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CHARLES UNIVERSITY FACULTY OF SOCIAL SCIENCES Institute of International Studies Department of North American Studies Master's Thesis 2020 Tomáš Linhart 1 CHARLES UNIVERSITY FACULTY OF SOCIAL SCIENCES Institute of International Studies Department of North American Studies Portrayal of Journalists in Netflix´ Series "House of Cards" Master's Thesis Author: Tomáš Linhart Study programme: International Area Studies Supervisor: Mgr. Jana Sehnálková, Ph.D. Year of the defence: 2020 2 Declaration 1. I hereby declare that I have compiled this thesis using the listed literature and resources only. 2. I hereby declare that my thesis has not been used to gain any other academic title. 3. I fully agree to my work being used for study and scientific purposes. In Prague on May 21, 2020 Tomáš Linhart 3 References LINHART, Tomáš. Portrayal of Journalists in Netflix´ Series "House of Cards." Praha, 2020. 125 pages. Master’s thesis (Mgr.). Charles University, Faculty of Social Sciences, Institute of International Studies. Department of North American Studies. Supervisor Mgr. Jana Sehnálková, Ph.D. Length of the thesis: 264 572 characters. 4 Abstract This thesis examined the contemporary U.S. popular culture, specifically the Netflix series House of Cards, and the analysis was focused on the representation of the media reality portrayed in the first two seasons of the series. The credibility of given model situations or their exaggeration is examined based on thirteen research interviews with Czech and American journalists in March, April, and May 2020. The public trust in media, the influence of popular culture on mass society, specifics and ethics of investigative journalism, and broadly the representation of media in cinematography were presented in the first part. -
Cast Heads West to Join Chris Noth and Chris Pine in Farragut North at the Geffen Playhouse
CAST HEADS WEST TO JOIN CHRIS NOTH AND CHRIS PINE IN FARRAGUT NORTH AT THE GEFFEN PLAYHOUSE Mia Barron, Dan Bittner, Justin Huen, Olivia Thirlby and Isiah Whitlock Jr. Reprise Their NY Roles in the West Coast Premiere of Beau Willimon’s New Play Directed by Doug Hughes LOS ANGELES, May 8, 2009 — Fresh off his lauded New York production of Farragut North, director Doug Hughes reunites much of his ensemble cast, including Juno’s Olivia Thirlby, The Wire’s Isiah Whitlock, Jr, Mia Barron, Dan Bittner and Justin Huen, at the Geffen Playhouse to join the previously announced Chris Noth and Chris Pine. Noth, best known for his longtime stint as Detective Mike Logan on Law & Order and as the (in)famous Mr.Big on Sex and the City, is a fellow cast member from the Atlantic Theater Company’s NY production, while Pine, who is starring as the young Captain Kirk in the new film Star Trek and was recently seen in the Geffen’s production of Neil LaBute’s Fat Pig, is new to the LA production. Written by Beau Willimon, Farragut North was recently nominated for two Outer Critics Circle Awards including Outstanding New Off-Broadway Play. Set against the backdrop of a close presidential race, Farragut North is a timely tale of hubris, loyalty and the lust for power. Chris Pine takes on the role of Stephen, a young press secretary working for a fast-rising candidate. With confidence and power beyond his years, Stephen is convinced he and seasoned campaign manager, Paul, played by Chris Noth, can steer this team into the west wing without breaking a sweat. -
Female Anti-Heroes in Contemporary Literature, Film, and Television Sara A
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2016 Female Anti-Heroes in Contemporary Literature, Film, and Television Sara A. Amato Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Amato, Sara A., "Female Anti-Heroes in Contemporary Literature, Film, and Television" (2016). Masters Theses. 2481. https://thekeep.eiu.edu/theses/2481 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The Graduate School� f.AsTE�ILLINOIS UNIVERSITY" Thesis Maintenance and Reproduction Certificate FOR: Graduate Candidates Completing Theses in Partial Fulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, andDistribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for-profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so. Your signatures affirm the following: • The graduate candidate is the author of this thesis. • The graduate candidate retains the copyright and intellectual property rights associated with the original research, creative activity, and intellectual or artistic content of the thesis. -
Millennials and the Future of Magazines
MILLENNIALS AND THE FUTURE OF MAGAZINES: HOW THE GENERATION OF DIGITAL NATIVES WILL DETERMINE WHETHER PRINT MAGAZINES SURVIVE by ELIZABETH MARGARET BONNER CHRIS ROBERTS, COMMITTEE CHAIR DIANNE BRAGG, COMMITTEE CO-CHAIR MARGOT LAMME A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Journalism in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2015 Copyright Elizabeth Margaret Bonner 2015 ALL RIGHTS RESERVED ABSTRACT In today’s rapidly evolving media ecosystem, two important narratives emerge: the demise of print publishing and the rise of the Millennial generation—the digital natives—as media consumers. In the midst of the persistent discussion that print journalism is dying in this era of digital revolution, data and literature suggest that many magazines are thriving, particularly with Millennials. This discovery, while noteworthy given its direct contradiction to the popular belief that Millennials have forsaken traditional media, is where knowledge pertaining to this phenomenon is prematurely truncated. This study seeks to contribute to a greater understanding of the motivations behind these quantitative conclusions by giving voice to Millennials’ reasons for continued magazine consumption in a way that the available data from closed-response surveys and questionnaires has not. Through a mixed-methods study grounded in uses and gratifications theory, utilizing a preliminary survey and subsequently concentrating on a qualitative design built around focus groups with Millennials (ages 18-25), this work seeks to reveal how this instrumental demographic—the industry’s audience for the years to come and the population whose lives have been most immersed in digital technologies—feels about magazines. -
Thesis the Complicitous Salute: Silencing Female
THESIS THE COMPLICITOUS SALUTE: SILENCING FEMALE SURVIVORS OF SEXUAL VIOLENCE IN THE U.S. MILITARY Submitted by Sarah James Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Summer 2015 Master’s Committee: Advisor: Thomas R. Dunn Karrin Anderson Catherine Steele Copyright by Sarah James 2015 All Rights Reserved ABSTRACT THE COMPLICITOUS SALUTE: SILENCING FEMALE SURVIVORS OF SEXUAL VIOLENCE IN THE U.S. MILITARY Driven by growing concerns about sexual assault in the U.S. military and public questioning of current reporting procedures, this thesis examines why female military assault survivors do not come forward and report the crimes committed against them. More specifically, I argue that sexual assault in the U.S. military goes underreported and ignored due in part to the military’s culture of masculinity, silence, and complicity. To make sense of this military culture and the attendant discourse surrounding sexual assaults, I study two rhetoric texts through a critical rhetoric perspective. My first text consists of meaningful fragments of mediated public address centered on news coverage of Senator Kirsten Gillibrand and her proposed legislation to reform military sexual assault: the Military Justice Improvement Act. My second text is a fictional narrative of similar military sexual assault legislation in the Netflix series House of Cards. Through my analysis, I consider my texts using a critique of domination and a critique of freedom to demonstrate how public discourse about sexual assault and its reporting challenges the hegemonic structure. In doing so, I employ an examination of critical rhetoric to expose a text’s possibility for social change. -
Madam President? Gender and Politics on the Road to the White House
EXCERPTED FROM Madam President? Gender and Politics on the Road to the White House edited by Lori Cox Han and Caroline Heldman Copyright © 2020 ISBNs: 978-1-62637-886-5 hc 978-1-62637-887-2 pb 1800 30th Street, Suite 314 Boulder, CO 80301 USA telephone 303.444.6684 fax 303.444.0824 This excerpt was downloaded from the Lynne Rienner Publishers website www.rienner.com Contents List of Tables and Figures ix Preface xi 1 Electing Madam President Lori Cox Han 1 2 Comparing the Years of the Woman, 1992 and 2018 Anne Pluta and Misty Knight-Finley 19 3 Money and Candidate Viability Victoria A. Farrar-Myers 45 4 Masculinity and Media Coverage on the Campaign Trail Meredith Conroy 59 5 Electing a Woman President in the #MeToo Era Caroline Heldman 75 6 Women, the Presidency, and Popular Culture Linda Beail and Lilly J. Goren 97 7 The Public’s Perception of Candidates’ Spouses Brian Frederick, Laurel Elder, and Barbara Burrell 123 8 Sex, Gender, and Leadership in the Executive Branch Karen M. Hult 141 vii viii Contents 9 Gender and Leadership Challenges in National Security Meena Bose 167 10 Confronting Barriers on the Road to Madam President Caroline Heldman and Lori Cox Han 193 Bibliography 201 The Contributors 213 Index 217 About the Book 227 1 Electing Madam President Lori Cox Han FOR YEARS, POLITICAL PUNDITS HAVE SPECULATED ABOUT when the United States would elect its first woman president. Even though twelve women have made serious bids for the presidency in the past 130 years, most predictions and analysis have focused on just one woman—Hillary Clinton. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
House of Cards" Lindsey E
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2015 The orW ld According to Frank Underwood: Politics and Power in "House of Cards" Lindsey E. Davidson Claremont McKenna College Recommended Citation Davidson, Lindsey E., "The orldW According to Frank Underwood: Politics and Power in "House of Cards"" (2015). CMC Senior Theses. Paper 1052. http://scholarship.claremont.edu/cmc_theses/1052 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT MCKENNA COLLEGE The World According to Frank Underwood: Politics and Power in House of Cards SUBMITTED TO PROFESSOR JOHN J. PITNEY JR. AND DEAN NICHOLAS WARNER BY Lindsey E. Davidson for SENIOR THESIS Fall 2014 December 1st, 2014 ACKNOWLEDGMENTS House of Cards as a dramatized portrayal of the American legislative process was a fascinating study for my senior thesis. As a dual major of Government and Film Studies, it was a perfect blend of content, subject matter, and Hollywood mixed together. I would like to thank Professor John Pitney for suggesting this research topic and turning me onto what is now one of my favorite shows. This thesis would not have become a reality without your advice and guidance. I would also like to thank Executive Story Editor Melissa James Gibson and Co- Executive Producer John Mankiewicz of House of Cards for agreeing to be interviewed for this thesis. What a rare opportunity for me it was to gain insight and vision into this show and its portrayal of politics in Washington. -
Crime, Class, and Labour in David Simon's Baltimore
"From here to the rest of the world": Crime, class, and labour in David Simon's Baltimore. Sheamus Sweeney B.A. (Hons), M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. August 2013 School of Communications Supervisors: Prof. Helena Sheehan and Dr. Pat Brereton I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ___________________________________ (Candidate) ID No.: _55139426____ Date: _______________ TABLE OF CONTENTS Introduction 1 Literature review and methodology 17 Chapter One: Stand around and watch: David Simon and the 42 "cop shop" narrative. Chapter Two: "Let the roughness show": From death on the 64 streets to a half-life on screen. Chapter Three: "Don't give the viewer the satisfaction": 86 Investigating the social order in Homicide. Chapter Four: Wasteland of the free: Images of labour in the 122 alternative economy. Chapter Five: The Wire: Introducing the other America. 157 Chapter Six: Baltimore Utopia? The limits of reform in the 186 war on labour and the war on drugs. Chapter Seven: There is no alternative: Unencumbered capitalism 216 and the war on drugs. -
Peter Sweet Resume
PETER SWEET SAG-AFTRA www.PeterSweetActor.com EMAIL • [email protected] T E L E V I S I O N HOUSE OF CARDS CoStar KTK Prod/ MRC / Ne8lix • Dirs. Robin Wright/Frank PUGLIESE HOMELAND Lawyer 20th Cent Fox / ShowLMe • Dir. Leslie Linka GlaNer MINDHUNTER Featured David Fincher / Ne8lix • Dir. David Fincher BLUE BLOODS Witness/DetecLve David BarreN /CBS • Dir. Alex Chapple LAW & ORDER: SVU Second Unit- Lawyer Dick Wolf / NBC • Dir. Michael PressMan A CRIME TO REMEMBER Lead ChrisLne Connor/XCON/ HULU • Dir. Tony Glazer WHAT REALLY HAPPENED Lead Story Book ProducLons / ID • Dir. Carston Oblaender COPY CAT KILLERS Recurring Story Book Prod/REELZ • Dir. Carston Oblaender THE PERFECT SUSPECT SupporLng Sirens Prod / ID • Dir. Jusn Wolfe F I L M FINDING DESMOND CoStar LoveStar ProducLons/PriMe • Dir. Antonio Jefferson THE IRISHMAN CoStar -2nd Unit MarLn Scorsese /Ne8lix • Dir. MarLn Scorsese JACKIE CoStar D. Aronfsky-LD EntertainMent/FOX • Dir. Pablo Lorrain SECRETS CoStar Mega Mind Media/PriMe • Dir. Juan Lee THE GYM Lead GloverZoneDLPictures • Dir. Ian Glover THE ARTISTS WIFE SupporLng/Featured ToM Dolby • Dir. Tom Dolby THE ICHING LAWYER CoStar GloverZoneDLPictures • Dir. Ian Glover S H O R T S | N E W M E D I A HARMFUL ACTIONS Lead Love Star EntertainMent / PriMe • Dir. Antonio Jefferson CHILD'S PLAY Lead/ Exec. Prod EliZabeth Stuelke/ 48 Hr Prod. • Dir. Kevin Pounds A GENTLEMAN'S PRESENCE CoStar NYU Tisch ProducLons • Dir. Jaal Cowasji AFTER OIL CoStar SVA Prod. / Reeves LehMann • Dir. Jessica Nacely EAST COAST GROW SupporLng Above Board ProducLons • Dir. AMy Tursilo OUT FOR LUNCH CoStar Clay Rodriguez • Dir. -
Front Matter
Cambridge University Press 978-1-107-04393-0 - Viewing America: Twenty-First-Century Television Drama Christopher Bigsby Frontmatter More information VIEWING AMERICA Something has happened in the world of television drama. For the last decade and a half America has assumed a dominant position. Novelists, screenwriters and journalists, who would once have had no interest in writing for television, indeed who often despised it, suddenly realised that it was where America could have a dialogue with itself. The new television drama was where writers could engage with the social and political realities of the time, interrogating the myths and values of a society moving into a new century. Familiar genres have been reinvented, from crime fiction to science fiction. This is a book as much about a changing America as about the television series which have addressed it, from The Sopranos and The Wire to The West Wing, Mad Men and Treme, in what has emerged as the second golden age of American television drama. christopher bigsby is Professor of American Studies at the Uni- versity of East Anglia. A Fellow of the Royal Society of Literature and the Royal Society of Arts, he is an award-winning academic, novelist and biographer and has published more than fifty books, including six novels. His first novel, Hester (1995), won the McKitterick Prize, and Beautiful Dreamer (2002) was an American Library Association Notable Book. With Don Wilmeth, he won the Bernard Hewitt Award for Outstanding Research in Theatre History and the George Freedley Jury Award for The Cambridge History of American The- atre (1998–2000). -
Lucrecia's Step Back: Discursive Disputes Between Films and TV Series
33 Lucrecia’s step back: Discursive disputes between films and TV series O passo atrás de Lucrecia: Disputas discursivas entre filmes e séries MARCEL VIEIRA BARRETO SILVAa Universidade Federal da Paraíba, Programa de Pós-graduação em Comunicação. João Pessoa – PB, Brazil ABSTRACT a Associate Professor at the Cinema and Audiovisual Course This paper intends to analyze the discursive disputes that permeate the comparative and at the Programa de Pós- debate between films and TV series in the contemporary cultural criticism. We take from Graduação em Comunicação from the Universidade Federal the arguments of Argentinean filmmaker Lucrecia Martel against TV series in order to da Paraíba. Orcid: https://orcid. understand, diachronically, the historical tensions between cinema and television and org/0000-0001-6156-3059. E-mail: [email protected] its perpetuity in the current scenario. To do so, we come up here with three dominant axis in the comparative evaluation: espectatorial experience, style and narrative. With this, we aim to discuss the arguments of an aprioristic superiority of film over TV series, without forgetting the distinctive nature of this ongoing symbolic dispute. Keywords: Serial fiction, film, cinema and television, discursive disputes, cultural criticism RESUMO O objetivo deste artigo é analisar as disputas discursivas que permeiam o debate comparativo entre filmes e séries no contexto da crítica cultural contemporânea. Partimos dos argumentos da diretora Lucrecia Martel contra as séries televisivas para compreender, diacronicamente, as tensões históricas entre cinema e televisão e a sua perenidade no cenário atual. Para isso, proporemos aqui três eixos dominantes na avaliação comparativa: experiência espectatorial, estilo e narrativa.