Politics of the Wire Syllabus, Spring 2012
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Navy Columbia-Class Ballistic Missile Submarine Program
Navy Columbia (SSBN-826) Class Ballistic Missile Submarine Program: Background and Issues for Congress Updated September 14, 2021 Congressional Research Service https://crsreports.congress.gov R41129 Navy Columbia (SSBN-826) Class Ballistic Missile Submarine Program Summary The Navy’s Columbia (SSBN-826) class ballistic missile submarine (SSBN) program is a program to design and build a class of 12 new SSBNs to replace the Navy’s current force of 14 aging Ohio-class SSBNs. Since 2013, the Navy has consistently identified the Columbia-class program as the Navy’s top priority program. The Navy procured the first Columbia-class boat in FY2021 and wants to procure the second boat in the class in FY2024. The Navy’s proposed FY2022 budget requests $3,003.0 (i.e., $3.0 billion) in procurement funding for the first Columbia-class boat and $1,644.0 million (i.e., about $1.6 billion) in advance procurement (AP) funding for the second boat, for a combined FY2022 procurement and AP funding request of $4,647.0 million (i.e., about $4.6 billion). The Navy’s FY2022 budget submission estimates the procurement cost of the first Columbia- class boat at $15,030.5 million (i.e., about $15.0 billion) in then-year dollars, including $6,557.6 million (i.e., about $6.60 billion) in costs for plans, meaning (essentially) the detail design/nonrecurring engineering (DD/NRE) costs for the Columbia class. (It is a long-standing Navy budgetary practice to incorporate the DD/NRE costs for a new class of ship into the total procurement cost of the first ship in the class.) Excluding costs for plans, the estimated hands-on construction cost of the first ship is $8,473.0 million (i.e., about $8.5 billion). -
1 Sociology 342-001: Criminology Summer II
Sociology 342-001: Criminology Summer II: July 8 – Aug. 7 2013 Online - 3 credits Instructor Office Hours Kate Gunby via email and gchat [email protected] or by appointment in Social Sciences 426 Course Description This course begins with a quick introduction to the multidisciplinary study of criminology, and how crime and criminal behavior are measured. Then the class will explore different theories of crime and criminality, starting with early schools of criminology and then covering structural, social process, critical, psychosocial, biosocial, and developmental theories. Then the class will focus on different types of crime, including violent crime, sex crimes, multiple murder and terrorism, property crime, public order crime, and white collar and organized crime. Finally, we will broaden our scope to explore victim experiences, mental health and incarceration, concepts of justice and incarceration trends, and the consequences of crime and incarceration. This course uses the acclaimed television series The Wire to explore the fundamentals of criminology. Students will develop their ability analyze, synthesize, apply, and evaluate the course material through written memos linking each reading to the content in a specific episode of The Wire. Students will further engage with the material and each other through online forum discussions. This class is guided by student goals, which are established from the beginning and reviewed throughout the term. Readings All of the course readings are on D2L. You do not need to buy any books. Almost all of the readings are excerpts from books or articles, so please download the readings from D2L so that you only read the portions that are required for the class. -
The Life and Afterlife of Photography in the Wire Paul M
Access Provided by University of Michigan @ Ann Arbor at 07/25/11 2:21PM GMT The LaST RITeS oF D’aNgeLo BaRkSDaLe: The LIFe aND aFTeRLIFe oF PhoTogRaPhy IN The Wire Paul M. Farber i can never see or see again in a film certain actors whom i know to be dead without a kind of melancholy: the melancholy of Photography itself. —roland Barthes, Camera Lucida1 Somebody snapping pictures, they got the whole damn thing. —D’Angelo Barksdale, The Wire2 I In a 2005 public forum celebrating The Wire hosted by the Museum of Television & Radio, major figures from the production team and cast gathered to discuss the series and its impact. Cocreators David Simon and ed Burns, among others, fielded questions from critick en Tucker before taking inquiries from the audience. one woman, who introduced herself as a criminal attorney, credited the show’s many on-screen and offscreen contributors for their “realistic” elaboration of the investigation process. In the world of The Wire, a criminal investigation offers the narrative frame for each season. But, as a caveat to her praise, she offered one tar- geted counterpoint, a moment in the series in which histrionics seemed to trump authenticity. She highlighted a scene occurring toward the end of the first season, a breakthrough in the series’ first sustained case involving the Barksdale drug ring. In this episode, police investigators and a state attorney attempt to turn D’angelo Barksdale, wayward nephew of king- pin avon Barksdale, toward testifying against his uncle’s syndicate. Throughout the season, as the Barksdales became wary of the case against Criticism, Summer & Fall 2010, Vol. -
CATCHING CAREER CRIMINALS:· a STUDY of the REPEAT OFFENDER PROJECT TECHNICAL REPORT Patrick V. Murphy President
If you have issues viewing or accessing this file contact us at NCJRS.gov. CATCHING CAREER CRIMINALS:· A STUDY OF THE REPEAT OFFENDER PROJECT TECHNICAL REPORT .' by Susan E. Martin Report to the National Institute of Justice The Honora~le James K. Ste~art~ Director • P~arch 29 ~ 1985 Police Foundation PatricK V. Murphy President • 98821 U.S. Department of JUstice National Institute of JUstice This document has been reprOduced exactly as received from the person or organization originating it. Paints of view or opinions stated in this document are those of the authors and do not necessarily Justice.represent the official position or POlicies of the National Institute of Permission to reproduce this coPyffgMted- material has been granted by Eub J j ~-DOmai.ni-NLI ____ ~_~ __ _ U-rS-r--Depa-r-tment-_-OLJusti.ce_ to the National Criminal Justice Reference SerVice (NGJRS). • Further reproduction outside of ttle NCJRS system reqUIres permis sion of the~ri§l;l~ owner. This study was conducted under Grant Number 82-IJ~-0063 from the National Institute of Justice. Points of view in this document are those of the author and do not necessarily represent the position or policies of the U.S. Department of Justice, the Metropolitan Police Department of Washington, D.C., or the Police Foundation • • •• Acknowledgements • Many persons worked on various phases of the ROP study. The contributions of the following consultants and Police Foundation staff members is gratefully acknowledged: Sampson Annan Phyll is Boston Kim Boyd Carol Bridgeforth Jenifer Cheeseman Gail Giovannucci Ear 1 Hami lton Richard Oldlakowski Antony Pat~ Doug Smith Faye Taxman Paul Zipper Sally Page, William Parker, and Mildred Banks performed the arduous task of producing the Final Report. -
Science-Based Target Setting Manual Version 4.1 | April 2020
Science-Based Target Setting Manual Version 4.1 | April 2020 Table of contents Table of contents 2 Executive summary 3 Key findings 3 Context 3 About this report 4 Key issues in setting SBTs 5 Conclusions and recommendations 5 1. Introduction 7 2. Understand the business case for science-based targets 12 3. Science-based target setting methods 18 3.1 Available methods and their applicability to different sectors 18 3.2 Recommendations on choosing an SBT method 25 3.3 Pros and cons of different types of targets 25 4. Set a science-based target: key considerations for all emissions scopes 29 4.1 Cross-cutting considerations 29 5. Set a science-based target: scope 1 and 2 sources 33 5.1 General considerations 33 6. Set a science-based target: scope 3 sources 36 6.1 Conduct a scope 3 Inventory 37 6.2 Identify which scope 3 categories should be included in the target boundary 40 6.3 Determine whether to set a single target or multiple targets 42 6.4 Identify an appropriate type of target 44 7. Building internal support for science-based targets 47 7.1 Get all levels of the company on board 47 7.2 Address challenges and push-back 49 8. Communicating and tracking progress 51 8.1 Publicly communicating SBTs and performance progress 51 8.2 Recalculating targets 56 Key terms 57 List of abbreviations 59 References 60 Acknowledgments 63 About the partner organizations in the Science Based Targets initiative 64 Science-Based Target Setting Manual Version 4.1 -2- Executive summary Key findings ● Companies can play their part in combating climate change by setting greenhouse gas (GHG) emissions reduction targets that are aligned with reduction pathways for limiting global temperature rise to 1.5°C or well-below 2°C compared to pre-industrial temperatures. -
Game Day Recipes Because There’S More to Life Than Beer and Pretzels
WHOLE LIFE CHALLENGE APPROVED GAME DAY RECIPES BECAUSE THERE’S MORE TO LIFE THAN BEER AND PRETZELS. THE FIRST SUNDAY OF FEBRUARY. DOES THIS MEAN ANYTHING TO YOU? If you’re a football fan, it sure does! The beginning of February is all about the Super Bowl. And whether your favorite team is playing or not, we know a lot of you will still be watching with friends and family. But while celebrating the big game is a fun way to spend your weekend, it can feel overwhelming when you’re also trying to establish or maintain a healthy lifestyle. Between the drinks, the snacks, the rich dips, the salty chips, and the sweet desserts, avoiding temptation can feel like a huge blow to your confidence...sort of like a fif- teen-yard penalty, or a pick six, or a safety, or a missed field goal... ...well, you get the idea. This year, let’s keep the penalties out of your game-day party. To avoid completely derailing your healthy lifestyle, try adding these WLC Approved Game Day Recipes to your pre-game, half-time, or post-game celebrations. These recipes have been designed to serve as healthier spins on game-day classics — without sacrificing taste or satisfaction. It’s wise, of course, to remember that consuming adult beverages and party foods isn’t intended to be a regular habit—yes, even with the “healthier” versions. Ideally, eating and drinking for your health requires more conscious intention and choice and less vegging out and “eating it because it’s there.” But on special days like the Super Bowl, you don’t have to feel guilty for wanting to have a bit of fun and indulgence, especially if you make an effort to surround your- self with better food options. -
Why Every Show Needs to Be More Like the Wire (“Not Just the Facts, Ma’Am”)
DIALOGUE WHY EVERY SHOW NEEDS TO BE MORE LIKE THE WIRE (“NOT JUST THE FACTS, MA’AM”) NEIL LANDAU University of California, Los Angeles (UCLA) The Wire (HBO, 2002-2008) upends the traditional po- ed the cop-drama universe. It was a pioneering season-long lice procedural by moving past basic plot points and “twists” procedural. Here are my top 10 reasons why Every Show in the case, diving deep into the lives of both the cops and Needs to Be More Like The Wire. the criminals they pursue. It comments on today’s America, employing characters who defy stereotype. In the words of — creator David Simon: 1. “THIS AMERICA, MAN” The grand theme here is nothing less than a nation- al existentialism: It is a police story set amid the As David Simon explains: dysfunction and indifference of an urban depart- ment—one that has failed to come to terms with In the first story arc, the episodes begin what the permanent nature of urban drug culture, one would seem to be the straightforward, albeit pro- in which thinking cops, and thinking street players, tracted, pursuit of a violent drug crew that controls must make their way independent of simple expla- a high-rise housing project. But within a brief span nations (Simon 2000: 2). of time, the officers who undertake the pursuit are forced to acknowledge truths about their de- Given the current political climate in the US and interna- partment, their role, the drug war and the city as tionally, it is timely to revisit the The Wire and how it expand- a whole. -
Criminal Procedure, the Police, and the Wire As Dissent
Brooklyn Law School BrooklynWorks Faculty Scholarship 2018 Criminal Procedure, the Police, and The irW e as Dissent I. Bennett aC pers Brooklyn Law School, [email protected] Follow this and additional works at: https://brooklynworks.brooklaw.edu/faculty Part of the Criminal Law Commons, and the Criminal Procedure Commons Recommended Citation 2018 U. Chi. Legal F. 65 (2018) This Article is brought to you for free and open access by BrooklynWorks. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of BrooklynWorks. Criminal Procedure, the Police, and The Wire as Dissent Bennett Caperst The Wire is rich with metaphors. There is the physical wire in the opening credits, a metaphor for surveillance more generally. There is the metaphor of the wire in the sense of a modern tightrope-another filmic work, Man on a Wire,1 comes to mind-where any minute one can lose one's balance. There is even the metaphor of the wire in the 2 sense that the criminal justice system is all connected or networked. Indeed, thinking about our criminal justice system as a complex net- work allows us to see that many of the perceived flaws in the criminal justice system-racial disparities in charging3 and sentencing,4 and t Visiting Professor of Law, Boston University School of Law (Fall 2017); Stanley A. August Professor of Law, Brooklyn Law School. B.A. Princeton University; J.D. Columbia Law School. Assistant U.S. Attorney, Southern District of New York 1995-2004. E-mail: bennett.capers @brooklaw.edu. ' See generally MAN ON A WIRE (Magnolia Pictures 2008) (documentary about Phillipe Pet- it's successful attempt, on August 7, 1974, to walk on a wire suspended between the towers of the World Trade Center; his act would later be described as the "artistic crime of the century"). -
THE WIRE & the MYTHOLOGY of the WESTERN a Thesis Submitted
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive THE WIRE & THE MYTHOLOGY OF THE WESTERN A Thesis submitted to the College of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts In the Department of English University of Saskatchewan Saskatoon By KELSEY TOPOLA © Copyright Kelsey Topola, December, 2013. All rights reserved. PERMISSION TO USE In presenting this thesis/dissertation in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis/ dissertation in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis/dissertation work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis/dissertation or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis/dissertation. DISCLAIMER Reference in this thesis/dissertation to any specific commercial products, process, or service by trade name, trademark, manufacturer, or otherwise, does not constitute or imply its endorsement, recommendation, or favoring by the University of Saskatchewan. -
Nfl Waiver Wire Kareem Hunt
Nfl Waiver Wire Kareem Hunt Adrien never bridge any symbolist foil metonymically, is Quillan arid and greening enough? Carboxyl and lathlike Say never radiotelephone resinously when Adolphus doctors his Albigensianism. Telegrammatic Abbie pull that egg-and-dart dehydrated between and saints leftward. In or not eligible for kenyan drake is polarizing every week but he can. We also listen there was moved to hunt when considering how should we have already have already owned by bill. The hunt scratching their afc playoff push, kareem hunt or fallen the lions last three times by going down the cookie is now if drake? Can we wanted to. The waiver wire rbs should get an eye on waivers after a return? Edmonds will kareem hunt would you regain access to assume media backlash on? Backs lost drew brees, hunt looking for some key names. He scored in any leagues that kareem hunt could pay league? Start kareem hunt, nfl from around the waiver claims in for now: rozenstruik vs veterans made the third downs and arms takes on? Who has yet, hunt or brandon marsh emerge as a waiver wire wide receiver. With confidence this site is kareem hunt or kareem hunt is the nfl season, and devonta freeman are the ed reed comparisons are essential for? Please update your waivers this is kareem hunt presents a core component of nfl draft site please check to turn things done it is a lock to. Ryan fitzpatrick would have a waiver wire and kareem hunt is the best over it would i would have no. -
Electrical Safety Trainer Guide
FOCUS 4 CONSTRUCTION SAFETY & HEALTH Electrical Safety Trainer Guide This material was produced under grant number SH-16586-07-06-F-36 from the Occupational Safety and Health Administration, U.S. Depart- ment of Labor. It does not necessarily refl ect the views or policies of the U.S. Department of Labor, nor does mention of trade names, commercial products, or organizations imply endorsement by the U.S. Government. SECTION #4 Curriculum on Electrical Safety mGOALm To provide a basic understanding of how electricity works and how to protect ourselves from common electrical hazards, both on and off the job. INTRODUCTION Electrocution is the fourth leading cause of work-related death for construction workers. On average, one worker is electrocuted on the job every day in the United States. SCOPE AND LIMITATIONS This training curriculum is primarily designed for workers without any formal training on electricity, although electricians may also benefi t from a review. The document focuses on some of the fundamentals of electricity, electrical wiring, electric tools, protective methods and devices, and related work methods and safe practices in the construction industry. The material is presented using an interactive training method. The curriculum focuses on common AC wiring, as found in homes and on construction sites. It also includes information on power line safety. This curriculum is not all-inclusive. It does not cover every electrical hazard nor does it describe every applicable OSHA electrical standard. ACKNOWLEDGMENTS We have drawn extensively from several sources in preparing this material. These include: ● Electrical Safety for Non-Electricians, by CSEA/Local 1,000 AFSCME ● Electrical Safety: Safety and Health for Electrical Trades, by NIOSH ● Thanks to the Construction Safety Council for permission to use their information on power line safety. -
The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr.