Masculinities, IR and the 'Gender Variable': a Cost-Benefit Analysis For
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Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding. -
THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay. -
Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory
''Sexuality is fluid''[1] a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer theory. It or is it? An analysis of television's The L Word from the demonstrates that even though the series deconstructs the perspectives of gender and sexuality normative boundaries of both gender and sexuality, it can also be said to maintain the ideals of a heteronormative society. The [1]Niina Kuorikoski argument is explored by paying attention to several aspects of the series. These include the series' advertising both in Finland and the ("Seksualność jest płynna" - czy rzeczywiście? Analiza United States and the normative femininity of the lesbian telewizyjnego "The L Word" z perspektywy płci i seksualności) characters. In addition, the article aims to highlight the manner in which the series depicts certain characters which can be said to STRESZCZENIE : Amerykański serial telewizyjny The L Word stretch the normative boundaries of gender and sexuality. Through (USA, emitowany od 2004) opowiada historię grupy lesbijek this, the article strives to give a diverse account of the series' first two i biseksualnych kobiet mieszkających w Los Angeles. Artykuł seasons and further critical discussion of The L Word and its analizuje pierwsze dwa sezony serialu z perspektywy teorii representations. feministycznej i teorii queer. Chociaż serial dekonstruuje normatywne kategorie płci kulturowej i seksualności, można ______________________ również twierdzić, że podtrzymuje on ideały heteronormatywnego The analysis in the article is grounded in feminist thinking and queer społeczeństwa. Przedstawiona argumentacja opiera się m. in. na theory. These theoretical disciplines provide it with two central analizie takich aspektów, jak promocja serialu w Finlandii i w USA concepts that are at the background of the analysis, namely those of oraz normatywna kobiecość postaci lesbijek. -
REALLY BAD GIRLS of the BIBLE the Contemporary Story in Each Chapter Is Fiction
Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page i Praise for the Bad Girls of the Bible series “Liz Curtis Higgs’s unique use of fiction combined with Scripture and modern application helped me see myself, my past, and my future in a whole new light. A stunning, awesome book.” —R OBIN LEE HATCHER author of Whispers from Yesterday “In her creative, fun-loving way, Liz retells the stories of the Bible. She deliv - ers a knock-out punch of conviction as she clearly illustrates the lessons of Scripture.” —L ORNA DUECK former co-host of 100 Huntley Street “The opening was a page-turner. I know that women are going to read this and look at these women of the Bible with fresh eyes.” —D EE BRESTIN author of The Friendships of Women “This book is a ‘good read’ directed straight at the ‘bad girl’ in all of us.” —E LISA MORGAN president emerita, MOPS International “With a skillful pen and engaging candor Liz paints pictures of modern sit u ations, then uniquely parallels them with the Bible’s ‘bad girls.’ She doesn’t condemn, but rather encourages and equips her readers to become godly women, regardless of the past.” —M ARY HUNT author of Mary Hunt’s Debt-Proof Living Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page ii “Bad Girls is more than an entertaining romp through fascinating charac - ters. It is a bona fide Bible study in which women (and men!) will see them - selves revealed and restored through the matchless and amazing grace of God.” —A NGELA ELWELL HUNT author of The Immortal “Liz had me from the first paragraph. -
The Dynamics of Russian Foreign Policy in the 2014 Crimean Crisis
THE DYNAMICS OF RUSSIAN FOREIGN POLICY IN THE 2014 CRIMEAN CRISIS ASSESSING THE EMPIRICAL AND THEORETICAL COMPLEXITIES By Salman Tahir Submitted to Central European University Department of International Relations and European Studies In partial fulfilment of the requirements for the degree of Master of Arts International Relations and European Studies Supervisor: Professor Michael Merlingen CEU eTD Collection Word Count: 15,342 Budapest, Hungary 2015 Abstract In early 2014, Russian forces entered Crimea and after a successful referendum, annexed the territory to Russia. The dynamics of Russian foreign policy towards Crimea are complex and multifaceted. There is extensive amount of international relations literature that discusses Russian foreign policy that led to the 2014 Crimean War. Neorealists argue that this was a response to Western policies of NATO expansion, EU enlargement and democracy promotion in Eastern Europe. Constructivists blame the history of hostile relations between Russia and the West shaping a Cold War mentality, as well as the threats that Moscow believes Russian citizens faced from Ukrainian radicals and extremists after Euromaidan. Liberalism makes it all about competing economic interests of Russia and the EU. However, there are many other theoretical and empirical complexities and nuances that can help explain Putin’s decision to annex Crimea. This paper will explore the relative theoretical and empirical understandings of the international crisis in Crimea under the international relations theories of neorealism, constructivism and liberalism and disclose the variations and complexities that are inherent within and outside these explanations, as discussed by intellectuals, political experts and media. CEU eTD Collection i Acknowledgements I would like to take this opportunity to extend my deepest gratitude to Michael Merlingen, who was tasked with the supervision of my research by the department and whose valuable guidance is a great part of the reason I was able to conduct this research. -
Constructivism Meets Critical Realism
466572EJT20210.1177/1354066112466572European Journal of International Relations2012Fiaz EJIR Article European Journal of International Relations Constructivism meets critical 2014, Vol. 20(2) 491 –515 © The Author(s) 2012 realism: Explaining Pakistan’s Reprints and permissions: sagepub.co.uk/journalsPermissions.nav state practice in the DOI: 10.1177/1354066112466572 ejt.sagepub.com aftermath of 9/11 Nazya Fiaz National Defence University, Islamabad, Pakistan Abstract This article investigates the theoretical added-value of critical realist incursions into International Relations constructivism. While constructivism focuses on providing multi- causal explanations, its conceptual horizon and subsequent methodological framework fundamentally obscure and limit the opportunity to conceptualize social dialectic and multi-causality in world politics. In this respect, a critical realist meta-theory can provide constructivism with a greatly expanded conceptual framework that transcends material–ideational divisions, and a framework that is able to envision more clearly the process of social dialectic. Second, critical realism affords a methodological diversity that can withstand simultaneous constructivist investigations into the material, agential, ideational, or structural. Using the synthesis of critical realism and constructivism, I illustrate by way of example by employing Pakistan’s participation in the ‘war on terror’ as a case study. While constructivism can show that Pakistan’s role in the war on terror was preceded by a legitimizing narrative, it is a critical realist depth analysis that sheds new light on how a complex social reality was achieved through the convergence of multi-causal explanatory factors. Keywords Agency, constructivism, critical realism, discourse, meta-theory, multi-causality, Pakistan, social dialectic, structure, war on terror, world politics Corresponding author: Nazya Fiaz, Department of International Relations, National Defence University, Islamabad, Pakistan. -
Community Power and Grassroots Democracy Other Books by Michael Kaufman
BY MICHAEL KAUFMAN & HAROLDO DILLA ALFONSO COMMUNITY POWER AND GRASSROOTS DEMOCRACY OTHER BOOKS BY MICHAEL KAUFMAN Jamaica Under Manleji: Dilemmas of Socialism and Democracjy Bejond Essqys Men on Pleasure, Power and Change (ed.) Cracking the Armour: Power, Pain and the Lives of Men Theorizing Masculinities (co-edited with Harry Brod) COMMUNITY POWER AND GRASSROOTS DEMOCRACY The Transformation of Social Life Edited Michael Kaufman and Haroldo Dilla Alfonso ZED BOOKS London & New Jersej INTERNATIONAL DEVELOPMENT RESEARCH CENTRE Ottawa Cairo Dakar Johannesburg Montevideo Nairobi • New Delhi Singapore Community Power and Grassroots Democracj was first published in 1997 by Zed Books Ltd, 7 Cynthia Street, London NI 9JF, UK, and 165 First Avenue, Atlantic Highlands, New Jersey 07716, USA, and the International Development Research Centre, P0 Box 8500, Ottawa, ON, Canada KIG 3H9. Editorial copyright © Michael Kaufman, 1997 Individual chapters copyright © individual contributors The moral rights of the authors of this work have been asserted by them in accordance with the Copyright, Designs and Patents Act, 1988 Typeset in Monotype Garamond by Lucy Morton, London SEI2 Printed and bound in the United Kingdom by Biddies Ltd, Guildford and King's Lynn All rights reserved A catalogue record for this book is available from the British Library Library of Contress Cataloging-in-Publication Data Community power and grassroots democracy the transformation of social life / edited by Michael Kaufman, and Haroldo Dilla Alfonso. p. cm. Includes bibliographical references and index. ISBN 1—85649—487—X. ISBN 1-85649—488—8 (pbk.) 1. Community development—Latin America—Case studies. 2. Political participation—Latin America—Case studies. -
Gender, War and Conflict, INTL 200-02/WMST 276-01 Tuesdays and Thursday 3-4:20, Fellows 203 Denison University, Spring 2007
Gender, War and Conflict, INTL 200-02/WMST 276-01 Tuesdays and Thursday 3-4:20, Fellows 203 Denison University, Spring 2007 Instructor: Isis Nusair Email: [email protected] Office: Knapp 210C, Phone: x8537 Office Hours: Tuesdays and Thursdays 4:30-6 pm Course Description This course aims to make feminist sense of contemporary wars and conflicts. It analyzes the intersections between gender, race, class, and ethnicity in national conflicts. The class traces the gendered processes of defining citizenship, national identity and security, and examines the role of institutions like the military in the construction of femininity and masculinity. The course focuses on the gendered impact of war and conflict through examining torture, mass rape, genocide, and refugee displacement. It analyzes the strategies used by women’s and feminist movements to oppose war and conflict, and the gendered impact of war prevention, peacekeeping, and post-war reconstruction. The class draws on cases from Africa, the Americas, Asia, Europe, and the Middle East and North Africa. The class is interdisciplinary and gives equal weight to theory and practice while drawing on writings by local and global activists and theorists. Class Requirements Students in addition to reading the course material, attending screening sessions, and participating in class discussion will monitor at least one media outlet and trace the representation of gender, war and conflict. The course requirements also include 2 class presentations, 5 papers, and a final research paper. Papers constitute 50% of the evaluation, the final research paper constitutes 30% of the evaluation, class presentations constitute 10% of the evaluation, and class participation and web-postings constitute 10% of the evaluation. -
Gendering Men
GENDERING MEN : THEORIZING MASCULINITIES IN AMERICAN CULTURE AND LITERATURE José María Armengol Carrera Directora: Dra. Àngels Carabí Ribera Tesi doctoral Per optar al títol de doctor en Filologia Anglesa Programa de doctorat “Literatures i cultures” Bienni 2000-2002 Departament de Filologia Anglesa i Alemanya Universitat de Barcelona Works Cited Allen, Theodore W. The Invention of the White Race. Volume I. Racial Oppression and Social Control. 1994. London and New York: Verso, 1995. ---. The Invention of the White Race. Volume II. The Origin of Racial Oppression in Anglo-America. London and New York: Verso, 1997. Andrés, Rodrigo. “La homosexualidad masculina, el espacio cultural entre masculinidad y feminidad, y preguntas ante una ‘crisis.’” Nuevas masculinidades. Ed. Àngels Carabí and Marta Segarra. Barcelona: Icaria, 2000. 121-32. Anzaldúa, Gloria E. Preface. This Bridge We Call Home. Ed. Gloria E. Anzaldúa and Analouise Keating. New York and London: Routledge, 2002. 1-5. Arendt, Hannah. On Revolution. New York: Viking, 1976. Armengol, Josep Maria. “‘Attention, attention must be finally paid to such a person:’ A Men’s Studies Rereading of Arthur Miller’s Death of a Salesman.” Revista de Estudios Norteamericanos 10 (2004): 21-46. ---. “Colonial Masculinities: British (Mis)Representations of the Indian Man.” Actas del 25º Congreso Internacional AEDEAN (Asociación Española de Estudios Anglonorteamericanos). Ed. Marta Falces, Mercedes Díaz, and José Mª Pérez. CD-ROM. Granada: Departamento de Filología Inglesa de la Universidad de Granada, 2001. n. p. ---. “Richard Ford.” Men and Masculinities: A Social, Cultural, and Historical Encyclopedia. Vol. 1. Santa Barbara, CA: ABC-Clio Press, 2004. 311-4. ---. “Travestismos literarios: identidad, autoría y representación de la masculinidad en la literatura escrita por mujeres.” Hombres escritos por mujeres. -
An Evaluation of the Constructivist Critique in International Relations
A world of their making: an evaluation of the constructivist critique in international relations Article (Published Version) Palan, Ronen (2000) A world of their making: an evaluation of the constructivist critique in international relations. Review of International Studies, 26 (4). 575 - 598. ISSN 0260-2105 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/12407/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk Review of International -
Bridging the Gap: Toward a Realist-Constructivist Dialogue
International Studies Review (2004) 6, 337–352 THE FORUM Bridging the Gap: Toward A Realist-Constructivist Dialogue EDITED BY PATRICK THADDEUS JACKSON School of International Service, American University Editor’s Note: J. Samuel Barkin’s International Studies Review article ‘‘Realist Con- structivism’’ (2003) makes the important point that the opposition between realist and con- structivist schools of thought in international relations (IR) may not be as clear-cut as is commonly supposed. In doing so, he focuses on how certain classical realist notions are compatible with constructivist sensibilities about the role of norms and other intersubjective factors in producing social and political outcomes. In effect, Barkin proposes a fusion of certain elements of realism and constructivism to produce a novel IR perspective. Although Barkin is not the first or only scholar to advocate a more evenhanded dialogue between realism and constructivism, his piece is one of the most comprehensive attempts to articulate points of agreement between the two approaches and to delineate the contours of a ‘‘realist- constructivist’’ research program. As such, Barkin’s piece provides an excellent opportunity for exploring and elaborating the nature of and possibilities for ‘‘realist constructivism.’’ Barkin’s emphasis on the tension between normative transformation and the limits imposed by power in the international arena is one way to initiate a dialogue between realism and constructivism. The contributors to this Forum are each trying, in their different ways, to further this dialogue and to explore the possibilities raised by dissociating constructivism from the liberal tradition. They share Barkin’s basic contention that realism and constructivism are not implacably opposed. -
Orientalism and Its Challenges: Feminist Critiques of Orientalist Knowledge Production
ORIENTALISM AND ITS CHALLENGES: FEMINIST CRITIQUES OF ORIENTALIST KNOWLEDGE PRODUCTION SAMEHA ALGHAMDI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN SOCIAL AND POLITICAL THOUGHT YORK UNIVERSITY TORONTO, ONTARIO DECEMBER 2020 © Sameha Alghamdi, 2020 ABSTRACT Orientalism has shaped conventional Euro-American epistemologies, approaches and thinking towards non-US/European people. Orientalism, as a set of epistemologies, and approaches has enabled the co- production of multiple violence and imperial domination. The production of Orientalist knowledge is not only an archive; but rather it is still inscribed and alive in much of the knowledges produced about a notion of the Arab world. Problematic and violent portrayals and representations of Arab and Muslim women are inscribed in contemporary knowledge systems. This thesis aims to examine how can feminist critiques of the concept/notion/system of epistemes and approaches about the other of Orientalism open up new ways of understanding knowledge production. In what ways do such insights contribute toward decolonizing the dynamics of Eurocentric knowledge and power relations in literature and representation? This dissertation grapples with a number of feminist critiques of Orientalism in order to theorize and articulate notions of female agency and problematize depictions of passivity, sexuality and dominant gendered systems. Analytically, I concentrate on the work of Edward Said. I draw extensively on different feminist critiques of his work and show how orientalist knowledges and understandings co-construct Orientalism and Eurocentric genealogies of knowledge and power which in turn allow us to understand their role in thinking and understanding Euro-American domination.