily lives, making Widespread implementation of presence detectors a significant contribution to global efforts to reduce our would be an extremely effective way to reduce energy carbon footprint.
    [Show full text]
  • Arizona Cte Career Preparation Standards & Measurement Criteria
    ARIZONA CTE CAREER PREPARATION STANDARDS & MEASUREMENT CRITERIA TECHNICAL THEATRE OPTION A, 50.0100.2 STANDARD 1.0 ─ INVESTIGATE HOW THEATRICAL DESIGN COMPONENTS CONTRIBUTE TO THEATRICAL PRODUCTION 1.1 Demonstrate the elements of design as applied to theatre 1.2 Distinguish among types of performance venues, traditional and non-traditional 1.3 Research historical and contemporary production designs from a variety of perspectives to determine a production style 1.4 Interpret cultural and historical eras in theater 1.5 Identify previous and contemporary production techniques 1.6 Demonstrate how design conveys the mood, places the action, and reveals character and setting 1.7 Describe the role of the designer in the collaborative process of theatre 1.8 Demonstrate how a designer communicates a production design, including renderings, models, sketches, drafting, computer graphics, etc. STANDARD 2.0 ─ EXPLORE HOW TECHNICAL THEATRE REALIZES THE DESIGN PROCESS 2.1 Recognize the roles and responsibilities of technical theatre positions and their positions within a production hierarchy 2.2 Interpret design drawings, including renderings, drafting, models 2.3 Collaborate with designers to realize the design 2.4 Employ interpretations in constructing sets, costumes, and installing lighting and sound plots STANDARD 3.0 ─ SCENERY: PRACTICE THEATRICAL CONSTRUCTION TECHNIQUES THAT REALIZE THE SET DESIGN 3.1 Employ shop safety protocols 3.2 Identify construction materials, tools, and hardware 3.3 Develop material costs and time estimates for the set
    [Show full text]
  • Theatre Arts Degree
    THEATRE ARTS A.A. DEGREE Performance Emphasis The associate in arts degree in Performance provides a fundamental exploration of Theatre Arts focusing on performance styles and acting techniques. It is designed to prepare the student for entry level performance careers in stage, television, and film, as well as other occupations where voice training, dynamic presentations, and adaptability in interactive style are important. This degree provides a more flexible and diverse study plan in comparison to the associate in arts degree for transfer. Not all courses are transferrable. Major requirements for the associate of arts degree Core Courses: Units Theatre Arts 100, Introduction to the Theatre 3 Or Theatre Arts 105, A Cultural History of World Theatre 3 Theatre Arts 110, Fundamentals of Acting 3 Theatre Arts 131, Stagecraft 3 Subtotal: 9 Plus 9 units from the following courses: Units Theatre Arts 111, Intermediate Acting 3 Theatre Arts 113, Acting for Television and Film 3 Theatre Arts 118, Fundamentals of Scene Study 2 Theatre Arts 132, Stage Makeup 3 Theatre Arts 135, Technical Production 1 Theatre Arts 150, Theater production 2 Theatre Arts 151, Showcase 2 Theatre Arts 152, Tour Ensemble 3 Theatre Arts 153, Introduction to Directing 2 Theatre Arts 154, Performing Ensemble 2 Theatre Arts 155, Children’s Theater Ensemble 2 Theatre Arts 156, Reader’s Theater Workshop 2 Theatre Arts 198, Topics 2 Theatre Arts 250, Advanced Theater Production 1-3 Total: 18 THEATRE ARTS A.A. DEGREE Technical Theatre Emphasis The associate in arts degree in Technical Theatre degree provides a fundamental exploration of Theatre Arts focusing on the technical elements that support performers and enhance performances.
    [Show full text]