Photometrics Means “Those the Core of Photometrics As Used in a Things Pertaining to the Measuring of Modern Lighting Instrument
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Productionproduction ////// B.F.A.B.F.A
ProductionProduction ////// B.F.A.B.F.A. Animal Farm. Photo/Pin Lim We train for the profession with the profession. Houston has a large arts community that gives our students access to internships, observerships and overhire possibilities with such organizations as the Houston Grand Opera, Houston Ballet, Alley Theatre, Stages Repertory Theatre and IATSE PRODUCTION Local 51. Students graduate from the Production Program with the skills, confidence and experience necessary to launch a technical career or pursue an advanced degree in production or design. PROGRAM FEATURES PROGRAM OVERVIEW Our students learn in intimate, collaborative ensemble- Students spend their first two years learning and honing foundational based classes skills in technical production, stage management, design, graphic communication, play reading and analysis, and architectural and costume One-on-one mentoring and career consultations from history. Their training includes both classroom work and hands-on faculty and professional artists experience on at least one show per semester. Professional artists and guests allow our students to As upperclassmen, students are introduced to costume, lighting and network and gain practical experience scenic design. They can either continue to broaden their training in Extensive cross-collaboration with the Stage various areas or specialize in advanced training in scenery, costuming, Management Program lighting or sound. As they continue to develop their practical skills, students have the opportunity to take on technical leadership -
The Telescope Lenses, Which Turned the Image Upside Down but Improved the Clarity Dramatically
The image produced by the first refracting telescope was Name right side up. However, the clarity of the image was less than ideal. Johannes Kepler worked to improve the image produced by the refracting telescope. He used two convex The Telescope lenses, which turned the image upside down but improved the clarity dramatically. His design soon became popular By Phyllis Naegeli and remains in use today. Do you like to lie on your back and gaze One problem associated with the refracting telescope was at the stars? What constellations can you the rainbow halo it produced around the object in view. Sir name? Have you ever used a telescope to Isaac Newton did not care for the halo produced by the get a closer look at the universe? Do you refracting telescope. He set out to improve the design, know how a telescope works? which led him to work on the reflecting telescope. The design used a curved mirror to collect light from an object. A telescope is used to see distant objects A secondary flat mirror reflected the image to the side of up close. There are two basic types of the tube where it is viewed through an eyepiece. Newton telescopes - the refracting telescope and also used a shorter, fatter tube allowing magnification to be the reflecting telescope. Each will help increased by using larger mirrors. Newton's design you to see the planets, moon, or stars. Both eliminated the rainbow halo produced by the convex lenses use a tube and have an eyepiece to focus the image for you of the refracting telescope. -
Simulating Headlamp Illumination Using Photometric Light Clusters
2009-01-0110 Simulating Headlamp Illumination Using Photometric Light Clusters William T.C. Neale, David R. Hessel Kineticorp, LLC Copyright © 2009 SAE International ABSTRACT which and the degree to which something is visible. Current methods exist fore evaluating the limits of Assessing the ability of a driver to see objects, visibility which rely on replicating as closely as possible pedestrians, or other vehicles at night is a necessary the conditions present at the time of the accident and precursor to determining if that driver could have performing an in situ evaluation, through observation avoided a nighttime crash. The visibility of an object at and light measurement (Adrian, 1998, pp. 181-88; Klein, night is largely due to the luminance contrast between 1992; Owens, 1989). the object and its background. This difference depends on many factors, one of which is the amount of However, replicating the lighting conditions under which illumination produced by a vehicle’s headlamps. This an accident occurred can be difficult and expensive and paper focuses on a method for digitally modeling a may be impossible if the accident site no longer exists or vehicle headlamp, such that the illumination produced by has changed significantly. If one were able to digitally the headlamps can be evaluated. The paper introduces simulate the accident environment these constraints the underlying concepts and a methodology for could, in many cases, be eliminated. However, creating simulating, in a computer environment, a high-beam a simulated environment would have its own obstacles, headlamp using a computer generated light cluster. In including the need to accurately model the various light addition, the results of using this methodology are sources in that environment. -
Barbizon Distributes 16 X 9 Inc
Systems Integration ▾ Sales ▾ Technical Services Barbizon Distributes 16 X 9 Inc. Crown Lightline Electronics Rosco Labs 3M Da-Lite Lightolier Controls Rosebrand AAdynTech Dazian Lightronics Rotolight ABC Products Dedotec Lightware Cases Sachtler AC Lighting DeSisti Lighting LiteGear Schneider Optics AC Power Distribution, Inc. Digital Sputnik Litepanels, Inc. Sculptural Arts Coatings Advanced Devices Doug Fleenor Design Littlite Sekonic Meters Advantage Gripwear Doughty Engineering Look Solutions Sennheiser Airstar Dove Systems Lou Marks Setwear Alan Gordon Enterprises, Inc. Draper, Inc. Lowel Light SGM - US Alkalite DSC Labs Lowepro Cases Show Solutions Allied Electronics DTS Lighting LTM SixEye Altman Stage Lighting Duracell Lumenpulse SKB Cases Amco Engineering Eagle Electric Lumen Radio Sound Associates American DJ Elation Lighting Luminex Span Set American Grip Inc. elektraLite Lumos Special FX Lighting American Harlequin Electronics Diversified Lutron Electronics SOG Amprobe Instrument Electronic Theatre Controls Luxtrol Spectra Meters Anchor Audio Enttec Luxam Speedotron Antari Eveready Battery Lycian Spider Support Systems Anton Bauer Falcon Safety Lyntec Spyderco Knives Anvil Cases Fehr Brothers Magic Gadgets SSRC Apollo Design Technology Field Template Maglite Staging Concepts Applied Electronics Fiilex Lighting Manfrotto Stage Decoration & Supplies Aquarii Flexfill Marinco Stagejunk Arri Focal Press Martin Professional Stagemaker Artistic License Formatt Filters Matthews Studio Equipment Stage Right Aspen Electronics Frezzi -
5 10 15 20 25 30 35 Class 359 Optical: Systems And
CLASS 359 OPTICAL: SYSTEMS AND ELEMENTS 359 - 1 359 OPTICAL: SYSTEMS AND ELEMENTS 1 HOLOGRAPHIC SYSTEM OR ELEMENT 197.1 .Using a periodically moving 2 .Authentication element 3 .Having particular recording 198.1 ..With particular mount or driver medium for element 4 ..Recyclable 199.1 ...Oscillating driver 5 ...Magnetic material 199.2 ....Electrostatically driven 6 ...Sandwich having photoconductor 199.3 ....Electromagnetically driven 7 ...Crystalline material 199.4 ....Electromechanically driven 8 ..Having nonplanar recording 200.1 ...Bearing or shaft for rotary medium surface driver 9 .For synthetically generating a 200.2 ....Specific shaft material or hologram structure (e.g., ceramic ring) 10 .Using modulated or plural 200.3 .....Grooved shaft reference beams 200.4 ....Fluid pressure bearing 11 ..Spatial, phase or amplitude 200.5 .....Dynamic fluid bearing modulation 200.6 ...Electrostatic driver 12 .Copying by holographic means 200.7 ...Electromagnetic driver 13 .Head up display 200.8 ...Electromechanical driver 14 ..Holograph on curved substrate 201.1 ..With multiple scanning elements 15 .Using a hologram as an optical (e.g., plural lenses, lens and element prism, etc.) 16 ..With aberration correction 201.2 ...Reflective element (e.g., 17 ..Scanner mirror, reflector, etc.) 18 ...Flat rotating disk 202.1 ...X-Y scanners 19 ..Lens 203.1 ...Having a common axis or 20 ...Multiple point hologram (e.g., rotation fly-eye lens, etc.) 204.1 ..Utilizing multiple light beams 21 .Having defined page composer 204.2 ...Including modulated light -
Spherical Mirror Parabolic Mirror Ray Diagrams for Mirrors
Ray Diagrams for Mirrors September 8, 2015 1:24 PM Light rays travel in straight lines and so when we see one we assume it is coming straight towards us. But as physics students we know that light can be refracted and bent. Plane Mirror Object Image Plane mirrors form images at the same distance to the mirror as the object. This image is a virtual image as it is behind the mirror and impossible to project on a piece of paper in the real world. Question: Do we see more of ourselves as we get closer to the mirror or less? Question: What size of mirror do we need to see all of ourselves? Question: In a plane mirror is the images height larger, smaller or equal to the objects? Plane Mirrors: Are flat reflective surfaces that create a virtual image with the same height as the object and at the same distance from the mirror as the object. Concave Mirrors These are mirrors that are curved with their outer edges closer to you then their centers. Just like a parenthesis ")". They reflect light towards their focal points. The most ideal curved mirror is a Parabolic Mirror but these are extremely difficult to produce accurately. Most Parabolic Mirrors are approximations created from taking a small portion of a spherical mirror. Parabolic Mirror Spherical Mirror Optics Page 1 Parabolic Mirror Spherical Mirror Principal Axis = focal point = center of circle Convex Mirrors Convex Mirrors are just the opposite of a concave mirror. They are like a backwards parenthesis "(". They reflect light away from the mirrors focal point, which is located on the back side of the mirror. -
25 Geometric Optics
CHAPTER 25 | GEOMETRIC OPTICS 887 25 GEOMETRIC OPTICS Figure 25.1 Image seen as a result of reflection of light on a plane smooth surface. (credit: NASA Goddard Photo and Video, via Flickr) Learning Objectives 25.1. The Ray Aspect of Light • List the ways by which light travels from a source to another location. 25.2. The Law of Reflection • Explain reflection of light from polished and rough surfaces. 25.3. The Law of Refraction • Determine the index of refraction, given the speed of light in a medium. 25.4. Total Internal Reflection • Explain the phenomenon of total internal reflection. • Describe the workings and uses of fiber optics. • Analyze the reason for the sparkle of diamonds. 25.5. Dispersion: The Rainbow and Prisms • Explain the phenomenon of dispersion and discuss its advantages and disadvantages. 25.6. Image Formation by Lenses • List the rules for ray tracking for thin lenses. • Illustrate the formation of images using the technique of ray tracking. • Determine power of a lens given the focal length. 25.7. Image Formation by Mirrors • Illustrate image formation in a flat mirror. • Explain with ray diagrams the formation of an image using spherical mirrors. • Determine focal length and magnification given radius of curvature, distance of object and image. Introduction to Geometric Optics Geometric Optics Light from this page or screen is formed into an image by the lens of your eye, much as the lens of the camera that made this photograph. Mirrors, like lenses, can also form images that in turn are captured by your eye. 888 CHAPTER 25 | GEOMETRIC OPTICS Our lives are filled with light. -
Lighting Lighting
PHX CDM ELLIPSOIDAL ELLIPSOIDAL LIGHTING The PHX CDM 5°, 10°, 19°, 26°, 36° and 50° fxed focus Catalog Numbers ellipsoidals are truly state of the art luminaires in style, PHXC-5-* versatility of functions and efciency. Confgured with a PHXC-10-* 39W, 70W, or 150W ballast, these lighting fxtures with their PHXC-19-* respective Ceramic Discharge Metal Halide Lamps will direct PHXC-26-* bright,sharp or soft-edged illumination to their subject. PHXC-36-* PHXC-50-* Each unit has two accessory slots and two accessory holders on the lens barrel. The slot nearest to the lamp is specifcally sized to accept pattern holders for metal gobos with 25⁄8“ image diameters (“B”size). The second slot, which has a cover to eliminate light leaks when not in use, will accept either a glass pattern holder, drop-in iris, gobo rotator or a dual gobo rotator. Both the 5° and the 10° PHX CDM units have generous sized front accessory holders with self-closing and self-latching safety retainers. These accessory holders are large enough for color frames, glass color frames,donuts, snoots or color changers and combinations of accessories as required. The 19°, 26°, 36°, and 50° fxed focus units have accessory holders with two separate channels. The lens barrels are interchangeable without the use of tools. These low wattage, long lamp life units produce a cool light with a high color rendering index that will not seriously impact ambient temperatures. Ideally suited for projecting company logos, spot lighting and enhancing physical logos 39/70/150 WATT and signs or lighting trade show booths, products and PHX ELLIPSOIDAL goods. -
Theater Arts
Program Overivew Program: Theatre Arts Does this program have a Yes CTE component? Academic Year: 2020/2021 Review Period: 6 Year A. Description and Goals 1. Describe the program and/or service area under review and how the program supports the mission of Santa Monica College. The Theatre Arts Department offers courses in Instructional as well as Career Education (CE) categories. We offer the following Degrees and Certificates: • AA Theatre • AA-T Theatre Arts • AS- Technical Theatre • Certificate of Achievement- Technical Theatre • Department Certificate: Scenic Design and Construction • Department Certificate: Stage Lighting, Sound and Projection Our Instructional areas include courses in Acting Techniques- Theory and Practice, Theatre Production, Introduction to Theatre and Theatre History. They lead to the completion of an Associate of Arts degree and also prepare students for transfer to four-year institutions. We have created a transfer degree (AA-T Theatre Arts) for students planning to transfer into CSUs. We have a CE Program in Technical Theatre. Areas of study include Stagecraft, Stage Lighting, Stage Costuming, Stage Sound, Stage Make-Up, Projection and Advanced Lighting, Stage Management, Scenic Design, Scenic Painting Techniques and Technical Theatre Production. The CE program offers a 19-unit Certificate of Achievement, leads to an Associate of Science degree, transfer to four-year institutions and/or employment in various areas in Technical Theatre. Our Acting courses consist of scene study in Modern Realism and Historical Styles ranging from Greek to Post-Modern. We also offer multiple levels of courses in Voice Development for the Stage, Stage Movement, Musical Theatre and an Advanced Audition Workshop. -
Theatre (THEA)
Kent State University Catalog 2021-2022 1 THEA 11724 FUNDAMENTALS OF PRODUCTION LABORATORY II: THEATRE (THEA) PROPS AND SCENIC ART 1 Credit Hour Practice in theatre production techniques in the area of properties and THEA 11000 THE ART OF THE THEATRE (DIVG) (KFA) 3 Credit Hours scenic art. Using the life-centered nature of theatre as a medium of analysis, this Prerequisite: Special approval. course is designed to develop critically engaged audience members Corequisite: THEA 11722. who are aware of the impact, significance and historical relevance of the Schedule Type: Laboratory interconnection between culture and theatre performance. Contact Hours: 2 lab Prerequisite: None. Grade Mode: Standard Letter Schedule Type: Lecture Attributes: CTAG Performing Arts, TAG Arts and Humanities Contact Hours: 3 lecture THEA 11732 FUNDAMENTALS OF PRODUCTION II: COSTUMES, Grade Mode: Standard Letter LIGHTING AND PROJECTIONS 2 Credit Hours Attributes: Diversity Global, Kent Core Fine Arts, Transfer Module Fine An introduction to professional theatre production principles and Arts practices in the areas of costumes, lighting and projections. THEA 11100 MAKING THEATRE: CULTURE AND PRACTICE 2 Credit Prerequisite: Special approval. Hours Schedule Type: Lecture Overview of theatre practices through creative experiential learning. The Contact Hours: 2 lecture focus and course content combines practical and cultural experiences Grade Mode: Standard Letter and culminates with a performance event that provides a solid foundation Attributes: CTAG Performing Arts in the artistic process and an identity for the first-year theatre student. THEA 11733 FUNDAMENTALS OF PRODUCTION LABORATORY III: Prerequisite: Special approval. COSTUMES 1 Credit Hour Schedule Type: Lecture Practice in theatre production techniques in the area of costumes. -
Streamlight Flashlights
STREAMLIGHT FLASHLIGHTS Streamlight™ STINGER® Streamlight™ STINGER DS® LED Lightweight, powerful, safety-rated, This all-purpose flashlight is designed for the broadest range of rechargeable flashlight with durable lighting needs at the best value. aluminum construction that makes it DUAL SWITCH TECHNOLOGY – Access three lighting modes and strobe virtually indestructible. via the tail cap or the head-mounted • Xenon gas-filled bi-pin bulb; spare switch. Switches operate independently. bulb in tailcap Three modes and strobe: • Adjustable focus beam ˃ High for a bright super-bright beam - 350 lumens; 24,000 candela • Up to 11,000 candela (peak beam intensity); 90 lumens peak beam intensity; 310 meter beam distance; runs 2 hours • 3-cell, 3.6 Volt Ni-Cd sub-C battery, rechargeable up to 1000 times ˃ Medium for bright light and longer run times – 175 lumens; • 3-cell, 3.6 Volt Ni-MH sub-C battery, rechargeable up to 1000 times. 12,000 candela peak beam intensity; 219 meter beam distance; • Up to 1.25 hours continuous use runs 3.75 hours • 7.38” ˃ Low for light without glare and extended run times – 85 lumens; • 10 oz. 6,000 candela peak beam intensity; 155 meter beam distance; • Assembled in USA runs 7.25 hours 75014 Black .................................................................$139.50 each ˃ Strobe for disorienting or signaling your location; runs 5.5 hours 75914 Replacement Bulb .................................................$8.95 each 76090 Deluxe Nylon Holster ...........................................$17.50 each • Deep-dish parabolic reflector produces a concentrated beam with optimum peripheral illumination Streamlight™ Jr.® LED • C4® LED technology, impervious to shock with a 50,000 hour lifetime Don’t let the name “Junior” fool you. -
A GLOSSARY of THEATRE TERMS © Peter D
A GLOSSARY OF THEATRE TERMS © Peter D. Lathan 1996-1999 http://www.schoolshows.demon.co.uk/resources/technical/gloss1.htm Above the title In advertisements, when the performer's name appears before the title of the show or play. Reserved for the big stars! Amplifier Sound term. A piece of equipment which ampilifies or increases the sound captured by a microphone or replayed from record, CD or tape. Each loudspeaker needs a separate amplifier. Apron In a traditional theatre, the part of the stage which projects in front of the curtain. In many theatres this can be extended, sometimes by building out over the pit (qv). Assistant Director Assists the Director (qv) by taking notes on all moves and other decisions and keeping them together in one copy of the script (the Prompt Copy (qv)). In some companies this is done by the Stage Manager (qv), because there is no assistant. Assistant Stage Manager (ASM) Another name for stage crew (usually, in the professional theatre, also an understudy for one of the minor roles who is, in turn, also understudying a major role). The lowest rung on the professional theatre ladder. Auditorium The part of the theatre in which the audience sits. Also known as the House. Backing Flat A flat (qv) which stands behind a window or door in the set (qv). Banjo Not the musical instrument! A rail along which a curtain runs. Bar An aluminium pipe suspended over the stage on which lanterns are hung. Also the place where you will find actors after the show - the stage crew will still be working! Barn Door An arrangement of four metal leaves placed in front of the lenses of certain kinds of spotlight to control the shape of the light beam.