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Vorrede Paul Sacher 9 Die Paul Sacher Stiftung in Der Öffentlichkeit

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Vorrede Paul Sacher 9 Die Paul Sacher Stiftung in Der Öffentlichkeit Inhaltsverzeichnis Vorrede Paul Sacher 9 Die Paul Sacher Stiftung in der Öffentlichkeit Zu Ausstellung und Publikation Hans Jörg Jans 10 Entstehung und Ziele der Paul Sacher Stiftung Albi Rosenthal 16 Johann Sebastian Bach 1685-1750 Joseph Haydn 1732-1809 Gedanken zum Partiturautograph von Johann Sebastian Bachs Kantate O Ewigkeit, du Donnerwort (BWV 20) Alfred Dürr 20 Zu den Haydn-Autographen der Sammlung Paul Sacher H.C. Robbins Landon 31 Zwanzigstes Jahrhundert Musikkritik und Neue Musik Carl Dahlhaus 38 Generationswechsel und Epochenzäsur Ein Problem der Musikgeschichts­ schreibung des 20. Jahrhunderts Hermann Danuser 47 Richard Strauss 1864-1949 Arnold Schönberg 1874-1951 Von der Fähigkeit zu trauern Zu Richard Strauss' Metamorphosen o.op.AV 142 Stephan Kohler 57 Arnold Schönbergs Fünf Orchesterstücke op. 16 Reinhold Brinkmann 63 1880-1890 Der Mensch Bartök Everett Helm 73 Zoltän Kodcily und sein Psalmus Hungaricus Ferenc Bönis 85 Im Schatten des Sacre du printemps Beobachtungen zu den Trois poäsies de la lyrique japonaise, einem Schlüssel­ werk von Igor Strawinsky Hans Oesch 95 Alfredo Casella Fedele d'Amico 109 Josef Matthias Hauer Arnold Keyserling 121 Anton Webern Ernst Krenek 127 http://d-nb.info/210261862 Excelsior! Die Genese des Webern-Archivs Hans Moldenhauer 131 Drei Autographe von Alban Berg Rudolf Stephan 149 1890-1900 Frank Martin J.-Claude Piguet 159 Bohuslav Martinü aus heutiger Sicht Harry Halbreich 167 Arthur Honegger Ernst Lichtenhahn 179 Paul Hindemith Auf der Suche nach der Harmonie der Welt Dieter Rexroth 187 Wladimir Vogel Aspetti di un'identitä in divenire Carlo Piccardi 199 Albert Moeschinger zur Erinnerung Peter Mieg 209 1900-1910 Ernst Krenek Eine Porträtskizze Claudia Maurer Zenck 215 Willy Burkhard Kurt von Fischer 223 Conrad Beck Albert Müry 229 Goffredo Petrassi Fedele d'Amico 237 Michael Tippett Divertimento on «Sellinger's Round» (1953-4) Donald Mitchell 247 Wolfgang Fortner Wege - Werk - Wesen Ulrich Dibelius 251 Constantin Regamey Jürg Stenzl 261 1910-1920 Benjamin Britten Cantata Academica, «Carmen Basiiiense», op. 62 (1959) Donald Mitchell 269 Lutosfawski, ou la conscience du compositeur Tadeusz Kaczynski 275 Henri Dutilleux Francis Bayer 283 Robert Suter Klaus Schweizer 291 1920-1930 Bruno Maderna Christof Bitter Per un ritratto di Maderna Massimo Mila Norbert Moret Myriam Tetaz-Gramegna 315 Im Spannungsfeld von Material und Moral Versuch über Klaus Huber Gerhard R. Koch 323 Eco in ascolto Intervista di Umberto Eco a Luciano Berio 329 Luciano Berio Tondichter e cantastorie Rossana Dalmonte 341 Multum in parvo: the music of Luciano Berio David Osmond-Smith 347 Entretien avec Pierre Boulez - Paris, le 19 decembre 1985 Christian Geelhaar 351 Boulez selon Boulez Fragmentarische Bemerkungen zu den theoretischen Schriften Josef Häusler 359 Pierre Boulez, musicien de l'öre industrielle Hugues Dufourt 371 Hans Werner Henze «Komponieren ist für mich eine Angelegenheit des Kontakts mit anderen Menschen.» Wolfram Schwinger 381 1930-1940 Menschlichkeit und Gewalt Zum Werk von Cristöbal Halffter Andres Briner 393 «Eindeutig und kunstvoll» Der Komponist Rudolf Kelterborn Wolf-Eberhard von Lewinski 401 Scardanellis Welt Begegnungen mit der Musik von Heinz Holliger Clytus Gottwald 409 Die Musiksammlungen der Paul Sacher Stiftung Komponisten des 20. Jahrhunderts in der Paul Sacher Stiftung (Katalog) Felix Meyer, Sabine Stampfli 417 Komponisten des 17. und 18. Jahrhun­ derts in der Paul Sacher Stiftung (Katalog) Hans Jörg Jans 439 Anhang Verzeichnis der Beiträge (nach Autoren) 442 Kurzbiographien der Autoren 444 Bildnachweis 449 Summaries, Kurzfassungen der Beiträge in englischer Sprache 450 .
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