May 1926) James Francis Cooke
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University of Florida Thesis Or Dissertation Formatting
IRISH MUSIC AND HOME-RULE POLITICS, 1800-1922 By AARON C. KEEBAUGH A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2011 1 © 2011 Aaron C. Keebaugh 2 ―I received a letter from the American Quarter Horse Association saying that I was the only member on their list who actually doesn‘t own a horse.‖—Jim Logg to Ernest the Sincere from Love Never Dies in Punxsutawney To James E. Schoenfelder 3 ACKNOWLEDGMENTS A project such as this one could easily go on forever. That said, I wish to thank many people for their assistance and support during the four years it took to complete this dissertation. First, I thank the members of my committee—Dr. Larry Crook, Dr. Paul Richards, Dr. Joyce Davis, and Dr. Jessica Harland-Jacobs—for their comments and pointers on the written draft of this work. I especially thank my committee chair, Dr. David Z. Kushner, for his guidance and friendship during my graduate studies at the University of Florida the past decade. I have learned much from the fine example he embodies as a scholar and teacher for his students in the musicology program. I also thank the University of Florida Center for European Studies and Office of Research, both of which provided funding for my travel to London to conduct research at the British Library. I owe gratitude to the staff at the Library of Congress in Washington, D.C. for their assistance in locating some of the materials in the Victor Herbert Collection. -
NUI MAYNOOTH Ûllscôst La Ttéiîéann Mâ Üuad Charles Villiers Stanford’S Preludes for Piano Op.163 and Op.179: a Musicological Retrospective
NUI MAYNOOTH Ûllscôst la ttÉiîéann Mâ Üuad Charles Villiers Stanford’s Preludes for Piano op.163 and op.179: A Musicological Retrospective (3 Volumes) Volume 1 Adèle Commins Thesis Submitted to the National University of Ireland, Maynooth for the degree of Doctor of Philosophy Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare 2012 Head of Department: Professor Fiona M. Palmer Supervisors: Dr Lorraine Byrne Bodley & Dr Patrick F. Devine Acknowledgements I would like to express my appreciation to a number of people who have helped me throughout my doctoral studies. Firstly, I would like to express my gratitude and appreciation to my supervisors and mentors, Dr Lorraine Byrne Bodley and Dr Patrick Devine, for their guidance, insight, advice, criticism and commitment over the course of my doctoral studies. They enabled me to develop my ideas and bring the project to completion. I am grateful to Professor Fiona Palmer and to Professor Gerard Gillen who encouraged and supported my studies during both my undergraduate and postgraduate studies in the Music Department at NUI Maynooth. It was Professor Gillen who introduced me to Stanford and his music, and for this, I am very grateful. I am grateful to the staff in many libraries and archives for assisting me with my many queries and furnishing me with research materials. In particular, the Stanford Collection at the Robinson Library, Newcastle University has been an invaluable resource during this research project and I would like to thank Melanie Wood, Elaine Archbold and Alan Callender and all the staff at the Robinson Library, for all of their help and for granting me access to the vast Stanford collection. -
Records of the Immigration and Naturalization Service, 1891-1957, Record Group 85 New Orleans, Louisiana Crew Lists of Vessels Arriving at New Orleans, LA, 1910-1945
Records of the Immigration and Naturalization Service, 1891-1957, Record Group 85 New Orleans, Louisiana Crew Lists of Vessels Arriving at New Orleans, LA, 1910-1945. T939. 311 rolls. (~A complete list of rolls has been added.) Roll Volumes Dates 1 1-3 January-June, 1910 2 4-5 July-October, 1910 3 6-7 November, 1910-February, 1911 4 8-9 March-June, 1911 5 10-11 July-October, 1911 6 12-13 November, 1911-February, 1912 7 14-15 March-June, 1912 8 16-17 July-October, 1912 9 18-19 November, 1912-February, 1913 10 20-21 March-June, 1913 11 22-23 July-October, 1913 12 24-25 November, 1913-February, 1914 13 26 March-April, 1914 14 27 May-June, 1914 15 28-29 July-October, 1914 16 30-31 November, 1914-February, 1915 17 32 March-April, 1915 18 33 May-June, 1915 19 34-35 July-October, 1915 20 36-37 November, 1915-February, 1916 21 38-39 March-June, 1916 22 40-41 July-October, 1916 23 42-43 November, 1916-February, 1917 24 44 March-April, 1917 25 45 May-June, 1917 26 46 July-August, 1917 27 47 September-October, 1917 28 48 November-December, 1917 29 49-50 Jan. 1-Mar. 15, 1918 30 51-53 Mar. 16-Apr. 30, 1918 31 56-59 June 1-Aug. 15, 1918 32 60-64 Aug. 16-0ct. 31, 1918 33 65-69 Nov. 1', 1918-Jan. 15, 1919 34 70-73 Jan. 16-Mar. 31, 1919 35 74-77 April-May, 1919 36 78-79 June-July, 1919 37 80-81 August-September, 1919 38 82-83 October-November, 1919 39 84-85 December, 1919-January, 1920 40 86-87 February-March, 1920 41 88-89 April-May, 1920 42 90 June, 1920 43 91 July, 1920 44 92 August, 1920 45 93 September, 1920 46 94 October, 1920 47 95-96 November, 1920 48 97-98 December, 1920 49 99-100 Jan. -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
The Foreign Service Journal, July 1926
AMERICAN FOREIGN SERVICE JOURNAL Photo from W. L. Lowrie BOTANICAL GARDEN, WELLINGTON, N. Z JULY, 1926 Dodge Cars Preferred by Great Commercial Houses One of the best proofs of 252. It would require many what the world thinks of pages to print them all. Dodge Brothers Motor Car is its widespread use—in And remember, that these large fleets — by great companies select their International Commercial automobile equipmentafter Houses. thorough competitive tests. Long life, economy and de¬ For instance, The Standard pendability in hard service Oil Company uses 456; are the qualities demanded Fairbanks-Morse Com¬ —qualities in which Dodge pany, 129; The General Brothers vehicles are ad¬ Cigar Company, 296; The mittedly without peer any¬ Public Service Companies, where in the world. DDDBEBRDTHER5,lNC.DeTRaiT DDDEE BROTHE-RS MOTOR CARS THE VOL III. No. 7 WASHINGTON, D. C. JULY, 1926 Through the Delta of Egypt By RAYMOND H. GEIST, Consul, Alexandria THOUSANDS of travelers visit Egypt out charm, is the least picturesque, as the tract annually, landing at Alexandria, Port Said, of the country through which the canal flows, is or Suez, whence they journey by express comparatively new, no irrigation having been train or automobile directly to Cairo. This city provided for this section of the delta before the is commonly accepted as the proper point of time of Mohammed Aly during the second departure to survey the wonders of the land of decade of the last century. The flat country the Pharaohs; and from a limited point of view stretches to the north and south, intensely green this is correct; but what interest and charm but sombered here and there by undeveloped exist in the primitive provinces of the Delta will lands and sandy patches, and the villages for the be indicated in the brief description of a voyage most part squat directly on the surface of the undertaken by the writer from Alexandria to plain, testifying by their lack of elevation that Cairo by way of the canals and the branches of they have no claim to antiquity. -
The “Advertiser” Stands for the Best Interests of Belmar
Library, Public The “Advertiser” Stands for the Best Interests of Belmar BOTH CtfHXHK Vol. XXV. No. 27, Whole No. 1981. BELMAR, N. J., FRIDAY, JULY 6, 1917. Single Copy Three Cents BOOMING BELMAR F. P. Philbrick FAMOUS MUSICIAN HERE Guests at Belmar’s COUNTY BANKS ISSUE STATEMENTS Work Being Done by the Miller- Eugene Bernstein is a Summer Res Margerum Co., Trenton. Passes Away ident of Belmar. Ever Popular Hotels Thirty Institutions in Monmouth County Show Increase of The tract of land that belonged to One of the distinguished summer the David H. Wilson estate, located HAD BEEN IN DRUG BUSINESS IN residents of Belmar is a famous mu HOLIDAY BRINGS MANY PEOPLE on our Main street at the corner of BELMAR 40 YEARS sician, Eugene Bernstein. Mr. Bern TO THE SHORE $3,700,000 in a Year. New Bedford road, Belmar, was re stein and his family came to Belmar cently purchased by that enterpris One of New Jersey’s Best Known last week for their second season Columbia Hotel Opening Dinner is 1916, but on that date this year the During the past week the thirty ing land development firm, the Mil- Pharmacists—Had Wide Circle of and are occupying .the Sanford Attended by About Two Hundred banks of Monmouth county have pub deposits had increased to an amount ler-Margerum Company, 150 East house, Twelfth avenue and River exceeding that of a year ago. Acquaintances. People. lished linancial statements. These State street, Trenton. road. Mr. Bernstein is very much E. F. Lyman, Jr., who assumed the They are now grading through please with Belmar and says that statements were called for on June Frank P. -
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Benjamin James Dale (1885–1943): The Romantic Viola majesty and grandeur and a melodic sweep such as some of his original intentions in his compositions. There none other of the present generation of string- are many instances, not only in the Phantasy but also in Suite for Viola and Piano in D major, Op. 2 writers seems able to approach”. the Suite, where although he keeps a long, legato Introduction and Andante for Six Violas, Op. 5 • Phantasy for Viola and Piano, Op. 4 melody in the piano part, the viola part for a similar or Dale promoted a number of techniques that were even identical melody is broken up, with tenuto markings Edwin Evans wrote of Dale in The Musical Times on 1st October 1906. This was followed by a performance of the not often used in English chamber music at the time, to separate the legato line. I personally feel that this may May 1919: “ʻHe has written fewer and better works than complete work in 1907. Tertis, who was particularly fond such as pizzicato, tremolos, ponticello and harmonics in have been Tertisʼs suggestion, in order to give the viola any English composer of his generation.ʼ That is the of the first two movements, asked Dale to orchestrate all six parts, also instructing the sixth violaʼs C string to part a better chance of being heard alongside the considered opinion of a well-known English musician.” them. The orchestrated versions were subsequently be tuned down to a G in order to reach the bass A flat in beautiful but nevertheless somewhat thick piano writing. -
Strafford, Missouri Bank Books (C0056A)
Strafford, Missouri Bank Books (C0056A) Collection Number: C0056A Collection Title: Strafford, Missouri Bank Books Dates: 1910-1938 Creator: Strafford, Missouri Bank Abstract: Records of the bank include balance books, collection register, daily statement registers, day books, deposit certificate register, discount registers, distribution of expense accounts register, draft registers, inventory book, ledgers, notes due books, record book containing minutes of the stockholders meetings, statement books, and stock certificate register. Collection Size: 26 rolls of microfilm (114 volumes only on microfilm) Language: Collection materials are in English. Repository: The State Historical Society of Missouri Restrictions on Access: Collection is open for research. This collection is available at The State Historical Society of Missouri Research Center-Columbia. you would like more information, please contact us at [email protected]. Collections may be viewed at any research center. Restrictions on Use: The donor has given and assigned to the University all rights of copyright, which the donor has in the Materials and in such of the Donor’s works as may be found among any collections of Materials received by the University from others. Preferred Citation: [Specific item; box number; folder number] Strafford, Missouri Bank Books (C0056A); The State Historical Society of Missouri Research Center-Columbia [after first mention may be abbreviated to SHSMO-Columbia]. Donor Information: The records were donated to the University of Missouri by Charles E. Ginn in May 1944 (Accession No. CA0129). Processed by: Processed by The State Historical Society of Missouri-Columbia staff, date unknown. Finding aid revised by John C. Konzal, April 22, 2020. (C0056A) Strafford, Missouri Bank Books Page 2 Historical Note: The southern Missouri bank was established in 1910 and closed in 1938. -
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557592 bk Bax UK/US 8/03/2005 02:22pm Page 5 Ashley Wass Also available: The young British pianist, Ashley Wass, is recognised as one of the rising stars of his generation. Only the second British pianist in twenty years to reach the finals of the Leeds Piano Competition (in 2000), he was the first British BAX pianist ever to win the top prize at the World Piano Competition in 1997. He appeared in the ‘Rising Stars’ series at the 2001 Ravinia Festival and his promise has been further acknowledged by the BBC, who selected him to be a New Generations Artist over two seasons. Ashley Wass studied at Chethams Music School and won a scholarship to the Royal Academy of Music to study with Christopher Elton and Hamish Milne. He was made an Associate of the Piano Sonatas Nos. 3 and 4 Royal Academy in 2002. In 2000/1 he was a participant at the Marlboro Music Festival, playing chamber music with musicians such as Mitsuko Uchida, Richard Goode and David Soyer. He has given recitals at most of the major British concert halls including the Wigmore Hall, Queen Elizabeth Hall, Purcell Room, Bridgewater Hall and St Water Music • Winter Waters David’s Hall. His concerto performances have included Beethoven and Brahms with the Philharmonia, Mendelssohn with the Orchestre National de Lille and Mozart with the Vienna Chamber Orchestra at the Vienna Konzerthaus and the Brucknerhaus in Linz. He has also worked with Sir Simon Rattle and the City of Birmingham Symphony Orchestra, the London Mozart Players, the BBC Scottish Symphony Orchestra and the BBC Ashley Wass Philharmonic. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
S Ubject L Ist N O. 64
«iOJixi.lt! AKUHIViro TO THE COUNCIL AND TO THE 1 FAGlJF OF NATIONS C • 507. M. 192. 1926. MEMBERS OF THE LEAGUE.] G e n e v a , September 4th, 1926. S u b je c t L ist N o. 64 OF DOCUMENTS DISTRIBUTED TO THE COUNCIL AND TO THE MEMBERS OF THE LEAGUE DURING AUGUST 1926*. (Prepared by the Distribution Branch.) * The original number reference of documents distributed a second time during August 1926 is also given and is indicated by the sign §. Armaments, Reduction of (continued) Arms, Manufacture, Private, of (continued) Questionnaire approved December 12, 1925, etc.(ctd.) Report dated June 1926 by the Czechoslovak Abyssinia Representative (M. Benes) and resolution Notes exchanged December 1925 between the British adopted June 10, 1926 by the 40th Council and Italian Governments constituting an agreement Session referring the replies already received with a view to the obtaining of concessions from the from the Governments to the Committee of Abyssinian Government for the conservancy of the Enquiry of the Committee of the Council in order waters of Lake Tsana and of the constitution of that the latter may make the necessary alterations a railway through Abyssinia (C. 428. M. 181. 1926. in its draft Convention and drawing the atten VII) tion of the Governments which have not Notedated June 19, ig26from the Abyssinian Govern already done so to the necessity to communicate their replies to ment forwarding the above-mentioned notes for C. 368. 1926. IX communication to States Members together with O. J., V II, No. 7, p. 883, Min. -
II: Teresa Brewer Collections
CONTENTS Teresa’s Singles Section I Teresa’s Collections Section II Multi-Artist Collections featuring Teresa Brewer Section III Radio, TV & Movie Appearances by Teresa Brewer Section IV Sheet Music of Teresa Brewer Songs Section V Reprinted from the Teresa Brewer Center, http://www.teresafans.org 6/7/2019 t Section II CONTENTS Teresa’s Collections (by Title) Page A – B III-2 C – K III-5 L – N III-9 O – S III-15 T III-19 U – Z III-34 Reprinted from the Teresa Brewer Center, http://www.teresafans.org 6/7/2019 Page II-1 Teresa Brewer ProduCt List – SeCtion II / Teresa’s ColleCtions (by title) Teresa’s Collections: (BY TITLE) A Bouquet of Hits from Teresa Brewer (1954) Original release: October 20, 1954 Jilted Baby Baby Baby Orchestra directed by Jack Pleis. My Sweetie Went Away (10" LP/Mono Coral 56072) [B0010] ChiCago Style Skinnie Minnie I Had Someone Else Before I Had You Danger Signs Au ReVoir A Sophisticated Lady (1981) With Shelly Manne & His Men. Featuring Benny Carter, It Don't Mean a Thing If It Ain't Got That Swing Oscar Brashear, Chuck Domanico & Mike Lang. Don't Get Around MuCh Anymore Recorded at TTG Studios in Los Angeles. SophistiCated Lady (Instrumental) Solitude (LP Columbia FC 37363) [B0080] Duke's PlaCe Come Sunday (Cassette Columbia FCT 37363) [B0090] I'm Beginning to See the Light (CD Columbia CK 37363) [B0100] I Got It Bad and That Ain't Good I Let a Song Go Out of My Heart (CD My Music Boutique TB131 – 2010) [B0081] A Sweet Old Fashioned Girl (1995) Collection of previously released recordings.