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Impressionism & Post-Impressionism Impressionism & Post-Impressionism Ms. Jones – APAH, Perry High School Agenda 1. Writing Assignment – Compare/Contrast (WOD) 2. Introduce Impressionism movement – Video 3. Presentations Monet - Prahled Cassatt – Isabell 4. Post-Impressionism movement – Video Gaugin – Rachel Cezanne – Rylie Comp/Contrast Attribution Post-Impressionism Vincent Van Gogh POST-IMPRESSIONISM Post-Impressionism House where Vincent Van Gogh lived POST-IMPRESSIONISM Post-Impressionism Van Gogh, The Potato Eaters, 1885. POST-IMPRESSIONISM Post-Impressionism Van Gogh Sunflowers, 1888. POST-IMPRESSIONISM Post-Impressionism Vincent Van Gogh, The Night Cafe, 1888. POST-IMPRESSIONISM Post-Impressionism Vincent Van Gogh The Night Cafe, 1888. POST-IMPRESSIONISM Post-Impressionism Vincent Van Gogh, Undergrowth with Two Figures, 1890. POST-IMPRESSIONISM Post-Impressionism Van Gogh, Garden of St. Paul Hospital, Nov 1889. POST-IMPRESSIONISM Post-Impressionism Vincent Van Gogh, Starry Night Over the Rhone, 1888. POST-IMPRESSIONISM Post-Impressionism Vincent Van Gogh, Starry Night, 1889. Oil on canvas. Painted in June, 1889, Vincent’s most famous piece depicts the view (with the notable addition of an idealized village) from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise. Van Gogh depicted the view at different times of day and under various weather conditions, including sunrise, moonrise, sunshine-filled days, overcast days, windy days, and one day with rain. The hospital staff did not allow Van Gogh to paint in his bedroom, but he was able to make sketches in ink or charcoal on paper, and eventually he would base newer variations on previous versions. The pictorial element uniting all of these paintings is the diagonal line coming in from the right depicting the low rolling hills of the Alpilles mountains. In fifteen of the twenty-one versions, cypress trees are visible beyond the far wall enclosing the wheat field. POST-IMPRESSIONISM Post-Impressionism Vincent Van Gogh, Starry Night, 1889. POST-IMPRESSIONISM Post-Impressionism Vincent’s paintings had a scientific reality to them. His paintings often depict the world as it is comprised of moving molecules and atoms. He often painted the energy that we don’t actually see in the real world.This painting was inspired by the Japanese printmaker Hokusai’s image of “The Great Wave”. Van Gogh, The Starry Night, 1889. Hokusai, The Great Wave, c1828. POST-IMPRESSIONISM Post-Impressionism Vincent Van Gogh Self-Portrait with Felt Hat, 1887-88. POST-IMPRESSIONISM Post-Impressionism Van Gogh Portrait of Dr. Gachet, 1888. POST-IMPRESSIONISM Post-Impressionism Vincent Van Gogh, Bedroom at Arles #3, 1889. POST-IMPRESSIONISM Post-Impressionism Vincent and his brother Theo buried next to each other… POST-IMPRESSIONISM Vincent Van Gogh Vincent Van Gogh The Starry Night, 1893 @ the MOMA Math & Van Gogh Don McLean - Song What makes it unique? Post-Impressionism Edvard Munch, The Scream, 1893. Tempera and pastels on cardboard. In his diary in an entry headed, Nice 22 January 1892, Munch described his inspiration for the image: One evening I was walking along a path, the city was on one side and the fjord below. I felt tired and ill. I stopped and looked out over the fjord—the sun was setting, and the clouds turning blood red. I sensed a scream passing through nature; it seemed to me that I heard the scream. I painted this picture, painted the clouds as actual blood. The color shrieked. This became The Scream. POST-IMPRESSIONISM Post-Impressionism Edvard Munch, The Scream, 1893. Tempera and pastels on cardboard. “The camera cannot compete with the brush and the palette so long as it cannot be used in heaven or hell…" Edvard Munch POST-IMPRESSIONISM Post-Impressionism Edvard Munch, The Dance of Life, 1899-1900. POST-IMPRESSIONISM Post-Impressionism Edvard Munch, Anxiety, 1894. Edvard Munch’s tombstone. POST-IMPRESSIONISM Symbolism Introduction Video Munch, The Scream, 1893 Art History in a Hurry Art Nouveau Gustav Klimt Gustav Klimt The Kiss 1907-08. VIENNA SUCCESSION (Austrian Art Nouveau) Gustav Klimt creating this work at the high point of his "Golden Period", when he painted a number of works in a similar gilded style. A perfect square, the canvas depicts a couple embracing, their bodies entwined in elaborate robes decorated in a style influenced by both linear constructs of the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement. The work is composed of oil paint with applied layers of gold leaf, an aspect that gives it its strikingly modern, yet evocative appearance. ART NOUVEAU Art Nouveau Gustav Klimt Gustav Klimt The Kiss 1907-08. VIENNA SUCCESSION (Austrian Art Nouveau) The viewer gets the sense that the “Kiss” here might be unwanted… The woman doesn’t reciprocate with any expression, while somehow trapped between a cliff and a man who adores her. ART NOUVEAU Art Nouveau Gustav Klimt Gustav Klimt Judith with Head of Holofernes, 1901. VIENNA SUCCESSION (Austrian Art Nouveau) ART NOUVEAU Art Nouveau Gustav Klimt Gustav Klimt Adele Bloch-Bauer I, 1907. VIENNA SUCCESSION (Austrian Art Nouveau) This record breaking sale of this piece was enabled by a court order by the Austrian government to return the painting to the Artist's rightful heir. The entire dispute lasted over a year and was necessary to return the painting that was looted by the Nazis during World War II. Skillfully painted in 1907 by the Art Nouveau master Gustav Klimt, the painting was purchased by Ronald S. Lauder, the cosmetics heir, in 2006. ART NOUVEAU Art Nouveau Introduction Video Klimt background Khan Academy .
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