2009 Environmental Film Festival Guide
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Being Healed: an Ethnography of Ayahuasca and the Self at the Temple of the Way of Light, Iquitos, Peru
Being Healed: An Ethnography of Ayahuasca and the Self at the Temple of the Way of Light, Iquitos, Peru DENA SHARROCK BSocSci (Hons) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (Sociology and Anthropology) School of Humanities and Social Sciences The University of Newcastle December 2017 This research was supported by an Australian Government Research Training Program (RTP) Scholarship STATEMENT OF ORIGINALITY I hereby certify that the work embodied in the thesis is my own work, conducted under normal supervision. The thesis contains no material which has been accepted, or is being examined, for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to the final version of my thesis being made available worldwide when deposited in the University’s Digital Repository, subject to the provisions of the Copyright Act 1968 and any approved embargo. Signed: Date: 23rd December 2017 i ABSTRACT This thesis explores the experiences, articulations and meaning-making of a group of people referred to as pasajeros: middle class Westerners and people living in Western-style cultures from around the globe, who travel to the Temple of the Way of Light (‘the Temple’) in the Peruvian Amazon, to explore consciousness and seek healing through ceremonies with Shipibo ‘shamans’ and the plant medicine, ayahuasca. In the thesis, I explore the health belief systems of pasajeros, examining the syncretic space of the Temple in which Western and Eastern, New Age, biomedical, and shamanic discourses meet and intertwine to create novel sets of health beliefs, practices, and perceptions of the Self. -
Geological Timeline
Geological Timeline In this pack you will find information and activities to help your class grasp the concept of geological time, just how old our planet is, and just how young we, as a species, are. Planet Earth is 4,600 million years old. We all know this is very old indeed, but big numbers like this are always difficult to get your head around. The activities in this pack will help your class to make visual representations of the age of the Earth to help them get to grips with the timescales involved. Important EvEnts In thE Earth’s hIstory 4600 mya (million years ago) – Planet Earth formed. Dust left over from the birth of the sun clumped together to form planet Earth. The other planets in our solar system were also formed in this way at about the same time. 4500 mya – Earth’s core and crust formed. Dense metals sank to the centre of the Earth and formed the core, while the outside layer cooled and solidified to form the Earth’s crust. 4400 mya – The Earth’s first oceans formed. Water vapour was released into the Earth’s atmosphere by volcanism. It then cooled, fell back down as rain, and formed the Earth’s first oceans. Some water may also have been brought to Earth by comets and asteroids. 3850 mya – The first life appeared on Earth. It was very simple single-celled organisms. Exactly how life first arose is a mystery. 1500 mya – Oxygen began to accumulate in the Earth’s atmosphere. Oxygen is made by cyanobacteria (blue-green algae) as a product of photosynthesis. -
February 12 – 16, 2016
February 12 – 16, 2016 danceFilms.org | Filmlinc.org ta b l e o F CONTENTS DA N C E O N CAMERA F E S T I VA L Inaugurated in 1971, and co-presented with Dance Films Association and the Film Society of Lincoln Center since 1996 (now celebrating the 20th anniversary of this esteemed partnership), the annual festival is the most anticipated and widely attended dance film event in New York City. Each year artists, filmmakers and hundreds of film lovers come together to experience the latest in groundbreaking, thought-provoking, and mesmerizing cinema. This year’s festival celebrates everything from ballet and contemporary dance to the high-flying world of trapeze. ta b l e o F CONTENTS about dance Films association 4 Welcome 6 about dance on camera Festival 8 dance in Focus aWards 11 g a l l e ry e x h i b i t 13 Free events 14 special events 16 opening and closing programs 18 main slate 20 Full schedule 26 s h o r t s p r o g r a m s 32 cover: Ted Shawn and His Men Dancers in Kinetic Molpai, ca. 1935 courtesy of Jacob’s Pillow Dance festival archives this Page: The Dance Goodbye ron steinman back cover: Feelings are Facts: The Life of Yvonne Rainer courtesy estate of warner JePson ABOUT DANCE dance Films association dance Films association and dance on camera board oF directors Festival staFF Greg Vander Veer Nancy Allison Donna Rubin Interim Executive Director President Virginia Brooks Liz Wolff Co-Curator Dance on Camera Festival Paul Galando Brian Cummings Joanna Ney Co-Curator Dance on Camera Festival Vice President and Chair of Ron -
Washington, Dc
DESTINATION GUIDE SERIES WASHINGTON, DC Sponsored by: ELITE GUIDE TO WASHINGTON, DC HIGHLIGHTS OF WASHINGTON, DC 3 ONLY ELITE 4 The most exclusive VIP experiences, hand-selected by Elite Traveler cOncEIRGE RECOMMEndaTIONS 5 Washington, DC’s top concierges share their personal suggestions for the perfect day CHERRY BLOSSOMS WHERE TO ➤ STAY 7 ➤ DINE 13 ➤ BE PAMPEREd 16 ThE FaIRMONT WASHINGTON, DC WhaT TO DO ➤ DURING THE DAY 17 ➤ DURING THE NIGHT 20 ➤ FEATURED EVENTS 22 ➤ SHOPPING 24 INTERNATIONAL SPY MUSEUM NEED TO KNOW ➤ MARINAS 28 ➤ PRIVATE JET TERMINALS 29 ➤ EXCLUSIVE TRanSPORT 31 ➤ USEFUL INFORMATIOn 31 FIREWORKS AT THE US CAPITOL © ARCHITECT OF THE CAPITOL TRAVELER DESTINATION GUIDE SERIES ELITE DESTINATION GUIDE | WASHINGTON, DC Sponsored by: www.elitetraveler.com 2 HIGHLIGHTS OF WASHINGTON, DC Don’t miss out on DC’s wealth of cultural attractions and experiences s the capital of the United States and attacks, and launched the careers of its social and political spheres, DC still A one of the largest metropolises in the thousands of respected politicians and manages to preserve a rich sense of history nation, Washington, DC is not only a living statesmen. Year after year, DC maintains and traditional values – one that lingers embodiment of American history, but a a strong tourist industry and enjoys a noticeably in everything from its fiercely quintessential representation of city life. respectable international reputation thanks protected heritage sites to its charming Since its discovery in the 17th century and to its incredible array of world-famous historical restaurants and inns. With its official establishment as the District of monuments, landmarks and museums, luxurious accommodation and exquisite Columbia in 1790, the capital has played including the White House, the Washington entertainment options at every turn, a visit host to countless social protests, survived Monument and the Smithsonian Institution. -
As Mipcom Gets Underway, BBC Worldwide ANZ Announces
Sydney, 7 October 2015: As MipCom gets underway, BBC Worldwide ANZ announces program sales to Nine Network and Network Ten for a range of Natural History titles, as well as to ABC for two new science series. The package deal for Nine Network includes a pre-sale for landmark wildlife series The Hunt, a stunning new programme from Alistair Fothergill, the executive producer of Planet Earth and Frozen Planet, that explores the dramatic world of predation like never before. Alongside The Hunt, Nine Network has also snapped up a number of other new titles such as Atlantic, Animal Super Parents and Nature’s Weirdest Events, as well as classic titles Frozen Planet, Life In Cold Blood and The Blue Planet. Network Ten will bring one of the ocean’s greatest predators to the screen with Shark, as well as Natural Curiosities series 3 and two Sir David Attenborough documentaries, Attenborough’s Fabulous Frogs and Attenborough’s Big Birds. The package also includes the popular Africa series, Planet Earth and Tiger: Spy In the Jungle. ABC has bought two landmark science series as pre-sales: Forces of Nature, which presents a breathtaking tour of what lies beyond Earth’s beauty and the deeper truths about the forces that govern our planet; and 9 Months That Made You which tells the story of how we are made, from the moment of conception to birth. Irene Read, Director of TV Sales for BBC Worldwide ANZ, says: “There’s great demand for top factual landmarks and I’m delighted to head to MipCom with some key sales of our leading titles to local Australian broadcasters.” This year BBC Worldwide is heading to MIPCOM with a diverse range of factual content spanning Science, Natural History and History. -
Film, Photojournalism, and the Public Sphere in Brazil and Argentina, 1955-1980
ABSTRACT Title of Document: MODERNIZATION AND VISUAL ECONOMY: FILM, PHOTOJOURNALISM, AND THE PUBLIC SPHERE IN BRAZIL AND ARGENTINA, 1955-1980 Paula Halperin, Doctor of Philosophy, 2010 Directed By: Professor Barbara Weinstein Department of History University of Maryland, College Park My dissertation explores the relationship among visual culture, nationalism, and modernization in Argentina and Brazil in a period of extreme political instability, marked by an alternation of weak civilian governments and dictatorships. I argue that motion pictures and photojournalism were constitutive elements of a modern public sphere that did not conform to the classic formulation advanced by Jürgen Habermas. Rather than treating the public sphere as progressively degraded by the mass media and cultural industries, I trace how, in postwar Argentina and Brazil, the increased production and circulation of mass media images contributed to active public debate and civic participation. With the progressive internationalization of entertainment markets that began in the 1950s in the modern cities of São Paulo, Rio de Janeiro, and Buenos Aires there was a dramatic growth in the number of film spectators and production, movie theaters and critics, popular magazines and academic journals that focused on film. Through close analysis of images distributed widely in international media circuits I reconstruct and analyze Brazilian and Argentine postwar visual economies from a transnational perspective to understand the constitution of the public sphere and how modernization, Latin American identity, nationhood, and socio-cultural change and conflict were represented and debated in those media. Cinema and the visual after World War II became a worldwide locus of production and circulation of discourses about history, national identity, and social mores, and a space of contention and discussion of modernization. -
Choreography for the Camera AB
Course Title CHOREOGRAPHY FOR THE CAMERA A/B Course CHORFORCAMER A/B Abbreviation Course Code 190121/22 Number Special Notes Year course. Prerequisite: 1 semester of any dance composition class, and 1 semester of any dance technique class. Prerequisite can be waived based-on comparable experience. Course This course provides a practical and theoretical introduction to dance for the camera, Description including choreography, video production and post-production as pertains to this genre of experimental filmmaking. To become familiar with the form, students will watch, read about, and discuss seminal dance films. Through studio-based exercises, viewings and discussions, we will consider specific approaches to translating, contextualizing, framing, and structuring movement in the cinematic format. Choreographic practices will be considered and practiced in terms of the spatial, temporal and geographic alternatives that cinema offers dance – i.e. a three-dimensional, and sculptural presentation of the body as opposed to the proscenium theatre. We will practice effectively shooting dance with video cameras, including basic camera functions, and framing, as well as employing techniques for play on gravity, continuity of movement and other body-focused approaches. The basics of non-linear editing will be taught alongside the craft of editing. Students will fulfill hands-on assignments imparting specific techniques. For mid-year and final projects, students will cut together short dance film pieces that they have developed through the various phases of the course. Students will have the option to work independently, or in teams on each of the assignments. At the completion of the course, students should have an informed understanding of the issues involved with translating the live form of dance into a screen art. -
African Reptiles Learning Outcomes Today's Craft : Snapping Crocodile Puppet » Plants and Animals Have Predictable Life Cycles
African Reptiles Learning outcomes Today's craft : Snapping Crocodile Puppet » Plants and animals have predictable life cycles. (Grade 2 - Life Sciences) » Adaptations in physical structure or behavior may improve an organism’s chance for survival. (Grade 3 - Life Sciences) From: California’s Science Content Standards Books we read Chameleon, Chameleon by Joy Cowley. Crocodile Listens by April Pulley Sayre. Activities we did We talked about the characteristics of reptiles and we thought of examples of reptiles. We looked at a crocodile skull and an alligator skull. We You will need: discussed the general differences between crocodiles and » Green, red and white » Tongue depressor alligators. construction paper » Sticky tape » Template (attached) » 12" yarn » Scissors » Googly eyes » Glue stick » Black marker Directions: 1. Trace round the templates and cut a green head and face, white teeth and a red tongue. 2. On the head piece, glue the white teeth and then the red tongue. 3. Fold in half horizontally and crease. 4. Lay 4” of yarn across the top of this and glue. 5. Glue the face over the yarn . 6. Put on the googly eyes and draw on nostrils - now pull on the yarn to see your croc snap! From: http://www.kckpl.lib.ks.us/ys/crafts/Crocdile.htm Want to find out more? Here is a selection of further resources to explore in the Naturalist Center, in the public library or at home. Please ask if you can’t find what you’re looking for. Books DVDs Life in Cold Blood. Nat. Ctr. Media QL641 .L54 2008 Chameleons by Sophie Lockwood. -
Fantastic Fanzines!
Where does he get those wonderful toys? Winter 2019 Super Collector’s No. 3 $8.95 Superhero Swag! He Made Us Believe A Man Can Fly! EXCLUSIVE Interview with Visit Metropolis... Home of the Superman Celebration IRWIN ALLEN SEA-MONKEYS® Aquaman in THEN 6 Animation AND 0 NOW 5 1 0 0 8 5 6 2 Fantastic Fanzines! Funny Face Collectibles! 8 Ernest Farino • Andy Mangels • Scott Saavedra • and the Oddball World of Scott Shaw! 1 Superman, Joker, and Aquaman TM & © DC Comics. Sea-Monkeys® © Transcience L.L.C. All Rights Reserved. The crazy cool culture we grew up with Columns and Special Departments Features 3 2 CONTENTS Retro Interview Retrotorial Issue #3 | Winter 2019 Superman Director Richard Donner 10 Too Much TV Quiz 18 52 Andy Mangels’ Retro 13 Saturday Mornings Retro Food & Drink Aquaman in Animation Funny Face Drink Mix Collectibles 31 Retro Television 28 Irwin Allen: Voyage to the 58 RetroFad Bottom of… the Barrel? Afros 43 39 Scott Saavedra’s Retro Games 67 Secret Sanctum Atari’s 1979 Superman Sea-Monkeys® 67 52 Retro Travel 18 The Oddball World of Superman Celebration – Scott Shaw! Metropolis, Illinois Amazing Spider-Man and Incredible Hulk Toilet Paper 73 Super Collector 58 Superman and Batman Ernest Farino’s Retro collectibles, by Chris Franklin Fantasmagoria Fantastic Fanzines 79 RetroFanmail 43 80 13 ReJECTED RetroFan fantasy cover by 31 Scott Saavedra RetroFan™ #3, Winter 2019. Published quarterly by TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. Michael Eury, Editor. John Morrow, Publisher. Editorial Office: RetroFan, c/o Michael Eury, Editor, 112 Fairmount Way, New Bern, NC 28562. -
Creative Arts Emmy® Awards for Programs and Individual Achievements at the Nokia Theatre L.A
FOR IMMEDIATE RELEASE August 16, 2014 7:00 PM PT The Television Academy tonight (Saturday, August 16, 2014) presented the 2014 Creative Arts Emmy® Awards for programs and individual achievements at the Nokia Theatre L.A. LIVE in Los Angeles. This first ceremony of the 66th Emmy Awards honored guest performers on television dramas and comedy series, as well as the many talented artists and craftspeople behind the scenes to create television excellence. Produced for the 20th year by Spike Jones, Jr., this year’s Creative Arts Awards featured an array of notable presenters, among them Jane Lynch, Tony Hale, Amy Schumer, Allison Janney, Tim Gunn and Heidi Klum, Comedy Central’s Key & Peele, Fred Armisen and Carrie Brownstein, Morgan Freeman, Tony Goldwyn, Aisha Tyler, Joe Manganiello and Carrie Preston. Highlights included Jon Voight’s moving posthumous presentation of the Academy’s prestigious Governors Award to casting icon, Marion Dougherty. Voight was one of Dougherty’s discoveries. The awards, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Program Individual Total HBO 4 11 15 NBC 1 9 10 PBS 2 6 8 Fox 1 6 7 Netflix - 7 7 CBS 1 5 6 ABC 1 4 5 Discovery Channel 2 2 4 Disney Channel 1 3 4 FOX/NatGeo - 4 4 Showtime 1 3 4 Cartoon Network - 3 3 FX Networks - 3 3 Comedy Central - 2 2 Starz - 2 2 Adult Swim - 1 1 AMC - 1 1 CartoonNetwork.com - 1 1 CNN 1 - 1 comcast.com 1 - 1 ESPN 1 - 1 FunnyOrDie.com 1 - 1 justareflektor.com 1 - 1 Nat Geo WILD - 1 1 National Geographic Channel 1 - 1 pivot.tv 1 - 1 TNT 1 - 1 TELEVISION ACADEMY 2014 CREATIVE ARTS EMMY AWARDS This year’s Creative Arts telecast partner is FXM; a two-hour edited version of the ceremony will air Sunday, August 24 at 8:00 PM ET/PT with an encore at 10:00 PM ET/PT on FXM. -
Docuseries Flat Out, Produced by Vuguru the Non-fi Ction Camp
MAY / JUNE 13 THE REALITY REPORT Syfy’s Haunted Highway and adventures in the US $7.95$7.95 USD New Paranormal CanadaCanada $$8.958.95 CDN Int’lInt’l $$9.959.95 USD G<ID@KEF%+*-* 9L==8CF#EP L%J%GFJK8><G8@; 8LKF ALSO: UNSCRIPTED GOES ONLINE | U.S. CABLE SLATES REVEALED GIJIKJK; A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. RRealscreenealscreen Cover.inddCover.indd 1 116/05/136/05/13 22:16:16 PPMM Congratulations Bertram We are proud to call you family. CBS is proud to support the Realscreen Awards. ©2013 CBS Corporation RRS.23322.CBS.inddS.23322.CBS.indd 1 113-05-163-05-16 22:01:01 PPMM contents may / june 13 Sundance Grand Jury and Audience Award winner 35 42 Blood Brother is part of our annual Festival Report. BIZ Unscripted action at the NewFronts; Dubuc and Raven upped at A+E ......................................................... 9 Super 8 fi lm shot by Nixon’s top aides is featured in Our Nixon (Still courtesy of Dipper Films). IDEAS & EXECUTION U.S. cable nets unveil slates; crowdfunding words of wisdom ...........13 “The perception was you SPECIAL REPORTS could pitch a show on a THE REALITY REPORT A look into the Emmy Reality Peer Group; log line, put 10 cameras paranormal reality revamps .............................................................. 27 somewhere, and that STOCK FOOTAGE/ARCHIVE was reality.” 29 Super 8 rules in Our Nixon; 1895 Films’ 9-11: The Heartland Tapes; FOCAL Awards winners and UK copyright news ...............................35 FESTIVAL REPORT 19 Profi les of Gideon’s Army and Blood Brother .......................................40 PRODUCTION MUSIC Music shop execs reveal the dollars and sense behind scoring for shows .................................................45 THINK ABOUT IT Science Channel’s slate features a move into scripted Making talent agreements agreeable ...............................................48 drama, with 73 Seconds: The Challenger Investigation. -
THE RETRIEVER WEEKLY NEWS May 8, 2001 Ehind the Scenes
THE ETRIEVER "Procrastination gives you something to look forward to."- Joan Konner, Journalist Volume XXXV, Number 28 1000 Hilltop Circle, Baltimore, MD 21250 · May 8, 2001 Cone Collection Version 2.0 Baltimore Museum of Art and UMBC Visual Arts Department Develop Virtual Tour of Exhibit SARAH ANDREWS Retriever Weekly Editorial Staff ing with newly designed galleries ing to Alan Price, associate direc and expanded exhibition space. tor of the IRC, was the extent of The Baltimore Museum of Claribel and Etta Cone began research that had to be done to Art's famed Cone Collection their collecting career in the recreate the apartments. The received a technological upgrade 1890s, and eventually acquired building had been gutted in the recently, thanks to an ongoing hundreds of works by such artists 1970s, forcing the team to tum to collaboration with UMBC's as Renoir, Manet, Cezanne, the building's original floor plans Imaging Research Center. Degas and Matisse. Today the and over 30 photographs of the Through internships with the Cone Collection, containing over apartment to guide them in recre IRC, which is part of the Visual 500 works by Henri Matisse ating the rooms. The team spent Arts department, artistically and alone, is considered one of the six months recreating the apart technically-minded students have most important in the world. ments' details, even creating digi had the chance to flex their cre Now, through real-time computer tal images of the artwork and fur ative and technical muscles by animation developed by the niture in the rooms. Museum vis designing a virtual tour of the UMBC team, museum visitors itors will be able to look out the Cone sisters' art-filled Baltimore can explore a virtual re-creation virtual windows and see a recre apartments.