Globalisation Gangnam-Style
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The Cost of Privacy: Welfare Effects of the Disclosure of COVID-19 Cases
The Cost of Privacy: Welfare Effects of the Disclosure of COVID-19 Cases David Argente Chang-Tai Hsieh Munseob Lee Penn State University of Chicago UC San Diego July 2021 CEMLA-FRBNY-ECB South Korea’s Case Disclosure of detailed information of confirmed cases. Text messages, official websites, mobile apps. Targeted social distancing: avoid places where transmission risk is high Self-selection into changing commuting: own cost-benefit analysis, exploit heterogeneity in the benefits and costs of social distancing. Reduce the transmission of virus and the costs of social isolation. 1/16 Public Disclosure: Official Website Korean, male, born in 1987, living in Jungnang district. Confirmed on January 30. Hospitalized in Seoul Medical Center. January 24 Return trip from Wuhan without symptoms. January 26 Merchandise store* at Seongbuk district at 11 am, fortune teller* at Seongdong district by subway at 12 pm, massage spa* by subway in the afternoon, two convenience stores* and two supermarkets*. January 27 Restaurant* and two supermarkets* in the afternoon. January 28 Hair salon* in Seongbuk district, supermarket* and restaurant* in Jungnang district by bus, wedding shop* in Gangnam district by subway, home by subway. January 29 Tested at a hospital in Jungnang district. January 30 Confirmed and hospitalized. Note: The* denotes establishments whose exact names have been disclosed. 2/16 Public Disclosure: Mobile App - February 24, 2020 3/16 This Paper This paper: quantify the effect of public disclosure on the transmission of the virus and economic losses in Seoul. Use detailed mobile phone data to document the change in the flows of people across neighborhoods in Seoul in response to information. -
Gangnam Style’
POLITICS, PARODIES, AND THE PARADOX OF PSY’S ‘GANGNAM STYLE’ KEITH HOWARD∗ ABSTRACT In 2012, ‘Gangnam Style’ occasioned large flash mobs, three of the early ones taking place in Pasadena, Times Square in New York, and Sydney, Australia. Today, Psy, the singer of ‘Gangnam Style’, is regularly talked about as having brought K-pop to the world beyond East and Southeast Asia, and Korean tourism chiefs are actively planning a Korean Wave street in Gangnam, the district of Seoul lampooned by the song. But, ‘Gangnam Style’ has proved challenging to K-pop fans, who have resisted its gender stereotyping, its comic framing, and its simple dance moves that subsume the aesthetics of movement under a sequence of locations and action vignettes. At the same time, foreign success has given the song, and its singer, legitimacy in Korea so much so that, despite lyrics and video images that critique modern urban life and caricature the misogynistic failures of its protagonist, Psy headlined the inauguration celebrations of Korea’s incoming president, Park Geun-hye, in February 2013. This paper explores the song, its reception and critique by fans and others, and notes how, in an ultimate paradox that reflects the age of social media and the individualization of consumerism, the parodies the song spawned across the globe enabled Koreans to celebrate its success while ignoring its message. Keywords: Korean Wave, K-pop, popular music, parody, mimesis, consumerism, social media, Gangnam Style, Psy. INTRODUCTION In 2012, ‘Gangnam Style’ occasioned large flash mobs, three of the early ones taking place in Pasadena, Times Square in New York, and Sydney, Australia. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Kvarterakademisk
kvarter Volume 08 • 2014 akademiskacademic quarter The Concept of the Gentleman PSY’s “Gentleman M V” Jørgen Riber Christensen is associate professor at the Institute of Communication, Aalborg Uni- versity. Among his publications are Medietid 2.0 (2009) with Jane Kristensen, Marvellous Fantasy (ed., 2009), Monstrologi Frygtens manifestationer (ed., 2012) and articles within the fields of cultural analysis, the media, marketing, museology and literature. He is editor of Academic Quarter. Abstract The ideal of the gentleman has been globally reborn in PSY’s colos- sal YouTube hit “Gentleman M V”. This video thematizes the con- cept of the gentleman, but it is also a reformulation of gentlemanly behaviour. The article analyses the ideal of the gentleman in the light of its gender aspects and its class connotations. The hypothesis of the article is that the insecure status of masculine identity in an age of post-second-generation feminism demands the seemingly parod- ic treatment of the concept of the gentleman, as in this video. Yet this hypothesis is also a research question. Why is there this strong ele- ment of parody in the video? The answer to the question may de- pend on a consideration of contemporary male identities. It may also be based on a reading of how the music video incorporates these types. Three such types are described in the article: the new man, the metrosexual male and the new lad. It is the conclusion of the article that “Gentleman M V” incorporates the last two of these. Keywords gentleman, PSY, the new man, the metrosexual male, the new lad Volume 08 50 The Concept of the Gentleman kvarter Jørgen Riber Christensen akademiskacademic quarter The Music Video The YouTube music video “Gentleman M V”1 by the Korean star PSY has so far (January 2014) received 628,952,819 hits. -
SOUTH KOREA – November 2020
SOUTH KOREA – November 2020 CONTENTS PROPERTY OWNERS GET BIG TAX SHOCK ............................................................................................................................. 1 GOV'T DAMPER ON FLAT PRICES KEEPS PUSHING THEM UP ...................................................................................................... 3 ______________________________________________________________________________ Property owners get big tax shock A 66-year-old man who lives in Mok-dong of Yangcheon District, western Seoul, was shocked recently after checking his comprehensive real estate tax bill. It was up sevenfold.He owns two apartments including his current residence. They were purchased using severance pay, with rent from the second unit to be used for living expenses. Last year, the bill was 100,000 won ($90) for comprehensive real estate tax. This year, it was 700,000 won. Next year, it will be about 1.5 million won. “Some people might say the amount is so little for me as a person who owns two apartments. However, I’m really confused now receiving the bill when I’m not earning any money at the moment,” Park said. “I want to sell one, but then I'll be obliged to pay a large amount of capital gains tax, and I would lose a way to make a living.” On Nov. 20, the National Tax Service started sending this year’s comprehensive real estate tax bills to homeowners. The homeowners can check the bills right away online, or they will receive the bills in the mail around Nov. 26. The comprehensive real estate tax is a national tax targeting expensive residential real estate and some kinds of land. It is separate from property taxes levied by local governments. Under the government’s comprehensive real estate tax regulation, the tax is levied yearly on June 1 on apartment whose government-assessed value exceeds 900 million won. -
The Social Construction of Inequality in Gangnam District, Seoul1
Jung In KIM, Matjaž URŠIČ* BESIEGED CITIZENSHIP – THE SOCIAL CONSTRUCTION OF INEQUALITY IN GANGNAM DISTRICT, SEOUL1 Abstract. Through an illustrative comparison of squat- ter settlements and gentrified spaces, this study traces the genealogy and formation of extreme poverty at the heart of the most affluent district in Seoul. A site of urban struggle, the villages of Poi and Guryong did not start as spontaneous informal settlements, but as relocated camps of deprivileged social groups whose dislocation was forced by state authorities. After three decades, the Poi and Guryong villages have grown to become contested sites and polar opposites of the hous- ing complex of Tower Place that has is today one of the trendiest neighbourhoods in Seoul. On one hand, the Poi and Guryong villages provide a solid commu- 74 nity space for those displaced, yet one which has now become exceptionally valuable real estate that officials wish to reclaim for new development. The article analy- ses the conflict between residents and entails more than any simple narration of the poor’s disenfranchisement and raises the question of the social construction of ine- qualities and poverty in Seoul. Keywords: squatter settlement, urban development, state planning, Gangnam, citizenship Introduction Modern-day Seoul contains rare and sparsely dispersed enclaves of urban squatters, a few of the last relics of past urbanisation (Cho, 1997; Chung and Lee, 2015; Yonhap, 2017). Paralleling contemporary scenes of urban poverty in East Asia, those urban enclaves of poor people and their everyday life juxtapose manifestations of inequality and injustice against * Jung In Kim, PhD, Professor, Soongsil University, Seoul, South Korea; Matjaž Uršič, PhD, Assistant Professor, Faculty of Social Sciences, University of Ljubljana, Slovenia. -
The Semiotics of Internet Celebrity: Gangnam Style Case
Paper The Semiotics of Internet Celebrity: Gangnam Style Case by © Mingyi Hou (Tilburg University) [email protected] © November 2013 The Semiotics of Internet Celebrity: Gangnam Style Case Mingyi Hou Abstract: In academia, celebrity study remains an ever growing interest, especially in media and culture studies. However, few researchers have expanded their scope of exploration to the celebrities who gain stardom across national and cultural borders. The current study considers Psy and his music video Gangnam Style as a site for examining globalized language and cultural contacts. Its primary concern is to investigate Internet celebrity in the context of multimodal media representation and superdiverse semiotic repertoires. The study identified lyrics, beats, dance gestures, characters, objects and places as the major semiotic modes of expression in the video. More meanings are added while they are produced into the materialized forms. Guided by the audiences’ replies to the journalistic commentaries on Gangnam Style, the study found that the music video is a heterogeneous construct, whose semiotic resources are ordered polycentricically to resonate with different audiences. Key words: Gangnam Style, Internet celebrity, semiotic resources, multimodal discourse analysis, online ethnography 1. Introduction The current research considers “Internet celebrity” as a site for studying globalized language and culture contact. Its primary concern is to investigate Internet celebrity from the perspective of superdiverse semiotic repertoire (Blommaert and Rampton, 2011). The first purpose of the research is to identify the various modes such as lyrics and place references employed in the music video. The second purpose is to discern the audiences’ interpretations of the contents of the video ethnographically. -
Between Hybridity and Hegemony in K-Pop's Global Popularity
International Journal of Communication 11(2017), 2367–2386 1932–8036/20170005 Between Hybridity and Hegemony in K-Pop’s Global Popularity: A Case of Girls’ Generation’s American Debut GOOYONG KIM1 Cheyney University of Pennsylvania, USA Examining the sociocultural implications of Korean popular music (K-pop) idol group Girls’ Generation’s (SNSD’s) debut on Late Show With David Letterman, this article discusses how the debut warrants a critical examination on K-pop’s global popularity. Investigating critically how the current literature on K-pop’s success focuses on cultural hybridity, this article maintains that SNSD’s debut clarifies how K-pop’s hybridity does not mean dialectical interactions between American form and Korean content. Furthermore, this article argues that cultural hegemony as a constitutive result of sociohistorical and politico- economic arrangements provides a better heuristic tool, and K-pop should be understood as a part of the hegemony of American pop and neoliberalism. Keywords: Korean popular music, cultural hybridity, cultural hegemony, neoliberalism As one of the most sought-after Korean popular music (K-pop) groups, Girls’ Generation’s (SNSD’s) January 2012 debut on two major network television talk shows in the United States warrants critical reconsideration of the current discourse on cultural hybridity as the basis of K-pop’s global popularity. Prior to Psy’s “Gangnam Style” phenomenon, SNSD’s “The Boys” was the first time a Korean group appeared on an American talk show. It marks a new stage in K-pop’s global reach and influence. With a surge of other K- pop idols gaining global fame, especially in Japan, China, and other Asian countries, SNSD’s U.S. -
Conceptually Androgynous
Umeå Center for Gender Studies Conceptually androgynous The production and commodification of gender in Korean pop music Petter Almqvist-Ingersoll Master Thesis in Gender Studies Spring 2019 Thesis supervisor: Johanna Overud, Ph. D. ABSTRACT Stemming from a recent surge in articles related to Korean masculinities, and based in a feminist and queer Marxist theoretical framework, this paper asks how gender, with a specific focus on what is referred to as soft masculinity, is constructed through K-pop performances, as well as what power structures are in play. By reading studies on pan-Asian masculinities and gender performativity - taking into account such factors as talnori and kkonminam, and investigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for a qualitative research project. By conducting qualitative interviews with Swedish K-pop fans and performing semiotic analysis of K-pop music videos, the thesis finds that although K-pop masculinities are perceived as feminine to a foreign audience, they are still heavily rooted in a heteronormative framework. Furthermore, in investigating the production of gender performativity in K-pop, it finds that neoliberal commercialism holds an assertive grip over these productions and are thus able to dictate ‘conceptualizations’ of gender and project identities that are specifically tailored to attract certain audiences. Lastly, the study shows that these practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized to consume in order to show support for their idols – in which the concept of desire plays a significant role. Keywords: Gender, masculinity, commercialism, queer, Marxism Contents Acknowledgments ................................................................................................................................... 1 INTRODUCTION ................................................................................................................................. -
Land Readjustment in the Republic of Korea: a Case Study for Learning Lessons
LAND READJUSTMENT IN THE REPUBLIC OF KOREA: A CASE STUDY FOR LEARNING LESSONS Copyright © United Nations Human Settlements Programme, 2019 All rights reserved United Nations Human Settlements Programme (UN-Habitat) P. O. Box 30030, 00100 Nairobi GPO KENYA Tel: 254-020-7623120 (Central Office) www.unhabitat.org HS Number: HS/013/19E ISBN Number:(Volume) 978-92-1-132834-9 DISCLAIMER The designations employed and the presentation of the material in this publication do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers of boundaries, or regarding its economic system or degree of development. The analysis, conclusions, recommendations and views expressed in this publication do not necessarily reflect those of the United Nations Human Settlements Programme, the United Nations, or its Member States. Information contained in this publication is provided without warranty of any kind, either express or implied, including, without limitation, warranties of merchantability, fitness for particular purpose and non-infringement. UN-Habitat specifically does not make any warranties or representations as to the accuracy or completeness of any such data. Under no circumstances shall UN-Habitat be liable for any loss, damage, liability or expense incurred or suffered that is claimed to have resulted from the use of this publication, including, without limitation, any fault error, omission with respect thereto. The use of this publication is at the User’s sole risk. Under no circumstances, including, but not limited to negligence, shall UN-Habitat or its affiliates be liable for any direct, indirect, incidental, special or consequential damages, even if UN-Habitat has been advised of the possibility of such damages. -
Fact Sheet-Seoul.Pdf
Contact the US Admisisons Team: Tel: 1-800-992-1895 Email: [email protected] www.livethelanguage.com EF Seoul EF INTERNATIONAL LANGUAGE SCHOOL 4FL, B TOWER KYOBO BLDG,465 GANGNAM-DAERO, SEOCHO-GU SEOUL, 06611 KOREA City Highlights Seoul and its surrounding districts make up one of the world's largest metropolitan areas, with over 25 million population. Seoul has been the center of Korea's rich culture where the past and present coexist. The city is also the birthplace of Korean Wave, Hallyu. Seoul has an extensive network of pubic transportation, consistently voted as one of the best in the world for its ease of use, cleanliness, and frequency of service. Seoul is one of the most safest cities in the world. School Highlights Around the school Bright and airy classrooms at the center of the most trendiest town in Seoul, Gangnam district ATM to withdraw from International accounts 1 minute - elevator down to the 1st floor Newly built and contemporary classrooms Stores 1 minutes - elevator down to the basement Friendly and experienced staff and native language speaking teachers Gangnam Shopping District 1 minute walking Shinnonhyeon Subway Station (Line 9) 1 minute Gangnam Subway Sation (Line 2) 7 min walk Courses Short Term Courses Long Term Courses General Academic Semester and Year A well-rounded program of language study A comprehensive language study program Intensive Multi Language year Accelerated language studies abroad Three countries, three languages SPIN (Special Interest Classes) Vocabulary, Korean alphabets, Reading, Writing, Korean -
Project Hashtag 2020
PROJECT HASHTAG 2020 24 July ~ 30 September 2020 MMCA Seoul The National Museum of Modern and Contemporary Art, Korea (MMCA, Director Youn Bummo), presents PROJECT HASHTAG 2020, an exhibition stemming from an innovative public contest titled PROJECT #, from 24 July through 30 September at MMCA Seoul. Launched in 2019, its purpose is to seek out promising next-generation artists and promote multidisciplinary collaborations. Hosted by the MMCA and sponsored by Hyundai Motor, PROJECT # is an innovative and unprecedented form of contest devised to discover and support burgeoning talent by encouraging collaborations among creators in a variety of fields. The hashtag (#) is a special symbol that is used and interpreted in many ways depending on the context, region, or generation; in musical notation it is a “sharp,” in prose it is an abbreviation for “number,” and online it has become part of the language of social media. As the name of this project, it symbolizes the goal of bringing together prospective 1 / 8 artists in various fields and helping them demonstrate their capabilities on an international level. Beginning with the inaugural contest in 2019, this five-year project will select two teams annually (10 teams in total) and provide them with a grant, a studio, and an overseas opportunity. Out of 203 teams which applied from various fields, two teams were selected as finalists: GANGNAMBUG, and Seoul Queer Collective (SQC). These teams are composed of varied talents in the fields of design, architecture, and research. Using collective ideas that transcend formal boundaries and which demonstrate art’s limitless potential, these two teams proposed projects concerning the district of Gangnam and the Jongno 3-ga area in Seoul.