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2010 AMTA Conference Promises to Bring You Many Opportunities to Network, Learn, Think, Play, and Re-Energize
Celebrating years Celebrating years ofof musicmusic therapytherapy the past... t of k ou oc R re utu e F th to in with ll nd o Music a R Therapy official conference program RENAISSANCE CLEVELAND HOTEL Program Sponsored by: CLEVELAND, OHIO welcome ...from the Conference Chair elcome and thank you for joining us in Cleveland to celebrate sixty years of music Wtherapy. And there is much to celebrate! Review the past with the historical posters, informative presentations and the inaugural Bitcon Lecture combining history, music and audience involvement. Enjoy the present by taking advantage of networking, making music with friends, new and old, and exploring some of the many exciting opportunities available just a short distance from the hotel. The conference offers an extensive array of opportunities for learning with institutes, continuing education, and concurrent sessions. Take advantage of the exceptional opportunities to prepare yourself for the future as you attend innovative sessions, and talk with colleagues at the clinical practice forum or the poster research session. After being energized and inspired the challenge is to leave Cleveland with both plans and dreams for what we can accomplish individually and together for music therapy as Amy Furman, MM, MT-BC; we roll into the next sixty years. AMTA Vice President and Conference Chair ...from the AMTA President n behalf of the AMTA Board of Directors, as well as local friends, family and colleagues, Oit is my distinct privilege and pleasure to welcome you to Cleveland to “rock out of the past and roll into the future with music therapy”! In my opinion, there is no better time or place to celebrate 60 years of the music therapy profession. -
Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S. -
Bamcinématek Presents a Brand New 40Th Anniversary Restoration of Robert Clouse’S Enter the Dragon, Starring Bruce Lee, in a Week-Long Run, Aug 30—Sep 5
BAMcinématek presents a brand new 40th anniversary restoration of Robert Clouse’s Enter the Dragon, starring Bruce Lee, in a week-long run, Aug 30—Sep 5 Series sidebar features five wing chun classics including Sammo Hung’s The Prodigal Son, Chang Cheh’s Invincible Shaolin, and Bruce Lee’s The Way of the Dragon, beginning Aug 29 “Bruce Lee was the Fred Astaire of martial arts.”—Pauline Kael, The New Yorker The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Brooklyn, NY/Aug 7, 2013—From Friday, August 30 through Thursday, September 5, BAMcinématek presents a week-long run of Robert Clouse’s Enter the Dragon, screening in a new DCP restoration for its 40th anniversary. In conjunction with the release of Wong Kar-wai’s Ip Man biopic The Grandmaster, this series revels in the lightning-fast moves of the revered kung fu tradition known as wing chun, featuring a five-film sidebar of martial arts rarities. Passed on through generations of martial artists, wing chun was popularized by icons like Sammo Hung and Ip’s movie-star disciple Bruce Lee—and has become an action movie mainstay. The first Chinese martial arts movie to be produced by a major Hollywood studio, Clouse’s Enter the Dragon features Bruce Lee in his final role before his untimely death (just six days before the film’s theatrical release). Shaolin master Mr. Lee (Lee) is recruited to infiltrate the island of sinister crime lord Mr. Han by going undercover as a competitor in a kung fu tournament. -
Ear and There Monday, February 8, 2010
Earplay San Francisco Season Concerts 2010 Season Herbst Theatre, 7:30 PM Pre-concert talk 6:45 p.m. Earplay 25: Ear and there Monday, February 8, 2010 Bruce Christian Bennett , Sam Nichols, Kaija Saariaho Carlos Sanchez-Gutiérrez, Seymour Shifrin Earplay 25: Ear and There Earplay 25: Outside In Monday, March 22, 2010 February 8, 2010 Lori Dobbins, Michael Finnissy, Chris Trebue Moore Arnold Schoenberg, Judith Weir Earplay 25: Ports and Portals Monday, May 24, 2010 as part of the San Francisco International Arts Festival Jorge Liderman Hyo-shin NaWayne Peterson Tolga Yayalar earplay commission/world premiere Earplay commission West-Coast Premiere 2009 Winner, Earplay Donald Aird Memorial Composition Competition elcome to Earplay’s 25th San Francisco season. Our mission is to nurture new chamber music — W composition, performance, and audience —all vital components. Each concert features the renowned members of the Earplay ensemble performing as soloists and ensemble artists, along with special guests. Over twenty-five years, Earplay has made an enormous contribution to the bay area music community with new works commissioned each season. The Earplay ensemble has performed hundreds of works by more than two hundred Earplay 2010 composers including presenting more than one hundred world Donald Aird premieres. This season the ensemble continues exploring by performing works by composers new to Earplay. Memorial The 2010 season highlights the tremendous amount Composers Competition of innovation that happens here in the Bay Area. The season is a nexus of composers and performers adventuring into new Downloadable application at: musical realms. Most of the composers this season have strong www.earplay.org/competitions ties to the Bay Area — as home, a place of study or a place they create. -
Program Notes Hosted by the Score Board 7:00
DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Program Notes hosted by the Score Board 7:00 MICHAEL TIPPETT Concerto for Double String Orchestra HAROLD MELTZER Full Faith and Credit (2004) (1938–39) I. Rugged I. Allegro con brio II. Homespun II. Adagio cantabile III. Blistering III. Allegro molto – Poco allargando IV. Viscous V. Genteel VI. Hymn VII. Rugged MATHEW ROSENBLUM Double Concerto for Baritone Saxophone, Percussion, and Orchestra (2010) Ronald Haroutunian, bassoon World Premiere Adrian Morejon, bassoon I. II. III. STEPHEN PAULUs Concerto for Two Trumpets and Orchestra (2003) IV. I. Fantasy V. II. Elegy III. Dance Kenneth Coon, baritone saxophone Terry Everson, trumpet Lisa Pegher, percussion Eric Berlin, trumpet INTERMISSION GIL ROSE, CONDUCTOR * Commissioned by the Fromm Music Foundation for Kenneth Coon and the Boston Modern Orchestra Project (Gil Rose, conductor) 4 5 PROGRAM NOTES By Robert Kirzinger TONIGHT’s COLLECTION OF DOUBLE CONCERTOS demonstrates the modern range of a genre that developed beginning about the end of the 1600s, essentially parallel to the solo concerto. Double and other multiple concertos were quite common in the High Baroque, including lots of examples by Vivaldi and, under his influence, Bach, but the solo concerto dominates the Classical period and beyond, with relatively few notable exceptions—Mozart’s two-piano concerto and sinfonias concertante, Beethoven’s Triple, Brahms’s Double—remaining solidly in today’s orchestral repertoire. This concert’s variety of approaches has as its chronological and stylistic extremes Michael Tippett’s 1939 GER Concerto for Double String Orchestra—one of the composer’s first works of significance— N and the brand-new, up-to-the-moment world premiere of the Double Concerto for Baritone GRAI Saxophone, Percussion, and Orchestra written for BMOP by Pittsburgh-based Mathew CLIVE Rosenblum. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
Martin Boykan Elegy, String Quartet No
NWCR786 Martin Boykan Elegy, String Quartet No. 4, Epithalamion Part II 4. IV Der Spinnerin Lied (Brentano) ......... (1:56) 5. V The Winters are so short (Dickinson) (3:29) 6. VI Um Mitternacht (Goethe) ................. (4:36) 7. VII A Bronze Immortal Takes Leave of Han (Li Ho) .................................. (7:09) Jane Bryden, soprano; The Brandeis Contemporary Chamber Players: Christopher Krueger, flute; William Wrzesien, clarinet; Nancy Cirillo, violin; Rhonda Rider, cello; James Orleans, bass; Sally Pinkas, piano; David Hoose, conductor String Quartet No. 4 (1996) ........................................ (17:49) 8. I Vigoroso, II Adagio espressivo Lydian String Quartet: Daniel Stepner, violin; Judith Eissenberg, violin; Mary Ruth Ray, viola; Rhonda Rider, cello Epithalamion (1986) ................................................... (11:01) 10. I Love Song (Ammons) (Prelude) ....... (2:54) 11. II Anon., sixteenth-century poem (Scherzo) .................................................. (1:51) 12. III Epithalamion (Spenser) (Invocation) (6:17) James Maddalena, baritone; Nancy Cirillo, Elegy (1982) ............................................................... (33:19) violin; Virginia Crumb, harp Part I Total Playing Time: 62:22 1. I Ist alles denn verloren (Goethe) ........ (5:25) 2. II A se stesso (Leopardi) ....................... (5:34) Ê 1988, 1998 & © 1998 Composers Recordings, Inc. 3. III Agonia (Ungaretti) ............................ (5:10) © 2007 Anthology of Recorded Music, Inc. Notes and experience, but they are somehow -
Film Music Week 4 20Th Century Idioms - Jazz
Film Music Week 4 20th Century Idioms - Jazz alternative approaches to the romantic orchestra in 1950s (US & France) – with a special focus on jazz... 1950s It was not until the early 50’s that HW film scores solidly move into the 20th century (idiom). Alex North (influenced by : Bartok, Stravinsky) and Leonard Rosenman (influenced by: Schoenberg, and later, Ligeti) are important influences here. Also of note are Georges Antheil (The Plainsman, 1937) and David Raksin (Force of Evil, 1948). Prendergast suggests that in the 30’s & 40’s the films possessed somewhat operatic or unreal plots that didn’t lend themselves to dissonance or expressionistic ideas. As Hollywood moved towards more realistic portrayals, this music became more appropriate. Alex North, leader in a sparser style (as opposed to Korngold, Steiner, Newman) scored Death of a Salesman (image above)for Elia Kazan on Broadway – this led to North writing the Streetcar film score for Kazan. European influences Also Hollywood was beginning to be strongly influenced by European films which has much more adventuresome scores or (often) no scores at all. Fellini & Rota, Truffault & Georges Delerue, Maurice Jarre (Sundays & Cybele, 1962) and later the Professionals, 1966, Ennio Morricone (Serge Leone, jazz background). • Director Frederico Fellini &composer Nino Rota (many examples) • Director François Truffault & composerGeorges Delerue, • Composer Maurice Jarre (Sundays & Cybele, 1962) and later the • Professionals, 1966, Composer- Ennio Morricone (Serge Leone, jazz background). (continued) Also Hollywood was beginning to be strongly influenced by European films which has much more adventuresome scores or (often) no scores at all. Fellini & Rota, Truffault & Georges Delerue, Maurice Jarre (Sundays & Cybele, 1962) and later the Professionals, 1966, Ennio Morricone (Serge Leone, jazz background). -
Original Music in Film - Part One - Clips Shown for Educational Purposes Only
Original Music In Film - Part One - Clips Shown for Educational Purposes Only: The Gold Rush (Cabin Scene) - Charlie Chaplin Street Scene (Main Title and Cityscape) - Alfred Newman King Kong (Main Title and Sacrifice of Maiden) - Max Steiner Lawrence of Arabia (The Desert) - Maurice Jarre Captain Blood (Main Title) - Erich Wolfgang Korngold Swing Time (The Way You Look Tonight) - Jerome Kern, Dorothy Fields Coco and Igor (‘The Rite of Spring’ - premiere Paris 1913) - Stravinsky Lost Horizon - (Main Title and Panic) Dimitri Tiomkin (cond. by Max Steiner) The Adventures of Robin Hood (Main Title) - Erich Wolfgang Korngold Alexander Nevsky (Battle on the Ice) - Sergei Prokofiev Gone with the Wind (Main Title) - Max Steiner The Sea Hawk (Main Title) - Erich Wolfgang Korngold The Sea Hawk (Strike for the Shores of Dover - Shanty) - Erich Wolfgang Korngold Citizen Kane (Opening - Xanadu) - Bernard Herrmann The Devil and Daniel Webster (AKA - All that Money Can Buy) - (Main Title) - Bernard Herrmann The Devil and Daniel Webster (The Devil’s Hoedown) - Bernard Herrmann King’s Row (Main Title ) - Erich Wolfgang Kornold Star Wars (Opening) - John Williams Casablanca (Main Title and Spy Round-up) - Max Steiner Laura (Main Title) - David Raksin The Lost Week-End (Hallucinations) - Miklos Rozsa Spellbound (Open Doors - Love Theme) - Miklos Rozsa The Best Years of Our Lives (Homecoming) - Hugo Friedhofer Henry V (Opening) - Sir William Walton The Killers (Main Title) - Miklos Rozsa Lost Horizon (Main Title/Crowd Panic) - Dimitri Tiomkin (cond. M. Steiner) -
2019 Bay State Contest Judges' Biographies
2019 Bay State Contest Judges’ Biographies Seully Hall Donald Berman Donald Berman is Chair of Keyboard Studies at The Longy School of Music of Bard College and a Lecturer at Tufts University. He is a Harvard Radcliffe Institute Fellow and President of The Charles Ives Society. Prizewinner of the Schubert International Competition in Germany, Berman has been called a “thorough, thrillingly clear, and persuasive musician” (NY Times). His CDs include The Unknown Ives Volumes 1 and 2, The Uncovered Ruggles (New World), the 4-CD set Americans in Rome: Music by Fellows of the American Academy in Rome, Piano Music of Martin Boykan, and Scott Wheeler: Tributes and Portraits (Bridge). He has performed throughout the USA as well as abroad in Belgrade, Rome, Beijing, St. Petersburg, and Israel. His principal teachers were Mildred Victor in New York, George Barth at Wesleyan University, John Kirkpatrick, professor emeritus at Yale University, and Leonard Shure at The New England Conservatory. Rieko Aizawa Praised by the NY Times for her “impressive musicality, a crisp touch and expressive phrasing”, Japanese pianist Rieko Aizawa has established her own unique musical voice since her U.S. début at the Kennedy Center and Carnegie Hall with the New York String Orchestra, conducted by Alexander Schneider. The youngest-ever participant at the Marlboro Music Festival, she is a founding member of the Horszowski Trio and co-artistic director of the Alpenglow Chamber Music Festival. She was the last pupil of Mieczyslaw Horszowski at the Curtis Institute of Music; she also studied with Seymour Lipkin and Peter Serkin at the Juilliard School. -
Izbor Muzike Za Film
IZBOR MUZIKE ZA FILM Priredila Irena Paulus za WAM GEORGES AURIC LA BELLE ET LA BETE Marco Polo 8223765 AU YEUX DU SOUVENIR ORPHEÉ Marco Polo 8225066 ELEMER BERNSTEIN MAN WITH THE GOLDEN ARM Spectrum Music 544627-2/Trax Music MODEM CD 1013 THE TEN COMMANDMENTS Soundtrack Library CD-72/MCA Classics MCAD 42320 THE MAGNIFICENT SEVEN RCA Records 09026-63240-2/Koch Records 3-7222-2 H1 TO KILL A MOCKING BIRD Varese Sarabande VSD 5754 & VSD 5266 THE WALK ON THE WILDSIDE Mainstream MDCD 103 THE GREAT ESCAPE Intrada MAF 7025D/ RCA 63241 HAWAII Tsunami TSU 0105 MY LEFT FOOT Varese Sarabande VSD 5244 CHARLIE CHAPLIN CHARLIE CHAPLIN – THE FILM MUSIC RCA Records 09026 68271 2 BERNARD HERMANN CITIZEN KANE Varese Sarabande VSD 5806/ RCA Victor GD 80707 JANE EYRE Marco Polo 8.223535/ Soundtrack Library 002 GHOST AND MRS. MUIR Varese Sarabande VSD 5850 & VSD 47254 THE SNOWS OF KILIMANJARO Marco Polo 8.225168 TROUBLE WITH HARRY Varese Sarabande VSD 5971 VERTIGO Intersound/Pro Arte CDS 524/ Var. Sar. VSD 5759 JOURNEY TO THE CENTER OF THE EARTH Varese Sarabande VSD 5849 NORTH BY NORTHWEST Rhino Music/TCM Turner Music R272101 PSYCHO Varese Sarabande VSD 5765 CAPE FEAR Tsunami TCI 0605/Soundstage Records 525 FAHRENHEIT 451 Varese Sarabande VSD 5551 TAXI DRIVER Varese Sarabande VSD 5279 THE TWIGLIGHT ZONE Varese Sarabande VSD 302-066-087 B. HERMANN THE FILM SCORES Sony SK 62700 MAURICE JARRE LAWRENCE OF ARABIA Varese Sarabande VSD – 5263/ Silva America SSD 1010 DR. ZHIVAGO CBS Special AK 45437/ Rhino R2 71957/MCA Records MCAD 37164 RYAN'S DAUGHTER EMI Records